Description

An update is past due.  Previously, I had tried using a long wall arrangement, and while the room looked very nice, that orientation was hardly ideal from a sonic perspective.   Since this is a dedicated room, I can take some liberties with appearance.  For the most part, this is my man cave.  My wife rarely joins me for listening sessions.  I do have a decent 2nd system downstairs that the family  can enjoy for casual listening.   I've replaced the Coincident Frankensteins with Atma-Sphere M-60s, and my ModWright Sony 5400 ES was sold since it was rarely used after I had the HAPZ1ES modded.  With the benefit of consultation with one of our Audiogon gurus, I extensively modified the speaker crossovers.  This was one of the best things I ever did.  Amazing difference!  Another recent change was removing the old Berber carpeting.  I selected some luxury vinyl planks.  My flooring guy had concerns about using hardwoods in the bonus room, so I went with the flooring you see depicted.  I think it is very attractive and the room sounds much better than when it was carpeted.
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Room Details

Dimensions: 20’ × 14’  Medium
Ceiling: 8’


Components Toggle details

    • Coincident Speaker Tech Super Victory II
    Full range floor standers in rosewood. I recently rebuilt the crossovers and what a difference!  All of the stock Solen caps and resistors were replaced.  I used a Jupiter Copper foil with a Duelund Silver as a by-pass, followed by a Path resistor, for the tweeter.  A Janzen Alumen-Z and Mills resistor was used for the midrange.  Finally, Clarity CSA and Mills resistors were used for the woofer.  The stock Solen inductors were left in place.   These modifications completely changed the character of these speakers.  Prior to modification, these speakers were laid back almost to the point of being rather boring.  I could not be happier with the results.  I replaced the stock outrigger spikes with Herbie's Audio Lab Fat Gliders.
    • Coincident Speaker Tech Statement Line Stage
    CSL equipped with Psvane WE replica 101D tubes.  I've got an Synergistic Research Black fuse in this unit.  I bought several of those fuses for the system back a few years ago.  The preamp seemed to benefit more that the other components.  The preamp is powered by the PS Audio P-10 via a PS Audio Statement power chord.  I found that the performance of this preamp is noticeably improve by close physical proximity to the Audio Magic Mini Ref II, apparently due to the Mini Ref's pulse gen activity.
    • ModWright Sony HAPZ1
    ModWright HAPZ1 server equipped with Telefunken 6922 tubes. I am using a MW PS 9.0 power supply currently fitted with a Canadian Westinghouse VU-71 rectifier. This rectifier is my favorite 5U4 type tube. I am also using an Audio Magic Illusion Umbilical to the HAPZ1, which offers a substantial improvement over the stock Truth umbilical.   VH Audio AirSine PCs are utilized on both the power supply and server.
    • Mapleshade Custom Design
    The rack is  a custom design 42" wide unit and uses three 4" solid maple shelves.
    • PS Audio P10
    P10 power regenerator. Substantially reduces AC harmonic distortion and allows adjustment and regulation of AC voltage. Power suppy to the P10 is via a Voodoo Air Dragon PC.
    • Audio Magic Mini Ref II
    Power purifier with Pulse Gen II module.
    • Audio Magic Standard PEA modules
    Don't ask me how or why these things work but they do.
    • Audio Magic Blue dot
    Grounds cleaner
    • Wood Shed 1002-3 CD rack
    Large Oak CD rack. Stained to match mapleshade racks.
    • Wood Shed 1002-3 CD rack
    Solid Oak CD rack. Stained to match Mapleshade rack.
    • VH Audio Symmetry Ag Balanced
    This is a really wonderful balanced IC, which I am running from the HAPZ1 to the preamp.
    • Atma-Sphere M-60
    The M-60's were purchased new and I elected to go for both the V-Cap and power supply upgrades.   Having not heard the amps in stock form, I can't say how much improvement these upgrades offer.  I can say that I am very pleased with these amps. They bumped the excellent Coincident Frankenstein 300Bs from the system, which is not an easy task. Power tubes are SED Winged-C 6AS7s.  For the 6SN7 tubes, I am currently using one RCA grey glass in the left back outside position, with a Sylvania Bad Boy in the middle slot and the new Sophia blue glass tubes in the right back outside position.    I recently replaced GE 6SN7 GTAs in the isolated front (driver) position with Shuguang WE plus tubes.  Though the new Sophias and Shuguangs are pricey, I was amazed at the quality of those tubes.  They are just better than the NOS RCA and GE tubes that they replaced.  With the new tubes, there is an immediately noticeable reduction in grain.  Also, the gap between the M-60's and the Coincident Frankensteins has been closed somewhat with respect to the alluring midrange sweetness of a good 300B amp.  Short runs (~ 30") of 12 G Duelund Tin plated feeds the speakers.
    • The Room! Dedicated Listening Room
    The room is a bonus room that has been dedicated for 2 channel listening.  It is roughly 20 Ft long and 13 wide, with 8 foot ceilings, that are beveled at the floor and side wall junctions.  This room has been a bit of a challenge to get right, and I've learned a lot in the process.  I'm a long time Maggie guy, which means I have mostly had systems with limited output below 40 Hz.  I had no idea it could be such a challenge getting full range speakers to achieve their potential.   I'm using a traditional short wall arrangement, with the equipment rack located along the side wall as far back in the room as I could get it.  I have two dedicated 20 Amp circuits feeding all of the equipment with the exception of the amp on the left.   I have 5 bass traps in the room.  I'm using two GIK Soffit traps in the corners behind the speakers along with two Mondo Traps from Real Traps on the walls.  A third Modo Trap is used in one rear corner behind the listening position.  Treatment of the 4th corner is not possible or necessary, since the room door is in that location. The traps significantly improved clarity by reducing excessive decay times.  I also have a couple of homemade traps on the ceiling at the first reflection points.  First reflection points on the side walls was effectively addressed by clever placement of the CD racks.  These were carefully placed and angled out slightly from the side walls.  This arrangement either deflects first reflections back to the front of the room or channels them behind the rack.  I have not yet settled on an approach for addressing first reflections off of the floor.  But imaging is pretty good as things currently stand, which is not all that easy to accomplish in a room with these dimensions.

