Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

Owner
for almost 3 years I've been without my 1/2 inch Studer A-820 deck. the summer before I got my new MM7 speakers and 458 amps I figured that would be a good time to do some maintenance on the 1/2 Studer A-820. due to mostly my innocent incompetence, and some help from pathetic UPS shipping, I made such a mess of this deck that it's taken my friend and RTR tape deck puba Ki Choi a couple of years and untold aggravation......but today it's in my room playing beautiful music.....better than ever. Ki has been a man among men, and a great and understanding friend to see this process thru. I suppose if you were to supply the right amount of good cheer and high quality adult beverage to Ki he might share with you all the stuff he went thru with my beast. personally I don't even want to think about it anymore. in any case, many, many, thank you's to Ki.

recently I rediscovered my 1/4" Studer and just how amazing tape is sounding thru the 458's, tweaked by designer MM7's, and the recent addition of the Entreq grounding box.

and now the 1/2 Studer is, for the very first time, showing just what the all time best possible audio media can sound like thru the system. there is nothing like 15ips 1/2 inch tape. unless maybe it's 30ips 1/2 inch tape, or 1" 15ips or 30ips tape. however; since 1 inch 2-track is not really real world, and 12" reels are not something I want to deal with, and there are different EQ's for 30ips (the King Cello does not use)........I'm going to crown 1/2 inch 15ips as the bomb. and I'm of the mind that a fully right A-820, A-80 or ATR-102 are the best transports to ever come down the pike (my preference of the three is the A-820). output electronics remain a matter of taste. so 1/2" 15ips, thru the A-820-King Cello is my personal tip top source for reproduced music in my experience.

I do have a couple dozen or so 1/2 tape titles I can play, including 4 tape project titles I can actually post about...which I will in due time. I also have 15-20 unused 1/2 reels of new tape waiting to receive some great content.

I'm listening to 1/2 inch, 15 ips tape right now and it is awesome sounding. superb! I am so happy to have this deck back and sounding so good.

if you want to have a music reproduction reference to chase, this would be that.

mikelavigne

Owner
hi Larry,

thanks for the kind comments.

my listening room is in a barn. the barn is 75 feet from my house. I have a 75 amp service to my Equi=tech panel from the meter in my garage in my house which runs on a dedicated line to the panel. there is a dedicated ground rod right outside the wall which serves this panel.

the panel is mounted on an outside wall across the hallway from the door to my listening room (see pictures). there are 10 circuits from the panel using 10 gauge Romex running into the room to Furutech GTX-D Rhodium duplex outlets.

Equi=tech open

Equi=tech on the wall across from the door to my room

you have to get within 3 feet of the panel to hear any noise at all from the panel. and the isolation transformer is powerful enough at 10 kilowatts that it has lots of headroom to easily power my whole system without any effect on dynamics. in fact; the system is much more dynamic with the Equi=tech than before it.

there is a separate 100 amp service for the barn to a different sub panel for HVAC and lights and service to the 'dirty' circuits in my room.

mikelavigne

Mike,
Awesome system and room!
How far away is your Equi=tech 10WQ located from your outlets?
Best regards,

lak

Owner
Dan,

it has been awhile since we got together; I think it was actually the Von Schweikert VR9SE's I had in early 2006....when I first got the darTZeel preamp....8 years ago. even in dog years that is awhile. :-)

and I have noticed your system evolution and continued musical enjoyment too. I noticed you recently upgraded your 401 plinth and added the Crown 1600 watt amplifier.

as far as my system sounding better, I did recently add the Entreq Silver Tellus grounding box with -4- of the Entreq signal gounding cables. they did push things to just a little higher level of refinement I think. the music sucks me in and involves me more. a good tweak to my ears.

but I also agree that sometimes we, as listeners, are just more ready to connect with our systems....we are in the right 'mood' as you say. I will add that since you visited, my wife and I have spent quite a bit of time on Whidbey Island and the San Juans exploring....what a wonderful place you have there.

