You're looking at a different kind of "All Out Assault", this one based on utilizing a fuller expression of current excellent technology, as opposed to a limited expression of such. Some go for a cost-no-object expression of one technology. I have chosen to pursue a superb expression of different technologies. I have derived far more pleasure doing so than seeking one rig to satisfy my longings to hear beautiful systems.
Photos represent some of the speakers, components and cables I have reviewed over the years. I have spent time predominantly with four technologies in speakers; Full range hybrid dyanamic, Full range ESL, and Omnidirectional hybrid. I have branched out to horn hybrid as well.
I have moved to file and streaming playback exclusively utilizing Tidal and ROON. However, I maintain CD as backup source. I find a shocking disparity in performance of digital based systems.
This is a dedicated room, built by myself and tuned for two channel, but wired for 7.1 surround. I listen to 2 ch. audio approx. 95-98% of time. The surround and video compliment is not noteworthy, as a result. I upgrade them only every several years.
Source, amplification and speakers have all been reviewed and are highly recommended. The sound quality of the system is moving steadily toward SOTA.
Colibri is Avantgarde Acoustic's affordable brand of speakers. The C2 is a high performance compact (bookshelf) horn hybrid loudspeaker.
See my review of the Colibri C2 at Dagogo.com
The stock stands are quite low, so I obtained some 34" Sanus stands to raise the speakers, with superb results affecting the soundstage. The speakers are currently paired with my Perlisten D212s Subwoofers, which have also been reviewed for Dagogo.com
Legacy Audio Whisper DSW Clarity Edition
Bill Dudleston realized my concept of a fully configurable speaker able to be employed as both passive and active. The result is what I call a "crossover speaker," which can be configured; 1. Fully passive, with as little as one stereo amp and three sets of speaker cables; 2. Hybrid active/passive, using the Legacy processor for the bass and the Mid/Treble passive, and 3: Fully active, using six channels of outboard amplification.
The speaker has been retrofitted for a review of upgrade internal cabling and capacitors. The result is the Whisper DSW, which Bill Dudleston of Legacy measured a 2 dB improvement on the Bass!
PureAudioProject Trio15 PAP Horn 1
Wonderful two-way hybrid horn reviewed for Dagogo.com. I enjoy the flexibility of the speaker in the crossover and "internal" wiring. My special utilization of the speaker is in Landscape mode, the realization of a dream for an alternative sound which I have pursued for about five years. The Horn 1 in Landscape impressed the entire audio group of which I am a member; they all placed it among the very best systems I have made. It truly is a stunning application of an affordable speaker with high end sensibility.
Alternative application of using Sound Anchor custom stands to hold speakers sideways. This results in a far wider soundstage superlative for live music recordings. Note that the orientation of the horn of the Horn 1 speaker is normally horizontal, so the Landscape mode/application results in the speaker's horn turned vertical, similar to large horn speakers such as the Volti Audio Alura.
PureAudioProject Quintet15 Horn1
Largest of PureAudioProject (PAP) offerings, this one outfitted with the horn driver. Features upgradable crossover components (cap, resistor) and "internal" wiring.
This speaker is especially beautiful sounding with the Legacy Audio i.V4 Ultra Amplifier. Both products reviewed for Dagogo.com
King Sound King III
The King III is a full range ESL with a performance which takes back seat to no magnetic planar speakers. With subwoofers they are a formidable ESL experience.
Kings Audio Kingsound King Tower
Omnidirectional hybrid dynamic/ribbon speaker system not available in N. America. and perhaps entirely disconintued by Kings Audio. Added to my collection as an expression of Omnidirectional speaker technology.
Aspen Acoustics Grand Aspen Speaker
Continuing development of Scott Kindt's DLT (Disproportionately Large Tweeter; my term) designs. The Grand Aspen is the new flagship, extension of the Capella (previously called the Lagrange L5 MkII, seen below).
