Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

"New prototype" arm from Durand? Is this a scoop? I guess even Ferrari keeps building better and better cars.

peterayer

Mike,

as usual great to keep up with your journey... from the last visit, you weren't kidding with the improvements..

what i like about the changes after adding the active isolation is the background is really much quieter and you hear a LOT more information into the music, the extra nuances... wow..

the changes to the *new prototype* arm is also interesting....it lets the music through much better than the last time although the active isolation may have helped it along...who know's unless you do an A/B wink wink...

well have fun with the music and nice to see you enjoy just playing music...keep it playing... I'll be back..

For Pradeep....you need the new tone arm... :)

teck5

Owner
hi Steve,

thanks.

i read thru your well written explanation about the Minus-K platform. very interesting....and not surprising. thanks for the info.

there are lots of changes in my system since your last visit and i think it's time for you to visit again....let me know when it can work for you.

best regards,

mikelavigne

Hi Mike.
Congrats on your choice for the addition of a sub-hertz isolation system under the NVS. An important part of the puzzle.

On a much more limited budget, I've been experiencing a similar improvement while using Minus-K platform under my TD124. Improvements noticed were on the order of improved definition of inner details, improved definition of macro detail, improved imaging (substantial improvements to imaging) and an overall sense of sharper definition against a more silent backdrop. Perhaps, in some ways subtle, yet profound.

Anyway I wrote about it here:
" http://www.theanalogdept.com/minus_k.htm "

I see you've made substantial changes on many levels since my last visit in 2010. Indeed, it looks like a dream system you have assembled and created.

Happy spins.

-Steve

td160

Please, no, LOL! Divorce, split the assets-who knows, but the Bose Wave: NO, I SAY!
Just an interesting thought experiment.
You've got me seriously thinking about a Herzan for my tt. It's direct rim drive, with an air bearing linear tracking arm, and has really benefitted from being on a Symposium Isis stand with ball bearing/magnetic isolation. It's footprint is quite a bit smaller than your NVS, and the TS-150 would fit the bill, should be a bit more affordable than the 140.
The tt is a real giant killer, but I'm intrigued by this uber solution for isolation. Unfortunately outside the US, no sale-or-return is possible, so I'm going to hold my fire for the time being.
Interestingly, the Halcyonics Micro 40 and i4 appear to be nearly twice the price of the Herzan, which is enough as it is.
So it looks like a choice of sticking with the Isis, upgrade to the c$4000 Minus K BM-40, or a big leap to the TS-150.
Btw, just stumped the cash for the Soundsmith Straingauge cart. In love all over again with vinyl, it's my keeper for life.

spiritofmusic

Owner
Marc,

sure, I have thought about that.....for about 10 seconds.

but then I would likely get a divorce, have to split the assets, and end up with a Bose Wave Radio.

;-)

mikelavigne

Mike, what do you think about placing Herzan TS-300's under your spkrs? It would be hellishly expensive with 4 needed, but relative to $200k, maybe not out of proportion. Size and weight tolerance on the TS-300 would work for all 4 towers.
Surely loudspeakers producing vibration as normal function would theoretically benefit most from isolation.

spiritofmusic

Owner
Peter;

added note to my answer above. i do think that RTR decks can benefit from isolation; i've heard RTR decks on Wave Kinetics A10-U8's and there was a benefit. but it's not going to be to the extent that a turntable can benefit.

i do think the smaller form factor RTR decks will get more relative benefit that the larger master recorders.

mikelavigne

Owner
Peter,

i do expect at some point to have at least one more Herzan unit in my system, likely one without the automatic leveling since only a tt or transport really needs that.

i'd likely get one with a smaller footprint that would fit on my smaller lower shelves and then try it in a number of places.

as far as my RTR's; i doubt it. my Studer A-820's do not have bottoms that lend themselves to tables or even the floor. and the way tape heads interact with the tape the degree of benefit of isolation is much less. this is one of those areas where i've come to understand why tape sounds different that vinyl. it's because of the feedback affecting the vinyl to a huge degree and not the tape. of course, the bass on tape will be more linear, and you won't get the distortion on the tape so things are more solid, and images on tape are separated better. all issues that the Herzan resolves for the vinyl.

the Herzan is a truth machine and teaches me new things daily. you eliminate a source of distortion and can actually see what is causing what.

