Description

My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.

I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me. 
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Room Details

Dimensions: 33’ × 20’  X large
Ceiling: 12’


Components Toggle details

    • TotalDAC D1-Streamer MK2
    I just had my TD D1-Streamer upgraded to the latest version TD D1-Streamer MK2 (November 2022).

    In my setup, I use the TotalDAC D1-Player with its silent NAS using solid state drives to store all of my digital music files. Both the D1-Player and the D1-streamer are connected to a Belkin router and I control music selection using an IPAD mini running Roon remote (The D1-Player runs Roon Core and the TotalDAC D1-Streamer is a certified Roon end point).
    • TotalDAC D1-Digital Reclocker MK 2
    I have just had my TotalDAC D1-Digital Reclocker upgraded to the new MK 2 version (November 2021). The Digital Reclocker MK 2 sits between my D1-Streamer MK 2 and the D1-Twelve mono DAC's in my digital front end.
    • TotalDAC D1-Twelve MK3
    I just had my TD D1-Twelve upgraded to the new MK3 version (November 2022).

    The TotalDAC D1-Twelve DAC mk3 is composed of two mono bloc DAC's and a specialized re-clocker, so it is a 3 box system. The D1-Twelve DAC mk3 in combination with the D1-Streamer can play 16 or 24 bit format and 44.1KHz, 48KHz, 88.2KHz, 96KHz, 176.4KHz, 192KHz, and DSD sampling rates.
    • TotalDAC USB Gigafilter
    I have upgraded the TotalDAC USB Cable that connects the TotalDAC server to its internal re clocker to the new TotalDAC USB Gigafilter cable.
    • TotalDac D1-Player
    I have just had my D1-Player upgraded (November 2021) with a custom Live Power supply by TotalDac. The linear power supply also does filtering and cleansing of the Ethernet signal. The connection path for this is an ethernet cable between the NAS and power supply and then another ethernet cable from the outboard power supply to the router. In addition, the NAS is running Roon Core and since the TotalDAC D1-Server is a certified Roon endpoint, I am now using Roon Remote on an IPAD mini and using Roon as my music player (replacing MPAD). The D1-player can also be used as a upnp/dlna server. i am using a Nordost Odin 2 power cord on the D1-Player.
    • TotalDAC D1-Switch
    I just added the new TotalDAC D1-Switch to my digital front end. The switch connects to my Belkin router and now the TD D1-Streamer mk2 and the TD D1-Player connect to the the D1-switch instead of the router. This provides a very significant sonic improvement. I use a Nordost Valhalla 2 power cord for the D1-Switch.
    • Totaldac Live Power supply
    I just added the TotalDAC Live Power supply. This version can be used to provide power to my complete TotalDAC D1-Twelve digital front end - the D1-Streamer, the outboard reclocker and the 2 DAC's. I use a single Nordost Odin Gold power cord for the Live Power supply which is plugged into my Shuyata Everest power conditioner.
    • Nordost Odin Gold power cord
    I am now using a Nordost Odin Gold power cord for my TotalDAC Live power supply. This replaced the already wonderful Nordost Odin 2 power cord.
    • Nordost Valhalla 2 Ethernet Cables (2)
    I am using 2 of the new Nordost Valhalla 2 ethernet cables. The first one connects between the TotalDAC D1-Player and my Belkin router and the second one connects between my TotalDAC D1-Streamer and my Belkin router.
    • Audio Quest Diamond Ethernet Cable
    The AQ Diamond ethernet cable is used to connect the TotalDAC D1-Player to my TotalDAC NAS. This is used for the "dirty" ethernet connection.
    • Paul Hynes SR7 Linear Power Supply
    I have am using 2 of the Hynes Sr7 Linear power supplies. One is used to power the Belkin Router and the second one is used to power my network switch. Both of these replaced the stock switching power supplies that came with the Belkin router and the network switch.

