this room and system is the result of 10 years in High End audio. my
system has been stable for a couple of years (except for transport and
amplifier upgrades within the same brand). the room has been in the
planning stage for about 18 months and i actually moved in a little over
a month ago.
my audio philosphy is to have the system get out
of the way of the event. i like as pure and simple a signal path as
possible and, at this point, prefer passive to active gain stages. i
love all the formats and enjoy having lot's of music.....vinyl is my
favorite but i listen to at least 60% digital. the new room really
reveals the benefits of SACD over redbook.
the system and room
truely allow the event to be recreated before me. i love the way the
speakers disappear and i am transported to another place/time.
i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.
recently, i upgraded my digtial transport from the modified Philips
SACD 1000 to the new emmlabs CDSD.....this was a significant step upward
in performance.
i have written an article in Positive Feedback regarding my room building experience.....here is a link;
new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
WADAX SA Reference DAC
Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.
Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.
https://www.arya-audio.com/revopod
CS Port LFT1 turntable w/arm
air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.
world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
Esoteric T1 Turntable
magnetic drive/rim drive idler turntable with torque adjustment.
with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation.
https://www.esoteric.jp/en/product/t1/top
Esoteric G1X Master Clock
Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.
https://www.esoteric.jp/en/product/g1x/top
Durand --Tosca tonearm.
gimbal bearing design. Tosca is on the Esoteric T1 turntable
Primary Control 12" FCL tone arm
Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.
12 inch tonearm, stainless steel. used for the Sumile mono cartridge.
https://glanz.tech/e/collection/mh1200s1000s900s/
Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.
https://myemia.com/LR.html
LFD -3- Phono Cables DIN to RCA
3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.
one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.
two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.
one is mounted on the CS Port linear tracker.
one is mounted on the Primary Control FCL arm.
finest cartridge i have heard by a significant margin. WOW!
Audio Technica MC-2022 60th Anniversary cartridge
uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.
https://www.audio-technica.com/en-us/at-mc2022
Murasakino Sumile Mono phono cartridge
MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges.
Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.
active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
Taiko Audio Daiza isolation platform--22 used in the system
Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.
22 Daiza platforms in the system of various sizes under every piece of the signal path.
Evolution Acoustics 'system' power cables
a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
Sablon Audio King power cord
used on the Wadax Reference Server power supply.
https://www.sablonaudio.com/power
Absolute Fidelity power interfaces
power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
Tripoint Audio Troy Signature
Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
Tripoint Audio Elite
Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
Equi=tech 10WQ
10kva balanced Isoltion transformer and distribution panel.
Furutech GTX-D NCF Rhodium duplex outlets
10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
Wave Kinetics A10 U8 decoupling footers
8 sets-of-4 in the system for individual tuning of each piece of gear.
Auralex T-Fusor diffusers
i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
Klaudio Record Cleaning System
automatic record cleaner
Acoustic Revive RL-30 mKIII CD-LP demagnatizer
for demaging any disc.
Furutech DF-2 LP disc flattner
will remove warps from Lps
Audiodharma Cable Cooker, Anniversary Ed.
will cook any cables
Winds ALM-01 Stylus Force Gauge
easy accurate, repeatable, measurments.
i-Tower by Koncept LED floor lamp
(3) are used. best audio light ever. 2 'warm', 1 'cool'.
Quietrock THX 545 drywall
specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
i'm frustrated with the slow progress on the costruction project for my new room. there has been progress on the ceiling so i have posted new pictures that show how the ceiling will act as a bass baffle. click on the link below and look at the bottom 5 pictures in the gallery.
