I have moved to a fully computer based set up as a source. No transport and none of those shiny disks any more.
The system has an open, huge soundstage, with very clean, tight bass that dives deep into two figure Hz.
The sound is very powerful and dynamic. Extremely detailed, but still warm, musical and believable and easy to listen to. With the right recording a reach out and touch holographic image and soundstage is possible.
I have been through quite a lot of equipment. I am and was a huge Audio Research fan for years, and I used their tube monos/preamps with great happiness.
I have pretty much always had planar speakers until recently. So I needed powerful amps to drive Magnepan2.6R/3.6R and Apogee Diva/Duetta sig etc.
I have moved to high sensitivity speakers in the form of the Avantgarde Trios now. This has enabled a move to very low powered SET amplifiers which has been great fun.
I have been searching for equipment that keeps the music free of colour and true to the recording. I believe you choose your source for its sound. The rest of the equipment should let the source do its magic as much as possible and get out of the way of the music.
This unit is modified with Mundorf silver/gold in oil caps, Mundorf tube cap, and Duelund VSF Cu caps. I use Emission Labs mesh plates 45 power tubes. A very refined and beautifully natural sounding amp. Very transparent.
DCS Scarlatti clock
Finest player in the world
Avantgarde Trio
19 ohm 109db/watt with 225 subs
DCS Scarlatti
State of the art number crunching.
PS audio Premier Power Plant
Power regenerator.
Analysis plus Golden oval XLR
Beautiful cable. Amazing detail and still warm and life like
Audio Magic Stealth XXX oyaide
Specially made with Oyaide XXX sockets and furutech input. Much more detailed than the Hydra it replaced
Apogee Duetta signature2 Heavily modified
These have the latest Graz ribbons both tweeter/mid and bass panels. I have external cross overs with mundorf silver/gold in oil caps and Alphacore foil inductors. Caddock resistors and all solid core silver wired. All suspended and vibration free. These apogees take much more power and go way louder and have much better dynamics than the original. Not only that but much improved sound quality. Simply stunning! I have had many planars magnepan etc but these really are the best in every way now. Long live Apogee and Thank goodness for Grazs search for perfection!
Virtual dynamics Revelation 2
This must be one of the only cables I have heard that when compared to cables that seem to "do nothing" or just pass signal untouched this cable does lots but in a good way! A staggering solid detailed sound, but a nightmare to plug in due to its size, weight and stiffness.
Virtual dynamics Master LE
Very nicely focused cable with very low noise floor. The best bass I have heard and startling dynamic speed
Oyaide SWO XXX/SWO GX
Its own spur and conditioned with various filters along the way before reaching the Stealth
Acoustic Revive RR-77
Sends out a very low frequency into the room which disrupts RFI EMI and makes you feel relaxed! Very odd but works well Seems to focus the mid range
Sonic studio Amarra
Bolt on for itunes
Auralex Lenrd Bass traps
I have 8 of these traps placed subtly in the corners of the listening room. They have done a very good job in a room that had quite tight bass anyway.
Weiss Medea plus
Latest super DAC. Volume control on Firewire input. Variable output voltage to match amps. stunning DAC
the AG never needed a tube amp , its the tube amp that needs the ag ......... still looking at a dismantled audio consulting modified duo in my living room ... mate millions of bits of gear scattered around the house ,millions .... in fact a have just seen a symposium vibartion platform under the scale in the bathroom , handy Alice ,always there to put things in order
ah well then our loss i suppose was just trying to flatter you a bit .but please remember its only a speaker .dont feel all that special .people have mega yachts .airplanes ,grand homes .... you are a bit stuck up .its not like youre shagging giselle bundchen and we want a picture of the act .... man you must be boring .go and make love to your ribbon
ah .i see Florian .i am only trying to get on your nerves...sorry it was mean to be a bit of a joke really the way i see it is that you are in possession of a unique commission ,you have gone a long way to improve this beast ( i too ...... i love apogee) .i am also sure that the process was tedious and the bill was salty let me guess ,f;/.ck off components ,religious soldering ,stringent cables choice .wbts . etc etc
so show us then .feature the system in depth .take measuremens .you could have a mini site with the pics and stuff its not about proving the point or not check the system up ,see what it does ,pics on all corners .it may sound nerdy but after all only a few have been sold if it was a car with the same number of units built ,it would be legendary ,for crying out loud it cost way more than a serious car maybe people can listen one day????? ,have you ever shown your kit to the press ,it could be fun !! it is sort of a really really rare object. only you have one ,everyone in the factory died ,so MEASURE IT if i had a grand spammed up ,i would do all of the above .... in this day and age where things are small and puny ,all multifunction devices ,ribbon speakers that are 2.30 tall several hundreds of kilos dont show up every day
