Room Details

Dimensions: 30’ × 13’  Large
Ceiling: 8’


Components Toggle details

    • Magnepan MG-3.6r
    Outboard passive crossover removed. Internal crossover between midrange panel and tweeter is still in place. Fuses have been bypassed. Midrange panel/ribbon tweeter are powered by the Krell DUO 300. Bass panel provided by the Anthem MCA-225 (gen 2). 

    Crossover Points and Slopes
    Midrange panel/ribbon tweeter crossover network: original (see Magnepan specifications)
    Midrange panel high pass: 300 Hz, Linkwitz Riley 48 dB/oct
    Bass panel low pass: 255 Hz, Linkwitz Riley 48 dB/oct
    Bass panel high pass: 100 Hz, Linkwitz Riley 12 dB/oct
    Subwoofer low pass: 60 Hz, Linkwitz Riley 48 dB/oct
    Subwoofer high pass: 22 Hz, Linkwitz Riley 48 dB/oct
    • Martin Logan Descent i
    • Krell DUO 300 XD
    • Nordost Blue Heaven
    • Mye Sound Mye Stand
    I still kick myself for not buying these sooner. They effectively turn Magnepans into different speakers with significantly greater punch in the bass and mid-bass ranges. Highly recommended.
    • DBX Driverack VENU 360
    Speaker management unit which serves as a preamp and DAC. I have this one set up to handle the following duties:
    -room correction
    -active crossover
    -gain matching
    -delay (midrange/tweeter only, .27ms)
    -phase (subwoofer only, matched to bass panel using a sine wave test tone at 80 Hz)
    -limiter (applied for tweeter protection)
    • PS Audio Stellar Phono Preamp
    MC Gain: 72 dB
    Cartridge loading: 100 ohms
    • Anthem MCA-225
    Gen 2
    • Furman Elite 15 PFi
    • Aurender N10
    • Mogami Platinum Studio XLR
    L & R analog from phono preamp
    AES/EBU digital from Aurender N10
    • Auralex Acoustics Inc. LENRD Bass Traps
    Please pay close attention to Auralex's advertised absorption coefficients before buying these. Calling them "bass traps" is a bit of a stretch. Maybe mid-bass. Their absorption capability effectively begins at around 150 Hz and continues into the 4k Hz range. I've found them to be virtually useless for absorbing pesky bass frequencies. Instead, I use them to absorb and diffuse midrange and high frequencies to great effect.
    • Rega Planar 10
    Equipped with the Rega Apheta 3 cartridge.

Comments 6

Showing all comments by yuvalg9.

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I have listened to maggies several times and they always sound great. they require a lot of care with placement, though. In fact, about a year ago I visited a shop in Israel and listened to a sonus-faber fotura; they sounded worse than a pair of maggies (1.7 if I am not mistaken). A loyal client of the shop agreed with me. This was quite a surprise; a pair of cheap maggies outperforming a $20,000 speaker! I have also listened to a pair of Martin-Logan Electrostatic 'speakers at a local hi-fi exhibition held in Israel a few months ago; they sounded very transparent and did a nice "disappearing" act. And, Yes, the same shop also demonstrated the Pro-Ject 2 Experience, albeit with an Ortofon MM Blue cartridge, not the MC described above (Sumiko BluePoint 2). As befits a high-end system, I would have opted for a higher-caliber MC cartridge, e.g. a Lyra or a HANA or a Van-den-hull or a Stradivarius or an Ortofon A95 or an Ortofon ANNA or an Ortofon SPU. But I am nitpicking; I am sure the Sumiko sounded just fine.

yuvalg9