Description

My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.

I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me. 
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Room Details

Dimensions: 33’ × 20’  X large
Ceiling: 12’


Components Toggle details

    • TotalDAC D1-Streamer MK2
    I just had my TD D1-Streamer upgraded to the latest version TD D1-Streamer MK2 (November 2022).

    In my setup, I use the TotalDAC D1-Player with its silent NAS using solid state drives to store all of my digital music files. Both the D1-Player and the D1-streamer are connected to a Belkin router and I control music selection using an IPAD mini running Roon remote (The D1-Player runs Roon Core and the TotalDAC D1-Streamer is a certified Roon end point).
    • TotalDAC D1-Digital Reclocker MK 2
    I have just had my TotalDAC D1-Digital Reclocker upgraded to the new MK 2 version (November 2021). The Digital Reclocker MK 2 sits between my D1-Streamer MK 2 and the D1-Twelve mono DAC's in my digital front end.
    • TotalDAC D1-Twelve MK3
    I just had my TD D1-Twelve upgraded to the new MK3 version (November 2022).

    The TotalDAC D1-Twelve DAC mk3 is composed of two mono bloc DAC's and a specialized re-clocker, so it is a 3 box system. The D1-Twelve DAC mk3 in combination with the D1-Streamer can play 16 or 24 bit format and 44.1KHz, 48KHz, 88.2KHz, 96KHz, 176.4KHz, 192KHz, and DSD sampling rates.
    • TotalDAC USB Gigafilter
    I have upgraded the TotalDAC USB Cable that connects the TotalDAC server to its internal re clocker to the new TotalDAC USB Gigafilter cable.
    • TotalDac D1-Player
    I have just had my D1-Player upgraded (November 2021) with a custom Live Power supply by TotalDac. The linear power supply also does filtering and cleansing of the Ethernet signal. The connection path for this is an ethernet cable between the NAS and power supply and then another ethernet cable from the outboard power supply to the router. In addition, the NAS is running Roon Core and since the TotalDAC D1-Server is a certified Roon endpoint, I am now using Roon Remote on an IPAD mini and using Roon as my music player (replacing MPAD). The D1-player can also be used as a upnp/dlna server. i am using a Nordost Odin 2 power cord on the D1-Player.
    • TotalDAC D1-Switch
    I just added the new TotalDAC D1-Switch to my digital front end. The switch connects to my Belkin router and now the TD D1-Streamer mk2 and the TD D1-Player connect to the the D1-switch instead of the router. This provides a very significant sonic improvement. I use a Nordost Valhalla 2 power cord for the D1-Switch.
    • Totaldac Live Power supply
    I just added the TotalDAC Live Power supply. This version can be used to provide power to my complete TotalDAC D1-Twelve digital front end - the D1-Streamer, the outboard reclocker and the 2 DAC's. I use a single Nordost Odin Gold power cord for the Live Power supply which is plugged into my Shuyata Everest power conditioner.
    • Nordost Odin Gold power cord
    I am now using a Nordost Odin Gold power cord for my TotalDAC Live power supply. This replaced the already wonderful Nordost Odin 2 power cord.
    • Nordost Valhalla 2 Ethernet Cables (2)
    I am using 2 of the new Nordost Valhalla 2 ethernet cables. The first one connects between the TotalDAC D1-Player and my Belkin router and the second one connects between my TotalDAC D1-Streamer and my Belkin router.
    • Audio Quest Diamond Ethernet Cable
    The AQ Diamond ethernet cable is used to connect the TotalDAC D1-Player to my TotalDAC NAS. This is used for the "dirty" ethernet connection.
    • Paul Hynes SR7 Linear Power Supply
    I have am using 2 of the Hynes Sr7 Linear power supplies. One is used to power the Belkin Router and the second one is used to power my network switch. Both of these replaced the stock switching power supplies that came with the Belkin router and the network switch.