I agree wholeheartedly on Martha Argerich and i have 25-30 of her Lps and maybe 10-15 of her CD's. one of my favorite artists.

I am enjoying the music on my system....it brings me great joy and satisfaction. that is what it's all about. you are always welcome to visit again. the system is in a whole different place than it was 8 years ago....and looking at your system from what I recall....it has evolved too.

have a Happy New Year,

best regards,

mikelavigne

Mike,

I appreciate your enjoyment of your system, and understand how, for some reason, a system just sounds better for no other reason than your mood tunes you in the music more on that particular night.

A common occurrance, but that doesn't mean the system isn't sounding great all the time, it's our appreciation that changes from time to time.

I have also lately developed a great affinity for Martha Argerich, and highly recommend her DG retrospective, "The Art Of Martha Argerich", three CD's and text with many photos to enjoy. It certainly doesn't hurt that she's a vary beautiful woman as well as a world-class musician.

I have not forgotten how you so graciously welcomed me in your home, and listening room, over ten years or so ago now (you still had your VR-7's, I believe they were, and hadn't had your darTZeel preamp very long. Been a long time.

Anyway, thanks for that, and I'm glad to see you're still enjoying your system. Mine has also evolved greatly, as has my enjoyment, on a necessarily smaller financial scale, but still highly enjoyable.

I wish you a Happy New Year, and many more to come.

Best regards,
Dan Thomason,
Whidbey Island

islandmandan

Owner
the system has been really sounding fine lately so tonight I grabbed a couple of superb sounding Classical Lps I have not listened to in a long time (one maybe never) and I was transported to another place and time. One is solo piano, the other large Orchestral.

first; a DG 1980 pressing and 1980 performance (DG 2531 088 tulip) of Martha Argerich, Bach, Toccata BWV911, Parita BWV826, and English Suite No.2 BWV807. wonderful full range piano recording just right to my sensibilities. intimate, super quiet pressing, great sparkle and energy, not strident at all.....full bodied and nicely balanced. looking for a solo piano recording to show off the system? here is one to have. I dimmed the lights and let it flow........

second; a late 90's Decca 'Super Analog' reissue of a 1967 Decca, (KIJC 9238) of Falla:El Amor Brujo-Ballet, Granados:"Goyescas"-intermezzo, Ravel: Pavane Pour Infante Defunte. a 1966 Kenneth Wilkinson recording in Kingsway Hall, London.....and it is superb! amazing sonics and musical flow, space and detail. great tension and sucked me into the vibe of it. very interesting recording and I loved the music. Wow! I've had this record since the late 90's and I'm not sure I've ever played it before. or maybe it simply never touched me like this.

caution; I'm no classical expert......I just like great music and appreciate great sonics too.

just strap these on and enjoy the ride!

mikelavigne

Owner
hi Harvey,

thank you again for the nice comments. i'm happy that you appreciated my efforts to optimize things in my room and system. it's been a labor of love.

when you have a great source like 'reel 2' of 'Abbey Road' what is great is that as you go down the road of system and room improvement you will hear more and more of the reality of a source like that. don't knock where you are at on the path, just enjoy the journey.

we are all on that same path of trying to get closer to the real music.....and it's fun getting together to enjoy that path.

cheers,

mikelavigne

To my own system, in a small non dedicated room. Owing to lack of eq and room treatment, plus proximity to my speakers, I now reali the softening of resolution and immediacy I perceived that day was really just a lack of defects and imbalance in my own setup.
The benefit of a proper room and true world class equipment led to an audio experience that will not be forgotten.
A 3 hr drive and bad car stereo left me a bit frazzled. Ear plugs on the drive out next time!
Haha

hxt1

Owner
hello Phil,

sorry for the delay in my response; I'm not always paying attention to my Audiogon page.