if i was you .i will get out of this little audio debate and start on providing the world with the only webpage demonstrating a true milestone in loudspeaker design . .... ladies and gentleman put your hands togheter for the apogee grand
spl now an apogee has quite a bit of radiation pattern (being a large planar ) we will assume 130db or thereabout at 1 metres
it gets a bit more complicated as apogee claims an 84 db sensitivity as dB = 10 x log (P1 รท P0)
the result is a bit more complicated as you will need roughly 5000 watts if you are sitting at about 7 metres or 22 foot from the speakers and want to achieve 100db peaks at listning position .... and thats for an 8 ohm loudspeaker (hardly a grand spec ) .thats assuming you have a pair of grand with a bit of room gain (ie not anechoic ) and still have about 4 db of headroom gain (shit double the power before clipping )
then i suggest i come armed with an amp capable of such specs and plug it to your apogee and see how they like it
to claim such an absurdity as "can compete with fully blown horn system " is pretty shameful for a seasoned audiophile like you i have seen this claim (no graphs from an audio suite mind you ) on other sites
on the other hand you will need around 15-18 watts on a fully blown horn system (certain goto. onken ,ag trio ) to reach the same results sound reinforcement companies dont use horns on concerts just cos they like the look of them you know !!!! the grand does not go loud and its certainly a pig to drive .i think that what you describe as loud is what i refer to as modest in the spl world
at 130 db .the grand will simply turn into a rice crispies sheet . now there is also the possibility that the spec sheet was total fib 5000 watts plus into an apogee ...... give me a break
but .i seen it with my own eyes ,you said that replacement ribbons and x-over was not needed .chad showed me the conversation . i didnt assume anything ,you made a point that stock was best now ,if you changed things up ,than you are almost there i think in my opinion "gulp!" you can go even further by ditching the speakers all together for something a little more lifelike to me dynamics are the life and soul of the music my preference tend to be around realistic spl levels . listening to a drum kit on an apogee just does not cut it for my taste .... way to polite if in doubt .invite someone with a drum kit or a trumpet in you listening room ,same distance as your speakers ,and give it a bash .i dont think you will be too impressed with anything apogee made in the dynamics dept i seem to remember graz talking about a speaker he makes in the 100 db w/m range .now we talking !!! have you experienced hi eff ribbons ? i dont mean 92 93 db .more like 99 101 db
hi . i sold chad both the duetta and the diva . i am the mate he speaks of re the lyngdorf i was a dealer for apogee in late 80s .did all the line up but the in wall gear no matter what people will tell you .an original apogee ,ie stock everything will never hold a candle to an upgraded apogee with new tech ribbon and reworked crossover ,it is not even close i have personally owned 2 full ranges system , the subs never really worked for me florian if your afr is stock .you cannot even comment on the other hand you might think that chad setting out is crap ..... i listened to it again 2 weeks ago now , you might think iam biased ,but with 17 years behind the counter of a hiend outlet ,an extremly hard to please nature .if you could show me a speaker that cheap that can perform to that level ,than i am ordering a 7.1 set for my cinema
yeah man ,seen the guy .he might have good sound ,but no way he can get any realistic impact . dynamic swings will be very small .and ultimately max spl will suffer badly i think quads are ok for " pensioner playing banjo" only recordings. i am no expert ,but a quad V apogee .i think the contest will be ridiculous .i will not be able to live with a quad ,simply not enough dynamics and restricted spl
and NAD av has to be the most unreliable piece of gear in history .you know that chad ,opened the 4th 775 on the row and its dead ,what a lot of bullshit ,stayed till 10 pm with the client .considering my saisho alarm clock worked flawless from the begining and is still working 14 years on makes you wonder where nad makes its gear the uk sales manager told me that "these are complex machines to program "???? ,done crestron for 8 years ,including fingerprint recognition and timed events on video streaming ,isf calibration etc etc ,what abunch of cowboys anyway .stop denying the truth ,agent mulder ,scally ,rumsfeld and einstein all agree .if you had to be buried in style .it would have to be inside a pair of halcro dm 88 .what you do is remove the top and bottom plate ,get the ps out ,remove th output stages blah blah blah blah