    Both of these power supplies have had the grounding update done to them and are connected to one of my Telos GNR ground noise reducers.
    • Nordost Valhalla 2 Power Cord
    I use 4 Nordost Valhalla 2 power cords in my system.
    I use one of them to power the Beat SE outboard power supply.
    I use 2 of them to power the CH Precision P1 boxes (not the CH X1's).
    I use one of them to power the Nordost QB4 power strip from the Shunyata Everest 8000 power conditioner.
    • Nordost Odin 2 XLR IC
    Nordost Odin 2 Balanced IC's from the TotalDAC D1-Twelve mono DAC's to the CH Precision L1 true monaural preamp.
    • Shunyata Research Everest 8000 Power Distributor
    I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
    • Nordost Odin Gold Power Cord
    I use a Nordost Odin Gold power cord with a 20 amp IEC connector from a wall outlet to power the Shunyata Everest 8000 power conditioner.
    • Nordost QBase QB4
    I am now using a Nordost Qbase QB4 power distribution box powered by a Nordost Valhalla 2 power cord from the Shunyata Everest 8000 power conditioner.
    • Shunyata Research Hydra DPC 6 V3 power conditioner
    I have now added the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my TD D1-Player, my network router, my network switch plugged into the DPC 6. I was very surprised by the improvement the DPC6 V3 made in my system sonics.

    The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
    • Steve Dobbins The Beat SE
    I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.

    June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.

    October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
    • Minus K BM-8 Vibration Isolation Platform
    A BM-8 Minus K vibration isolation platform placed underneath
    • Nordost Valhalla 2 Power Cord
    This Valhalla 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Nordost QB4 power strip. The QB4 is powered by a Nordost Valhalla 2 power cord which is plugged into the Shunyata Everest 8000 power conditioner.
    • Schroeder LT Tonearm with Magnesium arm tube
    I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.

    June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
    • Lyra Olympos SL
    The Lyra Olympos SL MC cartridge is now mounted on my second Schroeder LT tone arm with Magnesium arm tube. A truly great sounding combination.
    • Schroeder LT tone arm with Magenisum arm tube
    This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
    • Lyra Atlas SL Lambda cartridge
    I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
    • CH Precision True Dual Monaural P1 phono stage
    I have now upgraded my CH P1/X1 phono stage to the CH Precision True Dual Monaural phono stage. This consists of a P1 for the left channel, a separate P1 for the right channel and 2 of the optional CH X1 power supplies - one for each channel. As good as the stereo P1/X1 was, the true dual monaural P1 phono stage is something very special to hear.

    June 29, 2021 Update: I just replaced the umbilical power cords from the X1 power supplies to the CH P1 phono stage with a new umbilical that Steve worked on with Nordost. A very significant sonic improvement.
    • Nordost Odin Gold Power Cords
    I am now using two of the Nordost Odin Gold Power Cords to power the two CH Precision X1 external power supplies for my CH Precision P1 true dual monaural phono stage.
    • Nordost Odin 2 XLR IC
    I am now using Nordost Odin 2 balanced IC's between the CH Precision P1 true dual monaural phono stage and the CH Precision L1 true dual monaural preamp.
    • Adona Zero GXT Turntable Rack
    Finished in black with a top shelf of 27" in width.
    • Telos Ground Noise Reducer
    I have added two of the Telos GNR (Ground Noise Reducer) units to my system. One of the GNR's is connected to all of my analog front end electronics and the second GNR is used for my digital front end components.
    • Computer Audio Design (CAD) GC3 Ground Controls
    I am now using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M1.1 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
    • Computer Audio Design (CAD) Ground Control GCR
    I have added the CAD Ground Control Reference (GCR) to my system. This is used for signal grounds for my front end components (CH Precision P1 phono stage, CH Precision L1 line stage and my TotalDAC D1-Twelve digital front end) and also the earth ground for my Shunyata Everest 8000 power distributor.
    • CH Precision L10 True Dual Monaural LInestage
    The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
    • Nordost Odin Gold Power Cords
    I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
    • CH Precision M10 amplifiers
    I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
    • Nordost Odin Gold Power Cords (4)
    I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
    • Nordost Odin 2 XLR IC
    I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L1 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
    • Rockport Technologies Arrakis 2 External crossover
    This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
    • Nordost Odin Gold Power Cord
    I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
    • Nordost Odin 2 XLR IC
    I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
    • Nordost Odin Gold Speaker Cables
    I am now using 2 pairs of Nordost Odin Gold speaker cables  to bi-amplify the Rockport Arrakis 2 speakers.These replaced 2 pairs of Odin 2 speaker cables.
    • Rockport Arrakis 2
    My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover.  I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
    • Furutech GTX/NCF outlets
    I have added 4 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers. These are used for each of my CH M10 mono block amps and the Rockport Arrakis 2 outboard crossover.
    • Furutech NCF Booster
    I have added three of the Furutech NCF Cable Boosters after some extensive auditioning. I have one of them under the Odin Gold power cord for the Rockport external crossover (IEC end), one under the Odin Gold PC for the TotalDAC Live power supply (IEC end) and the third one under the Odin 2 power cord for the TotalDAC D1-Player (IEC end).
    • REL Acoustics G1 sub bass system Six Pack
    I am now using the REL G1 sub bass system in the REL Six Pack Configuration. The Six Pack Configuration is 6 of the REL G1 subs configured as 2 sub towers of 3 G1's each. One stack of three G1's for the left channel and one stack of three G1's for the right channel. The bottom G1 of each stack is connected to an M10 amplifier that powers the bass drivers of the Rockport Arrakis and the two G1's that sit on top of that stack are daisy chained together. I am using the REL designed Bassline Blue sub cables to connect all of the subs as required. Each of the stacks is located to the outside of the Rockport Arrakis 2 speakers and just about flush with the front baffle of the Arrakis using the same approximate toe in angle as the main speakers.

