Mike Lavigne's System

by mikelavigne on All Out Assault
the big rig.
left rear corner view--note the ceiling treatment
note the cloth surface treatment on the ceiling.
view from behind the speakers
sources +
84" tall, 575 pound main towers and 87" tall, 600 pound bass towers.
bass towers are powered and adjustable, main towers passive.
rear of the room.....
amps sitting on Taiko Tana active isolation platforms
NHB-468 sound amazing......liquid and amazing musical flow and texture.
meters on the 468's
new Massif Audio racks, plus Nordost footers.
2 turntables, and the Taiko Tana active device under the Esoteric T1, made a solid improvement in the performance.
Wadax Reference Dac and Power Supplies with RevOpod footers
Wadax Reference Server and Ref Power Supply with RevOpods
darTZeel NHB-18NS w/ 2 phono stages (new 2016 version)
Ampex ATR-102's + Ampex MR-70 preamps, on new Massif Audio racks, boosted performance.
Esoteric T1 power supply & Esoteric G1X Clock
1/2" playback only ATR-102 hot rodded
Ampex MR-70 tape pre hot rodded by ATR Service INC
Wadax Akasa optical (yellow) and power supply (red) cables.
1/4" playback only ATR-102 hot rodded
air box for CS Port tt; dead quiet.
Etsuro Gold MC cartridge
Etsuro Gold MC cartridge
DaVa Reference Field Coil phono cartridge
Audio Technica MC-2022 phono cartridge
CS Port linear tracking tone arm with air bearing
Primary Control 12" FCL tone arm
Durand gimbal bearing tone arm
Durand Tosca gimbal bearing tone arm
Glanz MH1200S tone arm + Sumile Mono cartridge.
power supplies for the DaVa field coil cartridge and field coil FCL tone arm.
Massif Audio Design Snakewood record weight.
love my new Massif Audio design racks.
Evolution Acoustics bass tower interface and adjustments
cables and various cable decoupling strategies.
Tripoint Audio Elite grounding box for sources.
Tripoint Audio Troy Signature for amps
Entreq Poseidon + Atlantic Minimus + Everest knobs
linear power supply for the Taiko Tana active platform under amp
3 linear power supplies for Taiko Tana active under sources
Equi=Tech 10WQ wall panel A/C transformer with door open
Klaudio RCM + Equi=Tech with door closed.
the audio barn

Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’

Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

Showing all comments by drajreynolds.

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regarding my perceptions of the Caliburn (based on hearing it four different times at shows); i think it is very accurate in speed, i did not hear any speed related issues at all. but....i also did not hear quite the energy and drive to the music i hear from the better direct drives. to me it's the overall balance of attributes which determine my preferred tt performance.

Hi Mike,

The system is looking better than ever and I have no doubt that the sonic presentation is following suit.

I can't help but wonder if your preference for the "energy" of a direct drive turntable that was lacking in the Continuum Audio Labs Caliburn presentation is in fact a personal (and perfectly valid) preference for some small degree of colouration or identifiable sonic signature. I propose this hypothesis only because of the extreme lengths that Mark Doehmann and the Continuum design team went to in order to minimise or eliminate all sources of colouration. I have no doubt that with the right implementation (the key word here) both belt drive and direct drive turntables have the potential to be speed accurate and stable, the latter perhaps being the more important criteria here.

Best Regards,
Aaron

drajreynolds

Hi Mike,

"my initial impressions are that the Allnic H3000 is the best tubed phono stage i have heard. period. and maybe the best phono stage i have heard."

That is a big call and one that makes me very happy since I have long had a "feeling" about the Allnic gear. Now I should do something about getting an H-3000 into my system to try with my Miyajima Labs Shilabe and Premium Mono cartridges (more giant killers). Looking forward to your detailed thoughts once you have spent some more alone time with your system and the Allnic phono stage.

Best Regards,
Aaron

drajreynolds

Hi Mike,

Your experience with the Mint LP protractor parallels my own. The more you sweat the details, and believe me you will sweat in the pursuit of perfection, the more rewarding will be the final result.

