My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.
I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me.
I just had my TD D1-Streamer upgraded to the latest version TD D1-Streamer MK2 (November 2022).
In my setup, I use the TotalDAC D1-Player with its silent NAS using solid state drives to store all of my digital music files. Both the D1-Player and the D1-streamer are connected to a Belkin router and I control music selection using an IPAD mini running Roon remote (The D1-Player runs Roon Core and the TotalDAC D1-Streamer is a certified Roon end point).
TotalDAC D1-Digital Reclocker MK 2
I have just had my TotalDAC D1-Digital Reclocker upgraded to the new MK 2 version (November 2021). The Digital Reclocker MK 2 sits between my D1-Streamer MK 2 and the D1-Twelve mono DAC's in my digital front end.
TotalDAC D1-Twelve MK3
I just had my TD D1-Twelve upgraded to the new MK3 version (November 2022).
The TotalDAC D1-Twelve DAC mk3 is composed of two mono bloc DAC's and a specialized re-clocker, so it is a 3 box system. The D1-Twelve DAC mk3 in combination with the D1-Streamer can play 16 or 24 bit format and 44.1KHz, 48KHz, 88.2KHz, 96KHz, 176.4KHz, 192KHz, and DSD sampling rates.
TotalDAC USB Gigafilter
I have upgraded the TotalDAC USB Cable that connects the TotalDAC server to its internal re clocker to the new TotalDAC USB Gigafilter cable.
TotalDac D1-Player
I have just had my D1-Player upgraded (November 2021) with a custom Live Power supply by TotalDac. The linear power supply also does filtering and cleansing of the Ethernet signal. The connection path for this is an ethernet cable between the NAS and power supply and then another ethernet cable from the outboard power supply to the router. In addition, the NAS is running Roon Core and since the TotalDAC D1-Server is a certified Roon endpoint, I am now using Roon Remote on an IPAD mini and using Roon as my music player (replacing MPAD). The D1-player can also be used as a upnp/dlna server. i am using a Nordost Odin 2 power cord on the D1-Player.
TotalDAC D1-Switch
I just added the new TotalDAC D1-Switch to my digital front end. The switch connects to my Belkin router and now the TD D1-Streamer mk2 and the TD D1-Player connect to the the D1-switch instead of the router. This provides a very significant sonic improvement. I use a Nordost Valhalla 2 power cord for the D1-Switch.
Totaldac Live Power supply
I just added the TotalDAC Live Power supply. This version can be used to provide power to my complete TotalDAC D1-Twelve digital front end - the D1-Streamer, the outboard reclocker and the 2 DAC's. I use a single Nordost Odin Gold power cord for the Live Power supply which is plugged into my Shuyata Everest power conditioner.
Nordost Odin Gold power cord
I am now using a Nordost Odin Gold power cord for my TotalDAC Live power supply. This replaced the already wonderful Nordost Odin 2 power cord.
Nordost Valhalla 2 Ethernet Cables (2)
I am using 2 of the new Nordost Valhalla 2 ethernet cables. The first one connects between the TotalDAC D1-Player and my Belkin router and the second one connects between my TotalDAC D1-Streamer and my Belkin router.
Audio Quest Diamond Ethernet Cable
The AQ Diamond ethernet cable is used to connect the TotalDAC D1-Player to my TotalDAC NAS. This is used for the "dirty" ethernet connection.
Paul Hynes SR7 Linear Power Supply
I have am using 2 of the Hynes Sr7 Linear power supplies. One is used to power the Belkin Router and the second one is used to power my network switch. Both of these replaced the stock switching power supplies that came with the Belkin router and the network switch.
Both of these power supplies have had the grounding update done to them and are connected to one of my Telos GNR ground noise reducers.
Nordost Valhalla 2 Power Cord
I use 4 Nordost Valhalla 2 power cords in my system.
I use one of them to power the Beat SE outboard power supply.
I use 2 of them to power the CH Precision P1 boxes (not the CH X1's).
I use one of them to power the Nordost QB4 power strip from the Shunyata Everest 8000 power conditioner.
Nordost Odin 2 XLR IC
Nordost Odin 2 Balanced IC's from the TotalDAC D1-Twelve mono DAC's to the CH Precision L1 true monaural preamp.
Shunyata Research Everest 8000 Power Distributor
I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
Nordost Odin Gold Power Cord
I use a Nordost Odin Gold power cord with a 20 amp IEC connector from a wall outlet to power the Shunyata Everest 8000 power conditioner.
Nordost QBase QB4
I am now using a Nordost Qbase QB4 power distribution box powered by a Nordost Valhalla 2 power cord from the Shunyata Everest 8000 power conditioner.