I am using spikes for the feet as I have carpet over concrete and I wanted to make sure the feet got down to the concrete for the best connection. as far as the shelves I am using the flat leveling dampers; however, I'm also using two Herzan active isolation platforms with the Adona, one under my tt and one under my pre and digital player. so my Adona is supercharged. the two Herzan platforms are $12k and $10k each.

the Adona is ideal as a grounded rack for active isolation.

mikelavigne

Owner
hello Lohan,

sorry for the delay in my response; I'm not looking at my Audiogon page often enough. as far as answering your questions;

the Wave Kinetic NVS compared to the Rockport; it's been 3 years now that the Rockport Sirius III has been gone from my system. i'd say that the NVS does do a little more of what I like than the Rockport; quieter backgrounds (when on the Herzan active isolation in my room), more space, a bit more pace; but these preferences are not large differences, they are quite subtle. more significant is that the NVS allows for other tone arms which is where the more significant performance differences are that allow the NVS to have higher ultimate performance than the Rockport. but again; both these tt's are at such a rarified level that both are top top level choices. and my own tastes and preferences are involved here. I know some simply prefer the sound of the linear tracking arms. so it's not a black and white issue of superiority.

I still miss the Rockport and wish I still could afford to own it and the NVS. the Rockport has an iconic position among tt's that is unique.

as far as the EMT948 it is a wonderful tt, but it's arm and cartridge are only very good, not top level. so as it sits in my room it is not in the same class as the NVS. if someone were to mount a great tonearm, such as the Durand Kairos you would have a world class vinyl front end.

mikelavigne

You know, I'm sitting here listening to reel 2 of Abbey Rd, it is a 'reference' piece for me as well, and I'm finally able to appreciate the level of repro in your space... My space is much smaller and very 'live'. Naturally, I noticed only what was 'missing' in comparison t

hxt1

Owner
hi Harvey,

it was a pleasure to meet you, and thank you for the kind words. it was a fun session, and I hope you can visit again with some of your B.C. audio friends. let me know when and we will work out the details.

and no; other than at audio shows I don't have personal experience with the Strain Gauge cartridges, but really admire what Peter does.....sorry I cannot be more help.

best regards,

mikelavigne

Wow! Thanks for hosting such a fantastic music 'experience'
You've put together an amazing system... And set it in a little corner of heaven!
What a treat, after seeing your system evolve and (revolve) on audiogon, to finally witness it!
I really admire your dedication to vinyl, and your dedication to 'the best'
Cheers!
If I'm fortunate enough to visit again I know just the record to bring!
The Anna and Durand- sublime.
Have you played with any of the strain gauge carts?
Thanks again!
Harvey

hxt1

Hi Mike - I am really curious about 2 things in ur system?:

1. the Wave Kinetics Turntable - is it better than the Rockport you had?
2. How come you have am emt 948 - how does it stack up in ur pantheon of turntables - u've perhaps had the most dream decks I can ever think of so I guess you should know

thanks

lohanimal

How did you find that the Adona Rack improved your system? Did you use spikes to support the rack or the flat feet that Paul recommends?

ON your supports did you stay with the leveling dampers or did you go with spikes facing up under each of the shelf's.

phillyb

It's been over TEN YEAR'S since I inadvertainly named "the barn"?.
Wow... How time flies!
It is most admirable that even at the lofty heights you and your systems have attained you admit that there are always imperfections though you have always remained truly supportive and a consummate gentlemen!

Happy Listening rolls on...
Azjake

azjake

Hi Mike,

What's your opinion on Zanden 9600 monoblocks, 2000 premium cd, 5000 Dac, 3000 preamplifier, 1200 phono stage?

Michael Moncrief

jehovahjira

Hey Mike
Thanks for the great visit last week. The music sure sounds good at the barn. Just when I thought it couldn't get any better..... it did get better.
Take care and thanks for the great time.

rugyboogie

Mike,

I need to hear your system again, it's been too long. Maybe the blonde is still serving Pizza at that place under the bridge ?