Comments 58

I'm thinking maybe distance between speakers could be optimized first, followed by distance from back wall, followed by toe in?
Sounds like a reasonable plan to me. Although I think by "back wall" you are referring to the wall behind the speakers, which is referred to by most audiophiles as the front wall.

Speaking of the back wall, though, meaning the wall behind the listening position, a point which might eventually prove to be significant is that reflections from that wall will tend to produce a dip in frequency response at frequencies (in Hertz) in the vicinity of about 281.5 divided by the number of feet between that wall and the listener's ears. So if that distance is around 3 feet, as appears to be the case, reflections from that wall will cause a suckout, to some degree, in the vicinity of 94 Hz or so.

The 281.5 figure, btw, corresponds to 1/4 of the speed of sound in typical indoor environments, in feet/second. Rear wall reflections at a frequency of about 281.5 divided by the distance to that wall in feet will arrive at the listener's ears exactly out of phase with the direct sound arrival. The resulting suckout can be quite pronounced IME.

Best regards,
-- Al

almarg

Owner
Timrhu, thanks so much! I am shocked I got my wife to move, but the house is much nicer and she decided she liked eastern Tennessee, (plus she got to retire early) so the pot was sweet enough that she went for it. As far as room treatments, I may get to that eventually, but I don't really perceive any issues with the current long wall set up. I think the reduction in 90 degree angles due to the bevels at the ceiling/wall, plus the CD racks angled into the back wall corners help. Interestingly, the short wall arrangement was really bad. There was a huge mid base emphasis. It would have taken extensive treatment to get that to work.

brownsfan

Owner
Brf and Al, The polarity is correct on my speakers. No issues there. Thanks for the tip on the sliders. Why didn't I think of that? I got by ok with a piece of plywood under the speakers, but I will give the sliders a try. And now that everything is more or less together, I will be playing around with positioning. Anyone got a good protocol? It is a 3 variable deal, distance from wall, distance between speakers, and toe-in-- This was easier with my other room where there was little flexibility. I'm thinking maybe distance between speakers could be optimized first, followed by distance from back wall, followed by toe in?

brownsfan

Brf,
Now that's a teachable moment! A reminder to begin troubleshooting with addressing the simplest solutions first. Think of the money spent, time, and aggravation that could have been avoided.

charles1dad

Thanks Al for the additional notes. Yes, I removed the speaker cables from the amp and it only takes a 2-second touch of the battery terminal to detect the speaker excursion. It never hurts to be too cautious, thanks.

As an aside, my buddy who had an out of polarity (Coincident) speaker problem could not get sufficient bass from his full range speakers and spent many $$ in acoustic treatments, equipment changes, speaker placement, sub woofers etc. He finally sold the speakers only to have the new owner email him asking why he didn’t tell him that one speaker was out of polarity with the other. The new owner just switched the cables polarity on one speaker and he now has glorious bass.

brf

That is a fantastic looking room. I'm trying to get my wife to move into a suitable retirement home, but she balks at leaving the home we raised our children in.

