My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.
I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me.
I just had my TD D1-Streamer upgraded to the latest version TD D1-Streamer MK2 (November 2022).
In my setup, I use the TotalDAC D1-Player with its silent NAS using solid state drives to store all of my digital music files. Both the D1-Player and the D1-streamer are connected to a Belkin router and I control music selection using an IPAD mini running Roon remote (The D1-Player runs Roon Core and the TotalDAC D1-Streamer is a certified Roon end point).
TotalDAC D1-Digital Reclocker MK 2
I have just had my TotalDAC D1-Digital Reclocker upgraded to the new MK 2 version (November 2021). The Digital Reclocker MK 2 sits between my D1-Streamer MK 2 and the D1-Twelve mono DAC's in my digital front end.
TotalDAC D1-Twelve MK3
I just had my TD D1-Twelve upgraded to the new MK3 version (November 2022).
The TotalDAC D1-Twelve DAC mk3 is composed of two mono bloc DAC's and a specialized re-clocker, so it is a 3 box system. The D1-Twelve DAC mk3 in combination with the D1-Streamer can play 16 or 24 bit format and 44.1KHz, 48KHz, 88.2KHz, 96KHz, 176.4KHz, 192KHz, and DSD sampling rates.
TotalDAC USB Gigafilter
I have upgraded the TotalDAC USB Cable that connects the TotalDAC server to its internal re clocker to the new TotalDAC USB Gigafilter cable.
TotalDac D1-Player
I have just had my D1-Player upgraded (November 2021) with a custom Live Power supply by TotalDac. The linear power supply also does filtering and cleansing of the Ethernet signal. The connection path for this is an ethernet cable between the NAS and power supply and then another ethernet cable from the outboard power supply to the router. In addition, the NAS is running Roon Core and since the TotalDAC D1-Server is a certified Roon endpoint, I am now using Roon Remote on an IPAD mini and using Roon as my music player (replacing MPAD). The D1-player can also be used as a upnp/dlna server. i am using a Nordost Odin 2 power cord on the D1-Player.
TotalDAC D1-Switch
I just added the new TotalDAC D1-Switch to my digital front end. The switch connects to my Belkin router and now the TD D1-Streamer mk2 and the TD D1-Player connect to the the D1-switch instead of the router. This provides a very significant sonic improvement. I use a Nordost Valhalla 2 power cord for the D1-Switch.
Totaldac Live Power supply
I just added the TotalDAC Live Power supply. This version can be used to provide power to my complete TotalDAC D1-Twelve digital front end - the D1-Streamer, the outboard reclocker and the 2 DAC's. I use a single Nordost Odin Gold power cord for the Live Power supply which is plugged into my Shuyata Everest power conditioner.
Nordost Odin Gold power cord
I am now using a Nordost Odin Gold power cord for my TotalDAC Live power supply. This replaced the already wonderful Nordost Odin 2 power cord.
Nordost Valhalla 2 Ethernet Cables (2)
I am using 2 of the new Nordost Valhalla 2 ethernet cables. The first one connects between the TotalDAC D1-Player and my Belkin router and the second one connects between my TotalDAC D1-Streamer and my Belkin router.
Audio Quest Diamond Ethernet Cable
The AQ Diamond ethernet cable is used to connect the TotalDAC D1-Player to my TotalDAC NAS. This is used for the "dirty" ethernet connection.
Paul Hynes SR7 Linear Power Supply
I have am using 2 of the Hynes Sr7 Linear power supplies. One is used to power the Belkin Router and the second one is used to power my network switch. Both of these replaced the stock switching power supplies that came with the Belkin router and the network switch.
Both of these power supplies have had the grounding update done to them and are connected to one of my Telos GNR ground noise reducers.
Nordost Valhalla 2 Power Cord
I use 4 Nordost Valhalla 2 power cords in my system.
I use one of them to power the Beat SE outboard power supply.
I use 2 of them to power the CH Precision P1 boxes (not the CH X1's).
I use one of them to power the Nordost QB4 power strip from the Shunyata Everest 8000 power conditioner.
Nordost Odin 2 XLR IC
Nordost Odin 2 Balanced IC's from the TotalDAC D1-Twelve mono DAC's to the CH Precision L1 true monaural preamp.
