Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

Owner
Gary, i am sincerely flatered that you have me confused with Albert (i assume Porter). he is a class act and really knows his stuff.

as good as Norah Jones is......she will never be in Monk's class......good call on 'Monk's Dream'.

mikelavigne

dear Albert

Its interesting to hear that you observed similar findings on your system. I was really all set to buy it but honestly it did not sound as good as a 14 (canadian) dollar reissue of monks dream, recorded in 1963. I suspect it was the way it was recorded as it sounded quite closed in to me on the vinyl. I do plan on writing to mr. meitner and hopefully he will consider the invitation though I know he is busy. Enjoy the system and let us know how it progresses with break in.

gary

gajgmusic

Owner
hi Gary and SC53, if you speak to Ed Meitner he'll tell you how dsd is better than analog.....but he doesn't listen to the Rockport....and he makes his living selling dsd (sacd).....so possibly i'm more un-biased (in some ways).

my opinion is that the Meitner does come closer to good analog (vinyl) performance than any previous digital....but there is still a big gap and in certain ways (immediacey, speed, dynamics, detail and energy) vinyl is quite a bit better. sacd thru the Meitner has dramatically improved on the best previous digital in areas of soundstage and naturalness.

the Meitner emmlabs DAC6 and modified Philips SACD 1000 use a propriatary optical interface to take the raw data from the SACD 1000 to the DAC6. there are 3 optical cables (2 clock---in and out....and one data). these cables are said to eliminate jitter and are used in the pro audio world. the SACD 1000 outputs pcm (redbook) to the DAC6 and the DAC6 then upconverts it to dsd. dsd (from sacd) is output directly to the DAC6 and converted to analog. the DAC6 controls the data clock in the transport to eliminate jitter. other sacd systems use a firewire interface that has inherent jitter problems.

as far as redbook performance.....the Meitner pair is on par with the 24-bit Linn CD-12 that it replaced (which is the best redbook performance i have heard) and the sacd performance is on a higher level than any other sacd player i have heard by a good margin.

SC53, the Marantz SA-1 is still an excellent performer and for cd still as good as most $3k to $4k cdps.....and on sacd in the ballpark of all but the Meitner.....so don't think you are being passed by.....you have a great digital performer.

Gary, i agree that the Norah Jones cd is actually fairly close to the Lp......i'm not sure how this recording was mastered.....but if it was digitally mastered that would explain why the Lp is not more better than the cd. i have found that digitally mastered Lps are only a little better than cds......the Lp can't tell you about info that was never there to begin with.

mikelavigne

Mike, I noticed when you put your Marantz and CD12 up for sale and wondered what on earth you had found that bettered them. I have the Marantz and think it is fabulous for regular CDs; I don't listen to many SACDs. Forgive my ignorance, but how does the Meitner work? Is the Phillips transport sending SACD to be decoded by the Meitner? What does the Meitner do to redbook CD data? I note that you saved a bundle by selling the Marantz and Linn to go with your current setup. I have always loved that Linn player! I wish I could afford it, even used.

sc53

Dear Mike

Thanks for the comments on ed meitner. I think I will try to see if we can interest him in comming out. Unfortunately none of us has a serius, though there a few with some pretty reasonable vinyl setups. Does the meitner approach the vinyl on a regular base? Is this for sacd or for red books too? I have had a few cds which come close (on my much more modest system). I was surprised that the norah jones cd (lathed and with walker vivid) sounded surpisingly close to the 200 gm classic lp I borrowed from a friend. The difference was not enough to my ears (or two of my well hearing friends) to justify the extra bucks or the potential harrassment from my wife for owning two copies.

