Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

Owner
Brian and GD.....thanks.

i do have other chairs....but for me comfort is king.

this particular chair does have a high back; but the high back is narrow and not 'cupped' like many high back chairs.....all the surfaces roll away from my ears so don't really reflect, and the headrest keeps my head away from the back. i have compared it to my chair without a high back and the difference is quite marginal (more different than better or worse). my room is large enough that any rear wall reflections are very diffuse and not significant.

furthermore.....it is, by far, the most comfortable chair i have ever encountered. it is the 'zero gravity' chair since it removes the weight of your body from your spine and distributes it over your entire body.....i can (and do) sit in that chair for 10 to 12 straight hours.

life is balance.....and i have balanced comfort and performance.

mikelavigne

Mike:

Your setup is totally impressive, showing your love for audio and taste in room setup. Congratulations!

I am currently going through a major change in my own setup. I am building a new house with a dedicated media room. A lot of thoughts have gone into designing and building that room, but with a modest budget. The house is now complete and I am ready to move, naturally my audio stuff will move first. I will start posting some pictures on my system.

Your room gives me some ideas and inspiration as to how to setup the interior. I particularly like your shelves for CDs and records. I will also do extensive acoustic treatment, all in DIY style.

Again, your room is awesome. I do have a humble suggestion though. I would buy a listening chair with its back height lower than your ear level. With your ears free of any obstacle and the sound reflection from the back wall will make tremendous improvements in your sound quality. And of course, such a seat can still be comfortable and exotic in its looks.

GD

gallant_diva

Incredible Mike, simply incredible! Congrats.

brainwater

Owner
Albert, thanks. you know you are always welcome. sometime i'd also enjoy visiting your room and attending one of your 'nights'. hopefully we will both get the chance.

Rgains, thanks. Rives has a few pictures of the room on their site now.

Ron, thanks....i am enjoying it!

mikelavigne

Magnificent.

Rives must be beaming. Are they permitted to use images of the room for their own marketing/advertising?

rgairns

Mike, I don't know if I should be more envious of the excellent equipment, abundant software collection or the perfect room.

Wish I was traveling there for business, I would impose on you for a round of tunes.

albertporter

hi,oh,what a wonderful world
what a beautiful listening room i love it
nice system too
you have lots lots of you're collection of music
all i can say one of the best

enjoy listening
ron

simplicitymusic

Owner
thanks Gary. my wife enjoys music, but not as an active listener. she does come into the room and linger to talk or listen. occasionally she will lock into some music i'm playing and sit and focus....but that is rare (despite my continual requests).

in the main house we have a whole house Bang & Olufsen music distribution system (which came with the home when we purchased it last year) that my wife will use for background music; which she enjoys on a regular basis (my system is intimidating to her).

i am very happy with my Lamm PL2. that said; if i had the chance to audition the Connoisseur Definitions or the Boulder 2008 i would jump at it.....just to see if they might be better. for now, my budget is shot and new gear is not on my mind.

when budget permits; my top current priority is to catch up on all the new Lp and SACD releases in the last 18 months since i got into this project. i have plenty of Lps (not as many SACD's) but the urge for more great music is always on top of my list.

from all i have read, the Connoisseur Definitions is likely the phono stage that might light my fire over the Lamm. i have listened to it twice at shows and very much enjoyed it.

mikelavigne

Owner
System edited: more pictures.

mikelavigne

Mike

The room does look amazing. Out of curiosity, does your wife share your passion? Have you identified anything you might do differently with the room, now that it is all done? At one point I recall you mentioned changing your phono stage, connoisseur I thought was discussed. All the best, use it in good health

Gary

gajgmusic

Owner
thanks guys for the kind comments.

Lee, Tim, Slipknot, and Santiago.....you would all be most welcome anytime. Tim....we have talked about a visit from you many times....hopefully soon it will happen.

Lee, when i first learned about the Rives Audio approach i didn't agree with it as my experience had been in my small room where i was trying to keep the SPL's from overwhelming it. as i considered the whole picture i decieded that of all the approaches i had seen it made the most sense. so i had Rives do everything that they felt was necessary and i built it exactly to their specs.

i'm glad i did. it is interesting how my intuition about room acoustics has changed by this process. it was facinating to listen to my system as they finished one acoustical element and then another. it allowed me to really see cause and effect.

mikelavigne

Interesting; I had not considered LEDE a function of room size. Makes sense when I reflect upon it (sorry for the pun). Thanks for the link to the article.