The Grand Aspen is a six-way speaker with built in active, oppositional, slot loaded subwoofer. I will be giving this speaker an owner's review to appear at Dagogo.com
Aspen Acoustics Capella Speaker
Craft speaker made by a Colorado physics teacher. This is the pre-production model. Uses what I term the unique DLT (Disproportionately Large Tweeter) configuration. It has the punch of a dynamic speaker with the generosity of a panel speaker.
A more formidable model, the Grand Aspen, is under construction and will be replacing the pair of Capella speakers in my possession. The Grand Aspen features an enhanced DLT array, as seen on the Aspen Acoustics website.
See review of smaller model, L5 MkII at Dagogo.com
Perlisten D212s Subwoofers
Pair of Perlisten Audio D212s Subwoofers as reviewed by myself for Dagogo.com
I enjoyed the Legacy Audio XTREME XD Subs for ten years. Perlisten incorporates room correction in the subs, allowing me to maximize different genres of speakers used in reviewing. These are impressive devices.
Exogal Comet DAC and Ion PowerDAC
This is an unusual combination of a DAC (Comet) with an additional complementary extended DAC with integrated true digital amp (Ion). Together, they include everything needed in the front end of a system except for the source. The Comet can stand alone, but the Ion is dependent upon the Comet, it cannot be used separately.
This combination is thrilling in its performance to cost ratio. One of the most outstanding products I have reviewed in ten years! The digital amplification is especially notable for its ability at 100wpc to drive more difficult speakers to listening levels of about 88-90dB.
Eastern Electric Minimax DSD DAC Supreme
Latest EE DAC featuring DSD and continues to offer opportunity to roll in discrete opamps. Allows contouring system to any selection of components.
Discrete Opamps Staccato, Burson, Sonic Imagery, Sparkos Lab
Discrete opamps rolled into Eastern Electric Minimax DACs and Kinki Studio EX-M1+ Integrated Amplifier
Iconoclast Cables and BAV Power Cords Iconoclast/Belden
Current reference cable line. See review at Dagogo.com
Owned/Reviewed Spkr Cables Various
Have owned: Audioquest, Harmonic Technology, XLO, etc; Reviewed cables for Dagogo.com include: Iconoclast, TEO Audio, Clarity Cable, Silnote Audio, Snake River Audio, Wire World. etc.
Outlaw 950 Surround Processor
Has nice variety of surround settings, 2 component in, plenty of other inputs... Only thing I wished it did was to convert s video to component.
Rotel RB-976
A lovely little workhorse amp! Configurable from 3-6 channels; a wonderful flexibility for surround applications.
Magnepan MGM W
Very affordable planars for surround. They only play down to about 100khz, but acceptable for surround. Awesome feature - they can be mounted upside down (will sound the same) to accomodate wiring near top of room.
Legacy Audio Silver Screen
Black piano finish; complementary driver set to Focus HD; dual 7" bass, 4" planar mid, 1" tweet
Tice Audio Solo/Solo High Current
I'm using two Solos, and one is High Current for power amps. Gotta have someting like this to open up the system's sound...but price might be a bit steep for some people. I will accept an offer of $1,000,000.00 though.
Furutech GTX-D (G)
Audiophile grade outlet featuring copper internals and gold plated sockets for power cord pins
Plateau AV 42
Wonderfully solid, black for AV use. Affordable. Nice to have on casters when you have to move it.
Panasonic PTL-500U
Upgrade from PTL-330U; this unit has high def capabilities.
Auralex Propannel 2x4'
Room tuning sound absorbing pannels. Made a shockingly huge difference in my two channel listening! Some of best audio $ I ever spent!
I've had the pleasure of hearing the Vapor in Doug's room. They are special. They are very "fast" and in addition have an appealing organic musical presentation. Soundstage and imaging are exceptional. Very nice.
Peter, that's good advice; thanks! I would suspect that different software packages will react uniquely with different file formats. I am ripping the discs to AIFF, and it seems there is some difference of opinion in the community whether this is the worse/same/better than WAV.