I'm pleased you are enjoying your system, miss reading your posts about music and updates here as well.

albertporter

Owner
hi David,

great to hear from you, i sure enjoyed your visit. i am well and trust you are too. sorry for the delay in response, i don't check on Audiogon every day to see what's happening.

glad you like the pictures. those Auralex T-Fusors were in those recesses when you visited last year......they have been there since 2011.....since before i got the MM7's. i have to admit that i've never specifically A/B'd those T-Fusors in those recesses so i cannot say with conviction excatly how much they do. the ones on the side wall definitly tame slap echo without changing the tonality or reducing energy. and they are cheap at $59 retail each.

the Herzan units (the TS-140 under the tt and the TS-150 under the dart pre and the Playback digital) really do the job in my system by lowering the noise floor and virtually eliminating any feedback from the speakers. with 7 foot tall, 750 pound, bass towers 8 feet away from my sources my system does benefit from the ultimate in isolation. the Herzan units replaced the Wave Kinetics passive isolation base for the tt, and the Wave Kinetics A10 U8 footers i was using under the pre and digital.

as far as characterzing the performance improvements it's a few things, all of which become more significant as the SPL's rise and the bass dynamics get crazyier. a level of ease and naturalness gets added, like any lowering of the noise floor you get an expension of the sound stage and ambient clues and get an increase in dynamic contrasts.. instruments and voices get a bit more real. lots of textures immerge previously lost in the noise floor. things like Cello growl, kettle drum texture, and piano note decay go to a whole different level. at low volumes these changes are more subtle although since you have essentially filtered out the ground noise effect there are real benefits at low volume. but the heavy lifting is the ease on musical peaks particulartly with heavy bass involved. the cartridge simply tracks those peaks better. some very husky voices which had caused slight distortion are now crystal clear.

i hope that answers those questions.

take care,

mikelavigne

Hi Mike,

Nice to see updated photos of your room. Is it right to think you reintroduced the sound treatment panels in the recesses of the ceiling? When I was there you had removed them. Did you do that when the manufacturer came to voice the MM7s to the room?

Wondering how much improvement you've found with the new vibration isolation units. Would you characterize this just a bit? I don't recall what you previously had for this function.

Hope this finds you well.

Very Best,

David Kellogg

cdk84

Owner
I've owned 4 Ekones Stressless chairs, and own one now. I also currently have a great Ekones sofa. the Stressless chair I own now I use in my rec room upstairs for watching sports. and for laying back and putting your feet up and watching TV it's great.

unfortunately for listening, the Stressless 'cups' the sound around the head so does mess with the sound in bad ways. also, when sitting at listening height it is about a '2-hour' chair.....meaning my back can handle about 90 minutes to 2 hours sitting up before it starts to get stiff and sore. at that point I need to constantly move my position around to stay comfortable. which is fine for TV but not for serious listening.

for my listening room I use a zero-gravity chair from The-Relax-The-Back store. the linked picture is from my old room. I've had this chair for 15 years and love it. if you want your feet supported then the challenge is to properly support your back. to do that requires a particular angle of your legs and back to distribute the weight and keep it off your tailbone. the 'zero-gravity' concept was developed by NASA for rocket launches. just google 'zero-gravity'.

if you don't need to support your feet and are sitting up I recommend the Aeron Side Chair. very comfortable with your feet on the floor. I have 2 of these.

since the 'zero-gravity' chair has a high back I move it out of the way when I have visitors and bring in the Cassina K10 Dodo which is very comfortable, and has a headrest and footrest which both retract. unfortunately it is also very expensive.

mikelavigne

Stressless.

branislav

I'm looking for a small and comfortable chair that can also support your feet any ideas.

jwm

Owner
pictures of the one-in-the-world pre-production darTZeel NHB-18NS preamp.

front 1
front 2

this pic show the new phono adjustments, with the LED's off.
new cartridge gain and loading LED adjustments-1

here the LED's are on. you move the toggle back and forth to turn on the LED's and then adjust the gain and loading separately. it is quick and easy to do and can be done on-the-fly while listening.
new cartridge gain and loading LED adjustments-2

mikelavigne

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