I will say your room appears to be a perfect recital hall, which would be my summation of the article you linked me to. Thus, the Kharma's are the performers. It would be interesting to record in your room as well.

Anyway, I would love to hear your room one day with different recording mixes and hear the result.

All the best,

Lee

mprime

Mike- Amazing, its the only thing that comes to mind. If I ever make it to the north west I am sure you'll be seeing me with Jonathan in tow :o) Enjoy the music, you've earned it!

tireguy

Room for...one! I love it.. Congratulations, pure class!

Best regards,
Santiago

vvrinc

OK Mike, That is the best looking room I have ever seen!
You and Rives should be very proud of this all out effort.

Richard did a much more modest workup for my exsisting listening room (Level 1) but I can say that the end results are also wonderful.

I would love the opportunity to see the room in person and hear the results as well.

Truely Spectacular!!!

slipknot1

Owner
thanks guys.

Mprime, here is an article written by my room designer that explains why the whole "live-end-dead-end" approach is not ideal. i can tell you that the result of that hardwood behind the speakers is very positive when used with other diffusive surfaces.

http://www.positive-feedback.com/Issue14/rives.htm

i did use the 'live-end/dead-end' approach in my old room......but i had huge speakers in a 12 foot wide room. absorbtion has it's place but is best minimized.

mikelavigne

I have been one of the few so far to have had the pleasure of travelling to Seattle to hear Mike's setup and as he said, "hearing is believing".

It delivers in every way. Mike needs to be complimented on this labor of love.

I look forward to the review in Positive Feedback Online and hopefully in TAS

Good work Mike

oneobgyn

Again, amazing room.

I do have one observation and question; the area behind the speakers appears quite live (hardwood floor, no signifcant absorption): why did you make that design choice?

(as contrasted against a dead behind-the-speaker-zone)

Thanks,

mprime

WOW Mike, nice job. I think that my be the most well designed room I have ever had the pleasure of looking at.

Dave

sogood51

Owner
i forgot....the power cords on the amps have been changed from the EPS-3's to the Elrod Statements.

mikelavigne

Owner
System edited: well.....the room is done....the pictures are updated. the only gear changes are the emmlabs modified Philips SACD 1000 changed to the emmlabs CDSD and the Tenor OTL's to the Tenor Hybrid 300 watt monoblocks. there is much to tell about the room....for now i will say it must be heard to be appreciated.

mikelavigne

Most kind of you Mike and if I can ever take a trip to your area I would MORE than love a listen.

Once again, fabulous system and new room.

Dave

sogood51

Owner
Dave, i am just a hard working guy with a passion. it has taken 10 years to aquire and pay for my set-up. the room was part of the anticipated home expense when i moved last year.

you would be most welcome to visit. one thing i've really missed in the last year was the frequent listening sessions with fellow music lovers/audiophiles. send me an e-mail and we can set it up.

thanks Skip and Slipknot1 for the kind comments.....the tt is set-up and it sounds glorious (tt pics in the room are on the picture gallery).

Mprime, i loved my CD-12. it is still the most singularly elegant piece of audio gear i've ever seen/owned. when i first recieved the emmlabs gear i slightly preferred the CD-12 on redbook. i had both in my system for about 2 months.

after i had the modified Philips SACD 1000 for about a month i sent it back to Meitner for an upgrade to a chip (evidently the software of the SACD 1000 was only outputing 15 of the 16 bits). after this free mod the DAC6/SACD 1000 went to another level on redbook slightly beyond the CD-12. the Meitner combo now matches the CD-12 on detail, microdynamic snap, and naturalness......but the Meitner exceeds the CD-12 in the areas of dynamic slam, soundstage body, and a lower noise floor that approaches closer to my tt performance.

the CD-12 is still one of the very best Redbook players.

mikelavigne

Absolutely spectacular Mike. You should be VERY proud. Kudos to both you and Richard. Get that TT installed, sit back, and enjoy! You've earned it.

slipknot1

Quite a room! Brilliant!

Mike, I know you've had the CD12; how does the emmlabs combo compare?

Thanks,

mprime

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