Shunyata Research Everest 8000 Power Distributor
I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
Nordost Odin Gold Power Cord
I use a Nordost Odin Gold power cord with a 20 amp IEC connector from a wall outlet to power the Shunyata Everest 8000 power conditioner.
Nordost QBase QB4
I am now using a Nordost Qbase QB4 power distribution box powered by a Nordost Valhalla 2 power cord from the Shunyata Everest 8000 power conditioner.
Shunyata Research Hydra DPC 6 V3 power conditioner
I have now added the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my TD D1-Player, my network router, my network switch plugged into the DPC 6. I was very surprised by the improvement the DPC6 V3 made in my system sonics.
The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
Steve Dobbins The Beat SE
I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.
June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.
October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
Minus K BM-8 Vibration Isolation Platform
A BM-8 Minus K vibration isolation platform placed underneath
Nordost Valhalla 2 Power Cord
This Valhalla 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Nordost QB4 power strip. The QB4 is powered by a Nordost Valhalla 2 power cord which is plugged into the Shunyata Everest 8000 power conditioner.
Schroeder LT Tonearm with Magnesium arm tube
I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.
June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
Lyra Olympos SL
The Lyra Olympos SL MC cartridge is now mounted on my second Schroeder LT tone arm with Magnesium arm tube. A truly great sounding combination.
Schroeder LT tone arm with Magenisum arm tube
This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
Lyra Atlas SL Lambda cartridge
I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
CH Precision True Dual Monaural P1 phono stage
I have now upgraded my CH P1/X1 phono stage to the CH Precision True Dual Monaural phono stage. This consists of a P1 for the left channel, a separate P1 for the right channel and 2 of the optional CH X1 power supplies - one for each channel. As good as the stereo P1/X1 was, the true dual monaural P1 phono stage is something very special to hear.
June 29, 2021 Update: I just replaced the umbilical power cords from the X1 power supplies to the CH P1 phono stage with a new umbilical that Steve worked on with Nordost. A very significant sonic improvement.
Nordost Odin Gold Power Cords
I am now using two of the Nordost Odin Gold Power Cords to power the two CH Precision X1 external power supplies for my CH Precision P1 true dual monaural phono stage.
Nordost Odin 2 XLR IC
I am now using Nordost Odin 2 balanced IC's between the CH Precision P1 true dual monaural phono stage and the CH Precision L1 true dual monaural preamp.
Adona Zero GXT Turntable Rack
Finished in black with a top shelf of 27" in width.
Telos Ground Noise Reducer
I have added two of the Telos GNR (Ground Noise Reducer) units to my system. One of the GNR's is connected to all of my analog front end electronics and the second GNR is used for my digital front end components.
Computer Audio Design (CAD) GC3 Ground Controls
I am now using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M1.1 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
Computer Audio Design (CAD) Ground Control GCR
I have added the CAD Ground Control Reference (GCR) to my system. This is used for signal grounds for my front end components (CH Precision P1 phono stage, CH Precision L1 line stage and my TotalDAC D1-Twelve digital front end) and also the earth ground for my Shunyata Everest 8000 power distributor.
CH Precision L10 True Dual Monaural LInestage
The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
Nordost Odin Gold Power Cords
I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
CH Precision M10 amplifiers
I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
Nordost Odin Gold Power Cords (4)
I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
Nordost Odin 2 XLR IC
I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L1 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
Nordost Odin Gold Power Cord
I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
Nordost Odin 2 XLR IC
I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
Nordost Odin Gold Speaker Cables
I am now using 2 pairs of Nordost Odin Gold speaker cables to bi-amplify the Rockport Arrakis 2 speakers.These replaced 2 pairs of Odin 2 speaker cables.
Rockport Arrakis 2
My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover. I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
Furutech GTX/NCF outlets
I have added 4 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers. These are used for each of my CH M10 mono block amps and the Rockport Arrakis 2 outboard crossover.
Furutech NCF Booster
I have added three of the Furutech NCF Cable Boosters after some extensive auditioning. I have one of them under the Odin Gold power cord for the Rockport external crossover (IEC end), one under the Odin Gold PC for the TotalDAC Live power supply (IEC end) and the third one under the Odin 2 power cord for the TotalDAC D1-Player (IEC end).
