Components Toggle details

    • Revel Ultima2 Salon2
    A full 7.4 setup of Salon2 speakers with JL Audio Fathom F113 subwoofers. All seven surround speakers and subwoofers in gloss Black.
    • SME Model 20/2
    Uh, it's an SME... ;)
    • SME Series IV.Vi
    Included in the 20/2 performance package
    • Lyra Titan I
    Uh, it's a Lyra Titan... ;)
    • Sutherland PhD
    Phono PreAmp
    • Denon AVP-A1HDCI
    You've tried the rest, now try the best... ;)
    • Ayre Acoustics MX-R Monoblocks
    In custom ordered black
    • Denon DVD-5910
    Multichannel Universal Player and DVD-Video Player in black
    • Bryston PowerPac 300 SST (3 of them)
    In black, used for surround channels, and the center channel
    • Sim2 C3X 1080
    1080P 3-chip DarkChip4 DLP projector.
    • JL Audio Fathom F113 (4 of them)
    Four in the recommended setup for deeper frequency extension (Harman Research paper by Todd Welti)
    • Stewart Filmscreen Luxus Model A w/ Studiotek G3 Screen Microperf X2
    128.5" diagonal 16:9 screen. Viewing distance ratio to the screen is ~1.4.
    • Sony Playstation 3
    Blu-Ray player, video game machine, etc
    • Microsoft Xbox360 & HD-DVD add-on
    HD-DVD player and video game machine
    • Jeff Kalman Self Built Gaming Rig
    - Intel Core 2 Quad Q6600 overclocked to 3.2 GHz - Thermalright Ultra-120 Extreme (CPU Cooling) - Patriot Extreme Performance PC2-8500 2GB RAM (2 * 1024 MB) - 2 * BFG Tech OC2 8800GTX in SLI - eVGA nForce 680i SLI (122-CK-NF68-T1) - 2 * Seagate Barracuda 7200.10 500 GB in RAID 1 configuration - Creative SOUND BLASTER X-Fi Fatal1ty - ENERMAX Galaxy 850 Watt - Thermaltake Armor Series Case - Digi002 Rack Unit w/ ProTools
    • RPG Diffusor Systems Inc. Skylines
    High Profile, to break up ceiling reflections
    • RPG Diffusor Systems Inc. Absorbers
    Absorption panels, to break up sidewall reflections, slap echo and other issues
    • RPG Diffusor Systems Inc. BAD ARCs
    Both diffusion and absorption for the sidewall 1st reflection points - i.e. 4 of them)
    • RPG Diffusor Systems Inc. BAD Panels
    Custom sized panels for front left and right ceiling 1st order reflection points.
    • Rives Audio Level 2 Acoustical Room Design
    This is a Rives Audio designed room.
    • Tascam DV-RA1000HD
    For making DVD-A backups of my LPs
    • Salon2 with Lexicon MAX EQ engaged, 1/6th and 1/12th octave measurement
    Lexicon set to Max EQ and Sub 30 PEQ engaged as well. Very nice frequency response... The sound is finally crystal clear!!!
    • W/P8 & Salon2 Overlay 1/6th Octave
    @ 80dB
    • W/P8 & Salon2 Overlay 1/12th Octave
    @ 80dB

Comments 166

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The tri state area sales rep for Sim2 calls on me for James Loudspeakers and other products. Previous to Sim he was the rep for Runco for 8 years. If you like I could ask for his advice? Tom

theaudiotweak

Runco has trouble even providing parts for a 2 year old projector that they had 99% 0 build influence on from the get go. Very much a tweak shop that buys a whole lot of advertising and marketing and a 40 point markup for their dealers. They don't make anything its farmed out. Tom

theaudiotweak

JK you have a great system and room! I should have mentioned that there are other fill materials for stands. These other materials will be more reactive to vibrational energy than sand thou more dollars. Both steel shot and brass {not lead] will drain away more vibrational energy more quickly to ground than sand. For proper termination of the stand they would need to be grounded to the floor with some type of coupling points preferably also made of brass. These methods and materials would couple the speakers acoustic energy into the room more effortlessly and result in more open sound. Tom

theaudiotweak

The use of sand will decouple your speakers from their acoustic environment. Acoustic instruments played naturally in the great outdoors in the nearfield with no boundaries will sound nothing like what is being referred to you by others. There will be no dynamic coherence or scale. Tom

theaudiotweak

Enjoy your natural sounding room. Tom

theaudiotweak

Jk I think of room acoustics as if they were areodynamic devices and how to improve the flow. Smooth the flow from the source not having to fix the flow down the trailing end. Redirect the energy at hand hoping not to kill the dynamics..All the while focusing the dynamics at the listener who more than likely paid for the hopefull outcome. Tom

theaudiotweak

Jk I found the digital eq of my room to be an overall negative investment. Its gone. Yea the bass went deeper and I was able to reduce a void that I had, but the bass had no musicality to it at all. One note at a time one after another, really dry, no harmonic flow.

Flow thats what I feel the angles improve. They improved the overall loading thru out the room. The prime spot for listening became broader and more defined. Bass loading improved at other positions as well. I found that loading the upper corners behind the speakers and redirecting that information towards the main listening position increased the midbass weight and impact{measured] and enhanced the stage stability. If I could eliminate all the 90 degree angles at the wall ceiling junction I would. Tom

theaudiotweak

Adding the 3 other soffit areas made the room symetrical..thats great to balance the pressure. What I found in my room that is 21w/27L/9 is that the soffit overhead that is symetrical in the room caused a dip in response of 5db between 50 and 80 hz at my listening postion. This was measured with an Audiocontrol RTA at the ceiling the chair and near the floor. When I put an angle of 32degrees across the full face of the sofitt most of the bass came back plus the image and focus improved as well. Since then I have incorporated similar angles in the room. One large enclosure is around my drop down theater screen. Looks like a spaceship there on the ceiling I think it looks pretty cool. Main thing though is that it too improves the punch and again stage and focus. I happy for you that your room and your system all came together. Tom

theaudiotweak

Jk did Rives advise you on the actual construction of the room from the outset? Did they offer any geometric advice from the start concerning sonic issues generated by 90 degree angles mostly those at the soffits? Tom

theaudiotweak