Description

Audio Hobby Thoughts, Philosophy & System Description 

Current Room Anchors - Room 1 and 2 active

Room 1 - Matrix 800's anchors -  for creating that ..........Maxell Tape Effect. 
Room 2 - (Adjacent to Room 1) - Quad 57 + two Dynaudio BM12s subs - Midrange reference
Room 3 - Acoustat Model 3 - Modded - upstairs - For imaging larger than life  (literally speaking) - see last picture. Unfortunately is next to my wifes TV room. So it gets limited use.
 
Stored - B&W Electrostatic DM70c Continental - Wife calls them the washing machines. John Bowers called them his favorite speaker.   Very interesting and very rare. Could anchor a room but they need special placement and lots of room. ESL portion needs to be 100% functional and at ear level or they will sound soft. 

Room 2 is mostly digital, guests, and used for trialing used unplayed records before they make the queue for room 1.  Room 1 has been called by my family as Dads Hole. I prefer panic room as it helped to raise my kids and stay married...so far. 

Psychology Part 

Music is critical to ones health and well being. I went through a couple stretches in life due to events without it and the results were not good. The goal for me to get lost in the music and have it transport me to that special place. Now whether you get there by a typical 2 channel home stereo with speakers, headphones, or other means is not important. Getting there is the important part.  

Audiophile not.....

Have always been the type that if I frequent a room enough, a system usually ends up in there. My wife finally put an end to this, and allows me to do what I want in the full basement of our house.....so..... In this described virtual system, I have had Room A since 1994. Adjacent Room B is in the process of being finished, but I have been using it for listening for a few years now adding in room treatments as needed.   

History 

Like many others, have been at this audio hobby since I was about 13 when I was consciously aware of the gear versus the actual music relationship. I am now 55 and currently with two adjacent music rooms setup with different gear. Both rooms can do full orchestra symphonies with large dynamic swings. Getting Room B with the Quad 57's to do this was a challenge; but I was able to get it to work with the right amps and powered subs. The Quads require a very different room acoustic setup over the Matrix 800's in Room A.  

I am a pure amateur, audiophile, music lover, past trombone player, and have never been part of the Audio Business as a manufacturer, dealer, distributor, or have any special interest relationships with any of these people. I consider myself a full time music lover, and part time audiophile; although I have friends that could argue this point. I have tried to upload pics and information here, that give a flavor of some of my audio journeys, and associated bouts of Audiophilia Nervosa.  :^)

"Audio Heaven, is for Music Lovers - Audiophiles are never happy.
With that, in the real, authentic, Heaven;  there is room, even for Audiophiles"  
8^0


Living in the country

Having moved away from the city core in the 90's, I have found that audiophiles away from the cities, are in general, scare to find and or keep to themselves. Many of my audio friends are now remote, due to the distance between us; so only virtual communications are possible most of the time. 

The negative aspects of Isolation aside;  one good aspect of living in the country is the clean power and lack of noise and vibrations caused by traffic, trucks, etc...Once experienced and its effect on your listening, you become very aware of the multitude of audiophile products available as band aids, to cover, veil, but never eliminate these artifacts in densely populated areas. 

Thanks for reading and please say Hi.  

Happy Listening  


Read more...

Room Details

Dimensions: 24’ × 20’  Large
Ceiling: 8’


Components Toggle details

    • My Music Library Records, Tape, Cd's, Files.
    I was born in the 60's so I grew up with Classic Rock, Beatles, etc... But I love all music, new music and Opera hits home with me. I played trombone in Jr and High school so the Bass Clef has a bias with me.  Listen more now to the ladies crooning at me, Classical and Jazz with occasional Classical Rock; I think a well recorded full Orchestra Symphony with huge Dynamic swings has the most magic for me.
    • ***** MAIN ROOM aka Panic Room, Dad's Hole, ....*****
    I have had Room A since 1994. It has 3 dedicated lines 20, 20 , 15. This room is personal use. Room B is more for entertaining and spending time with friends. 

    Room A is much better insulated and isolated from my wife. As much as I would like to move the Matrix 800's to the larger Room B space to try them, it would probably just get me that much more trouble.  

    Room A and B are both located on a concrete poured floor. A has a an underpad and flat carpet on top. Spikes from gear stands and speakers are able to penetrate to the concrete with no problem ensuring a solid mechanical connection. The speakers are located 6 feet from the front wall with the room being 24 ft in length. Putting in the 800's over the 801's meant that some of the room treatments were able to be removed due to the 800's double woofers high and low.  This is also one of the reasons I call them very room friendly.
    • RTR - Studer Tape Deck - For Listening & Vinyl Tuning
    RTR - Studer - used to play 15 IPS Tapes. 
     
    1/4 inch 2 track machine. The three pictures attached. Top Left - known as two turntables. my machine being worked on Middle pic - 807 Top Right Pic. A picture of Roger Ginsley with a 48 track machine he is about to split into two 24 tracks. My Studer 807 is calibrated by him. He is also the one that makes the interconnects I use with it.
    • JC Verdier La Platine Vintage Granito Original Design
    2012 

    http://www.jcverdier.com/ADSL/platineVintage.html 

    Just a delight to use. With its presentation, sends the message home that it is all amount the music. Effortless, seamless, but experience is needed is setting up the thread. A real Goldilocks scenario of the thread being too loose, too tight or just right.  Different thread tensions alternate how the motor and platter work together and change the speed. The objective is to get the correct speed with as little effect from the motor. ....  
     
    Original design. Granito Model My version uses a motor only equipped for thread Granito base and solid aluminum billet armpod. The later newer motors are equipped now for belts too - but no one runs them this way that I know of. This decision was made imo to generate more sales as it is easier to setup. But imo the belt grip would play havoc with the motor / magnets marriage which was designed for thread. I would think that belt stretch and its physical changes with temp and humidity changes would also cause problems, and interfere with the natural braking action of the magnets. This is my opinion as mine is thread only. There is a greater learning curve involved with thread. 