    To power all of the G1's, I am using 6 Nordost Tyr 2 power cords and 2 custom versions of the Furutech e-TP60 power distributor that uses Furutech GTX-D NCF (R) outlets replacing the stock outlets. I am using 2 Nordost Odin 2 power cords from the wall outlets to each of the Furutech e-TP60 power distributors.

    The REL G1 six pack replaced my previous 2 REL Studio III sub bass systems. 
    • Blinn Double wide component rack
    Blinn double wide component rack with 3" thick walnut stained maple shelving.
    • Silent Running Audio (SRA) Virginia Class amp stands
    I am now using the superb SRA Virginia Class amplifier stands under my CH Precision M10 mono block amplifiers. I also am using the HRS Nimbus footers (1.5" height version) under the M10 amplifiers.
    • HRS SRX with M3X2 isolation base
    I have added 2 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies of my CH Precision M10 amps.
    • Nordost Sort Kones
    I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
    • Isonic Ultrasonic RCM
    I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
    • Loricraft PRC 4 Deluxe RCM
    Loricraft record cleaning machine that replaced my Audio Desk RCM. I liked how easy the Audio Desk RCM was to use, but after having to replace it 3 times due to defects I decided it was time to replace it. The Loricraft PRC 4 Deluxe seems to do at least as good a job at cleaning and perhaps a little better using the AIVS fluids.
    • Custom LP Record Cabinets
    There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.

Comments 694

I'm sure an analog front-end is in my future...better get more storage space for LPs!

zephyr24069

Owner
Hi Zephyr,

I know what you mean when you say that the idea of analog playback gnaws at you. For me, I had to become convinced that I would enjoy LP sound more than my current digital and that I wouldn't tire of the additional steps required (like cleaning records, more careful handling and storage of records, cartridge adjustment, etc).

What finally convinced me is that a friend of mine has the full DCS Scarlatti digital stack and had recently acquired an analog front end. He bought all of the analog front end used (turntable, arm, cartridge and phono stage) and while it was all good quality gear, even at new retail prices it was probably a quarter of the retail price of his Scarlatti stack. I went over and we compared 4 or 5 CD's to their LP equivalent and each time I thoroughly enjoyed the LP versions by quite a bit. Right then, I decided I would go ahead and give it a try and I have been very happy listening to LP's since.

The best part is, I enjoy having both digital and analog front ends even though I spend more time listening to LP's.

babybear

It does...I have several friends who are vinyl junkies :-) who have kept working the topic with me. They've let me know at various points about the reasonably priced turntables, phono pre-amps and the like that are now available that give great performance at a reasonable price. One of them likes to rip CDs for me at 1x speed direct from his LP deck and send them to me periodically. Needless to say I treasure those CDs and continue to dream about having both analog and digital front-ends. Thanks!