mikelavigne

Owner
hi Mike,

i think you would like what the Herzan does in your system under one of your turntables.

i look forward to a (i hope soon) visit from you as always.

best regards,

mikelavigne

Owner
Marc,

as far as age of a tt design and how that matters, mostly i am referring to how the Rockport tonearm compares to current tonearms. in 1995 the Rockport linear tracker was far superior to the alternatives.....in my personal opinion. today, it is only very very good.

clearly the Rockport air suspension was state of the art for electron microscopes in the mid-90's, now it's not.

i do agree that the plinth/platter/motor was ahead of it's time; but now there are a number of competitive one's.

cars (race or street) are now asked to do much more technically, it's no longer good enough for a race car to be fast; one must do it a certain way as a race car, and street cars are now much safer and cleaner. so cars now are simply more advanced.

i did not do much direct comparisons with the Herzan. hopefully as time goes by those direct comparisons with other approaches will happen. Herzan provides lots of science on their web site that does address comparative approaches.

i tired the Halcyonics active isolation in 2005 on my Grand Prix Audio Monaco decoupling stand and it worked spactacularly. so yes; it will work with an isolation stand. it simply will work better with a solid stand.

a wall mounted stand would work great for the Herzan if it is stout enough for it's 70 pounds plus the weight of a turntable.

mikelavigne

Mike, Have you considered getting two more Herzan units for your amps or even your R2Rs?

peterayer

Congrats on the Herzan, looks very interesting and it is one that I have not heard of before. Thanks for bringing this product to my attention.
Thanks for your kind words on my system page.
Long overdue for a visit to the Barn.
Take care,

rugyboogie

Mike, an excellent analysis of the differences. Although I'm not sure that the age of items is necessarily that relevant. For instance, in the area of supercars even though material science has improved power to weight ratio, the inclusion of traction controls etc has taken the 'excitement' factor out of driving; many driving and even Formula One afficionados prefer the cars of the mid-90's to the current day.
So, the Rockport could still be totally competitive with your NVS despite the 15 yr age gap. But I understand you feeling the NVS has taken a march.
What other platforms did you investigate? Vibraplane, Minus-K etc? The Minus-K esp. seems to perform in a very similar way to the Herzan. Not sure what those '6 axes of movement' are.
Do you feel the Herzan could work on a stand already incorporating it's own isolation: I use the Symposium Isis which uses constrained layer shelves with ball bearing/magnetic isolation per tier.
Or woul I be better off placing the Herzan on a static tt wall shelf, it providing the only isolation method?

spiritofmusic

Owner
Bill,

yes, i've decided i'm going to stick with this 'stereo' stuff, it's fun.

;-)

best regards,

mikelavigne

Mike- I'm glad you are finally getting serious about your stereo system. :)
Love it!
Best,
Bill Hart

whart

excellent Mike!...I personally do think that it was worth the effort...unfortunately my isolation stuff did not work to improve....but then again mine was not active or 12k either....but all mechanical and awkward..

good for you now if i can come up with 12k to play with one of these i may give it a shot ...

Lawrence
Fidelity_Forward

lharasim

Owner
I'm intrigued as to where the combination of NVS/Telos/Herzan stands in comparison with your previous reference Rockport. It seems that with the addition of the Herzan you have substituted the final component of the Rockport combination that you had previously, ie full isolation.
I do realise this q is a little unfair since it's, what, a couple of years since you replaced the Rockport, but I'm sure you've got a pretty good memory of it's sonic 'fingerprint'.
It seems that the NVS/shelf ($45000), Telos w.sapphire plate ($20000) and Herzan ($12000), is taking the combination into at least the ball park of Rockport prices.
hi Marc,

first of all, when i moved on from the Rockport to the NVS i had only heard a prototype NVS, i overall slightly preferred the NVS and the Durand Tonearms. it did things the Rockport seemed not able to do. yet the Rockport also had it's attractions. we did a comparison of simply the noise floor between cuts and the NVS was slightly quieter than the Rockport....and did a little more space. yet the Rockport was and is a magnificent tt, and i wish i could have kept it. it excels at everything. but it was designed in the early 90's.