    This is the only turntable I am aware of whose platter design includes both acceleration (inertia) and braking (natural forces from same pole magnets) to deal with the records behavior - going from soft to heavily modulated grooves. The motor design, like a marriage with the platter. Think of the childhood merry go rounds that once up to speed - even a little girl could keep them going. To understand how the motor and platter are like a marriage, one need only turn the motor off and the platter spins for 30 seconds with the thread attached. However cut the thread while the platter is turning, and the platter stops much quicker as the two magnets demonstrate their braking capability. Impressive to me is just the plain simplicity of design using physics to get the job done with a piece of string and magnets. I found it important in setup to have the thread positioned in a way that is the least intrusive on the platter; so as to allow the platter to not only do its job as designed; but to also provide the needed jolts as required from the motor to maintain speed stability. 

     In my opinion - you will know when you have set it up properly because you are able to turn the motor off and on and also deflect the thread with your finger - as the records plays - and not affect the music delivery to your ears. I base this when compared directly to 15 IPS Master Tape dubs. In testing for accuracy I run both simultaneously with one lagging 10 seconds behind the other and switch between the two - compensating for gain as tape is a high level signal. When the thread is setup in this fashion there is minimal stress put on it. The current silk thread I am using has recently passed the one year mark. Overall Big Sound from a small piece of thread. 

    Some facts Magnetic bearing design. Brass colored rings are big shielded permanent magnets; same magnet poles repelling each other. The result is "levitation" the space you see between them. No thrust bearing involved. A central spindle bathed in a special oil keeps them aligned. For me personally I did not know what TT bearing noise sounded like until I heard music on a TT without a physical bearing. The plinth is made of Granito. Granito is not real granite but a non-resonant material that looks and feels like granite. A limited edition model.

     "Granito is a material composed by little pieces of marble of very different origin agglomerated inside a mold with cement. Machined and polished. The resonance of the plinth with its suspension is about 5Hz and it is well absorbed by the air cavities." 

    Mr. JC Verdier Note: Newer Platines are provided with a setup bearing. The manual is very clear on the setup bearing. It is just that - a setup tool only. COUNTERFEIT PLATINES Unfortunately there are non-authentic tables out there worldwide from 20 different counterfeiting makers. These tables are out there with people using them. If anyone is unaware of this, see the Platine Information on the JC Verdier website for more info.

    http://www.jcverdier.com/ADSL/platineV.html]Platine 

    The only advice I can give is when buying a Verdier Platine you should be careful to ensure it is a real Platine, especially if buying privately. If you already have one and have doubts, check with an authorized dealer or J.C. Verdier company in France to ensure it is authentic.  
    • Custom Eminent Technology Model 2.5 for MC Carts
    This is a custom build ET 2.5 Tonearm from Bruce Thigpen - A 19 PSI design.I am using the new Long I Beam. Weights are reduced by half and therefore the vertical inertia is higher - a goal of the design. The Aluminum Gooseneck was sourced from NZ. It was through Richard Krebs also an ET2 owner.  I am using Single Shot WBT wiring, Aluminum mount plate. Magnesium armtube. Double Leaf Spring and damping trough. If you are an ET2 owner you know what I am talking about :^).... Advantages of the ET2 airbearing linear tracker tonearm - no VTF changes with VTA adjustment, no offset setup, antiskating and immunity to acoustic feedback, as it rides on film of air. 

    https://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1325551242&&&/Eminent-Technology-ET-2-Tonearm-Owners

    One shot wire. Run at 19 PSI. Damping trough with 1 cc of Oil. Lead weights at the very end of the I Beam.

    VTA on the fly while the record plays and it doesn't change any parameters (VTF) like all other tonearms do. This is due to a patented VTA on the fly system. Have you ever noticed how with same thickness records....some can sound brighter, some bloated and some just right? When they press the records the different plants can have different standards. Records are then cut with varying angles.. even same thickness ones.

    See ET2 Bass Management Below
    • Tonearm Wiring Loom - One shot WBT NextGen
    2011 One shot wiring loom for the ET 2.5. WBT 0102 CU connectors. The design of the ET2 (2.5) allows for this wiring to be changed out in about 10 minutes. Silver and copper can be experimented with.
    • The PUMP ET2
    Life Support for the ET2's.
    Timeter 3000 Medical Industrial Pump. The most important part of the ET2 arms setup. Industrial commercial grade medical pump. Its actually a patient respirator.

    These have an hours counter and come up for sale cheaply on ebay. If you have space in your basement somewhere they are turnkey once set up.

    I have tried large aquarium pumps, smaller medical pumps, compressors.

    This Timeter Medical 50 psi pump has been customized to allow me to regulate air pressure coming out and send 19 psi to the ET2 tonearms. Another regulator with gauge at the arm allows me to accurately adjust for the PSI coming into the arm. Located in another room -cannot be heard in sound room when running.


    The smoothness of air delivery is excellent. No resonance. The pump dumps/expels moisture like a car's AC. Have never seen a drop in the moisture collector; other than one incident when the pump outlet clogged with minerals from the moisture. I now soak the pump outlet in CLR for 2 hours every two months.

    • ET2 In Room Air Regulator & Filter
    2nd Regulator and Filter on wall near the ET arm. Confirms and controls the 19 psi and also filters out moisture in line. Have never seen any moisture in this filter. This device lets me change the pressure going to the arm by just turning the top mounted knob. This regulator is mobile. It can be placed in my lap while the music is playing and pressure adjusted to hear how it affects the music delivery.
    • Audio Research DAC8
    From a DAC only function perspective identical to the ARC REF DAC except the output stage is tubed on the REF. Interesting read.  :^)

     http://www.audioresearch.com/ContentsFiles/DAC8_white_paper.pdf

     
    • Audio Research SP11 - MKII Pre Amp Modded
    Owned many many years. Modded power supply box. Variable Gain for dealing with hot, and compressed source material - Digital and Analog. On the fly cartridge impedance loading. Used in ARC's hotrod mode. Direct output and bypass switch engaged. Amperex Bugle Boys.
    • Matrix 800
    Unique one time all assault effort from B&W at a time when 2 channel was the focus. Smooth, musical yet still detailed. Room Friendly if you can believe it. Imagine 4 subs two high and two low pointed at you for 2 channel music. Each driver 2 woofer, mids, tweeter have their own crossover easily accessible from the back. 
    They were a  2 1/2 year study from Bowers & Wilkins under John Bowers (RIP). I have looked for a long time for a pair. The only time they become available are through owners going to a smaller condo (retiring or divorce).

