October 2024: Replaced the generic fiber media converter with a Sonore opticalModule + linear power supply and all the detail & transients that went missing with the addition of the ARC Ref6SE preamp have fully reasserted themselves. While the preamp has < 100hrs on it at this point, it’s incredible to me that something as minor as a fiber media converter can have such a meaningful impact on sound quality.
Dedicated room that is music first movies distant second. As a classically trained musician, I believe the Proac-ARC combo produces a very good approximation of the timbre/texture/harmonics of stringed instruments. I also appreciate how the soundstage and dynamics correctly scales from chamber music to orchestral works. The DEBRA array not only provides seamless/smooth bass but does also contribute to reproducing the ambience of the recording venue. Thanks to dcpillai for the inspiration to pair the Proac with Townshend podiums (a great match!) and to ghdprentice for his thoughts on the ARC mono vs stereo 160s.
Thanks @honeyooi for stopping by. I’ve long admired the aesthetics and build quality of Air Tight. If I can ever assemble a second system…I know who to ask for help! Enjoy.
@milpai I’ve increased the toe-in such that I can see just a sliver of the inside surfaces of the Proacs from the listening position. The images within the confines of the speakers have gained further solidity, and I can now perceive a modest degree of imaging taking place outside of the speaker boundaries. Thank you so much!!
@scar972 thanks very much for the compliments on the design, and appreciate you stopping by. The room started out life as an indoor swimspa (which explains the cedar paneling) but was basically a giant hole in the floor by the time we moved in! So what started out as a lemons -> lemonade ordeal turned out to be a really fun project where I can now unwind after a long day or we can enjoy movies on the weekends.
Just checked out both of your impressive systems. Mind me asking what tubes you were running before the D’Agostinos and how you would characterize the main differences in your system? Thanks!
@milpai very interesting I will have to try increasing the toe-in in that case. I played the piece you suggested just now (the remaster streamed via Qobuz) and the voice appeared to come directly from the right speaker and no further. Very cool and agree with your friend - your system must sound amazing!
@milpai will keep that in mind re: room treatment. There are 6” thick bass traps on either side of the projection screen but the equipment rack is covering the one on the left. Someday I’d like to add some treatment to the ceiling like you have in your room.
The ARC preamp is still going through the breaking in process. Thus far the sound is a bit too round/soft so I’ve been toeing in the Proacs a bit more to compensate. Do you have a preference for more/less toe-in? Thanks.
milpai thanks for stopping by and for the kind words, I appreciate it. I definitely studied your system as well when thinking through which Proac would fit best with my room - and your ebony veneer looks stunning! Very much agree re: the ability for the D48R to bring out that “full sound” especially on orchestral music. I started with a pair of Proac 1SC over a decade ago as they were the only standmounts I had heard correctly reproduce stringed instruments. For the D48 the only concern I had during the audition was the tendency towards boominess across the lower registers of the cello. While I haven’t experienced that same boominess in my room, I’ve since plugged the ports and am relegating more of the bass duties to the distributed bass array (which to my ears sounds more cohesive and also more dynamically capable).