Gary

gajgmusic

Owner
Glx9, small world, isn't it. i e-mailed you my phone number.....call anytime.

my system isn't live music.....although i sometimes prefer it to what i hear live. recordings can be more satisfying than the inconsistencies of live music.

in any case, we'll have some fun.

mikelavigne

Mike,i'm in Seattle too ^^. If you be so kind, i'd like to stop by and earwitness live music sometime. thanks

glx9

Owner
Glx9, thanks. i moved on from the Levinson/Wilson path mostly because i had gone down that road all the way and i was looking for a simpler approach. this is not about good/bad......just a different path. i found that by eliminating complications from the signal path i got closer to the music and more satisfaction. understand please that i enjoyed every minute of my Levinson/Wilson experience, it was always satisfying.....but i have gone on.

yes, i believe that my current system is much better than my previous system, much closer to 'real' music. the $$$'s invested are not much different (other than the Rockport). but some people might prefer my Levinson #32, #33 and the Wilson WP6's to my present system.

my source philosophy has not changed from the beginning; i want neutrality and resolution in my sources so my preamp/amp/speakers can be neutral and natural. if your sources are 'colored' then the rest of your system must become some sort of equalizer......system balance is then a mostly impossible challenge.

Gary, thanks. i sold the Linn and the Marantz about 2 weeks after getting the Meitner.....their new owners are enjoying them.

i have spoken to Ed Meitner on the phone.....he is a great guy.....if you could get him to one of your meetings you would really enjoy him. i must admit to not completely agreeing with Ed regarding sacd verses vinyl......i think vinyl is still way better.....he disagrees. what Ed says regarding PCM (cd or dvd-a) and other sacd approaches is very interesting.

mikelavigne

Mike

Continues to sound like an amazing system. I live in calgary where meitner is based and we have given thought to trying to get him out to one of our small audio club events, but don't know whether he would be interested. What did you do with the linn and the marantz?

Gary

gajgmusic

i love your system. Although i've never gone though analog path. This is by far one of the most high-end system i've ever seen. i bet you must get as close as 80%-90% to live music. very nice. One more thing, may I ask why did you give up wilson/levinson path. Is this setup sound better than your old setup?. I also post my system under goldmund29/maxx and i'd love to hear your comment on my system also thanks!!

glx9

Owner
Eric, the Meitner website is www.emmlabs.com

some additional info on new product is on the Positive Feedback website here;

http://www.positive-feedback.com/Issue5/sacdupdate.htm

the DAC6 is $8995 list price currently.

the Grand Ceramique is one of the very best speakers, Congrats....and if you are ever in the Seattle area you are also most welcome.

mikelavigne

Mike I checked the manufacter list here the link for meitner
is not active. What is their website. How much is their DAC?
ps. My partner has the KHARMA GRAND CERAMIQUES If your ever in Baltimore let us know.

ericp

Owner
let me check.....the Rockport appears to feeling just fine and happy just where it is.... but it sends it's greetings.

Tim, you'll love the Meitner. i may end up with a 2-channel Meitner in my 2-channel room and the DAC6 in the HT room......i want to hear DSOTM in SACD multi-channel thru the DAC6.

cheers.

mikelavigne

If your looking for a place to let the Rockport 'rest' I am sure I could help you out ;) in the mean time I am looking forward to taking delivery of my meitner as well, though I am getting the 2 channel unit. Happy listening!

tireguy

Owner
System edited: my update is replacement of my 24-bit Linn CD-12 and my Marantz SA-1 with the new Meitner emmlabs DAC6 and modified Philips SACD 1000. the Meitner combo is very, very close to the Linn on redbook cd and way better than anything i have heard on sacd. i am now listening to much more digital than i was.

mikelavigne

Owner
Brulee, it is good to have company in my affliction.

i think being obsessive is simply finding all the enjoyment one can find from something.....to keep going down a path as long as it leads to continued discovery.....whether that discovery is musical or community....and hopefully both.

and Siriusly, in my case becoming an audio obsessive actually improved my life balance......you know, the kids leave.....all of a sudden you have time.....and all your friends are work connected....you need your own hobby or thing that you can get caught up in.....you have a love of music.....it either fits or it doesn't......i don't get involved with anything in this hobby that isn't satisfying or fun.....it is a stress reliever and pleasure creator.

in my case my job hours and commitment eliminate many other hobbies that might have been considerations. your spouse basically knows where you are all the time and likes it enough to support it.....i'm happy, she's happy....who needs/wants a cure?

anyway, that's my story and i'm sticking to it.

mikelavigne

I admire your your balanced life. Yes, you are obsessive. I gotta felling we have a lot in common. I understand we both may need help. Help in finding an even more balanced life. Is being obsessive some sort of disease? if it is,please give me the cure. I am very Sirius.