I know one thing, I do not wish to spend inordinate hours inputting metadata for discs, thus AIFF is the choice for now. Whether I convert to WAV later remains to be seen. My guess is that some software will mesh with AIFF better than others, so it makes sense to try a few. I don't know that I would conduct a full blown report on it (there's only so much time), but I'm quite sure I'll be experimenting. :)
Doug, Since you are using a Mac for playback I can only encourage you to try Audionirvana Plus too, its a free trail for two weeks so there's nothing to loose, would be interested in hearing your opinion on it compared to the Amarra.
System edited: Some significant changes recently, another set of speakers added. The Vapor Audio Nimbus White review was just finalized. They are a statement product and a real shocker performance-wise in the under $10K sector of speakers. I'm making the move to file playback via Mac Mini and Amarra; library being imported currently. The goal is to have this far exceed the Redbook playback. That may take some time, but I anticipate it will happen. I have been adjusting my positioning of the speakers in terms of width and believe I will keep the wider stance ongoing as this has been beneficial to the soundstage and imaging. Toe in is similar to the past but I'm getting better depth and definition to the images by moving speakers approx. 10" out from each other. This has been true of all dynamic speakers and the ESL. I have not tried the omnidirectional speakers in that wider position yet, but that will happen eventually.
AERIS are here having arrived today, are setup and making great music! It's amazing to me how good this sounds on day 1; it's the most amazing OOTB (out of the box) day I've ever had with any piece of audio gear!!! They are drop dead gorgeous to boot!!! Sapelle Pommele Cabernet with Black Pearl front baffle is "THE" way to go :-) !!!
Zephyr, it's been a wild six months (as usual). I tried posting updated pics but have had issues; I'll try again sometime.
I am working through component changes now. The Pathos Amps are gone after a long run, the longest I had owned a component ever. I'm re-tooling the entire rig as well as working with some marvelous gear for articles. I never take a step backwards in performance; there is no need to.
A very exciting(at least to me!) development happening recently, but I'm not going to discuss publicly yet.
Doug...hope you've been doing well and enjoying your latest audio adventures! I remember seeing a note from you that the Whisper DSW edition is now complete; let us now how those are performing for you and what else you've been working on....
My AERIS pair are on an ESTES Long-Haul truck as we speak(!) they'll arrive in the depot tonight so I could have them on Tuesday morning at the latest if all goes as planned. I will be somewhat sorry to see my Focus SEs leave but it's been just short of 3 great years with them so I am looking forward to the AERIS arriving very much. I'll keep you posted on what I hear as I break them in....
Somewhere along the line I'll get pics updated. There are some changes/additions lately, some to this system, some elsewhere.
One fun change was the switch in my family room rig to a new setup comprised of Sonos (that remained), the NuForce DDA-100 Integrated DAC, and a pair of King Sound Guitar speakers I sent home from CES. It's intended as a mega-fun rig and soooooo much more pleasing on the eyes than another box speaker. There are some inherent limitations on performance due to the nature of the DDA-100 and the cabinet of the speaker being in a guitar form. However, I'm very happy with this as a lifestyle rig. I'll likely post a pic of it at some point.
In the big rig I have added the Wells Audio Innamorata Amplifiers (reviewed for Dagogo.com) and am quite pleased with their performance to date. I've been using them with the Legacy Whisper DSW Clarity Edition and the results are everything I hoped for. I ran one Innamorata on several speaker systems, and based on the performance and experience in the past with use of two amps in passive biamp mode went with two of them, but have only used the pair with the Legacy's at this point.
The experience is so good that I do not want to break the rig down. However, it is a necessity and I'll likely move to the King Sound King III next to see what the Innamoratas do for them. Based on what these amps are doing for the Whisper I anticipate hearing the best ESL sound in my room to date. It's a very gratifying feeling that after many years of frustration, of trying desperately to achieve a sound I could glory in, I now have the capacity to build multiple rigs all of which are so satisfying that I do not want to disassemble them. The key to such satisfaction was the realization that I find far more delight in the variety of experience than chasing "the One," as though there is a perfect system. Variety in experiences in systems has been my best friend in audio for the past few years, and as far as I can see for the future as well.
