Description

October 2024: Replaced the generic fiber media converter with a Sonore opticalModule + linear power supply and all the detail & transients that went missing with the addition of the ARC Ref6SE preamp have fully reasserted themselves.  While the preamp has < 100hrs on it at this point, it’s incredible to me that something as minor as a fiber media converter can have such a meaningful impact on sound quality. 

Dedicated room that is music first movies distant second.  As a classically trained musician, I believe the Proac-ARC combo produces a very good approximation of the timbre/texture/harmonics of stringed instruments. I also appreciate how the soundstage and dynamics correctly scales from chamber music to orchestral works.  The DEBRA array not only provides seamless/smooth bass but does also contribute to reproducing the ambience of the recording venue.  Thanks to dcpillai for the inspiration to pair the Proac with Townshend podiums (a great match!) and to ghdprentice for his thoughts on the ARC mono vs stereo 160s.
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Room Details

Dimensions: 30’ × 17’  Large
Ceiling: 9’


Components Toggle details

    • ProAc Response D48R Loudspeakers
    • Audio Research Reference 160M MkII
    • Audio Research DAC9
    • Audio Research Reference 6 SE
    • Auralic Aries G2
    • James Romeyn DEBRA distributed bass array
    • Shunyata Everest
    • Adona Corporation Av45cs4 Rack
    • GIK Acoustics Broadband absorbers and QRDs
    • VTI Manufacturing Amplifier stands
    • Townshend Audio Seismic Podiums and Platforms
    • Sonore opticalModule Deluxe

Comments 14

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That room look rock solid performance's & the tubes gear make it perfect . Salute 👏

honeyooi