brulee

Owner
thanks Brulee, you are correct.....i don't get out much.....where would i go?

it can become a problem when all you want to do is play records......and more records.....and talk about audio.....and listen to new gear.....and meet with my audio friends....

what? you think i'm obsessive.....you only THINK i'm obsessive?

there must be a benefit to a balanced life......but at the moment i can't think of one......maybe when they say a balanced life they mean using balanced cables......i can do that.

mikelavigne

Hi Mikelavigne, I have always enjoyed your posts because of your knowledge and mild manner. After seeing your system I can see why you have such great knowledge. You know the sound of music. I imagine you don't leave your listening room much. Congratulations on one of the better systems I have seen on Audiogon. Very thoughtful of you to give Jonathan some of the credit. I am sure you will agree, he can be very helpful. Wonderful system, wish I lived near by. But maybe it best I don't hear a system like yours. I might not be able to go back and listen to mine.

brulee

Owner
Rwd, i have since added the vdH Colibri XWG Mytlewood to my cartridge stable.

the Colibri XCP is the clear winner so far.....it is the most explosive and detailed cartridge i have heard.....and still totally natural. the XWG Mytlewood is also very good but trades the ultimate explosiveness for slightly more ease and smoothness. the Insider Gold and Koetsu RSP II are still excellent cartridges but don't do it for me like the Colibri's. neither of the Colibri's are fully broken in yet and i am suppose to send them back for a tune-up after 300 hours (i have not yet decieded if i will let either one out of my sight).

the Colibri's are somewhat fragile and may not work in every system.....they have a very short canteliver and need a good amount of vta flexibility to get right.....but what they do has become essential to my mental health.

mikelavigne

Mike, of the 3 cartridges you are using....which one gets the mosrt use??

rwd

Owner
hi Robert, you are absolutely right. the one limitation i have is size of my room. my room has excellent dimentional ratios and the height of the room (11"), stepped ceiling and bay window really help. the 10 1/2 foot tall bookcases behind my listening position also help. the room is tweaked and has a great "feel".....music just sounds right with the correct degree of natural balance.

one note; the Kharma Exquisite 1D speakers do make the room 'look' more narrow than it actually is. the Exquisites are 16 inches wide and 53 inches tall (and 565 pounds heavy) but appear to be smaller so they make the room 'look' smaller. when you are in the room you get a feel for the real scale of the speakers.

but at the end of the day there are limitations to the soundstage and the feeling of openness and air due to the 12 foot width......so i am in negotiations with my very supportive wife to either build a separate, dedicated larger room, or find a home with a larger suitable room......stay tuned for the result.

my system in total is still the most satisfying music reproduction system i have yet heard but there IS room for improvement.

mikelavigne

The gear is great. Have you thought about a better bigger room. I think it would allow the system to breath. That much expensive gear really deserves a larger room. Those speakers would throw a huge walk into soundstage if they were spread apart a good bit more than your room will allow. I have heard many systems that the room hindered there true perfomance.

robertkelly

Owner
Arooj, i think you give me way too much credit. i certainly intend to be clear and humble.....but i'm sure not all would consider me so. in addition, even though i have expensive gear, that doesn't mean i posses any particular listening skills. so my opinions hopefully will be considered as just personal opinions based on personal experiences and nothing unique or particularly profound. in any case, i appreciate your kind words.....and.....let the chips fall where they may....no one made me post this system.

i totally agree on the Glacial moves.....the wife will see to that for sure. .^)

it would be interesting to compare vinyl on the Sirius III to mastertapes.....i would assume the mastertapes would sound better.....but tape deteriorization could tilt the table in favor of the vinyl. also, how would a person actually come to own a reasonable collection of quality master tapes? enough to justify that direction.

mikelavigne

Mike, this is an AMAZING system. You're probably one of only a handful of people in the world who can explain your system philosophy in a manner everyone can understand without a hint of pretension. I hope to drop by sometime next year (maybe around the S'phile show in Frisco).

It will be very interesting to see the future evolution of your gear; I'd expect rather glacial moves from now on.

You're now in the enviable position of only having to worry about software - can you imagine what original mastertapes (like, maybe on the Nagra system) would sound like?

arooj

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