    Both of these power supplies have had the grounding update done to them and are connected to one of my Telos GNR ground noise reducers.
    • Nordost Valhalla 2 Power Cord
    I use 4 Nordost Valhalla 2 power cords in my system.
    I use one of them to power the Beat SE outboard power supply.
    I use 2 of them to power the CH Precision P1 boxes (not the CH X1's).
    I use one of them to power the Nordost QB4 power strip from the Shunyata Everest 8000 power conditioner.
    • Nordost Odin 2 XLR IC
    Nordost Odin 2 Balanced IC's from the TotalDAC D1-Twelve mono DAC's to the CH Precision L1 true monaural preamp.
    • Shunyata Research Everest 8000 Power Distributor
    I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
    • Nordost Odin Gold Power Cord
    I use a Nordost Odin Gold power cord with a 20 amp IEC connector from a wall outlet to power the Shunyata Everest 8000 power conditioner.
    • Nordost QBase QB4
    I am now using a Nordost Qbase QB4 power distribution box powered by a Nordost Valhalla 2 power cord from the Shunyata Everest 8000 power conditioner.
    • Shunyata Research Hydra DPC 6 V3 power conditioner
    I have now added the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my TD D1-Player, my network router, my network switch plugged into the DPC 6. I was very surprised by the improvement the DPC6 V3 made in my system sonics.

    The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
    • Steve Dobbins The Beat SE
    I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.

    June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.

    October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
    • Minus K BM-8 Vibration Isolation Platform
    A BM-8 Minus K vibration isolation platform placed underneath
    • Nordost Valhalla 2 Power Cord
    This Valhalla 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Nordost QB4 power strip. The QB4 is powered by a Nordost Valhalla 2 power cord which is plugged into the Shunyata Everest 8000 power conditioner.
    • Schroeder LT Tonearm with Magnesium arm tube
    I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.

    June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
    • Lyra Olympos SL
    The Lyra Olympos SL MC cartridge is now mounted on my second Schroeder LT tone arm with Magnesium arm tube. A truly great sounding combination.
    • Schroeder LT tone arm with Magenisum arm tube
    This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
    • Lyra Atlas SL Lambda cartridge
    I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
    • CH Precision True Dual Monaural P1 phono stage
    I have now upgraded my CH P1/X1 phono stage to the CH Precision True Dual Monaural phono stage. This consists of a P1 for the left channel, a separate P1 for the right channel and 2 of the optional CH X1 power supplies - one for each channel. As good as the stereo P1/X1 was, the true dual monaural P1 phono stage is something very special to hear.