Shunyata Research Hydra DPC 6 V3 power conditioner
I have now added the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my TD D1-Player, my network router, my network switch plugged into the DPC 6. I was very surprised by the improvement the DPC6 V3 made in my system sonics.
The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
Steve Dobbins The Beat SE
I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.
June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.
October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
Minus K BM-8 Vibration Isolation Platform
A BM-8 Minus K vibration isolation platform placed underneath
Nordost Valhalla 2 Power Cord
This Valhalla 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Nordost QB4 power strip. The QB4 is powered by a Nordost Valhalla 2 power cord which is plugged into the Shunyata Everest 8000 power conditioner.
Schroeder LT Tonearm with Magnesium arm tube
I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.
June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
Lyra Olympos SL
The Lyra Olympos SL MC cartridge is now mounted on my second Schroeder LT tone arm with Magnesium arm tube. A truly great sounding combination.
Schroeder LT tone arm with Magenisum arm tube
This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
Lyra Atlas SL Lambda cartridge
I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
CH Precision True Dual Monaural P1 phono stage
I have now upgraded my CH P1/X1 phono stage to the CH Precision True Dual Monaural phono stage. This consists of a P1 for the left channel, a separate P1 for the right channel and 2 of the optional CH X1 power supplies - one for each channel. As good as the stereo P1/X1 was, the true dual monaural P1 phono stage is something very special to hear.
June 29, 2021 Update: I just replaced the umbilical power cords from the X1 power supplies to the CH P1 phono stage with a new umbilical that Steve worked on with Nordost. A very significant sonic improvement.
Nordost Odin Gold Power Cords
I am now using two of the Nordost Odin Gold Power Cords to power the two CH Precision X1 external power supplies for my CH Precision P1 true dual monaural phono stage.
Nordost Odin 2 XLR IC
I am now using Nordost Odin 2 balanced IC's between the CH Precision P1 true dual monaural phono stage and the CH Precision L1 true dual monaural preamp.
Adona Zero GXT Turntable Rack
Finished in black with a top shelf of 27" in width.
Telos Ground Noise Reducer
I have added two of the Telos GNR (Ground Noise Reducer) units to my system. One of the GNR's is connected to all of my analog front end electronics and the second GNR is used for my digital front end components.
Computer Audio Design (CAD) GC3 Ground Controls
I am now using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M1.1 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
Computer Audio Design (CAD) Ground Control GCR
I have added the CAD Ground Control Reference (GCR) to my system. This is used for signal grounds for my front end components (CH Precision P1 phono stage, CH Precision L1 line stage and my TotalDAC D1-Twelve digital front end) and also the earth ground for my Shunyata Everest 8000 power distributor.
CH Precision L10 True Dual Monaural LInestage
The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
Nordost Odin Gold Power Cords
I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
CH Precision M10 amplifiers
I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
Nordost Odin Gold Power Cords (4)
I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
Nordost Odin 2 XLR IC
I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L1 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
Nordost Odin Gold Power Cord
I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
Nordost Odin 2 XLR IC
I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
Nordost Odin Gold Speaker Cables
I am now using 2 pairs of Nordost Odin Gold speaker cables to bi-amplify the Rockport Arrakis 2 speakers.These replaced 2 pairs of Odin 2 speaker cables.
Rockport Arrakis 2
My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover. I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
Furutech GTX/NCF outlets
I have added 4 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers. These are used for each of my CH M10 mono block amps and the Rockport Arrakis 2 outboard crossover.
Furutech NCF Booster
I have added three of the Furutech NCF Cable Boosters after some extensive auditioning. I have one of them under the Odin Gold power cord for the Rockport external crossover (IEC end), one under the Odin Gold PC for the TotalDAC Live power supply (IEC end) and the third one under the Odin 2 power cord for the TotalDAC D1-Player (IEC end).
REL Acoustics G1 sub bass system Six Pack
I am now using the REL G1 sub bass system in the REL Six Pack Configuration. The Six Pack Configuration is 6 of the REL G1 subs configured as 2 sub towers of 3 G1's each. One stack of three G1's for the left channel and one stack of three G1's for the right channel. The bottom G1 of each stack is connected to an M10 amplifier that powers the bass drivers of the Rockport Arrakis and the two G1's that sit on top of that stack are daisy chained together. I am using the REL designed Bassline Blue sub cables to connect all of the subs as required. Each of the stacks is located to the outside of the Rockport Arrakis 2 speakers and just about flush with the front baffle of the Arrakis using the same approximate toe in angle as the main speakers.
