Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

.
Mike,
.
Do you make it down to Florida fairly often on business and do you ever make it down to Miami ?
.
Rgds,
Larry
.

cello

Mike, Thanks for sharing your experience with us. it really helps me a lot to think and choose my future amp, and speakers.

Best
Blueguitar.

rubyjunior

Owner
Mejames, a few years back i had spoken to Guy about changing the rca outputs on the RVC to XLR.....and at the time he said there wasn't room. thanks for the update on his thinking.

if i were to bi-amp with Tenors there would be no problem. but with the DarTZeel there is a problem. i will attempt to explain it.

the latest version of the DarTZeel (version B) has a switch to switch DC compensation in and out. it sounds better to me with this switched out (no negative feedback). the way that the Placette implements it's balanced volume control has an impedence miss-match with the DarTZeel when the DarTzeel is not running negative feedback. basically, i get a slight buzz after a few minutes from some unstable impedence (this is beyond the limit of my technical ability to explain).

if i use a single ended cable then there is not a problem.

my apologizes for not having a deeper understanding of why this happens.....but it does happen.

therefore if i decide to bi-amp with the DarTZeel i'll either need to go single ended version of the RVC or use something other than the Placette (new DarTZeel preamp is a definite possibility).

as i move closer to my Holy Grail things seem to get curiouser and curiouser.

mikelavigne

Mike Guy can fit another balanced output into your placette rvc rather easily he explained to me previously something about hard wiring the power supply cable replacing its plug in leaving the space for the second balanced outputs

mejames

Owner
Blueguitar; sorry, i didn't respond to your first question.

as i sit here listening to the Kharmas and a single DarTZeel i get absolutely no sense of lack of dynamics, or of any distress or hardness at peaks.....even in my big room. my previous smaller room did give me a certain dynamic immediacy that i don't quite get now; but that is a matter of how any system sounds in a small space and partially just a 'feeling'.

that is not to say that more power (with the Tenor 300 watt Hybrids or 2 DarTZeels) wouldn't have any benefits......just that there is no sense of anything missing (other than the bottom octave....but that is a speaker/room issue).

once the VR9's arrive and i experience what they can do in this room i will have a whole different context......which may bring me to feel differently about what i am currently hearing.

IMHO a single DarTZeel is more than enough for these 90db, 4 ohm Kharmas.

mikelavigne

Owner
hi Blueguitar;

no, i'm not able to make it to NYC.....i was just in Florida on business this week and it's just too far for me at this time.

i do think that many would feel the ML2.1 can fully develope the Kharma performance. until/unless i am able to actually live with the ML2.1 i would be hesitant to comment too much. it would come down to taste, sonic priorities, and room size.

based on my limited exposure to the ML2 and ML2.1 and other Lamm amps i have spent more time with.....i prefer the more lively and energised presentation (my personal viewpoint) of the Tenor and DarTZeel. i have not had any Lamm amps in my room to live with for extended periods of time but have listened to them many many times on very familiar gear.

that said; i believe the Kharma/Lamm combination is one of the very best sounding i have heard.....just not my personal favorite.

i hope you are able to find your personal 'right' amp......please let me/us know what you find.

mikelavigne

Hi Mike
Thanks for the reply, do you feel you need more power on the Kharma in current set up by using one dartzeel?

are you going to the HE show in NYC? I am trying to go there listen myself if I can. I am considering the Dartzeel and Kharma set up. eventhough the Kharma seems to mate well with Lamm gear. I would like to get something little different, I am already using the Lamm M1.1 so, thinkg about the ML2.1 or tube like solid state.
obviously the ML2.1 can't fully develop the potential of Kharma.
Thanks

rubyjunior

Owner
hi Blueguitar; good question.....and one i have considered a few times. my prevuios room was small so i never went any further than thinking. i have been in a state of transition in the new room.

i do not have experience with bi-amping Kharmas. i know that bi-amping can improve things, although sometimes only marginally. in my particular case, there would have been a few trade-offs and budgetary issues.

another set of Tenor Hybrids, $35,000.

another set of Valhalla interconnects, $3250.

another set of Transparent Opus speaker cable, $29,000.

those are all at list price; obviously you could buy substitues (particularly as far as the Opus) or buy used.

my Placette is not set up with two XLR outputs, so i would have needed a splitter (not the most refined approach).

my feelings were that it would not likely result in enough benefit to justify.

