In my small dedicated listening room with vault ceilings this is the best system so far. The Sonus Faber Guarneri Homage's are some of the last pairs to be brought into the US. Jeff Rowland modded Model 8T with choke and the CAT SL1 REN BPX with rolled in tubes supply the power chores and a Linn LP12 with Radikal D and Karousel/Kore-Majik is the front end.
Jadis JA30Mk2 with KT150's. Replaced the ARC D70Mk2...which says a lot for the Jadis!
Esoteric DV60 and Esoteric D05 DAC, Audioquest Carbon coax.
. Using Nordost Red Dawn v.11 between Jeff Rowland and SF's. Black Cat Graceline cables for digital and ss amp. Two REL T5i’s running high level off Jadis mono blocks.
belt, 33, no arm, mtr drive upgraded to Radikal D. Karousel/Kore/Magik sub chassis, Trampolin 2
well tempered wta
wta classic updated with VDH cabling running all through and dual weighting system
Lyra Kleos
Loaded at 750 ohms.
Sonus Faber Guarneri Homage
New in '06. These are absolute works of art with sound to match. In my small room they are magnificent
Convergent Audio SL-1 Renaissance BPX
Telefunken and Valvo tubes in the phono section
Jadis JA30mk2
Mono blocks running KT 150’s. Latest edition.
Jeff Rowland Model 8 T
250w x 2 upgraded top plate, original choke power supply, far superior to later dual mono unit. Jeff just upgraded the amp with new Transimpedance modules and a grounding support. Sounds a lot more resolving now!
ps audio micro lab
Micro lab used on DAC only
Harmonix footers
under Transport and DAC
Sound Anchor rack stand rack stand
Three leg Sound ANchor rack stand with turntable support
IVAC CUSTOM 1
All gold power cable for transport.Custom made by IVAC with custom made hospital connectors
Grand Prix Audio Monaco amp stand
Grand Prix monaco amp stand under the Jeff Rowland model 8T.
Cable elevators Plus
Ceramic lifters to move cables off floor
Nordost Red Dawn v11
Bi-wire cable used from ARC to SF's. Very fast and detailed. Great for tubes
Nordost Tyr
Nordost TYr...ultra resolving and fast
Nordost Tyr
Phono cable
Nordost Frey
Bi-wire
Real Traps Mondo Traps
Used behind speakers. Highly recommended bass trapping. Increases micro detail and bottom end transparency
Shakti Innovations Shakti Hallograph
Grand Prix Audio Monaco
Two(2) Monaco amp stands. One for the Jadis JA30Mk2's with Apex and one for the JR Model 8T custom amp
Shakti Innovations Hallograph
Grand Prix Audio Monaco Amp stand
Two(2) one for the ARC D70Mk2 and one with Apex footers for the JR Model 8T custom
REL Acoustics T5i
Subwoofer. Two for stereo.
REL Acoustics T5i
Second REL added to system with Signal cable REL Speakon link.
Audio Art cable SE-1
With Furutech FR-1 connectors. Dual runs for Jadis mono blocks!
Hansf, I haven't used the Hales System 11 Sig for several years. However, I do not believe that when Paul changed to the round tweeter that he also changed the x-overs.Therefore, the x-over value remained the same throughout the production; sorry cannot supply you with the serial #'s of the newer tweets.
Igor, Wow, if you liked the Counterpoint you have not heard anything till you try the CAT. I used to own the Counterpoint SA 3000 and replaced it with CAT. The CAT is in a totally different league and that's an understatement. Like removing a massive veil on the music. I will try the CAT amps and the Atmasphere's. Now very curious to hear a tube amp with the G's. The Rowland Model 8 is no slouch so this should be very interesting. Do you use the Valhallas on your rig? Dave
Igor, Have you tried any other tube amps besides the Atmasphere's? Any ss. amps? I am also very interested in hearing the CAT amps and the Joule amps on the G's. From what I have been told the ultimate tube amps for the G's are the CAT's. I own a CAT preamp and it is one of the best pre-amps I have ever heard. Head and shoulders above most if not all the competition IMHO.
Igor, Several people have suggested the MA-60's or the MA-1's. I will try and do a demo with these amps if possible. The Rowland with choke is the best ss. amp I have heard. But,I am sure that a great tube amp would be magical on the G's. Curious what amp you use to drive your G's?
Chipman, once you have heard the M's, I suspect that you like I will be glad you own the Hommage's. Joey, I also listened to the Cremona's. IMHO they are not really in the same league as the G's. The Cremonas do have more bass and can probably play louder ( although this is not something I really tested) However, compared to the G's in my room they were no contest in any other area you care to mention.
Palasr, the knobs on top of the plinth are called Sound Cat's that are unfortunately no longer available. Basically they are a rubber based dampener with a inner concentric ring made of brass that lift the cover about 1 1/2". They were sold to owners like myself that mounted WTA arms, since these arms are too tall to allow the cover to sit on the table with that arm installed. The Sound Cat's can be removed from the plinth when the cover is not being used.
Joey, That is a good question,the new Memento's have the ring radiator. Sourced from Scanspeak I believe. IMHO, the Dynaudio Esotar in the Guarneri Hommage ( which are my version) sounds smoother and is more extended than the radiator in the Memento.( Having heard both) Also, the Hommage uses the Audio Technologie mid/bass driver( which I also feel is a superior mid/bass driver to the Memento's ( a 150mm doped paper unit I suspect sourced from Dynaudio) and has the ability to be bi-wired which the Memento does not. ( This is again IMHO a major drawback, since I am a very strong believer in bi-wiring).Lastly, the Memento's cabinet are made solely from Maple and again appear inferior to the Hommage's. The Memento's are also far more expensive. I still would have considered them if I thought they were actually superior, however, like many things in audio, the latest sometimes can be a marketing gimmick and actually I believe they are inferior.
John, I have a very small dedicated room for the system... appx 10X11 with a vault ceiling that extends to 15'. I doubt any speaker could reproduce bass in this room. The Hales I had previously were very good for their time, but the Guarneri's are in a different league. I have heard many speakers in the last 25 years since I started in this hobby and the G's are my current reference. Incredible ability to portray lifelike imaging ( given room size of course) great depth and tremendous high freq air. I play small ensemble, solo string instruments and blues. I also like voice and intimate recordings with great warmth. Nothing I have ever heard is better than the G's in this regard. When I move to a larger room ( If I do) then I might use a sub. It will be a major issue to get one that will work with the G's though.
System edited: New Sonus Faber Guarneri Homage. They are the best speaker I have ever heard and I have been an audiophile for over 25 years! With the Rowland and the CAT, the Guarneri's come to life!
System edited: Will add pics of the Guarneri's soon. They are IMHO some of the most beautiful sounding and looking speakers I have ever heard. I bought these brand new and they are still breaking in. With the Rowland amp and CAT pre-amp they are magnificent.
Dgad, My X-over is stock, however, Paul changed the x-over connectors and the tweets towards the end of the run of the Sig 2's. Mine are a very late pair with all the later changes. The tweets are still MB Quart but are round and are apparently slightly more efficient than the previous version. The connectors on the speakers and the x-overs were also changed to copper Cardas models. The foam that was originally on the ealier units was also built into the grilles.
Thanks guys, The Hales displaced a pair of very modded Acoustat 3's. Like all speakers though, as soon as the manufacturer went out of business, the speakers plummeted in value. So, like Jsujo says, I feel that in the used market today they are simply a steal. Oddly, while I once in the while get the upgrade itch, I have not really heard any speakers that are that much better that I have to have them. Although the Kharma's came pretty close.