now that was almost 3 years ago. the NVS is better than it's prototype, and the Durand Tonearm is now the Telos, even the Telos with the Sapphire cartridge plate. i now use the Durand record weight, and of course, here is the Herzan active isolation.

there is no doubt that the Herzan active isolation exceeds the passive air suspension of the Rockport. i think i prefer the Durand Record Weight to the vacuum hold-down on the Rockport. the linear tracking arm was where i felt the Rockport was the least outstanding, and the Telos/Sapphire is on a whole different level, and i would say the motor/drive difference would be hard to call. they are most similar there. overall it would not be very close in my opinion.

i do not have a Rockport here for direct comparison, but i do have my Studer RTR tape which has not changed and honestly......my current set-up is clearly better than where the Rockport was. the Rockport design is now almost 20 years old, so that is no knock on the Rockport.

and i feel with the addition of the Herzan, my current tt/arm/weight/shelf is as good as it gets, maybe better. that's simply my perspective.

mikelavigne

Owner
over the last 3 hours i had 2 local audiophile friends over and we did an A-B-A with the TS-140 and the NVS isolation platform.

with three of us it only took about 15 minutes to switch them in and out. we used 8-9 different cuts. we played them all first the TS-140 under the NVS, then on the NVS isolation platform under the NVS, and then back with the TS-140.

i cannot say whether my friends will chime in or not. and it's up to them to express their perspectives.

what i will say is the discussion after centered on 2 main topics; why doesn't every turntable come with one of these?, and what they might have to do to get one.

as far as my perceptions; they are consistent with my earlier claims.....but maybe even more intensely expressed after hearing before and after really brings it home.

we're not in Kansas anymore Toto.

mikelavigne

I'm intrigued as to where the combination of NVS/Telos/Herzan stands in comparison with your previous reference Rockport. It seems that with the addition of the Herzan you have substituted the final component of the Rockport combination that you had previously, ie full isolation.
I do realise this q is a little unfair since it's, what, a couple of years since you replaced the Rockport, but I'm sure you've got a pretty good memory of it's sonic 'fingerprint'.
It seems that the NVS/shelf ($45000), Telos w.sapphire plate ($20000) and Herzan ($12000), is taking the combination into at least the ball park of Rockport prices.

spiritofmusic

Owner
Metralla,

I agree that the TS-140 fits the visual look and size of the NVS. sometimes technical advances looked kludged, i'm happy that is not the case this time.

I love the look. elegance is always preferred when it also performs.

and this is one big reason I did not go with the Halcyonics version of active isolation. it has a taller box and looks a bit awkward to me.

mikelavigne

Owner
Lawrence,

when I installed the Herzan on Friday night I was by myself. the Herzan itself is about 70 pounds and my shelf height is about 37 inches, it's easy to get a grip on so no problem logistically. however; the NVS turntable with the larger halo, 2 large heavy stainless armboards, and -2- 7 pound Telos bases, likely weighs 120-130 pounds+.....and it's hard to get a grip on.....I kinda had to hug it to pick it up and then setting it down on a small table without throwing my back out was a challenge.

i'm not doing that again by myself. :)

so doing an ABA will wait until I have some help for sure. personally I have no need for an ABA, but some of my friends want to do it.

mikelavigne

The Herzan TS-140 is such a perfect fit for the NVS in both width and length. Looks made to measure and very impressive.

The short video on their web site was illuminating.

Regards,

metralla

yup thats a real isolation device you go there mike!...not many good ones..this does all 6 axes :)

I purchased several years ago a mechanical isolation device a real one no BS audiophile crap..it isolated in all 6 axes too with similar specifications...personally i did not like it..for various reasons but one thing i remember stuck out in my mind it made music sound more together but softer more resolution but not more real ...anyways enjoy your new toy

if you would after awhile go back to original ABA if you will... and give us your opinion

Lawrence
Fidelity_Forward

lharasim

Owner
James,

glad you are enjoying the new mat. I assume you use both the top carbon fiber and the foam underneath.

the NVS clamp does require the washer to be most effective.

here is how I ranked the use of the clamp and mat.

1-mat only was best
2-clamp with washer was next.
3-naked, no clamp without washer.
4-clamp without washer.

take some time, maybe get another listener to help, and find a few tracks and do the investigation yourself. and do ask Jonathan to send you the washer.

best regards,

mikelavigne

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