I do wonder if, by rotating the arm base to effect proper overhang, you are also changing the pivot-to-spindle distance of your arm and in doing so nullifying the extra accuracy which is inherent in the custom Mint LP protractor? Maybe I am missing something here since I know the SME arms have a sliding base mechanism for setting overhang.

Best Regards,
Aaron

drajreynolds

Hi Mike,

Great to hear that you have been enjoying life outside of audio for a while, something that many of us forget to do from time to time.

Interesting that you are going down the analog tape path (no pun intended), I am sure it will be very rewarding.

I am a little surprised by your comment regarding the perceived subtle differences between the Rockport and Continuum Caliburn turntables but since we are unlikely to ever hear both under familiar conditions for a shootout we can only ever hedge our bets. In that regard my own personal gut feeling is that the Caliburn/Cobra combo would at least split the difference between your Rockport and the master tape. All of this is pure speculation of course based on what I know about both products from a technical standpoint and from some visits/discussions with Continuum.

I do applaud you for seeking out the ultimate format for new source material.

As always I look forward to your new adventures in this crazy hobby.

Take care and all the best,
Aaron

drajreynolds

Hi Mike,

You are too nice in your reply to Fendergibs but I guess that is a reflection on what a great guy you are and it avoids flame wars on your system thread.

I often laugh at these people who feel the need to measure everything or those who insist on double blind listening tests to confirm audible differences. I don't know about other audiogon members but I do not listen to music as a means of scientific analysis or to test my hearing acuity but rather as a way of connecting to the deeper meaning in a performance which makes the experience a more entertaining and/or enjoyable way to spend my free time. If a cable, resonator, rack or other tweak brings me closer to my goal then it is money very well spent. Audio is a subjective pursuit afterall and the system need only please its owner to be considered a success.

Fendergibs' logic could also be applied to the art world where the value and selling price mean different things to different people since beauty is very much in the eye of the beholder. Try measuring those differences.

The system is looking great Mike and I am sure it sounds even better. Keep us posted with the subwoofer and multichannel SACD progress.

Best,
Aaron

drajreynolds

Hi Mike,

Glad you are enjoying your multi-channel experience. It would be interesting to try your Murano P-1000s (plus) monoblocks on the Evolution Acoustics MMthree speakers. Sounds ridiculous given the price difference compared to the DartZeel amp (not to mention lashing up the Opus MM speaker cables which should be compatible) but it might surprise you since it seems to be doing well on the Dukes at the moment.

Best Regards,
Aaron

drajreynolds

Mike,

Sounds like you are very happy with the Evolution Acoustics MM3, single Dartzeel amp and single run of Transparent Opus MM speaker cables, congratulations! I do recall you saying that a pair of Dartzeel monoblocks may enter the equation should such a beast ever exist.

Are you contemplating the Continuum Audio Labs Caliburn/Cobra or Criterion/Copperhead analog front ends? I know that the Rockport performs at such a seriously high level (and looks beautiful) that it would be difficult to part with it.

Enjoy,

Aaron

drajreynolds

Seethesound,

From reading between the lines on other forums I suspect that Mike might have sold the Von Schweikert VR9SEs in favour of the new Evolution Acoustics loudspeakers. I am sure that this in no way diminishes his enthusiasm for the Von Schweikert but when a speaker that better suits one's listening objectives comes along at a lower price the decision is easy.

Good luck with your musical journey.

Aaron

drajreynolds

Rick,

I am sure Mike will give you a better/more technical answer to this question than I could hope to but it is my understanding that the DartZeel components provide the option of using a special 50 ohm BNC connection, kind of like the fibre optic cable that carries communications signals over immense distances. I suspect that because of the very low impedance of the cable/interface the quality and length of the cable is a non-issue. The Dartzeel gear also provides normal single ended RCA and balanced XLR preamp-to-amp connectors to mate with the widest range of gear. In any event, it is often better to use longer interconnects of any type and shorter speaker cables when locating the bulk of your equipment away from the speakers.

All the best,
Aaron

drajreynolds

Hi Mike,

Simply breathtaking! I bet it sounds even better than it looks. I would consider travelling from Australia to the US just to hear your system. Congratulations and enjoy.

All the best,
Aaron

drajreynolds

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