To power all of the G1's, I am using 6 Nordost Tyr 2 power cords and 2 custom versions of the Furutech e-TP60 power distributor that uses Furutech GTX-D NCF (R) outlets replacing the stock outlets. I am using 2 Nordost Odin 2 power cords from the wall outlets to each of the Furutech e-TP60 power distributors.
The REL G1 six pack replaced my previous 2 REL Studio III sub bass systems.
Blinn Double wide component rack
Blinn double wide component rack with 3" thick walnut stained maple shelving.
Silent Running Audio (SRA) Virginia Class amp stands
I am now using the superb SRA Virginia Class amplifier stands under my CH Precision M10 mono block amplifiers. I also am using the HRS Nimbus footers (1.5" height version) under the M10 amplifiers.
HRS SRX with M3X2 isolation base
I have added 2 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies of my CH Precision M10 amps.
Nordost Sort Kones
I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
Isonic Ultrasonic RCM
I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
Loricraft PRC 4 Deluxe RCM
Loricraft record cleaning machine that replaced my Audio Desk RCM. I liked how easy the Audio Desk RCM was to use, but after having to replace it 3 times due to defects I decided it was time to replace it. The Loricraft PRC 4 Deluxe seems to do at least as good a job at cleaning and perhaps a little better using the AIVS fluids.
Custom LP Record Cabinets
There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.
Let me know how the Sylvania Nuvistor tubes compare to the stock RCA ones and your view of the sound with and without the HA3000.
One of my stock rca's went bad. I replaced them with RCA JAN Military spec 7895's. They are the quietest ones I have tried. I have consumer grade NOS Sylvania's and the 4 different one's I have tried were all higher in noise floor. This is sort of a bummer. I haven't tried my entire lot of 20 tubes, but will do so. I did find a pair of NOS JAN spec sylvania's and they will ship soon. I think in the end, if you want the best nuvistor tube performance, one needs to go for JAN military spec variants.
Thank you very much for hosting me. As before, it was a total pleasure. The system sounds great.
Your room along with Mike Levine's and Winston Ma's are the three most outstanding audio rooms that I have been to (and I think I have been to over 200 audio rooms around the world). On top of that you have one heck of an equipment collection. I admire you for your passion. I say you make Texas proud, hahahaha
The two best things in your system that I liked are the speakers and the turntable. The speakers are effortless and coherent (contrary to my suspicion before listening that they might lack coherence due to their inward and outward driver positions). But listening is believe and that is what matters. The speakers have impressive bass and punch. I did note however that the bass bloated at times but that was not due to the speakers but due to the subs. As you can imagine I am not a subwoofer fan and in fact if I ever make a Hollywood movie it would be named "subwoofer buster" as a sequel to "ghost buster" ....in my imagination only.
The other thing below my expectation was transparency. I think your Magicos were more transparent. Because of that lack of transparency it did not meet my favorite "touch the sound" test criterion although it is doing many other things right.
The speakers play loud and naturally, rendering a full-scale orchestral performance a joy to listen to. However, the speakers never disappeared and the sound still seemed to be coming from the boxes.
The sound also lacked the 3rd dimension, both on digital and vinyl, although your vinyl was easily more musical. So the system was pretty much 2-dimensional but with good lateral precision. But in the 3rd dimension, I did not find any layers in the sound. If I were you, I would pull the speakers several feet front and push the listening seat back. That interaction could enhance the 3rd dimension.
In fact if I were you, I would show the door to the speaker installer dudes and experiment with the speaker position myself and would not tire of experimenting until I am 100% satisfied normally I ignore all manufacturer recommendations and make my own discoveries.
Your listening seat is also not ideal for sound as it acts as a huge sound barrie, blocking almost all sound reflected from the rear. You need a chair whose back is lower than the shoulder height. Such details make a hug difference.
I am also not a fan of VTL amps because they, like most tube-based amps, lack a bit of top end and bottom end. But I think there may be a way to circumvent that. Speaking out of my humble experience, your power tube, KT88, has a sound characteristic which is similar to its shape, that is thick in the middle and thin at the top and bottom. In contrast, KT90 sounds like its shape, that is flat response across the whole frequency spectrum. if you try the KT90 (it is compatible with KT88), it might add some sparkle at the top and some extra punch at the bottom. Audio is all about trying and experimenting. You may also try a combination of KT88 and KT90.
In summary, a lovely system but has a major room for improvement -- and it does have the potential to meet the promise.
System edited: I have made some further upgrades from Echole Signature Power cords to the new Echole Omnia power cords. I am now using the Omnia power cords on the Allnic H5000 DHT phono stage and the Absolare Purifier power conditioner which feeds my analog front end and Absolare Passion Signature preamp. Echole also made for me 2 Omnia DC power cords to connect my MSB Signature transport and MSB Diamond DAC to their respective MSB outboard power supplies.