OTOH i expect to eventually bi-amp the VR9's. part of the reason is the location of the speaker terminals on the speakers. the tweeter/mid speaker terminal is about 30 inches off the ground......and the Opus is very heavy......so i will need long jumpers. my plan initially is to use jumpers to the Opus. but this arraingement may compromise the Opus's performance so i may go to bi-wiring initially and bi-amping eventually with different speaker cables.

both Hooper and MES are currently using the DarTZeel vertically biamped on the VR9's and love what it does. i heard this setup at CES and it did sound great (but to be fair i didn't directly compare a single DarTZeel).

would the DarTZeel biamped work equally well on the Kharma?

maybe.

would the Opus speaker cable with a single amp work better?

maybe.

mikelavigne

Hello Mike
do you ever think to bi amp the kharma? you have experience the very best model from kharma. the midi and the exquisite both are 90db, 4 ohm. do you think the bi amp those speaker will get you better result? I am still searching for my next speaker, and I felt my Watt puppy 7 sometimes need more power in the sense to get more body on the bass without playing too lound. what you think of it?

thanks in advance.
blueguitar.

rubyjunior

Owner
Scotty, thanks for the kind comments.....and best wishes on your future room.....i agree completely on the significance of the room (see the thread title).

i do like VAC amps......they are among the better tube amplifiers. but i prefer the Tenor and DarTZeel to any of the VAC amps i have heard. i'm sure once i get the VR9's in room there will be a parade of contenders to plug in to see how they do......

mikelavigne

Awesome set up. Particularly keen on the wood behind the speakers. Very interesting acoustical design touch, but makes sense when you think about it. I will be building my own listening room here in the next few years....so I will stay tuned...Can't wait to hear your impressions on the VS-9's...Great speaker...should definitely sound better than the show set up, even though they sounded great there. I spoke with Albert at the show and he is quite keen on VAC gear with his speakers and has shown several times with VAC. Didn't know if you had tried it or were considering it with the VS's...I only mention this as it seemed several posts above were comparing various gear. Good luck with the VS's and let us know how they sound. Boy do I wish I had a room like that. The room is soooo important...

scotty333

Owner
Blueguitar; i have listened to the Verity Parsifal a few times, and the Lohengrin once about three years ago. the Lohengrin was not my cup of tea as i recall.....but to be fair it has been so long i don't recall much about it. .

i do like the Parsifal......although it was a little polite for my tastes compared to the Kharmas.....a very listenable speaker that is kind to digital.

i have not heard the Sarastro that i know of....i may have run across it at CES but not specifically remember it.

sorry i can't be more help.

mikelavigne

Hi Mike,have you ever have experience with Verity audio's Sarastro or Lohengrin speaker? if you do, what you think of it compare to your Kharma? or overall quality and performance of the Verity audio?

rubyjunior

.
Mike,
.
Do let us know when you get to listen a pair of Stradevari's (hopefully in your room) and what you think of them compared to the Exquisites and VR9's.
.
Rgds,
Larry
.

cello

Owner
Sean, thanks.

i asked my room designer to design the best room that he knew how to design......and left the Exquisite's out of that consideration. my feelings were that the room is the one ultimate limitation that is, by far, the most difficult to overcome......and i wanted a room that would allow me to explore the highest performance gear i could find. we discussed the scale of the room and felt the trade-offs with a large room were better than those with a medium sized room. also, it is great to have a sense of space.

after 18 months of effort to build a room.......it is child's play to switch speakers. this switch is revenue neutral so no pain there.

we will see whether the VR9's are speaker enough (i think they are) and if i will miss aspects of the Kharma (at least a possibility).....you have hit exactly on the question of the moment.