    June 29, 2021 Update: I just replaced the umbilical power cords from the X1 power supplies to the CH P1 phono stage with a new umbilical that Steve worked on with Nordost. A very significant sonic improvement.
    • Nordost Odin Gold Power Cords
    I am now using two of the Nordost Odin Gold Power Cords to power the two CH Precision X1 external power supplies for my CH Precision P1 true dual monaural phono stage.
    • Nordost Odin 2 XLR IC
    I am now using Nordost Odin 2 balanced IC's between the CH Precision P1 true dual monaural phono stage and the CH Precision L1 true dual monaural preamp.
    • Adona Zero GXT Turntable Rack
    Finished in black with a top shelf of 27" in width.
    • Telos Ground Noise Reducer
    I have added two of the Telos GNR (Ground Noise Reducer) units to my system. One of the GNR's is connected to all of my analog front end electronics and the second GNR is used for my digital front end components.
    • Computer Audio Design (CAD) GC3 Ground Controls
    I am now using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M1.1 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
    • Computer Audio Design (CAD) Ground Control GCR
    I have added the CAD Ground Control Reference (GCR) to my system. This is used for signal grounds for my front end components (CH Precision P1 phono stage, CH Precision L1 line stage and my TotalDAC D1-Twelve digital front end) and also the earth ground for my Shunyata Everest 8000 power distributor.
    • CH Precision L10 True Dual Monaural LInestage
    The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
    • Nordost Odin Gold Power Cords
    I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
    • CH Precision M10 amplifiers
    I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
    • Nordost Odin Gold Power Cords (4)
    I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
    • Nordost Odin 2 XLR IC
    I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L1 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
    • Rockport Technologies Arrakis 2 External crossover
    This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
    • Nordost Odin Gold Power Cord
    I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
    • Nordost Odin 2 XLR IC
    I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
    • Nordost Odin Gold Speaker Cables
    I am now using 2 pairs of Nordost Odin Gold speaker cables  to bi-amplify the Rockport Arrakis 2 speakers.These replaced 2 pairs of Odin 2 speaker cables.
    • Rockport Arrakis 2
    My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover.  I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
    • Furutech GTX/NCF outlets
    I have added 4 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers. These are used for each of my CH M10 mono block amps and the Rockport Arrakis 2 outboard crossover.
    • Furutech NCF Booster
    I have added three of the Furutech NCF Cable Boosters after some extensive auditioning. I have one of them under the Odin Gold power cord for the Rockport external crossover (IEC end), one under the Odin Gold PC for the TotalDAC Live power supply (IEC end) and the third one under the Odin 2 power cord for the TotalDAC D1-Player (IEC end).
    • REL Acoustics G1 sub bass system Six Pack
    I am now using the REL G1 sub bass system in the REL Six Pack Configuration. The Six Pack Configuration is 6 of the REL G1 subs configured as 2 sub towers of 3 G1's each. One stack of three G1's for the left channel and one stack of three G1's for the right channel. The bottom G1 of each stack is connected to an M10 amplifier that powers the bass drivers of the Rockport Arrakis and the two G1's that sit on top of that stack are daisy chained together. I am using the REL designed Bassline Blue sub cables to connect all of the subs as required. Each of the stacks is located to the outside of the Rockport Arrakis 2 speakers and just about flush with the front baffle of the Arrakis using the same approximate toe in angle as the main speakers.

    To power all of the G1's, I am using 6 Nordost Tyr 2 power cords and 2 custom versions of the Furutech e-TP60 power distributor that uses Furutech GTX-D NCF (R) outlets replacing the stock outlets. I am using 2 Nordost Odin 2 power cords from the wall outlets to each of the Furutech e-TP60 power distributors.

    The REL G1 six pack replaced my previous 2 REL Studio III sub bass systems. 
    • Blinn Double wide component rack
    Blinn double wide component rack with 3" thick walnut stained maple shelving.
    • Silent Running Audio (SRA) Virginia Class amp stands
    I am now using the superb SRA Virginia Class amplifier stands under my CH Precision M10 mono block amplifiers. I also am using the HRS Nimbus footers (1.5" height version) under the M10 amplifiers.
    • HRS SRX with M3X2 isolation base
    I have added 2 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies of my CH Precision M10 amps.
    • Nordost Sort Kones
    I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
    • Isonic Ultrasonic RCM
    I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
    • Loricraft PRC 4 Deluxe RCM
    Loricraft record cleaning machine that replaced my Audio Desk RCM. I liked how easy the Audio Desk RCM was to use, but after having to replace it 3 times due to defects I decided it was time to replace it. The Loricraft PRC 4 Deluxe seems to do at least as good a job at cleaning and perhaps a little better using the AIVS fluids.
    • Custom LP Record Cabinets
    There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.