    All B&W 800 models that followed the Matrix series are the same only in model designation - 800. They are not a replacement or upgrade. They are a different build, design, objectives, sound. Post Matrix 800's are a smaller speaker system (require a sub for full range); they do have better WAF (more easily placed into a shared room with the wife)

    800 matrix can be played at low and high levels with the right amp.
    93db 2.83 volts/1m, Mine are Quad wired. They can be run on four separate amps if one desires as each driver has its own crossover. 

    Top and bottom woofers each excite a different set of waves. These waves cancel each other out. Thats the theory. My listening supports this. Smooth tight bass. It is quite something to experience since their size make you think they will over take the room. Also IMO each woofer works only half as much with four versus two for the desired SPL.  All of this results in a very flexible listening position. All drivers are physically isolated with separate crossovers and Van Den Hul silver wiring from the factory. I run them with both tubes and Solid State. Krell and  the modded Music Reference RM9.  

    Krell Amplifier Story
    My research found me talking with Dan D'Agostino who used matrix 800's as his reference speakers when he designed this era of Krell amps.
    Specifically the FPB series like my FPB600. On a dedicated 20 amp circuit with upgraded 20 amp power cord using Furutech Gold IEC.

    600 wpc - 8 ohms,
    1200 wpc 4 ohms,
    2400 wpc 2 ohms.

    The speakers are a 4 ohms design due to the double woofers.
    New spiders in all the four woofers.
    • KRELL FPB600 & KRELL Bass Alignment Filters
    Krell / 800 Matrix Interface. KRELL FPB600 KRELL 800 Matrix BAF Furutech IEC. 

     20 amp power cord. 
     20 amp wall service. 
     http://hansvt.home.xs4all.nl/pdf/brochures/baf.pdf
    • ROGER MODJESKI Music Reference RM9 MODDED
    I have two of his amps. RM10 used with QUAD 57's

    RM9 Push Pull Tube Amp.
    Used to power Acoustat, 801, 800 speakers.
    WBT 0700 Connectors.
    KT88 output tubes.
    Hardwired for 4 ohm tap. Total Overhaul done April 2015
    • MATRIX 800 INSTALL
    Installation
    • 800 Series Bass Alignment Filter / Equalizer.

    The graph shows the 801 matrix frequency response with and without the filter.

    All 800 series B&W matrix speakers are an active design and are intended to be used with an equalizer by the designer (John Bowers) to achieve the best frequency response.
    This attached graph was sent to me by B&W Europe years ago 

    It is the frequency plot for the 801 matrix "without" using the supplied Bass Alignment Filter. (not sure if it is 801 s2 or s3)
    B&W England are the ones that drew the two dotted lines on the graph. 

    The 801 matrix speakers were designed to be used with the BAF. The speakers with BAF devices were shipped to original owners. But these devices became lost as speakers changed hands. They pop up on their own on ebay.  

    The two interesting parts.  

    Part 1 

    Not only does adding the BAF filter as designed give you a smoother response and allow the speaker to hit 20 hz.  The BAF makes the 801 matrix speaker much more efficient. The ohm ratings can be seen on the right 8 - 6 - 4 - 2 ohms. The 801 matrix s2 and s3 are a very easy 6 ohm steady load with the active equalization provided by the BAF. This opens up amp choices.    

    Part 2 

    Audiophile opinions on the BAF device are kind of split. Not sure if its an even 50% like it, 50% don't like it, but you have the two camps. Why the difference? The room; its acoustic properties, and how the 801 (aka relationship destroyer) deals with it. There is a reason B&W no longer make the 801.  You need a dedicated room. Its makes no business sense. 

    801 matrix owners today (there are many out there and some reading here), that could NOT make the BAF work with the speaker; or who never used it, or even heard of the BAF before;  are taxing their amps way more to make bass with the 801.  
    • ************ SECOND ROOM ***********************
    A backwards seven with the main section 20 -23. This room is the "top of the Seven". It is separated from the bottom portion of the Number 7 shape (12 x 24) by a heavy curtain. It is also adjacent to my other room of which the door is left open. The back of the room has the stairs that go upstairs. One of the pictures has me standing on the stairs. All this makes for a much bigger room as far as sound volume and space is concerned. An in progress dedicated listening space that accommodates different speaker types.
    • ******************SPEAKERS ***********************************
    03/31/2011 Dynamic, ESL, Planar IMO - We listen to our rooms. The speakers in the rooms are like boats. They both represent freedom to me. A 12 foot aluminum boat is perfect for a small lake and your favourite person. But out on the ocean or a big body of water Â… The water/boat analogy in this case is like your room and speakers. Water waves versus sound waves. There is no perfect boat and no perfect speaker. This is because all our rooms are different and the room is the big rock in this audiophile game. Speakers represent the last piece in the audio chain. Their sound represents everything in your audio chain especially the room, before it reaches your ears. Every piece will have an effect on what is heard. This IMO is why it is so important to have a good source. The last few years my speakers have remained intact and I have concentrated on improving the source components. Each time I improved the source my main speakers improved as well. This tells me they are not a bottleneck and I have not yet reached their limits.
    • Dynaudio Acoustics BM12s - Two of these in my Quad Room B .
    Two of these in Room B -  18hz - 60 hz. 
    4th order Linkwitz- Riley crossovers have a really steep slope past 60 hz.
    On paper this made them look like a really good match for the Quad 57's; but how does such a small box make 18 hz.  They have class a/b amps are 4 ohms. 
    I brought them home and demoed them. Very Punchy, Clean and they go really low. A great match with the raised Wayne Picquet Quad 57's. They are placed under the speakers - see pic in my virtual system. 
    • Quad 57 Wayne Picquet rebuild with Music Reference RM10 AMP
    Quad ESL-57 - Wayne Picquet Panels Partnered with the amp that was designed for them - Music Reference RM10 by Roger Modjeski.

    With certain music magic for me.