It did take more time, more money and more effort than I expected to get this goal accomplished, but it has been well worth it!
I have three or four little experiments tangential to reviewing either running currently or on tap; plenty to discover. Anyone who has been in this hobby long enough knows that there is a cyclical nature to it, sometimes "up" and sometimes "down." I'm enjoying this up part of the cycle. :)
System edited: I am making some pleasing progress in the exploration of the Landscape Orientation of tower speakers. I secured custom Sound Anchor Stands which I had modified to incorporate amp stands in the design. Now I can place the amps closer to the speakers and use shorter speaker cables, which is held to improve sound. I am very pleased with Bob and the crew at Sound Anchors. They worked with me patiently to develop the right stand and the product is first rate. I had casters put on the stands to aid with mobility/placement. The stands allow for elevation of the speakers far higher, up to about 39" versus 27" with simple stands I tried previously. The also allow for forward or backward tilt of the front baffle. I now have complete control of the placement of the speakers used in Landscape orientation. The sound quality has improved markedly, so this has been a good venture. The use of speakers in Landscape orientation is as powerful an experience as hearing a large tower speaker or big panel; it is a worthy alternative which is simply stunning with live recordings.
Zephyr, I appreciate the encouragement. I will have comment upon the Aeris in my Dagogo.com show report of RMAF 2012. My overall impression is that it is a classic Bill Dudleston design. Bill works in the pro/domestic worlds and bleeds his design concepts over from one to the other.
Consequently, his speakers will be capable of more dynamic impact via active X-over for the bass than most big floor standers. The new twin element air motion tweeter is superb and elevates the performance radically. The past five years or so have seen big leaps in performance from Legacy speakers.
I have an article comming but it's a bit different than expected.
Doug,...as always I enjoy following your system posts and the results of your creative audio journey! Keep the great stuff coming! As you know I heard the Legacy AERIS recently and was extremely impressed by the truly organic and musical performance of the speaker and the tapestry of sound they painted! When you have a chance, please let us know your impressions having heard it or if you have a review scheduled in the near future.
Barrysandy, I appreciate the feedback; I enjoy describing experiences so that others can benefit and perhaps be inspired to try new things. Anyone who has a manageable monitor should put it on the side to see what it sounds like. The experience can be quite informative and enjoyable.
I'm not quite done with the Landscape concept; there will be more to come! It's going to take another turn (Pun!), one which until a week ago I did not consider. It's surprising and very pleasing how far a concept can be taken with additional input. Thanks to an industry insider the concept has further to run. I'll be sharing it here in due time. Nothing too radical, but significant enough to merit pursuing. I expect a sizable performance improvement in the sound of the Ulysses.
I encourage people who have manageable tower speakers and stands, who have curiosity, to try the Landscape orientation. But, PLEASE read the article first. There are quite a number of WARNINGS associated with the unusual use of the speakers, warnings related to the awkwardness of the speaker on a stand and safety. The Landscape sound is quite the surprising experience! One of the most striking things about it is how utterly pristine the bass becomes when elevated off the floor. When you move the speakers higher and lose the floor bounce you will realize how much distortion and negative interaction with the floor one hears when the speakers are in normal Portrait orientation. I was shocked especially by the transformation of the bass quality when moving the Ulysses into Landscape mode. This would be true for the overwhelming majority of traditional towers with with the bass drivers near the floor.
The King Sound King Tower (Omnis) are a jewel which I am sad to see no longer available to audiophiles. Omnis have such a powerfully immersive quality to their soundstage that I would think many more casual listening audiophiles would love them. They do not have to be large form factor, and are quite endearing with exquisite openness.
I know some panel speaker owners place their speakers immediately flanking the listening chair, to the Left and Right of the chair on edge to the listener. This may to a degree simulate the experience of an Omni. I would guess that it might be like the ultimate headphone experience to put a pair of omnis in that arrangement! Next time I have them set up I may sit for a while in the center between them and see what happens to the soundstage.