zephyr24069

Owner
Hi,

The bottom line for me with having a vinyl front end for about 18 months now has been great. I find that I truly enjoy the full vinyl experience - finding records (both used and new), cleaning them (probably the least fun part but I still don't mind it as I don't let any backlog of records to be cleaned accumulate and you really only have to clean a record with a RCM once), learning how to properly setup a cartridge, arm and table and best of all is the sound. I find that there is plenty of great music available on vinyl - both used and new and it seems to be increasing all of the time. I also find that the tinkering time and hassle factor is greatly overrated. There are certain points along the way as a new cartridge is breaking in, that you will need to adjust the cartridge/tonearm setup - but as I have gotten better at that - its pretty simple to do and you don't do it very often. I would agree that to get top line performance its not cheap but you can get very good performance for less than you might think. I have listened to some entry level analog front ends that sound very good indeed. One other important factor at least for me is to have someone who can help you get started - especially with teaching you how to do the table, arm, and cartridge setup and can answer questions for you as you learn more.
Hope that helps and feel free to ask more questions, etc.

babybear

Babybear, I have thought alot over the years about adding a great analog front-end but practically, I had to make a choice to either excel at digital or analog playback. Ultimately, space, funds and source material amassed to date all played a role in that decision. The idea is still gnawing away so who knows, I may give in as I do love what analog playback has to offer!

zephyr24069

I noticed that you were a little over a year into having an analog front end. I've been fighting the idea of going there for a variety of reasons: cost to do it justice, source material, tinkering time, hassle factor. What has been your experience with your return to vinyl now that the novelty may be starting to wear off?

bflowers

I am enjoying them very much; they bring an energy and realism to the music listening experienced that I've not found until now! I had to make a decision years ago regarding my love of analog versus reality and I decided that I would pursue digital to the fullest for CD, XRCD, K2HD, SACD and DVDA instead of trying to do both digital and analog half-way relative to the situation. I'm glad I made the cut however I still do miss the analog listening experience at times....

zephyr24069

Owner
Hi Zephyr,

Thanks very much.

I took a look at your latest system page - very nice indeed and quite a lot of Elrod cabling. I am glad you are enjoying what the Elrod cables can do. His latest designs do sound so very good.

Now, you just need to add an analog front end!!

babybear

I see you've continued to mature your system; it continues to look and must sound amazing! Thank you for thoughts on the Elrod PCs some time ago; I recently brought a huge improvement to my system with several of David's designs; the difference is staggering!

zephyr24069

Owner
System edited: I have replaced the Weizhi Gold Glory isolation footers that I was using under the VTL Siegfried amps with Pyon Audio's Spira Ultra Tuning feet. The Weizhi Gold Glory footers are very good, but the Spira footers bring out the life in the music in comparison. The results under the amps are consistent with what I have heard the with the Spira footers when I tried them under the VTL preamp and the Allnic phono stage. These footers work very, very well.

babybear

Owner
Hi Vincente,

I first had the VTL 7.5 Series 2 preamp. When VTL came out with the Series 3 preamp, my local dealer had his demo VTL 7.5 series 2 preamp sent to VTL to get it upgraded to the Series 3 version. Once he had it back and broken in, he brought it over to my place so that I could compare it to my Series 2 version. So, I went back and looked at my listening notes from that comparison and the net of what I wrote is:

"I would say that as good as the VTL 7.5 Series 2 preamp was in my system, the Series 3 preamp is a very significant improvement. The Series 3 is more transparent, has much better bass (more extended and natural sounding with better resolution), improved mid bass and mid range presence, is harmonically richer in the high frequencies and has a more airy and relaxed sonic presentation with overall greater resolution."

Vincente, it was not a subtle improvement at all, but a very significant sonic upgrade for me in my system. Once I heard my dealers Series 3 in my system, we packed my Series 2 up right there and had him ship it to VTL for the upgrade. Luckily for me I have a very wonderful local dealer as he let me keep his Series 3 preamp in my system while mine was at VTL being upgraded.

Hope that helps.

babybear

Hello,

Would you mind providing as much detail as possible about the difference between the VTL 7.5 Series 3 and Series 2? I am deciding between the VTL 7.5 series 3 and the Dartzeel 18NS.
Thanks in advance for your time!