    8/20/2012 These Quad 57 speakers were designed and put out before I was born. The parts inside which I have replaced like the EHT modules were stamped 1971. Fourteen years after they originally came out. The panels themselves are only a few years old. They were rebuilt by Wayne Piquet in Florida.
    The normal music presentation for stock Quad 57Â’s is as if listening to music from the first row of a balcony. If using stock feet a 2 or 4 x 4 piece of wood or brick under the rear leg angling the speaker downwards toward you actually raises this image. This may be a more realistic presentation in your room.

    Check out my review. http://forum.audiogon.com/cgi-bin/frr.pl?rspkr&1309018315&&&/Quad-57-
    • 801 Active Monitors - Currently Stored
    Currently Stored - "Winnie the Pooh" of speakers. Relationship Destroyer. Owned since 1994. Serious Sound Pressure Speaker can re-create an event in your room when positioned and driven properly. Mothers milk bass. During my time with them have used Solid State and Tube amps (Push Pull and OTL's).  In comparison to the DM70 Electrostatic, If the 801 and DM70 were cowboys. The 801s are wearing black hats and the DM70 white ones.  

    801 Matrix S2 and S3 - Designed by John Bowers to be Active Monitors with use of the BAF and become a sixth-order Butterworth alignment. Without the high pass filter they are a vented fourth-order design, specifically in a Bessel alignment. "Fourth-order" is an engineering term that refers to all vented and passive-radiator speakers; sealed boxes are "second order."  

    They are not full range to 20 hz without the BAF. 

    http://kenrockwell.com/audio/b-w/800-series-bass-alignment-filter.htm 

    ***************************************************************************** 

    From Stereophile (re: S2) "Higher in frequency, the response trend (averaged across a 30 degrees lateral window on the tweeter axis) is basically flat, but with a slight excess of energy in the presence region and a corresponding lack of energy in the top octave. All things being equal, this will make the speaker both a little too revealing of recorded detail and somewhat fussy when it comes to the quality of source and amplification components, just as LL noted in his auditioning comments." 

    *******************************************************************************

    801 S2 versus S3. 
    Some of the changes. S3 used a different crossover than s2 - less component count. Better isolated mid and hf boards. Bass inductors with an iron dust core . Rotating midrange – tweeter head assembly was permanently connected. (from 3 to 4 pin delivering separate ground signals to midrange and tweeter) Magnetic fluid cooling of the tweeter (like the 800 matrix) - the reason the apoc protection eliminated (circuits needed for this were also removed) 


    ******************************************************************************* 

     In nearfield very revealing of room setup, system components - SS and Tube, cabling, TT drive systems, poorly recorded music. They reveal all the flaws of the recording. 

    Depending on your audio hobby objectives this can be a good thing or a bad thing...

    See picture of the Bass Alignment Filter. 
    • B&W Electrostatic DM70 John Bowers / JansZen Hybrid
    B&W DM70 Electrostatic Continental Hybrid Speaker Clockwork Orange Movie The late John Bowers (RIP) favorite speakers. JansZen ESL - 500hz and up. B&W Woofer - 500hz and down. Require a large room - elevated to ear level and a good distance from the front wall. Very refined midrange - muscular bass. Non-directional with a large sweetspot.

    n]Designed in 1970. No cost or time constraints during the development. From what I can make out they were discontinued due to costs involved.
    Version One - Power handling 25 watts at all frequencies.
    Version Two - The later DM70 Improved, which looked identical, is suitable for amplifiers of 25-100w, but seems otherwise identical.

    500hz crossover - ESL panel can not be overdriven and is nondirectional.

    ESL Panel was provided by JansZen.
    Sensitivity is 17 watts into nominal impedance required to produce a sound level of 95 dB. at one metre at 400 Hz
    Double fuse protection C and CA versions.


    Restored and refurbished. Silver wiring inside

    http://loudspeaker-repair-service.reromanus.net/B+W-Manual_1970.pdf

    http://reromanus.net/loudspeaker-repair-service/refurbish_DM70.htm

    http://www.mats-enterprise.co.uk/DM70page/index.htm
    • Modded Acoustat Model 3 - Used In Shared Space Upstairs
    Finally hooked up the Model 3's to the OTL's in a temporary fashion.


    These are in our living area shared space
    Custom modded Model 3;s.
    They have rebuilt interfaces.
    Unique granite bases with integrated spikes that weigh 80 lbs.
    Burl Oak Veneer facing and the inside is filled with small sand bags.
    • Technics SP10 MKII with 2nd ET2 High Pressure Manifold
    March 11, 2013 Update


    Next version ? will replace the current black base plinth with a more aesthetic one.

    Pet Project - Has taught me a lot about resonances and vibrations.
    SP10MKII Version Five
    Solid Stainless Steel Legs have threads at both ends and are bolted into the sp10 top plate as well as the solid plinth/platform. The armpod is bolted into the plinth. The plinth is then isolated by the AT-616 Pneumatic footers.
    19 lb Solid Brass Pod
    1 inch Diameter Solid Stainless Steel.

    Previously I had the SP10 MKII in a heavy 7 layer plinth. Birch ply + one mdf layer. This SP10MKII came from a private studio.



    This is the second ET2 I own and it is a high pressure manifold

    Detailed tips and observations here.