Thanks for your response. I think you are probably right on the money. My current system is full ARC reference gear with Vandersteen 5 speakers. With Tubes and full sound of Vandersteens, the DCS seems to work well. Based on your recommendation, I am definitely going to give emmlab a listen. I am also thinking of upgrading to Avalon Opus or eidolon, more organic sound of emmlbas may work just great. fyi, my analog rig is lingo linn/ekos, koetsu rsp, ARC ref phono. Sounds great...but hopefully one day I can get the rockport!!!
thanks Hooper, this damn room project is really kicking my ass at the moment.....i see light at the end of the tunnel....and it is the damn train about to run me down.
the windows came in wrong (it took 6 weeks to get them), the doors aren't completed yet, the cabinetry is not even ordered yet (maybe today this will be handled), etc. etc.
today hopefully i'll post more pictures.
i'm glad it is entertaining to SOMEONE.....
i am anxious to hear about the VR-9's......they should be pretty special.....i'll look forward to your impressions. i know Lakefrontroad really loves his VR-11's.
yes, i have tried the dCS in my room but it was a couple of years ago. i have heard the dCS's current top level more recently in shows and in friends systems so i think i have a fairly good feel for that sound.
i prefer the emmlabs DAC6/modified Philips SACD 1000 to the dCS. to my ears, the dCS is more mechanical/flat sounding. we are talking small degrees here.....not night and day. also, system context.....if someone's system uses a warm tube amp and warm speakers the dCS might be the perfect balance. i try to stay very neutral thru my system and the emmlabs gives me all the resolution of the very best digital but also that orgainic and natural sound, it also fills the soundstage more similarly to my Rockport tt than any other digital.
it has been explained to me by those that (are supposed) to know that the pro-audio ST Optical interface that emmlabs uses is jitter-proof.....whereas the firewire interface that the dCS uses is jitter-prone. this proprietary interface of the emmlabs is it's performance advantage. i am no expert on these things but my ears tell me that it makes sense. the fundamental 'flatness' of digital is absent from the emmlabs sound compared to any other digital (unless a tube output stage is coloring the sound).
the new CDSD transport takes the emmlabs to another level with a lower noise floor and more weight and presence.
very nice system...by the way, have you tried DCS for digital? I am considering them, but have not heard the emmlabs/philips. your expert knowledge here would be hightly appreciated.
the barn had no heat except a small electric unit in the 3/4 bath. i have radiant floor heat in the main house....but decieded to go with an electric heat pump (which is dedicated for just this room) in the barn since i will be doing serious listening with everything closed up. it has 4, ceiling mounted, input vents and 2 returns so the velocity is minimal and there is ZERO noise. the main unit is in the attic but not above the listening room.
the HVAC was designed into the room by Rives Audio and the return air duct work you see in the front corners also act as bass baffles.
Looks great Mike. How are you dealing with HVAC? Did the barn already have a system in place? I see large duct work in one of the photos (speaker end).
BTW, the photo of the outside of the barn looks like the property is spectacular! Congratulations, please keep us posted on your progress.
thanks Tim. and all is well except the glacial progress on the room. but i am happy with the attention to detail i am getting.
yes, the HT room will be staying in the main house, in a room that was intended to be the Home Theatre in the original plans for the home. in some ways i am as anxious to get my 2-channel gear out of the HT room as into the new room as the HT room is very crowded. all my media (3500 Lps, 3500 cds, 500 sacds) are 'everywhere' in the house and i am looking forward to getting it all into the barn and 'freeing up' the space in the house.
Its looking good Mike! Is the HT getting its own building or is that still going to be in your house, if it gets a barn it will be known as a Barn theater and not a home theater :^) Hope all is well!
i am building a new room in my barn (which came with a new (to me) home i moved to 6 months ago). the home is on 4 and a half acres in the mountains east of Seattle. much of my motivation to move came from a desire to have a bigger more purpose built dedicated 2-channel room. this new room will be 29'L x 21'W x 11.5'H. it will have a concrete floor and is designed by Rives Audio http://www.rivesaudio.com
below is a link to pictures of the new construction. at the top of this picture gallery are pictures of my old room.
the contruction should be complete in about 30 days.
yep, the DAC6 isn't going anywhere. i might recommend that you look for someone that wants to switch to the DCC2/CDSD combo from the DAC6/Philips combo. i was going that direction until my new room allowed for the possibility of properly doing multi-channel hirez.
a month from now there will be enough Philips SACD 1000's for sale that you won't have any trouble finding one. the new transport is shipping 5 or 10 a week and almost everyone of those guys will be selling their Philips. just make sure the Philips you purchase is working properly.