Vicente

vn101606

Owner
Hi Audioblazer. I would definitely agree with you about the Harmonizers. A friend of mine brought over some of those ASI Resonators - about 10 of them and placed them correctly in my room. I didn't hear any change - positive or negative.

babybear

Stein music harmoniser is certainly much easier to use & the improvement pretty obvious than some other room tuning tweak like asi resonator & synergistic research stuff which I m currently using

audioblazer

Owner
Thanks very much Audioblazer.

I have the Stein Music harmonizers in my setup as well. I forgot to add those to my system description. I don't know how or why they work, but once I got them dialed in correctly the results were always consistent each time I listened with or without them. The system lost focus with them off - almost incoherent sounding when I turned them off. I also heard a level of glare removed in the high frequencies that I never knew was there. Also an even more dimensional soundstage with better front to back layering. I had several audio friends over to listen on separate occasions and they also heard the same results. Easy to hear the difference.

babybear

Will probably try steinmusic super natural footer as well. Seen demo by holger stein at my friend,s audio room. Really voodoo magic. Unbelievable, epad &, harmonisers . Too much stuff to play with in audio land .
Currently have all kinds of footers, like harmonix, nordost titanium , stillpoint, shun mook etc
Love your set up

audioblazer

Owner
Hi Audioblazer.

I really like the Pyon Spira footers. I did compare a set of those under my Allnic phono stage to the Appogg isolation platform that I was using there previously. The Appogg platform works very well, but the Spira footers were a definite improvement. There was more life in the music, more sparkle and harmonic richness in the high frequencies and a more textured midrange with the Pyon Spira footers. I am hoping to compare a set of the Spira footers to the Weizhi Gold Glory footers under my VTL Siegfried amps in the not too distant future.

Hope that helps.

babybear

Baby bear, how do u like the Pyon spira ? Did you compare it with other footers. Seen in in KL audio show recently . Beautiful footer.
Pyon sound is unknown brand from Korea but it really has exotic products like ultra high end racks. Heard it's ultimate tank wood turntable , sound good. That's why keen to try it's products

audioblazer

Owner
System edited: I have added 3 sets of Pyon Audio Spira Ultra Tuning feet. I have placed a set under each of the 2 boxes of the VTL 7.5 Series 3 preamp and one set under the main unit of the Allnic phono stage. With the analog output stage of the VTL preamp, I am using the Spira Ultra tuning feet in conjunction with my Appogg isolation platform.

babybear

Owner
System edited: I replaced the 10 meter run of Purist Anniversary IC from the VTL 7.5 Series 3 preamp to the VTL SIegfried mono block amps with a 10 meter Echole Signature IC. So, I now have a complete Echole Signature cabling path (IC's, PC's and Speaker cables) from my turntable to my speakers.

babybear

Owner
System edited: I've now replaced my previous Purist Audio Dominus Praesto IC between my Allnic phono stage and VTL 7.5 Series 3 preamp with the new Echole Signature IC. The Echole Signature IC is truly superb in this position in my system. I only need to replace my very long Purist Audio Anniversary IC between my preamp and Siegfried amps to have a complete Echole Signature cable path from phono stage to speakers.

babybear

Owner
Hi Slipknot1,

Thanks very much!

Thanks for the tube suggestion and you are right - that is a very good tube for the Allnic H3000 PS - I have been using it in the Allnic from the beginning.

Thanks again.

babybear

Outstanding!! Love the room and gear choices ;) Have you tried the RCA 5U4G tube as a rectifier in your phono stage PS yet?

slipknot1

Owner
System edited: i have added 4 Echole SIgnature power cords. One for my Allnic phono stage, one for my VTL 7.5 Series 3 preamp and 2 for the VTL Siegfried mono block amplifiers. These have replaced 2 of the Purist Audio Limited Edition power cords (one on the phono and one on the preamp) and 2 of the Elrod Statement Gold PC's (on the Siegfried amps). These are simply amazingly great power cords and I never thought anything would replace the Elrod Statement Gold PC's on the amps. There is a special synergy as I continued to add more of the Echole Signature cabling to my system and I am not finished yet.

babybear

Owner
Hi John,

I would say that I am listening to LP's about the same as you - at least 80%. The well recorded SACD's do sound great and those are fun to listen to. But when I do listen to digital, its always the first music that I start a listening session with because once I put LP's on, its hard for me to then go back to listen to digital in the same listening session.

If you get a chance, you should come by and do some listening - there have been many changes since the last time you were here.

babybear

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