Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

Hello Mr Lavigne!

Congrats! Your system is absolutely amazing! I love your room!

First of all I want to apollogise to disturbe you but if you can help me it will be much appreciated! Sorry to use this thread but I tried to sent you an email but I think it didn´t worked...

I´m thinking on buying new speakers for my ASR Emitter II exclusive. I have here in Europe possibility to make a good deal on the Von Schweikert VR-5SE but is impossible to test them with my gear.
Did you already listen to VR-5SE? What you think about this speaker? I notice the drivers are the same of VR-9s...

The only things I read about them is that people compared them with WP8 from wilson which is one of the others contenders. On my short list are also B&W800D and Sonus faber Amati anniversario. But the deal with VR-5 is very atractive compared with the prices I can find here for the others speakers on my list!
Do you think the VR-5 compete with this other speakers or are below this league?

I already listen to the B&W802D and Sonus Faber cremona and thinked they are over priced speakers with a lot of Buzz from the magazines. Don´t get me wrong they are good speakers but definitly over priced...And I think I will have the same sensation when demo the 800 and amati's.

Thank you very much!
Best regards
Mike

asradict

Seethesound,

From reading between the lines on other forums I suspect that Mike might have sold the Von Schweikert VR9SEs in favour of the new Evolution Acoustics loudspeakers. I am sure that this in no way diminishes his enthusiasm for the Von Schweikert but when a speaker that better suits one's listening objectives comes along at a lower price the decision is easy.

Good luck with your musical journey.

Aaron

drajreynolds

I'm 2+ years late to this party--and am waiting for my own VR9SE's (African Hazelwood) to arrive in March 2007. You (and so many others) love your equipment and room setup. Would it be a reasonable decision to simply emulate your setup and not try a difficult independent journey of gear matching?

seethesound

I read your story and I believe the system great. From what is written, I can tell that you love music. You can also tell that you seek only the best and most natural sound. If that's the case, I see something askew. If you are interested to discuss this subject, I'll be glad to give you my opinions.

dandesigns

Hey, Mike. My Darts are now pretty much fully broken in and....holy cow! I enjoy music again.

One update: I switched interconnects btwn the DCC2 (used only as a DAC now) and the Dart Pre from Kharma Supreme to Stealth Indra. If u have not audioned the latter, I strongly suggest you try it. The biggest thing which is so clear that it is unmistakable is that compared to any cable I have heard, the Indra has unique ability to simply make your speakers disappear in thin air. Yes, I said it. The sound stage explodes and you are no longer conscious of walls. I don't get it, but hear it most definitely. Try it, you may not like it but this quality of the cable is really noticeable in a very large way.

henryhk

Hi Mike,

Wow, what a room and gear! I presently have the VR4 Gen II's in my small, 12'x13', bay area home. I bought these in '99 when I still lived in lg. house in Houston. I'm wondering about your thoughts on room size and what VS speaker would be a nice match? I've heard the 4jr's and yes, they are nice, but lacking so much at the extremes, kinda like what you mentioned about the 7 and 9 differences. I know you have a fair amt of VS experience and was just hoping to get your opinion.

Thanks
Chris

brdsmith

Mike,

Thanks for the response and if you ever come to your grandmother's homeland, you're a welcome guest at my house.

Can't wait what you'll say of the VR-11. Enjoy the music.

Best regards

Daniel

feniks

Hey - I admir your room (and the project as a whole!)

This is what it is all about, isn't it?

Keep it up!

Best regards,
Dewald Visser

dewald_visser

Owner
hi Daniel, greetings to Croatia (i am 25% Croatian...my Grandmother on my father's side was 100% Croatian).

thanks for the kind words.

i think what i said was that the VR7's 'may' do some things better than the VR9's. that was my initial reaction to a different speaker setup than what i had been using. the VR7 designer (and VR9, VR11 and MM3 (final stage) designer too), Kevin Malmgren, had recommended a much wider speaker split than i had been using with my VR9's and i really enjoyed it.