    http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1325551242&&&/Eminent-Technology-ET-2-Tonearm-Owners
    • Jean Nantais 100 LB Two Tonearm Custom Lenco
    Jean Nantais Custom turntable.
    Includes:
    100 Pounds - Veneered - Two Tonearm Plinth
    Lenco L75 motor and top plate rebuilt to his standards.
    Reference model spindle, bearing thrust plate.
    Bonded Metacrylate mat
    Bearpaw footers.
    IEC outlet.
    • ************ SOME NOTABLE MEMORIES **************************
    For me some notable equipment. Currently stored or sold-indicated as such.
    • McAlister OTL 195
    OTL195 There is a review contained in my system thread. In comparisons to good Solid State Class A and Push Pull amps they were like driving a 911 but you are limited to 1st gear when pushed. Very fast and punchy. But lack the bass that push pull deliver on. Get the bass right and everything else comes into place. These amps are designed around the needs of Acoustats. My Acoustats are in the shared room upstairs. I no longer own the OTL's.
    • Fidelity Research FR64s
    Gimbal Pivot Arm. I found excellent build quality and a nicely implemented antiskate system. I also found a low frequency resonance that accentuated the bass. A warmer sounding tonearm. It was in my second room with the second ET2 not the ET 2.5. Whenever I started a session with the FR64s it was always nice. But curiosity would always prevail and I would switch over to the ET2. It would always remain there. This happened more times than I can remember. I am not a tonearm collector so it was sold to raise funds for another project. I am in agreement with what Cartridge designer Johnathan Carr had to say about it. http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1243274438&openusid&zzJcarr&4&5#Jcarr
    • Modded VPI's
    Thread driven TNT and a JMW 12 using rollerblock jrs. SOLD
    • Acoustat Spectra 33
    Acoustat Spectra 33
    • Eminent Technology LFT 8a
    Set up in midfield - soundstage at both sides of the room. So the speaker shown is the left or the right one depending on side of room you are on. Excellent Magnetic Planar Hybrid Woofer Speaker. Very natural sounding but difficult to drive.
    • ****************AUDIOPHILE FUN + ET 2 TONEARM MODS ************** ****
    From here down are some inserts from past audiophile fun. 
    Also contained here is important information on the ET2, 2.5  tonearms as well as some of the mods I have done to them. If any questions on any of them let me know. No Holds Barred tonearm. User needs to be mechanically inclined and be willing to read ET2 manual instructions for proper setup of this tonearm. If bought on the used market a friend that is familiar with the tonearm for proper inspection of condition is important. 
     Audiogon ET2 thread 

     http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1325551242&&&/Eminent-Technology-ET-2-Tonearm-
    • COMPARING TURNTABLES (Jan 2010)
    Goldilocks and the Three Turntables . See Sept 20, 2019 post comment below on my virtual system for findings / details. 

    Belt Drive (converted to thread) VPI TNT Idler - Jean Nantais Custom 100 Lb Direct Drive - SP10MKII When compared in the same room(nearfield), with same gear, tonearm and cartridge, same time, differences are revealed. Out into rooms on their own, this is not as noticeable as our ears deal with different room acoustics. ymmv
    • OTL VERSUS PUSH PULL Tube Amps
    In room comparison.
    • Thread Drive Comparisons
    2010 testing out different threads. Fabricland became a favorite place of mine.
    • ET 2 Tonearm Proper Bass Management - ATB
    According to Bruce
    My ears agree
    • ET 2.0 Manifold Before and After Cleaning
    Pictures courtesty of a friend.
    • ET2 VTA Block Destroyed
    Thigpen Genius showing VTA Block rack of teeth and worm gear. This one was abused. If you are buying a used one ensure the rack of teeth seen in the pic are uniform with no wear and baldspots. This is an indicator that the VTA block was misused and rigidly tightened stripping the teeth. The bolt was tightened to a point that shattered the CF.
    • ET 2.0 2.5 Tonearm VTA Block Torquing Procedure
    VTA Block - Ensure each of the four bolts is torqued equally or the patented VTA system will be off. This procedures takes just minutes and should be done off table or you will throw your alignment off. Once bolts are torqued the manifold housing can be mounted to the pillar post and the rest of the setup completed.
    • ET 2.0, 2.5 Tonearm Magnesium versus Aluminum Armtubes
    Mag - MC Cartridges Aluminum - MM Catridges The middle ground is the Carbon Fibre arm tube. MM and MC.
    • ET 2.0, 2.5 Custom Aluminum Joint - aka GOOSENECK
    Black one is the stock one. Sourced from Richard Krebs
    • ET Tonearm Counterweight Bolt Mod
    Get a longer counterweight bolt especially if you like to use heavier cartridges. The stock ET2 bolt is on the right. The longer bolt weighs a bit more, holds more lead weights and allows you to use less lead further out on the I Beam. This provides for the highest vertical mass which is really important with the ET2 as it has medium to high horizontal mass. a 4 - 1 horizontal to vertical ratio. In my system higher vertical mass means cleaner, less resonant, overall better bass.
    The brass rings are meant for balancing only. I prefer to use Blue Tack for this purpose.
    • Et2 Leaf Spring Mods Single, Double, Triple
    General Cartridge Guideline 
     Single Leaf Spring - High compliance 
     Double - Medium Compliance 
     Triple - Low compliance
    • ET2 Pedestal Custom 3
    Solid Brass Arm Pod
    • Koaltar Tweak
    my pal 6 months, 79 lbs.
    • Kitty Tweak Bengal
    a real sweetheart
    • RCA Victor Dog
    I introduce Lucky. He is a mixed breed Jack Russell/Chihuahua mix breed. He will be acting as the Victor RCA dog, 

    The original Victor RCA dog.  
    He was named Nipper and was born in 1884 in Bristol, England, and died in September 1895. He was a mixed-breed dog and probably part Jack Russell Terrier, although some sources suggest that he was a Smooth Fox Terrier, or "part Bull Terrier". He was named Nipper because he would bite the backs of visitors' legs.

Comments 673

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Rega Apollo & Saturn Transport Fix. (initializing, reading and playing CD's)

This post is for owners of Rega Digital players (Apollo and Saturn). If your transport mechanism works, but your player is having trouble initializing and reading discs maybe this fix will work for you.

My Saturn (XX years?) which I still use in one of my systems went down on me over the summer. It intermittently stopped reading discs. When it did read them it would start having problems during play. You could hear the mechanism working hard as it cycled eventually stopping and showing an Error message on the display. It seemed I had the option of sending it to Rega Support Plurism in Montreal, or maybe try something DIY - do it yourself. Here is what I did.

First I took a Q-tip - dipped in Isopropyl 99.9% - waiting till it was not dripping and just moist. Then using a magnifying glass gave the laser lens one light swipe.
This resulted in lightning fast initial cd reads. But it still had problems playing the CD. You could hear the mechanism working till finally stopping and registering that Error display.

