Description

System additions over the last few years have come from specialized/hobbyist sources. The Transfi/Salvation TT arm and the cables from Grover Huffman evaluated my musical enjoyment to a totally new level.
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Components Toggle details

    • Trans-fi Terminator T3
    Upgraded from a fully RB 300 with Michell tecno weight,Incognito wire, Michell VTA adjustor. What a dramatic improvement in every respect.
    • TransFi Salvation
    Go to www.trans-fi.com there is a wonderful discription. This is my last TT, it is that good.
    • Transfi Tomahawk tone arm
    added this updated tone arm from Transfi with positive results
    • Transfi Resomat
    Added this mat to my TT with good results
    • Ortofon Windfield PW
    Fantastic
    • Einstein Little Big Phono Preamp
    This pre is for MC cartridges only does not provide much flexibility but sounds oh so sweet.
    • Aesthetix Calypso
    Tubed line stage
    • Rogue Audio M-180
    Recently upgraded to M-180 nice inprovement. NOS input and driver tubes, KT-120 output. 180 watts ultra linear and 100 watts triode
    • Martin Logan Summits
    finesse
    • VPI 16.5 record cleaner
    A good record cleanrer is a must have.
    • Acoustic Room Treatments DIY
    Mostly do it yourself + bass traps and diffusors.
    • Grover Huffman Interconnects
    ribbon in air
    • Grover Huffman Speaker cable
    ribbon in air

Comments 8

Showing all comments by spiritofmusic.

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Hi Sgunther, I'm currently running a Michell Orbe tt w. Pederson plinth/armboard and Origin Live Ultra motor upgrades, SME V arm and Zu modded Denon 103 cart.
I've recently auditioned the Trans Fi Salvation with Terminator T3Pro linear tracking tonearm. WOW! What can I say? Pretty much blown away!
After listening to a modded Technics SL 1200 direct drive, I came away admiring it's precision, pitch stability and rhythmic propulsion compared to my belt drive Orbe, but felt it had a cold, sterile colouration which I ascribe to micro speed hunting 'jitter'.
The Trans Fi, otoh, had all the positive attributes of the dd Technics, but maintained all the natural warmth and dimensionality of the Orbe. This I ascribe to the Salvation having a high torque motor giving dd like speed stability, but being purely analog with no digital feedback, didn't fall into the trap of continual control of micro speed variations, and so provided a more relaxed, yet precise presentation.

spiritofmusic