Let me know how the Sylvania Nuvistor tubes compare to the stock RCA ones and your view of the sound with and without the HA3000.
I did find it interesting this time around with the Bendix tubes. My original listening notes from Jan 2, 2014 comparing the Bendix and GE rectifier tubes were: "The GE 6087 tubes are somewhat warmer sounding than the Bendix tubes, less transparent sounding (more colored) and softer sounding tubes. The GE 6087 tubes are also less well resolved and more "bloated" and less controlled sounding in the lower mid bass and bass frequencies. They seem to have an overall more "fuzzy" sound and are not as refined sounding.
The Bendix 6106 rectifier tubes sound more transparent and have a more refined sound. The Bendix have quite a bit more punch and resolution in the mid bass and bass frequencies and are more dynamic sounding than the GE 6087 tubes. The Bendix also have a better portrayal of spacial relationships of the performers within the soundstage. "
Then a few days later on Jan 5th - I felt with further listening that something wasn't quite right in the upper frequencies with the Bendix so I switched back to the GE rectifiers. In my listening last night, I didn't really notice any problems with the upper frequencies but I want to do a few more listening sessions with a wider range of music to be sure.
I am also trying a different brand of Nuvistor. Stock is RCA, I am trying the 6CW4 Sylvania. They have yellow printing on the sides. I added one more sheet of MU under the top of the casing. I had to order more Mu sheets to finish off the double layer shielding.
It is interesting how you find the Bendix to sound better the second time around. I suspect I will find that with the GE's
Congratulations. Its good to know that the mu metal was effective and it will be interesting to learn what happens if you double the amount.
I have my Bendix rectifiers back in the H5000 and I did some preliminary listening last night - the Bendix tubes sounded quite a bit better to me than the last time that I used them. I will have to do some additional critical listening now with a wider range of music to see what I think.
I still plan to try the GE's again. Since they were nos they probably needed some more breakin than the 4 hours I was listening. I just finished modding my HA-3000 casing by covering the inside with MU metal with the idea of reducing interference and hopefully lower the noise floor. We shall see how that works. In the end, I kind of like having two options of gain...one active and the other passive.
Thanks for the input on your comparison between the GE and the Bendix rectifier tubes in the H5000. Of course my comparison was done without the HA3000 head amp and my initial results are a little different. I do agree with you that the Bendix has tighter and more impactful deep bass, but that I found the GE to have an overall richer sound than the Bendix. I plan to go back and do the comparison again this week to see if I get the same results as I did previously.
I have listened, albeit very briefly (just 2 or 3 cuts from 2 different LP's) to the HA3000/H5000 combo at Albert's home and in that very short listening I did prefer what I heard going direct with the H5000 versus the HA3000/H5000 combo, but it was a very short listening comparison. Once I get my H5000 to the point that I think it is fully broken in I will try and do the comparison again - both at Albert's and then again in my system.
Peter, that 5db estimate is by putting my ear up to the speaker at listening level volume with no music. It is significant and only noticeable between tracks. Comes with the territory using a separate tube head amp for gain. I plan to use my iPhone to measure the actual spl difference.
Rockitman, Those are interesting observations. I've been testing for noise in my system recently. It's the next area that I will be addressing. I use an iPhone app, turn the volume to max and measure from the listening seat. It is fairly easy to get an accurate measurement of different noise levels. I use max volume because it accentuates the differences. A 5 or 10 dB difference in noise floor at listening levels is huge IMO and would certainly be an issue if listening to low level details in complex classical music.
Alas, I remain divided. Having listened to Clapton Journeyman first issue both with trans first and head amp second. I prefer rock with the head amp. That said, my 10dB noise differential may be off...let's say 5 dB, but the frequency of the added noise is around that of the record surface rolling noise. Clearly the passive trans is quieter. I think I might enjoy the Classical pieces best with the trans, rock and hard jazz with the head amp.. You really need both then you don't have to worry about it...;)
H-5000 Rectifier comparo (Indirect Heated)...GE vs Bendix. I have had the H5000 for a couple of months now. The first month running MC tranny input and the last month HA-3000 head amp. I put the NOS GE's in tonight and let them warm for 2 hours. I was using the head amp input and not the direct coupled transformer. I felt the GE to be softer in the bass with an overall drier sound compared to the Bendix which I felt had better defined bass and an overall richer sound with greater presence. I did not do the comparison with trans input.