I then took some Lithium Grease Lube. Sprayed some on a piece of plastic. took a flat tooth pick and dabbed it into it. I then manually, carefully pushed the transport mechanism to see and access the full railing that it rides on. With the toothpick I applied dots of grease in an even path along the railing of the transport. I then put in a cd. there were 15 tracks on this one. Let it load. Then I cycled with the remote between track one and track 15. 15 and one....repeatedly. This forced the transport mechanism back and forth allowing it to lubricate itself with the applied grease.

At least 200 plays later it is still working better than it every did in the XX years I have owned it. (fingers crossed) I would post pics of how I greased the railing but have not had access to the virtual system here for a long time. What's up AudioGon ?

fwiw
People that have owned these players know how good they are from both from a DAC and Player/Transport perspective. Extremely musical, analog, vinyl like.
I had taken my Saturn to dealer showrooms over the years and plugged it into their systems with my CD's. The Saturn held its own quite well, as both an all around good CD player; but I discovered that its transport is the real gem comparing against others. For me personally, it took an expensive DAC - the DAC8 in my case to replace the Saturn's DAC. But its transport I still rank way up there.

Cheers

ct0517

Owner
Hi Henry - glad you liked my Horn Woofer Speaker Selfie. Yes it was a Selfie. I came out bad so I cropped myself out of it !
You know...this is happening more and more with me in pictures these days.....cropping myself out. Can't figure it out :^(

Hi Dan,

Koaltar needs a pat on the head (if you can get to it), and a good scratch behind the ears

The hardest part was keeping a labrador retriever out of the water for 10 days. Do you have any idea how hard it is to keep a lab retriever out of water ?

Will need more input on just how great the improvements are on the push-pull amp

The truth for me is that amps are really kind of boring. The really good amps just disappear so you don't think about them. Unless they are loaded with tubes to stare at. But then you are afraid to leave the room for an extended period of time for fear of fire. think OTL.
Now Speakers and turntables - those are interesting.
When they (amps) disappear and provide reliable satisfying service year after year you got yourself a good amp.
But this RM9 is not just a regular push-pull amp.
This is a very unique amp to me. Owned it many years. It has been in the ball park with every amp I have ever owned.
It even competed with the former OTL's and; the only way BTW I got to hear the OTL's in trial at my house before buying them, was that the OTL manufacturer respected Roger; and needed to hear his amps with the RM9 in the same room. So he brought a trial pair over for me.
Can it compete with the big Krell - don't know yet. Been travelling and I haven't turned on the Krell yet since getting the RM9 back.
For now I will say the Matrix 800's are honest full range speakers 20hz - 20khz, and the RM9 is handling them nicely in my room.

The current version of the RM9 amp is called RM200 and to get one that Roger Modjeski himself has wound the transformers on costs an extra $1000. Makes me wonder where they are getting the regular transformers from, and if this part of the amp is being outsourced from the same place as maybe ARC or other companies ? Sign of the times.
Does anybody know the answer to this question ?

As information (a copy and paste from the Music Reference website)
Music Reference Price List from their website in US dollars.
Not affiliated....just a fan; I also own an RM10 that I use with my Quad 57's.

Amplifiers
EM7 All Triode Stereo 2.5 watt/channel SE power amp KIT $750
EM7 All Triode Stereo 2.5 watt/channel SE power amp $1250
EM7 All Triode Stereo 5 watt/channel SE power amp $1500
EM7 All Triode 10 Watt Push-Pull Monobloc w/ Balanced Input(each) $1250
45 or PX4 based Deluxe Stereo 4 watt/channel (Email)
245.1 45 based Stereo 4 watt/channel less output tubes (Email)
RM-10 MK II 25 watt/channel High Bias EL-84/6BQ5 w/ Self Adjusting Bias & Tube Current Indicators $2,450
RM-10 MK II 35 watt/channel Push-pull EL-84/6BQ5 $2,950
RM-200 MK II 100 watt/channel Push-pull KT-88 $5,400
RM-200 MK II-T As above with transformers wound by Roger $6,400
RM-300 MK II 300 watt Monobloc Push-pull (each) $9,000
RM-6 OTL (Output Transformerless) Direct Coupled, Servo 100 watt Monobloc (each) $4,500

So to replace this RM9 with a new RM200 is $6400. Can't imagine what two RM-300 300 wpc mono's at $9k each would sound like....
(if I was only living in California where Music Reference is)

A comment from the the technician that stuck with me; This is when he was testing the reborn RM9 out. "this amp just does not give up"
& "nice transformers"

So....

How do you know when you have a special audio piece ?

Answer

IMO.....when the repair/tech wants to buy it off you.

This also happened with my ARC SP11MK2 some years ago.

So been enjoying the renewed born again RM9, but up north much of the time now. Will put in the big Krell in later this summer.... .. no rush. I am after-all a full time music lover; and only part time audiophile.
I have grown out of the - play my favorite 10-20 music albums all over again whenever I introduced a change - phase. :^)

ct0517

Hi Chris,

Koaltar needs a pat oh the head (if you can get to it), and a good scratch behind the ears (See above).

Will need more input on just how great the improvements are on the push-pull amp (did it get any stitches too?)

Enjoy, and regards,
Dan

islandmandan

Horn woofer.....😹
Hahaha.....excellent Chris...

halcro

Owner
Well, If my spot the amp difference game was a TV show, it would have been cancelled the first week due to lack of responses :^(
I therefore declare Banquo the winner. You will need to come to Canada to collect the prize Banquo.
Still listening to this Born Again Music Reference RM9.
Lovely tunes coming out of it. Using the 4 ohm, low gain setting on the 93db matrix 800.

on another note:
Here is a pic of my new Horn Woofer Speaker

Also known as the Natural Woofer. It doesn't get any purer for this for sound does it ?
When he is hungry the sound from the speaker is at 1000 hz - more like a whine.
If something annoys him it gets into the 100 -200 hz range.

