Description

My objective is to duplicate the sound of a good jazz venue as best I can. I'll never match it but getting close is fine. I've had various audio components through the years and tubes particularly DHT tubes/ASSET have gotten me the closest.  So this is where I will settle down and appreciate.
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Components Toggle details

    • BPT Signature 3.5 plus
    Balanced AC power is fantastic !! 1800va balanced isolation transformer/conditioner.  All aspects of music reproduction are improved for every single component.
    • Tripoint Tripoint Troy.
    A wonderful grounding box component. When added to my system it increased the sense of natural sound quality and emotional engagement. The Troy has a humanistic and “soulful “ quality to it.
    • Coincident Speaker Tech Total eclipse 2
    This wonderful speaker is transparent,open and involving. It`s large yet completely disappears as the source of sound within the room. Very easy to drive,94db and 14 0hm impedance (Minimum 10 ohm). I replaced the stock Solens capacitor with the Duelund CAST in the crossover.
    • Coincident Statement linestage
    Superb performance. In my opinion , a masterpiece by Israel Blume. As would be expected, a wonderful match with its sibling the Frankenstein MK II.
    • Coincident Speaker Tech Frankenstein mark 2
    A terrific 300b SET amplifier that is the foundation of my system. The EML XLS 300b tubes are a superb match with this amplifier.  

    Acquiring these 300b SET mono blocks changed the course of my music listening experience. They elevated the emotional engagement, tactility and “breath of life “ realism.
    • Yamamoto YDA-01
    Wonderful music lover's DAC that has a very natural/organic sound quality. Duelund CAST addition(output coupling capacitors) makes it sound even better. It has a very minimalist circuit/design that was implemented well.
    • Ocellia Silver Reference IC
    Very natural and pure sounding with excellent tone and timbre preservation.
    • Ocellia Silver Reference Speaker Cable
    Same qualities/ comments as the IC.
    • Star Sound Technologies Sistrum Apprentice component platforms..
    These Star Sound platforms are mandatory in my system. Effectively managing resonance and vibration leads to a very noticeable sound improvement with every component and especially the speakers. Excellent product.
    • High Fidelity CT1 Ultimate Digital cable
    A highly impressive digital cable that mates beautifully into my system. Contributes to the natural sound presentation.
    • Pro-Ject Audio Systems CD Box RS2T
    This is a superb Redbook CD playback transport. It’s both high resolution and impressively natural.

    . I’m  using the  excellent Fidelizer Nikola II LPS. Splendid pairing.  
    • Lavricables Grand and Master series Power Cables.
    Pure silver wire and unshielded power cables. These are used with all of my audio components. They are very open, transparent, high resolution with beautiful natural tone and timbre presentation.
    • Abbas Esoteric Audio 3.2SE
    Built by renown Ukrainian Abbas Zulfugarov. NOS DAC utilizing the classic Phillips TDA 1541 multi bit chip. Two 6080 tubes in the analog stage. 5 various rectifier tubes in the power supplies.

     3 separate toroidal transformers (And 2 chokes ) for the power supplies.A very serious and successful upper tier DAC implementation. Using with the Abbas SPDIF and power cable.
    • Frankenstein tubes.
    Tube complement 
    EML XLS 300b output.
    RCA 5U4G rectifier (1953)
    RCA 6EM7 driver (1960s).

Comments 1956

Owner
Bill,
I'm using Slyvania at the present time. The Mullards have me interested, I had one in my former Quicksilver preamp and it was very good.
Charles,

charles1dad

Charles, if you don't mind me asking, what rectifiers are you using currently?

brownsfan

Owner
Thanks a lot Bill, I'll give Israel a call.
Charles,

charles1dad

Charles, The Mullard CV387 was recommended by Israel. He has them in stock, so I got a pair from him. I can't find a date code on the tubes, but the skinny bottles were made at the Blackburn plant in the late 50's and 60's. From what I have read, the earlier fat bottles were made at a different plant, and are superior to the later skinny bottles but are pretty pricey.

What I like most about this tube is that it has mitigated an overly aggressive presentation of French horns that has been a long standing problem. It has persisted through several speakers, amps, sources, and preamps. I assumed it was a room problem. I've probably got 20-30 hours on the tubes, so I still have a way to go I imagine. But it was clearly superior to the GEs right out of the box.

Knowing what a perfectionist Israel is, I find it prudent to consider his recommendations carefully. I sent him an email inquiring about another rectifier I wanted to try in the Franks. He directed me toward the Mullards, and I am quite satisfied with what I have heard so far.

brownsfan

Owner
Brownsfan(Bill),
Did you happen to discover the Mullard CV387 or was it a suggestion from Israel? I'm not familiar with that tube, what vintage is it?
Charles,

charles1dad

David, could you share with us what tubes you found to your liking? I recently bought a pair of Mullard CV387s from Israel, and they are a substantial improvement over the GE 5U4GBs that came with my Franks. I think I am going to stick with my PSVane T 300Bs for now, but I would be interested in trying something different on the 6em7s if you found something special.

brownsfan

Owner
Hi David,
I haven't changed the 6em7 driver tube and I didn`think there were many choices of this tube available. Regarding the rectifier I've tried the Sylvania and a General Electric and didn't hear much difference.Some say that the Tungsol version is a good choice. What have you discovered?
Charles,

charles1dad

I've heard tube based CD and DAC systems that easily rival the best analog.