Comments 694

B'bear, like Lloyd I'm still gobsmacked by the effects of Entreq. It's just totally enhancing the listening experience. I'm detecting so much dimensionality, and air around instruments, with a real rock solid stability in the soundstage, that's moving my system a quantum leap closer to the goal of imitating reality. My concious mind is really switching off the analysis of the music making experience, and my subconcious mind is wallowing in the sheer enjoyment of music.
Expensive as our hobby is, it all becomes tenable with the stress busting effect my system is now producing.
PS running a full Symposium Acoustics Isis rack/supports for components/spkrs and this is contributing greatly too.

spiritofmusic

I am no techie...I am told that both devices try to create a common earthing for the components and use materials inside to simulate a high quality ground earthing. All I know is...it works. Very impressed by Entreq and investigating Tripoint next.

lloydelee21

Owner
Hi Duane,

The audio world is very small indeed. I was at Goodwins a fews years back auditioning the Altair and the Magicos and I do remember meeting someone in one of the other listening rooms who was auditioning the Rockport Aquilas - obviously it was you - that's pretty amazing.

I don't use balanced power, but I do use an isolation transformer as part of my overall electrical distribution strategy for my audio system which does have a very high quality electrical ground for it. I have measured the impedance at my electrical outlets fed from the transformer and it is fractionally just slightly above 0 OHMS.

If you are also curious about the Entreq and Tripoint devices - I am as well. While they are referred to as grounding devices I am not sure that those names are all that correct as I am certain these boxes do not replace the electrical safety grounds of your power system. So, exactly what effect they will have in any given system remains to be seen. In talking to several folks who have heard either of these products, there seems to be a consistent theme that they make an improvement even in audio systems that have done some fairly extensive electrical system implementations. Hence my curiosity.

babybear

Just curious, you mentioned running your power from a balanced transformer. What role does ground play in a balanced power set-up? Awesome room Arnie, (I met you very briefly at Goodwins when you were demoing the Altairs and Magicos I believe). I was auditioning the Aquilas at the time.

Duane

drizmond

Owner
I am looking forward to getting both hear and hearing what they do and how they compare to each other. Should be great fun.

babybear

Great stuff Arnie!!! Love it!!! Thanks for all the effort!!! Very excited!

lloydelee21

Babybaer,
I'm sure I speak for others when I say your effort in setting this up is very much appreciated. Users of both products seem more than satisfied with the results they've achieved.
Charles,

charles1dad

Should be informative. A comparison of the aesthetics of the two boxes is amusing, and its not hard to guess which one costs more. Demo Miguel's Orion PC while you're at it. I heard that demoed after hours at Axpona in Atlanta along with the standard Troy. Shocking. You have not heard your system yet....

agear

Owner
Hi Agear and Charles,

I have no doubt that someone must have done the comparison between these 2 products already, but like most of us, I would of course want to compare them in my own system and to understand what they do to the overall sonics of my system and how they compare in performance.

I have gone to great effort at this point to make the 2 foundational elements of any audio system - electrical power and the room itself, as good as I know how to make it. But, I also believe, especially with the power aspect, the right product or products can still bring real sonic improvements so these 2 products are intriguing to me.

I am working to see if I can arrange an audition of both products here at the same time. I have heard back from Entreq already and one of the Tripoint Troy dealers so it looks like it will be possible to do this (just not sure of the timing yet).

babybear

Agear,
I agree with the idea of developing a foundation first and then proceed from there. The issue of cost can work in two directions, the DIY mentality is valid in some cases. On the other hand there`s a mentality that says it "must" be better because it more expensive.The fact that some asian buyers are willing/eager to spend considerable money is no indication of smarter/wiser purchasing.

I personally have found that there isn`t a linear relationship between cost and performance. Each component has to be judged on its individual merit rather than hype and expectations based solely on price.This upcoming comparision between Entreq and Tripoint should prove to be interesting based on actual direct use in the same system.
Charles,

charles1dad

Lharasim, as the founder of Fidelity Forward and apparent manufacturer of audio equipment, you are selling yourself indirectly through your opinions. What do you manufacture again and what proprietary products have you developed to improve our audio world?

agear

I believe the comparison has been done, but every experiment should be duplicated IMO. Price point and affordability is a strong potential source of bias though. Just look at the DIY world and their perceptions of the hi end. If you cannot afford it, the cheaper solution will be predictably competitive or even "better."

