Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

Owner
Sam, they are even more beautiful in person.

i have had them 14 feet, 6 inches apart while they were breaking in. the reason was a recommendation from Kevin Malmgren.....who designed the VR9SE, VR7SE, as well as the final design work on the MM3's. i enjoyed that position for the VR7SE's so i put the MM3's there right off. in my room anywhere has room to breathe.....with the 11 foot ceiling.

i did not want to move the speaker around during breakin.....but now they have about 500 hours on them so today i did move them.

i had a few friends over for a listen.....after a few hours we did move them in from 14' 6" to 12' 6".....which also meant i moved my listening seat in 12" too.

initial impression were of a more visceral, involving, micro-dynamically alive and intimate presentation.....which i prefer. the soundstage is a bit shorter but only a bit.....which is still BIG! depth is a bit better and there is a bit more of a wrap-around sense. as this position is only 3 or 4 hours old i am still discovering the differences. the bass seems pretty flat so far.

i now expect to start positioning experiments in earnest.....but i think it will end up in the 12 foot to 13 foot range. i need to break out the RTA now.

regarding the VR7SE; the '7' is not really the right speaker for this room.....it does not move enough 'air' for my 29' x 21' x 11' room with all the bass trapping. the '7' is a ported passive speaker.....my room works better with a sealed box active subwoofer speaker that can easily presurize the room and move lots of air.....such as the VR9, VR11 or MM3.

also the '7' uses a different mid range and tweeter than the MM3 and has a diiferent sound. i throughly enjoyed the VR7 and think it makes great music.

mikelavigne

hi mike
the mighty mm3 looks really beautiful in your room...was the move to keep the speakers well apart, toed in and quite close to the side walls to maximise the sound stage or a must for the speaker to breathe ( manu`s instructions... will it work in 15`/30` room narrow long room ). are they very superior to the demo pair of Vr 7se you had earlier....your views.
regards
sam

asks40

Owner
Jacob, my new MM3 speakers do not allow bi-amping like the VR9's. this was a big concern of mine....considering the size of my room.

it turns out that one stereo darTZeel on the MM3 is more than capable of reaching high SPL's without strain in my room. it helps that the MM3's have a digital amp which powers the woofer. i don't exactly know where it crosses over to the mid-range but it is high enough that the dart can easily handle it. combine that with having 2 mid-range drivers which presents an easy load to the dart in the mid-range and it all works.

mikelavigne

Mike beuatiful speakers,you change or is a experience, now you have only a stereo apmlifier?

shade_of_pale

Looks great Mike! Congratulations. It's only going to get better. I wish I lived closer to get a listen to the 3s in your room.

fsarc

Owner
Owner
Jacob, yes....i prefer my gear to the side of the room and designed it that way. i also installed 2" conduit for future multichannel incld subwoofer with a 'box' in the floor next to my gear on the side.......as well as conduit to a box near my listening chair with a dedicated outlet and run of the ST Optical cable that my digital (EMM Labs) uses. in the past i have placed the digital transport right next to my listening chair.

i like that there is nothing but my amp(s) between the speakers both sonically and aesthetically. i can more easily relax into the music without that distration.

mikelavigne

Thanks for your attention and explanation, it´s very honest and elucidative.

Sorry if don´t understand my "materials configuration prefered", I mean that I prefer this kind of materials arrengement, all the equipment at one side, and in front only the speakers and powers, I think is the best solution, the stage is for the musiciens, the music, not for the equipment, all the equipment in front I don´t like, I prefer your configurationin the meddle could make a distraccion for the senses. I think that we have better sound too, with this configuration. Is your opinion too?

shade_of_pale

Owner
Marty, thanks. i will call you as the time gets closer and see if it works out to visit.

best regards,

mikelavigne

Owner
mdoukas, you would be most welcome to visit should you ever find yourself in the Northwest.

your question is very reasonable.....you are not missing anything.....i, OTOH, am missing the VR-11's.

no; i don't anticipate that i would have the MM3's and VR-11's together. i will, however, compare the two should the 11's ever arrive (they must first be built which has not yet commenced). i did have the VR7SE's and the MM3's in my room at the same time.

the VR7SE's are in their shipping crates in the garage.