Joesy; thanks for some support on the 'chair' thing.....and i still need to hear those 'Strads'.

mikelavigne

Wow Mike. I've never seen this thread or system. Very nice looking, but my first impressions were that the Kharmas were in no way enough speaker for a room of this size. For that matter, i don't know if the VS 9's will even be enough. Either way, i'm certain that they will be a step forward in terms of the dynamic capacity of the system. I'll be curious to see how happy you are with the new speakers once they arrive and what your thoughts are on the total presentation, not just the "jump factor". Please keep us posted. Sean
>

PS... Your humility is only surpassed by your willingness to share your experiences with others to their benefit in an unbiased manner. Thanks for taking the time and effort to do so.

sean

Hi, Mike : I am sure that, as myself, there are a lot of us waiting for you to post the differences between the vr9s and the Kharmas ... that will be some very interesting reading (I, personally prefer the Stradivarius over the VR9s) . Also, I will like to say that I think that music listening is something very personnal and it makes very much sense to me to have only one chair on that fantastic magnificent room of yours. The placer of listen to music at that high level of quality on room and equipment can only be truly shared with one self, even thou sometimes you have invited others . I, too, would remove other chairs once the invited are gone. The great mayority of us have to put out with the family room, and I can very well imagine being inmerse totally without distractions and in a perfect room... Heaven. Josey

josey

Owner
Blueguitar; i'm still waiting too.....

are we there yet?????????

i'm told a few more weeks.

Thanks Ben. it is really about the music.

to justify the room project i had to agree to a revenue neutral budget for a few years with the wife.....which has serverely impacted my former habit of adding lots of new music weekly. one of my real pleasures was that constant discovery of new music.....which i dearly miss. i do have a good deal of music already.....about 5000 lps and 3500 cds and sacds......but more than ever i KNOW it is about the music.

mikelavigne

Mike I haven't looked at your system in a while...it now looks even more stunning than before.
More than that what I really like is your big music collection.
To me that's what it's about but I'm sure your set-up and room is like a dream to a lot of us.
Superb.

ben_campbell

Hi Mike
I think a lot people here are waiting to hear from you about the VR9 compare to Kharma Exquisite Midi.
please let us know what you think of it

Good Day

Blueguitar

rubyjunior

Owner
thanks areynolds for the help.....i guess my pictures do invite a few to wonder about my listening habits.

Tal, i have answered your question many times on many different forums.....Audiogon, Audioasylum, Pink Fish, and AVS.....most multiple times.

to be honest; i manage a company with 140 employees and basically am in meetings or interacting 60 hours a week....so when i go home i need a little peace. my nightly sessions are typically singular.....other than audio friends calling me and my web participation as i listen. most weekends i have audio/music friends over and up to 10 will join me in the room at a time.

the wife and my son are frequent listening companions.....although they know when i need my space. when alone i do remove other chairs (i'm a neat-nick....what can i say).

mikelavigne

Talshapiro,

May I suggest that you read a thread before contributing such a snide remark! Mike has been married for more than 30 years so he is no social misfit and he is often the first to extend an open invitation to fellow audiophiles and music lovers to experience his fine system and room. On these occassions he brings other chairs in for visitors. Mike has mentioned in several threads that his chair is especially comfortable and well suited to extended listening sessions so who can blame him for siting it in the sweet spot whenever possible. If your post was meant to be in jest then I apologise for my defensive rant.

[email protected]

Such a lonely person, just one chair? Suggest investing money in a relationship, eh?

talshapiro

Owner
Eric; i ordered piano black. it should be two more weeks.

mikelavigne

man, i was hoping to get a straight up confessional there, haha. i can't wait to see in room pics with the new speakers. what color cabinet did you order?

eric

ericeash

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