Curious if you are considering room treatments? Something behind your listening position specifically.

timrhu

P.S: When doing the battery thing, it would probably be a good idea to disconnect the amp from the speakers. Otherwise the 9 volts applied to the secondary of the output transformer would result in a much larger although very brief voltage transient occurring on the primary side of the transformer, and also being applied to the output tubes and associated circuitry in the amp. Which I suspect would do no harm, but better safe than sorry.

Best regards,
-- Al

almarg

10-02-15: Brf
I know of at least three pairs of Coincidents that the left the factory with different polarity.
Ouch. Not good! But thanks for alerting us to that possibility. Although given Brownsfan's evident aural acuity I would expect that he would already have concluded something is grossly wrong if the two speakers had different polarities.
I use a 9v battery and run a wire from the speakers +’ve and –‘ve terminals and touch them to the battery’s +’ve and –‘ve terminate and watch for the direction of the cone excursion. Make sure that both speakers’ cones operate in the same manner.
Good suggestion. I would add, though, that prolonged connection of the battery to the speaker should be avoided, or the battery could overheat or possibly even burst and leak as a result of the large amount of current drawn by the presumably very low DC resistance of the speaker.

Best regards,
-- Al

almarg

Love your system. I own the Total Eclipse 2 speakers and I have played around with room placement (inward/outward facing woofers) for hours/days on end. For a period of time I ran the woofers inward and experienced no ill effects with my tube amps placed between the speakers. I now run the speakers a touch farther apart with the speakers toed in facing my listening chair (woofers are now facing out with the side walls providing bass reinforcement). The only suggestion I can make is don’t be afraid to experiment and go outside of the norm. \

Oh, by the way, go to the hardware store and purchase furniture “sliders” and place them under your spikes. This will allow a near friction free interface in which you will be able to push your speakers into new positions with ease.

One other tip, make sure that your speakers are BOTH wired with the same polarity. I know of at least three pairs of Coincidents that the left the factory with different polarity. I use a 9v battery and run a wire from the speakers +’ve and –‘ve terminals and touch them to the battery’s +’ve and –‘ve terminate and watch for the direction of the cone excursion. Make sure that both speakers’ cones operate in the same manner. Have fun!

brf

Owner
Charles, tonality on both speakers is dead on. Differences are in the area of speed, resolution, and coherence. There may also be differences in staging, but I am going to need a lot more time to tweak placement before drawing firm conclusion.

brownsfan

Hi Bill,
Well that's good news indeed. I knew that with some additional time you'd get the speaker orientation sorted out. With the generous width of your room, success with outward firing woofers was a real possibility. That's a good teaser you planted Bill. I know how much the Triumph Extremes impressed you, I'm very curious regarding the comparison of these different Coincident models. I am interested in how the ribbon tweeter affects overall tonality.
Charles,

charles1dad

Owner
Al, Charles, Mapman and all. I got a couple of hours of listening in with the woofers pointed out instead of in. I listened to a couple of tracks from Appalachian Journey, including a track where Alison Krauss is accompanied by YoYo Ma et.al. I love this music, and I have never heard it sound more delicate and sweet. Not a huge difference, but a noticeable one. This may be a consequence of the reduction in radiated sound towards the tubes, or it could be a consequence of additional burn in on one rather new tube. Regardless of the cause, this was a most welcome refinement. Next up was a Dvorak string quartet by the Vogler quartet on CPO. This is the best quartet recording I own with respect to spacial differentiation of the first and second violins, and yes, this differentiation was quite evident. I noticed that the lower notes from the cello were a little fuzzy, which I have not noticed previously. However, all 4 instruments were well localized spatially. Finally, I listened to Babi Yar, which contains a lot of low strings, typmani, bass drums etc. I was struck by the depth of stage. Layout of the orchestra (2nd violins to the right, double basses in back, percussion in back) was very evident. Here is where I noticed improved coherence of the woofer predicted by Charles. Whereas in the past, strong low frequency information was easily localized spatially as coming from one or the other woofer, now these instruments were reproduced in their correct spatial location in the sound stage. Therefore, my awareness of the woofer as a separate and distinct driver was eliminated. All in all, I think the outward firing woofer arrangement is going to be the way to go. I will do some more tweaking of toe in and space between the speakers. I may put off further refinement until I receive one more tube that is coming in and get some more burn in time. Once I finished getting placement dialed in, I will revisit comparison of the SVIIs with the TEIIs. That will be an interesting exercise. The TEIIs are mini PREs. The SVIIs are a different animal. How is that for a teaser?