REL Acoustics G1 sub bass system Six Pack
I am now using the REL G1 sub bass system in the REL Six Pack Configuration. The Six Pack Configuration is 6 of the REL G1 subs configured as 2 sub towers of 3 G1's each. One stack of three G1's for the left channel and one stack of three G1's for the right channel. The bottom G1 of each stack is connected to an M10 amplifier that powers the bass drivers of the Rockport Arrakis and the two G1's that sit on top of that stack are daisy chained together. I am using the REL designed Bassline Blue sub cables to connect all of the subs as required. Each of the stacks is located to the outside of the Rockport Arrakis 2 speakers and just about flush with the front baffle of the Arrakis using the same approximate toe in angle as the main speakers.
To power all of the G1's, I am using 6 Nordost Tyr 2 power cords and 2 custom versions of the Furutech e-TP60 power distributor that uses Furutech GTX-D NCF (R) outlets replacing the stock outlets. I am using 2 Nordost Odin 2 power cords from the wall outlets to each of the Furutech e-TP60 power distributors.
The REL G1 six pack replaced my previous 2 REL Studio III sub bass systems.
Blinn Double wide component rack
Blinn double wide component rack with 3" thick walnut stained maple shelving.
Silent Running Audio (SRA) Virginia Class amp stands
I am now using the superb SRA Virginia Class amplifier stands under my CH Precision M10 mono block amplifiers. I also am using the HRS Nimbus footers (1.5" height version) under the M10 amplifiers.
HRS SRX with M3X2 isolation base
I have added 2 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies of my CH Precision M10 amps.
Nordost Sort Kones
I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
Isonic Ultrasonic RCM
I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
Loricraft PRC 4 Deluxe RCM
Loricraft record cleaning machine that replaced my Audio Desk RCM. I liked how easy the Audio Desk RCM was to use, but after having to replace it 3 times due to defects I decided it was time to replace it. The Loricraft PRC 4 Deluxe seems to do at least as good a job at cleaning and perhaps a little better using the AIVS fluids.
Custom LP Record Cabinets
There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.
System edited: I received the latest version of the Allnic Puritas MC cartridge to compare to the production version that I have been using. This new version makes 2 changes - first it lowers the output impedance of the cartridge and second it makes some changes to help reduce static electricity buildup within the cartridge. I only have about 20 hours on this cartridge so far - which isn't even close to the 60 hours that it needs to really blossom but what I am hearing is very impressive. There seems to be more life in the music across the frequency spectrum with even more high end energy and wonderful highs than the previous version - but no hardness, glare or edginess that I can hear. I felt that I was hearing more of the recording venue ambience and more space around performers than previously. Bass is better with more texture. Overall background noise is reduced. It was just thrilling to listen to the music. All this with just 20 hours of play time. I am looking forward to hearing what it does as it continues to break in.
I highly recommend the upgrade of the VTL 7.5 to the Series 3 version. It's expensive for an upgrade, but it is a significant improvement on the Series 2 version. I was fortunate to be able to compare my dealer's upgraded Series 3 to my Series 2 before I went for the upgrade and I was very surprised by just how big an improvement the Series 3 actually was.
And, if you are ever headed to Texas, please let me know - you are more than welcome to come by for a listening session.
Nice meeting you off line. Thanks for the information about the VTL 7.5 mk 3. Seems to be a nice difference. Also, nice to hear about your tube impressions. I have actually heard about you from a few people. Enjoy a great room and great system. Would love to come for a listen one day. I am in Aruba with a slightly similar system.
System edited: I just got my VTL 7.5 preamp back from VTL after having it upgraded from the Series 2 version to the new Series 3 version. From what has been described to me, this is a very extensive upgrade of both the control chasis and the audio circuitry chassis. I have been listening with my dealer's Series 3 while mine was at VTL.
One of these days I will have to have one of my friends who has a better camera and better technique than me to take some higher quality pictures of the room. I can't quite capture what the room really looks like with my sub compact camera.
Viewing the pictures my first impression was, what a fantastic space. Going over your list of components, I can only say wow! Enjoyed reading your comments on the construction of the room. You have put much into all aspects of the room. Superb gear, in a great room to enjoy the sites and sounds. Well done.