mikelavigne

Owner
tobi, i would be interested in learning more about the cables that you describe...particularly if you have experience with Transparent Opus. maybe you could provide a link that i could follow.

thanks.

mikelavigne

Owner
Triumph 900, thanks. yes, every system needs the right context.

you have a very sweet looking system yourself.....congrats.

mikelavigne

Owner
hi Jacob,

thanks for the kind words.

cable elevators make very little difference. the theory of them is issues of resonance and static. from a total system viewpoint; how cables lay is a marginal thing. to me anything that carries an audio signal benefits from not being under stress. the elevators allow the speaker cables to go underneath the interconnects as well as the power cables to the amps for the subwoofers. i personally think they look better than just laying on the floor. i first started using them in my old room where it was all carpet.....and i was convinvced at the time i could hear a difference due to getting the cables above the static buildup from the nylon carpet....it seemed to have slightly less background noise. with the wood floor in my new room i doubt that i could hear a difference...although i expect that there is a difference. they are very cheap (8 for $88 7 years ago).

to me tweaks can be accumulative.....one may not be evidant......but if you do a number of small things it can result in a more natural organic involving sound. i try to keep contacts clean; have cables cross at right angles and not touch; use cable elevators......

i don't understand "my materials configuration preferred".....if it means you prefer your system....i don't blame you.....it is a very nice set-up and classy looking too. i have owned Levinson, Zoethecus and Revel.....and own a Dynavector cartridge myself now.

the interconnect from my preamp to power amp is 8 meters long. it is a 50 ohm BNC cable......and is propriatary for the darTZeel pre and amp. i previously used a 7 meter XLR Valhalla....i prefer my sources in the side of the room to optimize speaker performance and therefore need a long interconnect. if i mis-understood your question i apologize.

mikelavigne

Spectacular system, my materials configuration prefered, What do you think the importance of the cable elevators?
How long is your IConnect, Pre-powers? I need something like this.

shade_of_pale

At last somebody who makes the right investment in the most important of all elements (the listening room) and THEN builds his own setup around that starting point.

Everything is impressive not just for the quality of the single elements but for the sinergy between them and the environment where they are placed but, most of all, the attention to detail: quality of the whole is made by paying attention to the single elements of it.

triumph_900

hello,

i m just surfing through the net and im seeing your hifi system. it looks that you take great care of it.

so im also own the vr 9 se and after a long journey ( siltech, kimber,syn.research, shun.,nord.,i also came to the opus but now i got a new cable from a company who makes developments for those companys.
they have a technologie which produces no more phase delays beetwween speaker and amp.
the result is unbelieable. and now thats the reson i write you i had also a seperate power cord from the main power station of my house going from one wall outlet to the next.
they gave me a box where all my cords go in.it has a gel in it and thr result was dramatic.
i advice you to put yor power cords alltogether.

hope you can understand my bad writing.

tobi

[email protected]

Mike,
Cool. If you find yourself in Dallas in April and I am in town, by all means I would very much welcome your visit.
Marty
817-742-1242

ugamotz

Hi,
Thank you very much for your answer!

I could not find a lot of info about VR-5SE but the things I read were very positive. I think Positive Feedback and 6moons have VR-5 and will make an review soon! Also the Vr-5SE are at CES so I think I will wait a couple of weeks before my final decision...

I will get back to you later with the full report! ;)

Thanks
Best regards
Mike

asradict

Owner
Marty,

i absolutely remember your visit; it was a key event in figuring out my VR9's. you got my thinking about how 'flat' bass was not necessarily 'musical'. after you left i adjusted the crossover and found it to be the key to getting the system to sound sweet and balanced. your effect on my understanding was profound and that thinking still is quite prominent to set-up.

the only thing that has changed since you were here is the speakers and i think you were here prior to ungrading my EMM Labs digital to the 'SE' version. other than that it is the same.

i still have the darTZeel, the Valhalla, the darTZeel BNC interconnect, and the Opus speaker cables.

i hope you return again when you are back in town.

btw, i may be in big 'D' in April......