So Mike, now that you sold the transport are you for sure holding on to the DAC6? I've just now learned about the Meitner gear and would be interested in the old transport/DAC6 combo as I won't spend 7k on a transport likely and someone has a transport for sale.
Jayctoy, thanks for the kind words. since God gave me a wife that allows my indulgence.......i figure i shouldn't abuse that privlidge by getting too 'full' of myself. but sometimes i confuse owning with knowing and i get carried away.
I wish all audiophile are like you,I read all your response on this thread, they are all full of HUMILITY,with what you have, a man can easily become prideful,but you stay balance and happy. I salute you.Enjoy.
and no, i'm not replacing it. i was just selling the Philips to replace it with the new Meitner CDSD transport.
i decieded to offer the DAC6 for sale since i thought it might be easier to sell the combo. then i could just get a new DAC6 to replace it. it was a bad idea. i have answered 10 e-mails this morning from the Meitner faithful wondering what i'm doing. the transport sold this morning and i deleted both ads so i wouldn't get anyone else's shorts in a bunch.
Haha. Ya I know. I'm just poking fun at how "different" your HT room is compared to your 2ch room. Hey it was you that described it as a cave :D But ya I've heard revel home theater setups before they sound great. And dark walls are definitely the way to go with HT too bad I only have one room and I can't paint it a darker colour.
I'm describing as life changing cause I haven't really heard a great setup before I don't think. The store demos I've been to have not been carefully setup (nature of the local dealers here). And oh ya it'll definitely help me figure out a lot as to where my system is at and what a properly setup system should be. It'll be very educational experience for me and I can work towards achieving a good sound.
understand that i am only in my HT room when the lights are off......so the visuals are simply not a priority. it actually sounds pretty good and the 7 foot wide screen is glorius on HDTV or video.
after breaking the bank on the 2-channel room the HT room is a big 'bang for the buck' room. for Home Theatre having the ability to isolate the sound and eliminate light was more important than style.
i appreciate your expectations for my 2-channel room.....but life-changing might be a bit much.....maybe 'pocket-book' changing might be more correct. it will probably move your reference point aways out there. and also may tell you that the performance in your room is closer than you think.
Hi Mike. After bothering you with so many phone calls and emails I can't wait to finally hear your system. It'll be my first experience with many things. I know my life will never be the same again.
Even without thinking of how the system sounds like I just love the pictures of your room. It's so beautiful and has such class (a complete opposite to your HT room :P)
It goes without saying that this is probably a fabulous-sounding system. All I wanted to add is: I heard the DAC6 / multi-channel pre-amp combo in Montreal with giant Kharmas (names escape me) and the new Tenor 300 monos. Digital on this system was mind-blowing. I've never heard anything close--including my GamuT CD-1 (which I love dearly and prefer to nearly everything else), the top-line dCS separates, the Audio Aero Capitole mkII ...
i did have an experienced local electrician install (4) dedicated lines. they are each 'home runs' of equal length 10 guage Romex, each 20 amp and on the same leg of my panel, and using Jena Labs deep-immersion cryo'd duplex outlets. i have 2 for my amps and 2 for my sources. this was a performance upgrade......lower noise floor, better dynamics, slightly bigger soundstage......the best dollar for dollar performance increase i have done.
i have 1" fibreglass panels on my sidewalls and ASC tube traps for absorbtion (i turn the tube traps to their reflective sides) and the bookshelves behind my chair and the Duette window coverings behind my speakers act as diffusers. i experimented for 3 years before i got the room balance where i wanted it. with a small room i needed more 'control' of reflections than a bigger room would need.
i believe that 'less is more' when it comes to room treatments; but my 12 foot wide room required treatment to be able to handle the dynamics of my system without overdriving the room.
there are companies that can help with acoustic design that i might recommend that can save you time and frustration. one company that a few of my friends have used and have been very happy with is Rives Audio ( www.rivesaudio.com ).
btw, your ARC VT-150SE monoblocks are great amps, they must rock on the Mezzo Utopia's.
Mike, I do enjoy your system as much as your knowledge about audio. Your system is simply one of the best in the world. Did you build the dedicated circuit lines? Is there any improvement? And how about room treatments did you install absorbers/diffuser? Thanks.