Sorry..... could not resist. Reminded me too much of a vintage Masters Voice turntable I own.
My wife likes this turntable as she is into antiques. She lets me display it upstairs if you can believe it.
Koaltar had the nasty performed on him this week. Hurts me as much as him.
Should be a real fun week here. 80 lb Lab and Elizabethan collar to keep him from licking the stitches for 10 days. :^(

Some recent listens
Sarah Brightman - Classics
Neil Young - Decade
Natalie Merchant - I have played this one so much I could be a backup singer for her at her next gig.
My girlfriend Sarah Mclachlan's latest - Shine on.
Blue Rodeo - 5 days in July
Supertramp - Famous Last Words...
Various Jazz and Classical
Dug out an old favorite from my very young days - Electric Light Orchestra - Turned to stone. Used to use The side containing Concert for a Rainy Day to pump myself up for Sports I played. This album therefore still pumps me up.

Something about myself.
In my room I am definitely not a streaming type of guy - I play whole Albums (CD's and LP's).
I like to get to know the artists and their music.
I don't jump from song to song. I get to know each song on the album.
If I am just working around the house and looking for tunes I usually just grab them off the Bell Expressvu Satellite - Theme stations in the other room.
Depending on the mood.

Happy Listening.

ct0517

Owner
Banquo - very good.
You hit on some changes and made some good guesses.
You scored points and are in the lead. The fact that you are the only player so far...is irrelevant :^)

Some background
I just received back this amp early this week. It was given to a famous local tech here back in December, and I told him to take his time, check it out, rehab it and make it better. Better ? What did I mean by that ?

This amp Push Pull already trumped my previous OTL's monoblocks in the bass department and with less wpc. As you know bass is very important to me.
Remember this for thread readers - OTL versus Push Pull

It was fairly equal/very close in the midrange. But what the OTL's had over push pull was their immediacy and response, and a litter bigger sound. Like the sound was coming from a bigger pipe. The Push Pull sounded a little congested in comparison is what I wrote earlier. So I instructed him to, along with a complete rehab with new solder connections everywhere; to make the changes he felt were needed to make it sound more open, less congested.

Here are some more hints.

the same two pics have been updated

Banquo363 - And those 2 large gauge looking wires that appear to be going to the rca inputs? Noise reduction mod? No idea.

Looking at the top pic you can see I have added two red arrows pointing to two beige colored wires. Difficult to see as they are the same color as the board. If you blow the pic up and follow those wires you will see that these wires have disappeared in the bottom picture. They have in fact been replaced by the two large gauge wires in the bottom pic. FURTHER HINT - These two larger gauge wires are also Silver wire.

Also if you look at the bottom of the revised pic you see a red circle around an additional ground cable that has been added, This one attaches to the bottom cover bolt where the bottom cover metal shield attaches. So this will help with further noise reduction that you mention. Now the previous version top pic was already a modded version and it came with a very nice hard wired 3 prong power cord. In its current state the amp is very quiet and cannot be heard at idle even with your ears up to the drivers.

ct0517

Easy for me to identify, since I own this amp. Regarding the reasons behind the mods, I can only guess. Beefed up power supply caps. The orginal maufacturer didn't do this, since I don't see the chokes that he typically puts in as part of his mod for the power supply. Caps for input stage changed out, perhaps so you can use a different type of driver tube? And those 2 large gauage looking wires that appear to be going to the rca inputs? Noise reduction mod? No idea.

banquo363

Owner
..
Can you spot the differences ....

Between the Top and Bottom pics ?

guesses and comments welcome from ......

Amplifier manufacturers, engineers, audiophiles, music lovers, politicians (?) .....
DIY tinker'ers that just can't keep their pinkies out of their gear.
Those addicted to the smell of solder smoke.
Those that like to play "Spot The Difference Games".

Extra points to those that can identify the reason behind the changes.
The previous version is on top. The newly modded overhauled version below.
Sound like fun?

The mystery amp and the story behind it to be revealed here soon with more listening time.
I'll say for now that this venerable tube amp and its magical transformers, sounds wonderful, and is doing one hell of a nice job driving the 93 db Matrix 800's and their double woofers.

Desert Island Album Candidate

Alison Krauss - A hundred Miles or More - A Collection.
.
.

ct0517

Owner
I recently lost a bet to my wife based on the AXPONA show ad (which features a dancing girl), and an Audiogon thread.

for more info click here

My wife decided for winning the the bet it would probably be good for me to spend time away from Audiogon. I told her no problem, this is the only audio forum I am part of and only spend part of my morning coffee time here usually. She insisted. Today she lifted the ban. :^)

Hi Slaw.

Slaw - I recently purchased a three pack of Shunyata DF-SS risers to go under my interconnects leading from my preamp to my amp. I placed these on pieces of pavers I had left over from my sidewalk project. I felt the increase in height would help, along with additional isolation.

interesting comment Slaw about the Shunyata/pavers and isolation.

I have had a love/hate relationship with these things.

The bad - they are very good at tripping me. My speakers are 6-7 ft from the front wall in the room. I have to walk by my amp/speakers to get to the front wall. Behind the curtains there are shelves and drawers holding stuff - Audiophile junk. You name it...it is there. Tools, screws/bolts, cartridges, p - magazines, wires, manuals, tubes, oils...,? For some reason all this small stuff has a way of piling up into an organized mess in different areas of my house not just here. I call it my organized mess. My wife calls it something else. I am pretty sure my wife is too afraid to cross the amp and speaker wires threshold to find out what is in the stash here though. If you want to mess with me.....move something in one of my organized messes. :^(

Sorry to digress .

The good - when cable risers are used where two cables need to cross at 90 degrees they allow for a bridge to help keep them from touching.

The good - they are also good to hold the weight of some heavy power and speaker cables coming out of the component so it does not stress the cable. .

But... imo I feel if the cable is of good construction it should not matter if it is on the ground or elevated; especially if the music room is situated on a concrete floor.

So Slaw your comment regarding the use of the pavers is an interesting one. Curious if your room is on a suspended wood floor by chance.

Cool cable risers can also be bought direct from the Hydro company or Ebay.