System edited: I've made a couple of changes in the past few weeks. 1. Replaced my Echole Obsession speaker cables with the new Echole Obsession "Signature" speaker cables. The "Signature" cables from Echole use thicker conductors compared to the standard Obsession cables and the improvement is easy to hear - harmonically richer across the frequency spectrum with improved resolution. 2. I am using my dealer's newly upgraded VTL 7.5 Series 3 preamp that VTL recently introduced at the 2010 RMAF while my Series 2 is at VTL to be upgraded. As good as the Series 2 version was in my system, the Series 3 preamp is a very significant improvement. The Series 3 is more transparent, has much better bass, mid bass and mid range presence, is richer in the high frequencies and has a more airy and relaxed sonic presentation. Its also very nice the VTL preamps are upgradeable as improvements are made.
System edited: I've made a few changes to the acoustics in my room - additional bass traps as well as some additional acoustic panels around my projection screen. As a result, I've adjusted the position and gain settings on my 2 Rel Studio 3 subs and all of this has resulted in a very nice improvement. I've tried to take some better pictures, but I obviously need a much better camera.
You are very welcome and thanks for the kind words about what you heard here last week.
I am in the process now of tweaking the acoustics in my room as well as breaking in the new Allnic Puritas cartridge that Steve provided me when he was here. Hopefully I can improve the sound a little more - I should know soon.
You are always welcome to come by whenever you are in town and hopefully I will make it out to your place one of these days.
Thanks again for letting me hear your fantastic system last week. I have been trying to sort out what my experience was like since then, and here's what I have come up with so far:
1. When I first heard your system a few months ago, you had the Dobbins Garrard 301 and the Allnic h-3000 phonostage. The rest of your gear was pretty much the same that you have now.
2. Although your system sounded really good to my ears, there was something a little analytical about it that I did not like. I attributed the problem to the Magicos, which I was not that enamored of, or the preamp.
3. When I heard your rig last week, you had added the REL sub and replaced the Garrard with the Dobbins/Kodo "The Beat" table. You had also upgraded the Allnic phono with the new Steve Dobbins-installed transformers. I am pretty sure those were the only gear changes, unless you added a tweak or two like shelves, footers or different room treatments.
4. The system I heard last week sounded completely different. In a word: "Wow!." In more words: it was totally involving, had a huge soundstage, and explosive dynamics. It was as revealing as before but had completely lost its analytical edge.
5. I can only conclude that the turntable made the biggest difference and the transformers in the Allnic the second-biggest. Steve's "The Beat" is an extraordinary turntable, a fact that I confirmed after I came back home and listened to my own Dobbins-rebuilt SP-10 Mark III. As good as the Mark III is, the "Beat" is better in every respect- it's ability to project the music in perfect time is truly remarkable. The music just jumped right off the grooves and into your incredible room.
5. You have taken a really, really good system and turned it into a great one! I'm coming back for more as soon as I can get back to your town- if you'll let me.
Thanks for the kind words. I'm glad you could make it and meet Steve Dobbins. I knew you were really enjoying the music since you were the first to arrive and just about the last to leave - I think you were here for about 9 hours - that must be some kind of record. I look forward to visiting you next week and hearing your system as well. Thanks again.
Thanks for inviting me over for a great musical experience. Your system is now one of the best I have heard for your music. The sound stage is enormous. The presentation is very big and full and very revealing. Coming back to my system made me order new cables. It had that much impact on my musical soul. I look forward to further auditions of your great system.
It was a pleasure meeting you and I am very happy that you were able to drive down and join us. We all had a great time visiting with you. And thank you so much for your gracious and kind thoughts and comments about what you heard while you were here. Thanks so much for introducing me to some very good music. That's always one of the best parts about having new music lovers over for a visit in that they introduce you to new music that you might not ever hear otherwise.
I guess I will have to find someone who has a better camera than me and more importantly more skill in using a camera to get some better pictures of my room.
I have already been giving some thought to slightly modifying the acoustics in the room. Steve and I discussed it after you left and he gave me a few suggestions to try along those same lines so we will see what happens.
I'll let you know when I am headed up your way so that I can come by your place and do some listening with you. I very much look forward to hearing your system.
Thanks again for the kind words and again, it was great meeting you.
Arnie: I absolutely enjoyed visiting your place, meeting you and Steve, and listening to your great system. When I say a great system, I mean it. It sounds gorgeous and I also mean that.