There is no end to the creativity one can have with audio systems; one simply has to be open to trying novel things. However, I distinguish between quackery and novel alternative arrangements/systems.
Doug: Your Den descriptions are a great read - thanks. I'm not sure I'm going to experiment with "portrait" versus "landscape" on my system quite yet (Didn't need to with my old Magnepan T-1Ds they were so big). Really love the look of the King Omni's though. Looks like a disarmed Dalek from Dr Who! Your desription of their sound field reminds me of the sound of the big Ohm F omni-directionals. You could literally walk around in it and it was radically different than anything else. Thanks again for sharing all your insights.
System edited: It has been a rewarding few months, as approximately one year of effort has resulted in changes to three speaker systems; I recently had published at Dagogo.com my discussion of a recent alternative placement for the Daedalus Ulysses full range speaker; horizontal, or "Landscape" orientation. I am immensely enjoying the immersive character of the monstrously large and immersive soundstage. This is roughly equivalent of a large Panel experience on the horizontal axis, truly an exciting alternative to typical "Portrait" orientation of full range speakers. Having bided my time for the King Sound King III full range ESL it has arrived, and will not leave. I make some sweeping conclusions about the performance of this speaker relative to others in its price class in my review. The last of the big changes is by no means the least; the Legacy Whisper DSW has been upgraded to "Clarity Edition" by the replacement of all internal cabling to 10Ga. Clarity Cable, Clarity Caps, and the new Legacy Air Motion Tweeter system (tweeter and supertweeter). Owner's review forthcoming. There is an incredible amount of variety in the audiophile experience available through different technological applications, as the systems I build suggest.
Frank, no I haven not tried those particular amps with the Ayon players. The highest I reached on the rung of use in my room with Ayon players was the CD-5, and I have not used any of the amps you mention.
I will urge you to try at least three diffent ICs with the player, as these are critical. But perhaps you are a cable warrior and have had plenty of wire wars. :)
Just jumped on the Ayon train again (Ayon Gyrfalcon, Ayon CD-5s) - and I´m now experimenting with a few stereo power amps to complement the Ayon gear (Ayre V-5xe, Ayon Helios, Aesthetx Atlas, KR Audio SD, Boulder 850).
Have you ever tried one of these together with the CD-5s ?
Zephyr, thanks; I think the big competition would have been between panel speakers and the King Tower. Especially in terms of soundstage the K.T. does some things even the Kingsound King ESL can't.
I am now double bi-wiring with four sets of speaker cables both of the modules on each speaker, and the results are splendid!
Glory, I think you're intending to speak with Doug Schneider; people occasionally mistake me for him.
I read you checked out the Crystal Cable factory and thought you would know how their wire stacks up against CC Vortex/Organic wire. I have a Vortex on my AMR but need ,I think, some silver AC cable on it to open it up more. Have a Stage 3 Minatour on demo and it is a great cable but to Much $$$. Any thoughts on the Crystal Cable Ultra AC cables?
Wow! That is one very impressive looking new speaker Doug! It is a shame they won't be distributing those in NA any longer as (for omni speaker lovers) they look to represent serious competition to other omni speaker brands that have rather daunting price tags.
Mapman, there is such a terrific satisfaction from the variety of sound possible that I would feel nearly impoverished if I didn't get involved in that technological variety. This is where the Quality/Quantity ratio is most critical. One only has so much disposable income, so obviously one can't "have it all" if not swimming in money. I find the additional factor of seeking an entourage of speakers at a set price level to add another dimension of skill to the task of system building - one which I relish.
What's great is that an audiophile/gear head can do this at nearly any level of investment in the hobby!
"I have chosen to pursue a superb expression of two different speaker technologies. I have derived far more pleasure doing so than seeking one speaker to satisfy my longings to hear beautiful systems."
We think alike in this regard I see! Variety is the spice of life! Why be locked into a single sound at any given time, no matter how exquisite it may sound?
Have not seen or heard of Kingsound before. Something new to learn about I suppose.