Example

Another Example

ct0517

Banquo: Regarding cable "risers". I've used Cable Towers with a rubber band stretched across the opening for additional isolation for years. Yes, I thought all of these type of things served a purpose. I recently purchased a three pack of Shunyata DF-SS risers to go under my interconnects leading from my preamp to my amp. I placed these on pieces of pavers I had left over from my sidewalk project. I felt the increase in height would help, along with additional isolation. (This link I thought, may be the most critical to pursue). Wow! The increase in bass info was very perceivable. I'm hearing/listening in a different more positive/transparent way now. The Shunyatas work in my system!

slaw

Owner
Banquo - I don't have a cd player hooked up to my system (there are not enough hours in the day for both vinyl and cd)

Hi Banquo - The floor of my main room has become a landmine of LP's and CD's everywhere. I haven't been filing anything away since Nov Dec.
They are at easy reach I tell myself. Good thing its my space or my wife would have a fit.

The Holly Cole Girl Talk album is an example of a seriously well done album, I am not just talking about "Oh I Love the Jazz Music on it" type of well done although I do enjoy the music. I am talking about how well the music was captured at the source and engineered afterward. No loudness factor/compression. With the Holly Cole CD I can turn the gain dial (separate from the volume) on my preamp all the way just like with most vinyl. The result of this full gain setting on my preamp provides for the most "they are there in the room" with me. In contrast to this most of my Pop Rock CD's need to be kept at about the 10 -12 O'clock gain setting. This makes them listenable to enjoy, but not as much in your room foolery. Another example of really well done music for me are the Ultra Analogue Recordings of which CD's are available of the music.

Here are sample tracks


The album you linked is $125 US dollars. Can you believe that is now $157 Canadian. Throw in the shipping, taxes, customs if applicable and it turns into a forget-about-it scenario.

Two options.

CD

or

Download the HD tracks which are 24bit/88hz

Both will give you the in room experience with the musicians with this album.

Also - I got curious about something late fall last year. Why do some of my vinyl records of new albums Digitally Mastered; sound better in my room than their store bought CDs. So I called Roger Ginsley Studer Canada rep about it and he put me in touch one of his clients.

Lacquer Channel

They are Canada's longest running dedicated audio mastering studio

I spoke with Maegan Ritchat

What is it about females in this audio hobby/business that is just so sexy. No.....I didn't tell her that.
We had some very interesting discussion. One of the things she confirmed is that when cutting the vinyl; If possible and available the Hi Rez source file is the one that is used, unlike having to do the CD at (2 channels of LPCM audio, each signed 16-bit values sampled at 44100 Hz) Some Cd's I own have higher bit counts.

This is just one reason to explain why the vinyl can sound better than the CD.

But she also did say it would need to be confirmed on a studio to studio, album to album basis.

Also - your Music Reference RM9 amp as you are aware has a toggle for 3 gain settings low, medium, high, If for example you listen with vinyl at the medium gain setting, Digital may sound very good if you use the lower gain setting, due to digital's inherent loudness factor with most "average" digital recordings. Have you tried it with the streaming ? Thanks for the grooveshark reference.

Cheers

ct0517

I don't have a cd player hooked up to my system (there are not enough hours in the day for both vinyl and cd). When I want to hear music to see whether I should buy the vinyl, I stream it via grooveshark.

banquo363

Owner

uh...could you pass this note along to your wife:

There is a guy in S. Cal. who will pay handsomely for the Holly Cole Trio's Girl Talk on vinyl. Please do 'search' and contact me once found.

LOL

banquo - do you have a cd of the Holly Cole - Girl Talk Album ?

ct0517

addendum: must be in better condition than this one--which I'm sure it will be.

banquo363

I may need more love and some special protection from someone soon what with my wife's new found interest in my records.

uh...could you pass this note along to your wife:

There is a guy in S. Cal. who will pay handsomely for the Holly Cole Trio's Girl Talk on vinyl. Please do 'search' and contact me once found.

thanks,

banquo :)

banquo363

Owner
Dan ...what can I say. Love u too man .....in an audiophile sort of way :^)

Banquo - u too...and I am also loving the battery operated brush. thx. Boy all this love.

It's a vinyl bargain hunter's paradise: I once found wagner's entire ring cycle (16 records) for $4.

I may need more love and some special protection from someone soon what with my
wife's new found interest in my records. Will definitely hide the fact that 3 weeks ago, I purchased an album by my
Audio Girlfriend
A 45 rpm double LP of Afterglow. Of significance to me - Its price shown, is about the same as the total for all the records mentioned in the previous post.

Oh the shame.
Here I am boasting about my musical finds for a nominal amount of money, then I spend the equivalent sum on two pieces of plastic a few weeks earlier. Well I do get to look at a 12 x 12 inch of Sarah with the record album, versus the 5 1/2 x 5 1/2 cd.

So I may need more help, someone to look over me a bit more; in case my wife finds out about this one.....and maybe a few others..
As it is, unfortunately I have learned I can't expect any such protection from Koaltar
Picture taken by company last night. He's become a real pushover with my wife.

Banquo363 Evidently many people only pretend to like opera because virtually every one I have bought has looked unplayed.
I didn't know you liked opera?!

Either did I ....
But I remember the exact moment of realization vividly. Couple of years ago and I am waiting for my wife in the parking lot and it is getting late. I am growing more impatient by the minute. By accident I put it on CBC radio and Opera was playing. Instead of growing more impatient, I relaxed.
Hmmm.......
But lets face it , I am not going to do my daily run on the treadmill to Opera, nor Classical for that matter or Jazz., Classic Rock all the way for me on treadmill. When I run outdoors I listen to the outdoors only. Hopefully this year with Koaltar beside me.

I'd put the Mahler and the Beethoven piano sonatas first on the clean cue.

Thanks...- their next :^)

Listened to the first album on the previous post list. The box set of Beethoven Overtures - Minnesota Orchestra
First production run 1980. Really impressed with the 3 records (condition) but really the performance of that Minnesota Orchestra.
They have quite the story when I googled it. Good lord - the box set is 35 years old ....

ct0517

I'm of no use with the particular recrods you list, but if it were me, I'd put the Mahler and the Beethoven piano sonatas first on the clean cue. ...I didn't know you liked opera?! It's a vinyl bargain hunter's paradise: I once found wagner's entire ring cycle (16 records) for $4. Evidently many people only pretend to like opera because virtually every one I have bought has looked unplayed.

It's good to hear that Koaltar is growing up quite nicely.

Hope all's well with you, Ct0517.

banquo363

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