brownsfan

Owner
Mapman, I assume you are alluding to the potential for vibrations resulting from the inward firing woofers. I certainly agree with your observation. I did not get my Mapleshade rack down here until the end of July, up until which time my equipment was sitting on the floor. When I got everything up on the rack it made a HUGE difference. Because I am using long wall orientation, pulling the speakers forward toward the listening position enough to get the equipment out of the path of radiation from the woofer isn't possible. So outward firing is in principal the way to go in my room. We will see how things sound later today.

brownsfan

Owner
Al, the front baffle is flat in the right to left plane. So there is nothing preventing the outward facing arrangement from being a viable option. I have moved the speakers, but it will be later in the day before I can begin an evaluation. If I can make this work, it is going to be a better arrangement than the inward firing arrangement.

brownsfan

I think I'm coming to the realizations that unwanted vibrations in general seem to have the general effect of reducing detail and thereby muddying bass and negatively affecting soundstage and imaging. It seems to be a recurring pattern.

mapman

In my earlier post I was also thinking of suggesting interchanging the speakers, as an experiment, but I didn't because it appeared in the photos, especially the third one (and also in other photos I've seen of the SVii), that the front baffle may be slanted inward. In other words, with the speaker's depth on the woofer side being less than its depth on the other side. (My Daedalus speakers are designed that way, although all of the drivers are front-mounted). Is that the case, or is it a photographic artifact?

Best regards,
-- Al

almarg

Bill,
When Israel used to do audio shows he would use either inner/outer placement depending on the room interaction. I've found also that subtle toe in/toe out matters as well. Bill I have no doubt that you'll figure out which speaker placement is best for your room. Coincident speakers can seemingly vanish in the room(recording permitting)with proper placement.
Charles,

charles1dad

Owner
Erndog and Charles, improved coherence would be welcome. In their current position, the SEIIs do not share the uncanny coherence I have enjoyed from the TEIIs. I should be able to get some boards under the speakers today and get them moved.
I have noticed the Israel uses inward firing as have some others I have known who have side firing woofers.

brownsfan

Ernie,
Yep, I had the same outcome, overall the sound opened up noticeably. I'm curious to see which orientation is better in blll's room. When I visited Israel Blume way back when, his woofers were inward. So as we all have recognized, it's individual room dependent.

charles1dad

Brownsfan,
I think you'll be in for a nice surprise by turning the woofers facing outward. I have coincident Total Eclipse II's and I found that the sound stage got wider when I did this and the bass sounded more coherent too. Of course this is room dependent. Keep us posted.

Ernie

erndog

Owner
The speakers reside in the exact location my son and I first positioned them before he returned to school in August. They are 125 lbs each, and have spikes, so I will have to get them up on something that will slide which I intend to do over the next couple of days. Its raining, so I won't be hiking. I do want to try them with the woofers firing out. Since I am using a long wall configuration, they are already closer than normal to the listening position. If I move the speakers closer together, I can move the Franks to the outside of the speakers if I find I like the inward firing arrangement better than firing outward.

I also found a stash of strong VU-71 Canadian Westinghouse rectifiers, which are now on the way from Great Brittan. These tubes are better than the Mullard skinny bottle CV378s in my ModWright Power supplies. I am thinking about bringing in one fat bottle CV378 to compare with the VU-71.

brownsfan

Yea, never fire transducers directly at equipment if at all avoidable. Especially tubes and phonos, ie the good stuff. Good catch!

mapman

Owner
Charles, thanks. Once I get the positioning dialed in, I will do some more extensive writing on the TEIIs vs the SVIIs.

brownsfan

Owner
AL, indeed and I have had the same thought. I need to get the speakers up on a piece of plywood so I can slide them around. So far, I haven't noticed any microphonics, but the current positioning is asking for trouble. I haven't tried the woofers facing outward yet.

brownsfan

Hi Bill,
Congratulations! What a fine system and room.Your beloved classical music must sound divine in this setting. Bill have you tried the speakers with the woofers outward facing? This is room dependent no doubt. In my room having the woofers outward was superior sounding. Any comments on the sound of the Super Victory II ribbon compared to the Triumph soft dome? I hope you enjoy your new home and retirement for many years.
Charles,

charles1dad

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