The Asian audio community is so far ahead of us in the power game. They are gobbling the Tripoint stuff up whereas we are still deciding if its relevant while still playing on the equipment merry-go-round. Foundations first IMO.

agear

charles,
Quote:I also look forward to the comparison of these two well engineered

how do you know these are well engineered products when you have no idea whats in them LOL...

you people should be in sales :)

lharasim

I also look forward to the comparison of these two well engineered and highly regarded components that address the same issue of electrical grounding. This has the potential to be very informative and worthwhile.
Charles,

charles1dad

This will be very interesting!! I am also going to try to listen again to Troy. The good news is I have heard both and know they both work...really well...which is better is another matter for the moment.

lloydelee21

Owner
Hi Knghifi,

I have been thinking along those same lines as well - try both of these products at the same time and see what I hear and then have John try them in his system and see what conclusion he reaches and then let's compare our results. That would be an interesting experiment.

Hopefully I will hear from Entreq very soon. The designer responded to my email and told me that he was traveling in Asia but would be back home tomorrow and then would contact me. Then I can contact Tripoint as well.

Arnie

babybear

Hi, If Arnie decided to try one or both of these...I'd be game to try it at my home also...Arnie and I have have different power cords/conditioning...so our results "may" vary...

jfrech

Owner
Hi Spirit,

Thanks for the information. I would like to try at least 3 connections - from the preamp, the dac and the phono stage, starting with the preamp and then adding the other 2 sources one at a time to see what I hear. Hopefully I will be able to arrange a home audition.

babybear

Owner
Hi John,

I haven't heard either yet but they have definitely piqued my curiosity. Just need to find out how to audition them in my system and see what they can do. I'll let you if I manage to get the home audition.

babybear

I will contact Stillpoints and see what they can do for an in home audition.

Babybear, you should also contact Tripoint for home audition at the same time and do a comparison. Have Jfrech join in and I will be very INTERESTED in your results.

knghifi

Hi Bear, when I ran my previous carts (Transfiguration Orpheus, and ESCCo modded Zu Denon 103) thru my Tom Evans Groove Plus SRX phono stage, I found that running an Apollo ic from the phono to the Entreq actually muddied the sound, thickening it up, although Fraser thought it better than me.
In the meantime I installed a Soundsmith Straingauge cart, hence getting rid of the phono stage. Now running an Apollo from the SG200 energizer has been a revelation. Go figure.
An example of YMMV.
Additionally I'm running an Apollo from the spare balanced out of my EMM Labs CDSA SE X upgrade cdp to great effect, and am going on to try Apollos from my newly-installed Audion Black Shadow SET monoblocks. If I go on to running Apollos from the two Nordost distribution blocks which sport earthing posts that I'm planning possibly to buy, this will mean a rig of Entreq Silver Tellus box and 7 Apollo ics.
Has all been revelatory so far, really complementing my move to 4kVA balanced power I've been running for a couple of years now.

spiritofmusic

Arnie, I"ve been curious about the Entreq or Tripoint also...just hearing a lot a great stuff about both units...but I've yet to hear either personally...

Lloyd...yeah I am going to have to try some still points soon...not sure they synch with my Grand Prix Audio SilverStone F1 rack...but if I get new amps soon..they likely wont fit..so the Stillpoints become a easy add...

jfrech

Good luck, Arnie. I also emailed you to provide further color.

lloydelee21

Owner
Thanks Lloyd,

I will contact Stillpoints and see what they can do for an in home audition.

babybear

Hi Arnie,

From theaudiobeat.com, it looks like Stillpoints distributes Entreq in the US now...so you should have no problems getting an audition. Good luck. Definitely go for their top of line: Silver Tellus and Apollo grounding cables...Entreq distributor here recommends Preamp and Source...and not to 'over ground' the system. 2-3 grounding cables is what they find is best.

http://www.theaudiobeat.com/ces2013/ces2013_stillpoints.htm

lloydelee21

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