i have since formed a more definite comparitive opinion regarding the VR7SE compared to the VR9SE. the 7's have the same tonal charater and naturalness as the VR9's. the 7's do space and layering as well as the '9's. but; the '9's have more clarity, the '9's are more extended in the highs, the '9' are more dynamic up and down the whole frequency, and the '9's have more articulation and foundation in the bass. any dynamic event in the low frequencies is more dramatic with the '9's. since my darTZeel amps only need to power down to 50hz on the '9's and the '9's are 94db-96db efficient as compared to the '7's where the darts must do the whole frequency and are only 92db efficient....the dart's are less stressed and more dynamic on the '9's.

btw, the '7' is still a fantastic speaker and only in direct comparison in my huge room with a speaker like the '9' is the '7' found lacking. i could live with and love the '7's.

mikelavigne

Hi Mike,

First of all, I must say you have the most impressive setup, including the room, that I have ever seen. As I'm in a search for more bass, I have been recommended Von Schweikert speakers, but they are hard to come by in Croatia, where I live. Therefore, I would just like to ask you, as I have noticed in earlier post that you said that VR-7 may do some things better than VR-9, do you still stand by that statement, and can you comment some more on the VR-7. Unfortunately, both of them are still out of my league, but I may go for VR-5 or VR-4 second hand. Thank you very much and congratulations again on your setup.

Best regards

Daniel

feniks

Yes...I have so far only 70 hrs on it and I can already hear its changing and improving....

henryhk

Owner
Henry, i have had 5 different dart amps; three of which i had from brand new......they take considerable time to break-in (about 4+ weeks continuous playing). prior to break-in, the dart amp is closed in and lacking the micro-dynamic life that is it's strength. when that break-in happens there will be a significant change over a couple of hour period in the level of involvement of the amp.

one note; when the dart amp was first produced......they were run for a few weeks at the production facility in Switzerland and Herve communicated that minimal breakin was required. then when a large quanity was ordered by jtinn that long breakin time at the factory was not possible in the time frame that the amps were needed. so the breakin time was then the buyers responsibility.....which jtinn communicated to buyers.

i had the original test bed 'ugly duckling' pre; then i had the pre-production 'beta' unit; and finally the first actual production unit in north america (which is the one i now have). my unit was originally used at CES 2006 for 5 days; then it went to jtinn's house for a few days; and then to me....so i don't have 'right out of the box' experience with the dart pre. my feel for it is that there is not nearly the profound change in the pre as in the amp. i did notice that the phono stage did open up after around 100 hours but it was fairly subtle change.

mikelavigne

on dart pre break in...perhaps so but I got the dart pwr & the pre simultaneoulsy and the break in period I have heard abt was re the pwr amp....Mike in your exp is that the case as well? Sounds great already so....

henryhk

Owner
Joey, thanks for the kind words.

yes, i am 'still waiting' for the 11's.....since July. no definte word on when.

mikelavigne

Mike,

Are you still waiting for the delivery of the 11s? If so, when will it be? BTW, I've always admired your dedication to this hobby... your room and your gear are testament to that fact.

Joey

joey_v

Owner
hi Slipknot;......i say sanity be damned!

it's too bad you didn't introduce yourself.....next time please do.

in any case i admit i'm a bit smitten with Jonathan's speakers. i really want to hear what they can do in my room. just like the VR9's in that same RMAF room last year.....it was difficult to get the full measure of the refinement of the Evolution Acoustics MM3. OTOH just like the VR9's.....my room should be ideal for the MM3's.

what is great is that, like the VR9's, the MM3's are very adjustable (maybe even more adjustable in the bass than the VR9's). and i now am quite experienced at the dialing in process.

the tonal and bass balance choices at RMAF were not exactly the choices i would make. i want to hear it tweaked 'my way'.

on the MM3's i heard things i have never heard on extremely familiar discs. i have always loved that Accuton Ceramic mid-range driver from the Kharma's....using 2 of them allows more dynamics, detail and lower distortion. the speaker seems to be able to do it all.

for the last 5 years i have watched Jonathan develop this speaker and heard it at various stages. it appears he has something really special.

i hesitate to write in detail what i think about this speaker until i get it into my room and spend some time dialing it in. any speaker with the extention and dynamic capability of the MM3 will be a considerable challenge to completely tame in show conditions.

my expectations for the MM3 could not be higher.

stay tuned.