That said, I have not heard my trans for stereo playback, save for my mono table in over a month. Clearly there has been some break in time. I switched to trans (MC) input bypassing the HA-3000. The trans input bass is much tighter than I remembered...virtually as good as the head amp bass. What's more, the trans input noise floor is close to 10dB less that the head amp at listening level. Using the high gain head amp into MM input accentuated the records surface noise and any pops or ticks. The trans input is spookey CD like background silence. I tink the trans input is more real and musical sounding. It may become my standard, when I though the Head amp input would. Time will tell. When I get more oriented with the current trans sound I will switch back to GE. Based on my comparison using the head amp input...I vote Bendix.
I definitely agree with you about the bass control that the Bendix 6106 rectifiers have - they are better than the GE 6087 rectifiers in that regard at least based on what I have heard in my system. I have gone back and forth between the bendix and the GE rectifier tubes multiple times to validate what I keep hearing and each time it is consistent - at least to my ears and in my system, there is something just not right about the upper frequencies with the Bendix - the best way that I can describe it is a little sterile and stiff but also just not quite natural sounding to me.
I will be curious to learn what you think after you compare the Bendix to the GE in your system.
I bought a set of the GE's you mention. I have been using the Bendix 6106 since my unit came back from repair. Compared to the stock direct heated triodes, I found the bendix to provide a better grip on the bass. I will have to try the GE's soon.
I actually made a change after you left to the Allnic H5000 - I changed the rectifier tubes from the Bendix 6106 to the GE 5 Star 6087 and it actually sounded quite a bit better. In comparison, the Bendix rectifiers that you heard it with are more sterile and stiff sounding in the upper frequencies. The GE rectifiers are more relaxed and natural sounding to me in those same upper frequencies and harmonically richer across the board.
Arnie, great seeing you yesterday. And listening to your system. I must admit, the clarity, effortlessness and resolution of your new Allnic H5000 DHT phono is pretty amazing. Startling good in fact in it's ability to change with the music whether a simple 2 instrument jazz ensemble in small venue to a group with 5 or more instruments and how it unravels space, the recording location and each instrument and places them on the sound stage...
Thanks very much. The system that you heard at the Hong Kong dealer would certainly be very representative of the sound that I have in my room given the same speakers and amps. We just need to get you over to Texas so that you can hear some of the many wonderful systems we have here within a 3 hour drive.
Thanks so much for those amazing and kind words about my system. That means alot to me as I know that you have heard so many systems over the years and also that you and I value the the same attributes in an audio system.
BTW, I finally received a pair of the Bendix 6106 red bank rectifier tubes. I have not listened to them yet but I installed them in the H5000 DHT yesterday and powered it on to be sure they were fine. They appear to have an even slower ramp up than the GE 6087 tubes. I'll let you know what, if any differences I hear between these and the GE rectifiers once I have done some listening.
I have never had the pleasure of listening to Arnie's system...and every small nuance can make a remarkable difference. But I HAVE heard Arrakis IIs driven by 2 sets of Siegfried II monos, VTL 7.5 Series III, and a Clearaudio Statement turntable...so a 'parallel' system at the dealer in Hong Kong.
I have to agree with Albert's description of Arnie's system insofar as I can say that, imho, the system I heard in HK is 1 of 2 of the best I have ever heard in my life and by some distance. Utterly effortless, utterly detailed, utterly fatigue free...so easy to listen to, you almost forget how impossibly full-scale the music is. It seems so easy, you almost wonder why everybody cannot make a system like this. It is really that good. By comparison, it made my system at home (Wilson X1/Grand Slamms + Velodyne DD18) and other X2 systems I have heard feel like Alexias or big Sashas, where at the scale-level we were listening, it was as effortless as when I listen to my X1s at 70db-80db.
Dragon_vibe This is by far one of the best systems iv seen on the internet? Very well laid out. Room looks Stunning. Can not imagine how it feels sitting there listening all day long. Top Class!
Dragon_vibe, I can tell you how it sounds. I visited Arnie some weeks back and not only is he a gracious host, his system is top tier.
Of all the systems I've listened to in my 30 plus years as an audiophile/music lover his ranks among the very, very best.
I've heard systems that were "different" and high performance but it's almost impossible to achieve more than what Arnie has. It's remarkable in it's control, low distortion and tonal color.
I think equally important is the fact that Arnie loves music. The system is not just a toy. When I visited for two days he played LPs I had not heard. When I returned home I purchased several of those titles.
That does not happen often, I own and listen to thousands of titles so Arnie not only has a ultra high performance system that I respect, he is a kindred spirit in music.
This is by far one of the best systems iv seen on the internet? Very well laid out. Room looks Stunning. Can not imagine how it feels sitting there listening all day long. Top Class!