mikelavigne

Owner
Seethesound,

my audio path has taken a few turns here and there as i evolved. i started out without much listening experience and would read both gear and music reviews and then purchase. at a certain point i developed my own musical compass and at that point my direction changed considerably; i looked for gear that had less of their own sound (eventually a room without it's own sound too) and for the last 6 years that has been my direction. there are many laudable approaches to music reproduction......mine is 'full frequency, neutrality, and a focus on the musical event'.....and not the 'sound' per se. i don't want 'colored' gear. i would rather hear a few warts now and then than have that 'golden glow' that some prefer. i want all the energy and tension of music to be fully exposed but do avoid any gear that will offer more information at the expense of naturalness.

if the above description fits your tastes you are certainly welcome to join me in my choices. in the past i was lucky enough to stumble on some excellent synegistic gear combinations that others then tried and liked. i found a bunch of new friends and we all had a good time.

i too consider myself a learning audiophile/music lover and am always on the quest to get closer to the music.

mikelavigne

Owner
hi Asradict,

i apologize for not reponding to your e-mail as of yet.

i have not heard the VR5SE; but the VR9SE uses the same drivers and crossover. from speaking to the designer of both speakers and from what i have read about the VR5SE i would strongly recommend the VR5SE (make sure it is the 'SE' and not just a VR5 which is totally different) as a preferrable speaker to my ears than the others you list.

i do like the WP7 (i have not heard the WP8) but in my opinion the Von Schwiekert VR5SE should be more like music.....more coherent, better micro-dynamics, and less 'hifi'.

the ASR Emitter II Exclusive is a wonderful amplifier and the VR5SE will be a great match.

good luck.....and i would enjoy hearing about what you decide and how it sounds.

mikelavigne

Mike, you may recall I'm a friend Steve Williams who of you were kind enough to invite over for a listen quite a while ago. I guess I was surprised to now see the system I heard at your place as one tht is "out to pasture". I particularly liked the DartZeel phonostage/preamp and the top end you were able to reproduce on some wonderful LPs. So wuz up? What preamp and interconnects are you running these days?
Marty

ugamotz

Mike,
Let's see some pics of the mm3's when you get a chance!

streetdaddy

Owner
hi Guys,

thanks for all the kind words and support.

i apoligize for both my absense and lack of response lately. to be perfectly honest for the last 6 to 9 months i have been otherwise focused.....and my attention to both the various forums as well as my audio e-mailing has been poor.

my business activity has been more demanding, i have spent more time with the wife, i have been trveling a good deal, my daughter got married, and i just lost a bit of focus. in the last 30 days it has just been crazy; first we were without power and internet service for 8 days before Christmas; then i had family visiting for the Holidays, and now finally i have got myself back into the audio focus.

2 weeks ago the Evolution Acoustics MM3's arrived (initially just the bottom 2 parts and a week later the top subs) and i have been breaking them in.

previous posts in this thread have described my reasons for initially changing from the VR9's (none of which had anything to do with any lack of satisfaction with the VR9's). it is as simple as the VR11's always being in the back of my mind as the 'ultimate' speaker and a friend offering to buy my VR9's. after investigating what it would cost to then buy the VR11's i jumped right in. Von Schweikert even agreed to loan me the VR7SE's while i waited. delivery was promised for late September or October at the latest. this was mid-July.

i paid my money, the VR7's were shipped to me and i shipped out my VR9's to my friend. the VR7's were very good but frankly i lost a bit of my audio enthusiasm about then. i was busy in other directions, i knew something more was coming, and so refocused on other things.

then in August i was down in San Deigo for business and visited Kevin Malmgren (who designed the VR11's, VR9's, the VR7's and also just happened to be doing the final voicing on the MM3's). frankly; even though i had heard the MM3 during the long development at jtinn's over the past few years i was unprepared for both the sonic performance and the production quality i saw and heard. i was smitten and immediately ordered a pair (in addition to the VR11's i had already ordered).

now fast forward to today. the VR11's are still not even started (although still on order)......and i have recieved the MM3's.

i'll continue later and try to address all the questions....gotta go to work.

mikelavigne

Hi Mike,I have been reading your thread for a long time and I feel I have to interject my opinion.You have a room most of us only dream about,you have probably the best turntable made,one of the best amp and pre-amp combos on the market and the best speaker cable made.You took months to tune in your vr9s and got them and the whole system in sync,so my question is why play with it,why not just sit back and enjoy.High end audio can and will make you crazy so enjoy your fantastic set-up and let your so called friends make money off someone else.Good Luck.

strapper211

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