mikelavigne

Hi Mike -
I saw you in Jonathan's room late on Sunday afternoon and meant to introduce myself to you, but I was too busy getting a final listen to the Evolutions. What do think of those behemoths? I seriously thought about placing an order for them, but sanity slapped me upside the head and I heard my very audio-tolerant spouse's voice going: "what are doing? you just went from Magnepan to Kharma because you thought the Maggies were too big".

slipknot1

Owner
Millikeith; thanks for the kind words.

i've been married 32 years to my wife "Saint Pam" . she is very understanding and supportive. i have put together my system and software over the last 12 years.

i work 55+ hours/6 days a week and this hobby fits my time.

i look at my level of involvement in this hobby like a summer home or sailboat (neither of which i would have time for anyway).

btw; there was a time i was thinking a $150 power cord was too damn expensive (and a silly concept to boot).

mikelavigne

First off, your system is insane. I can't imagine what it must sound like in that room. Second, my wife would like to know if you have a significant other. She can't imagine that any partner would agree to all of this. I'm currently pulling all the stops for the ok to purchase a 150 dollar power cord!

millikeith

Owner
hi Henry; congrats on getting the dart pre.

silly smiles are exactly what it's all about. sometimes i'm in the middle of a cut and i will realize just how much the dart combo is making the music more alive and it will give me that silly grin too.....even after 9 months.....it is still fresh and special.

personally; i did not notice a great deal of initial breakin on the pre other than the phono stage...which did noticably open up after 100 or so hours.

thanks for the music recommendation......that is what it is all about.

mikelavigne

Hey Mike finally got my dart combo. Christ, right out of the box its amazing...and everyone seems to of an opinion that they take longer than usual to fully broken in...can't wait. Last night I was listening to Nicolas Payton's "Payton's Place" (highly recommended) first track zigaboogoloo got me up, nodding my head with big big silly smile on my face. Listening to music is fun again.

henryhk

Owner
Rum,

what a surprise that a competitor of jtinn would attempt to compromise my integrity.....NOT! i guess all's fair in love and the High End. that is one good reason why i steer clear of the business side of this hobby. too many small thinkers with big egos.

to be honest, i have yet to ever have any problems with any transaction i have ever had (except no warranty coverage after a manufacturer went out of business....once). $19k would get me a bit upset; sorry to hear about that.

mikelavigne

Mike,

Thx for the offer. So difficult to hear quality gear in an optimal setting. I learned that at the CES show.

No offence was intended. I have been looking at pre-amps and cartidges and it was suggested I visit with you regarding the Dart as you had the room to demo them and were a 'Partner' in Chambers. I guess I got strange info from a distributor I sure dont wanna get caught up in industry wranglings. Thx for clearing it up.

FWIW I'm real careful with purchases now and call and check on dealers/distributors as I was just ripped off for $19,000 on a purchase from a legitimate dealer. When I called to check with the distributor it turned out he was a known thief they just ommitted to tell me the first time I called.

Rum

rumney510

Owner
hi Rumney,

you would be welcome to visit my room if you like. e-mail me and we can work out the details. the dart pre is the real deal.

to be clear; i am a good friend of jtinn of Chambers Audio/Blue Light Audio but 'no' partner. i have 'zero' business interest's in High End Audio of any kind. i am a good customer of many of jtinn's products as we share similar sonic biases. sometimes i agree with jtinn on gear; sometimes not. in every case.....i pay for the products (and jtinn makes a profit). as a very good customer i do get the good deal that my business has earned. i have a similar relationship with a few other High End dealers that i have done lots of business with.

in the last year my (questionable) status as a (sometime) reviewer has earned me some 'accomodation pricing'.

if your 'partner' comment was made 'in jest' then just ignore my 'reaction'......when you post something like that on 'my' thread.....i kinda am forced to clarify things.

i took no offense in your comment (assuming offense was not intended) and look forward to hooking up with you soon.

mikelavigne

Hi Mike,
I'm pretty interested in the Dart Battery PreAmp. It tough to hear in a well set up Room/system though. As your a partner in Chambers Audio would be ok to get a listen in your (great) Room or would you prefer to go through Chambers ?
Thx Rumney

rumney510

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