I'd love to hear that Yamamoto some day

jeff1225

Hi Charles
I hope al is well with you.
I was curious if you ever have rolled the 5au4g tubes or the 6em7's in the Franks. We've talked a lot about the 300b tube rolling but not the others. I recently did change both the rectifier and gain tubes with some astonishing results.
Regards
David

drdavid

Owner
Andrew,
I see your point and this scenario or assessment applies for some audiophiles where neurosis is substantial. I'd like to think many audiophiles have the same motive as I do, obtain good audio equipment to enhance the joy of music. The components acquired are just to get you more closely connected during your music listening experiences. There's really no reason to experience anxiety and angst, that takes the fun out of it.
Charles,

charles1dad

Agear, thanks for the tip. I do like a glass of red wine or a nice Belgian lager with my music!

grannyring

09-21-14: Charles1dad
Agear,
That strategy could be effective, I don't drink and therefore I'm unable to verify. I suspect there are an ample number of folks here who could attest to this methodology and its benefits.
Charles,

Charles, as one clinician to another, I think you would agree that a lot of audiophilia is self medication (via endorphin release) for depression, anxiety and whatnot. That being understood, there could be something said for medical marijuana in this setting. A chemically induced euphoria would lessen the likelihood of soulless wandering for new equipment and increase enjoyment of what we have in the here and now. Just a thought....

agear

Owner
Hello Jeff,
Thank you for your kind comments regarding my system. Jeff I was a diehard analog advocate for many years and still enjoy listening to good quality turntable sourced sysrems. The truth is that my Yamamto DAC is as fully satisfying (I can't say more) as my former TT and records. Not every record made it to CD format as you point out. Conversely there are many recordings that are exclusively Redbook. With jazz there's so much available in Redbook I could live two lifetimes and still not have them all (I'm constantly finding wonderful jazz CDs). The Yamamoto is built by a person well versed in both analog and SET components. He sure found a way to get that same character and feel from his superbly natural sounding DAC.I don't draw a line in the sand, and can easily live with and appreciate both formats.
Charles,

charles1dad

Your system is looking great. As such a great jazz lover, you should think about adding vinyl....there are so many albums never released on CD.

Excellent music recommendations as well, I have every Dexter Gordon album ever made.

jeff1225

Owner
Agear,
That strategy could be effective, I don't drink and therefore I'm unable to verify. I suspect there are an ample number of folks here who could attest to this methodology and its benefits.
Charles,

charles1dad

Owner
Bill,
Different instrument but beautiful music.
Dmitri Matheny, "Starlight Cafe" this is a live jazz venue recording (just my style!).

Dmitri plays trumpet and the flugelhorn and is accompanied by piano and acoustic bass. Wonderful mellow playing and feel, it's as though you're there with these musicians. I think you'll enjoy it Bill.
Charles,

charles1dad

Owner
Bill,
Looking forward to your impressions back here, like or dislike them, I'll understand.
Charles,

charles1dad

I just ordered all 5 from Amazon and look forward to hearing them.

grannyring

Spot on description of what these caps have done in my Dude, Romulus dac and speaker crossover. They will continue to open up and reveal more goodness.

Thanks so much for taking the time to help me with jazz. I will order these recordings.

grannyring

Owner
The new Jupiter copper foil capacitors in the Frankenstein (input coupling position) is beginning to expand/open up and sounds oh so natural. Burn in is still early stage (15 hours) but its forte is tone, harmonic richness and very good music pace and lively fluidity. This amplifier had exceptional nuance and subtle inner detail retrieval, the Jupiter capacitor takes this up a notch. Listening to various trumpeters this morning and their distinct sonic and textural differences are very cleared demonstrated. Terrance Blanhard, Roy Hargrove, Nick Payton or Art Farmer, all beautiful, all so different. Not just in terms of their tonal signature but you hear very subtle approach in inflections and this intensifies the musical emotion and communicates more deeply. These guys can really play! If you can't fully hear the pure tone, color density and harmonics you are missing out on much this music has to offer.

beauty in the music
Charles,

charles1dad

Owner
Bill,
Here are a few saxophonist recordings you will probably like (I sure do).
1, John Coltrane "Plays For Lovers" this is quintessential late 1950s big tenor Coltrane prior to his more exploratory period.
2, Dexter Gordon "Ballads" gorgeous tenor playing by the great Dexter.
3, Charlie Rouse "Unsung Hero" mostly know for his work with Theloneous Monk. On this CD he leads and plays in a devine fashion.
4, Gerry Mulligan "Night Lights" Simply beautiful baritone saxophone playing in this sextet performance.
5, Frank Morgan "Listen To The Dawn" masterful alto saxophonist accompanied by the superb Kenny Burrell (guitar).

These are for starters, if you share my taste then there are others I can happily recommend.
Charles,

charles1dad

Yes to both! Big yes to both!

grannyring

Owner
Hi Bill,
I know what you mean. I'll get some for you tomorrow morning, I worked late tonight and I'm going to bed. There's some beautiful jazz guitar you may like and I'll list a few for you to consider. Are you a fan of the vibraphone? Trumpet?
Charles,

charles1dad

09-19-14: Grannyring
Charles,

I ask a favor of you. I would like to listen to more jazz and want your guidance. I like jazz, but not the volatile nervous style. I hope you know what I mean here. I like more mellow and inviting. I tend to like sax that is not piercing , but more intimate.

Can you share 5 recordings for me to start with?

I recommend (and I think Charles in his abundant wisdom would agree) one or more adult beverages as a prelude to any listening session. It loosens the sphincter tone and dulls those pointy saxophone notes.

agear

Charles,

I ask a favor of you. I would like to listen to more jazz and want your guidance. I like jazz, but not the volatile nervous style. I hope you know what I mean here. I like more mellow and inviting. I tend to like sax that is not piercing , but more intimate.

Can you share 5 recordings for me to start with?

grannyring

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