The things is that the details of your system posted here at audiogon (pictures, and description, etc.) do not do justice in depicting the true nature of your system. In reality, it is far more advanaced and sophisticated. First of all, it is totally musical. Second, it is hardly missing anything, and thus being a stronger contender for one of the four or five best systems (including mine) I have ever heard . Third, you have put in tremendous efforts (and capital, but well spent) on it, which is not being reflected from the decsription.
For instance, your room is quite advanced, and in my opinion is in the same league as Mike Levine's, but it does not show here. You need a better camera and lens perhaps. The room is very impressively made and tuned.
The Beat turntable is a knockout in every way. I congratulate Steve for building this work of art. Indeed, he is a vinyl guru and I have learned many things from him. I am sure the Beat is on its way to becoming a benchmark. I cannot afford it for now.
Do the Magico speakers live up to their reputation or "hype". Oh yes, they do. Out of the dynamic speakers that I have heard, they are one of the best three. The addition of the two REL Studios complements them seamlessly.
You have done most things right and have used "audio intelligence" quite well. There is not much to criticize, although if I were you I would make the room marginally less damping and would tamper with or try out different pre-amps. But that is me.
Overall, you have got a world-class system. When are you coming over to my place?
I have not compared the Adona rack that I use for my analog front end with any other racks. I like the Adona rack - it solidly built, very stable, easily adjustable for the spacing between shelves, much heavier than it appears and I like the way it looks. The Appogg platforms work very well for every component that I have them under. In each case, using the Appogg platforms have had the same sonic improvement - more air around performers and more ease and refinement to the music. For each component that I use them under, I have had a demo platform under that component for about a week, and then I removed the platform and you can easily the improvement that the Appogg platform made. In addition, they are quite attractive and compared to other high end passive isolation platforms, very reasonably priced.
Hi Babybear, sounds like you are enjoying which is always a good thing.
In relation to your Adona stand which you have your table on, what are your thoughts of this product? have you had a chance to compare to anything else?
I noticed you have a Appogg placed ontop and then your table ontop, what differences have you noticed sonically with and without. I thought Adona's selling feature was this specially designed platform married up along with the stand design.
I haven't had a lot of critical listening time yet with The Beat as we had a quite a few folks over the past few days to meet Steve and to do some listening to the table as well. But my impressions so far of what I have heard compared to my Dobbins Garrard 301 (which is also a wonderful tt as well) are:
1. The noise floor is significantly lower. This strikes you almost immediately and it was startling at first hearing how quiet The Beat is. 2. Dynamics and resolution are better (due to the lower noise floor) 3. Percussive instruments such as cymbals and high hats (while very, very good on the Garrard 301) are simply stunning with The Beat. 4. Bass is more powerful, tighter and more resolute. 5. The soundstage is a good deal wider. The Beat also provides better front to back layering of performers within the soundstage. 6. The overall presentation, especially with complex music, is so effortless and relaxed sounding.
I would say the above are what I have learned so far. I listened to The Beat with my Reed 2A arm and Allnic Puritas cartridge so the differences that I heard were from the table. I think its important to keep in mind that Steve's Garrard 301 is also a world class table and is so great to listen to as well. But "The Beat" is even better. I am very fortunate to be able to own one. Oh, I forgot to mention that The Beat is simply stunning to look at.
System edited: System Update: After having Steve Dobbins here for the past 2.5 days and listening to his wonderful "Beat" turntable, I went ahead and purchased it. Steve also did the transformer upgrade on the Allnic H3000 phono stage while he was here.
"The Beat" and Steve arrived yesterday afternoon and we had a wonderful time last night. Quite a few local folks came by to meet Steve and hear The Beat. I look forward to meeting you later today.
System edited: I have made a few additions to my system in the last few weeks. First, I've added 3 additional Appogg Breve Reference Platforms in piano black. I had 3 of these previously and now I have the 3 new ones under my Dobbins Garrard 301 turntable, the Allnic H3000 phono stage and the outboard power supplies for the Garrard and the H3000. In addition, I have added a second Rel Studio III sub bass system. Finally, in the next few weeks I am greatly looking forward to having Steve Dobbins visiting me and bringing his new "Beat" turntable for me to hear and to compare to my Dobbins Garrard 301 turntable as well as to do the new transformer upgrade for my Allnic H3000 while he is here. This should be a very fun and interesting couple of days.