Description

I have been working on this system for many years now. I listen to a lot of orchestral and jazz. I do have a fair bit of rock, pop, etc. in my collection too (it's about 1/3 each classical, jazz, and rock) but what I listen to most often is large scale orchestral music. Mahler, Beethoven, etc. And the Trinity/Torus combination does it for me on that kind of music like no other speaker setup I have heard. They throw a big, generous soundstage that's deep, wide, and tall. They have wonderful dynamics, a seductive midrange, and a warm but tight bottom end. And even in my room with hardwood floors, and high ceilings, they never sound "loud" even when I crank. They always sound sweet. So I can listen for hours on end without any fatigue.

Some people may be surprised to see that the setup can be driven by only 16 watts of SET power. But take it from me, this combo works marvelously. The Trinity's have a very flat impedance and a very simple crossover (effectively no crossover on the midrange, just a cap on the tweeter and supertweeter). Consequently I can play as loud as I would ever want with only 16 watts.

I live in Chicago which is one of the main reasons I bought the MD-108. We are fortunate enough to have WFMT here and I listen to the radio quite a bit. They don't compress at all and are about as audiophile friendly as a radio station can get. We enjoy a lot of live broadcasts on WFMT as well, which is a real treat. The MD-108 is an amazing tuner. I never thought I could enjoy radio this much!

I started collecting master dub R2R tapes a few years ago and probably have 200 - 300 now. So as I've acquired more, I have spent more time tweaking away at my R2R rig. The Manley tube preamps are the latest improvement and they really sound amazing. The ability to adjust the EQ to the various curves found on different tapes is a big plus.

I listen mostly to LP's, tapes, and increasing high resolution digital through the Mac Mini / Weiss Minerva setup. It's not as good as vinyl, but the gap is much smaller than with CD.

The Rix Rax Hoodo is a perfect stand for the TNT, and when it's filled you could probably have a heard of elephants run through the room without skipping a beat on the turntable. It's a rock solid stand that provides great isolation and it's drop dead gorgeous to boot.

The last piece of the puzzle was the wall unit I had built-in to hold my R2R tapes, LP's and CD's (they're in the drawers underneath the ledge) which has made life a lot easier. Except, of course, that I've filled the whole thing up. Time to either stop buying music (unlikely) or find more space to store LP's!

Needless to say, I am not spending much time thinking about gear these days. Most of my time is devoted to learning about new artists, looking for vinyl and R2R tapes, etc. That and trying to create a database of my music. But it's a nice feeling to be off the audiophile merry-go-round. I love tinkering as much as the next guy, but I really wanted to settle down and find a system I could be happy with long term. Having that been said I welcome any suggestions from fellow audiophiles and Audiogoners. I won't pretend this system is anybody else's cup of tea, but it brings me, and many of my friends, a lot of joy. And in my book that's what counts.

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Components Toggle details

    • Wilson Benesch Trinity
    • VPI Industries TNT-4
    VPI TNT-4 - includes flywheel and SDS, removed pully system, updated to latest bearing and platter system with outer ring clamp
    • VPI Industries JMW-12
    JMW-12 arm. Original, not the 12.5.
    • Dynavector DRT XV-1S
    • Rix Rax Hoodoo
    Custom rack by Rix Rax - welded steel frame with wood shelving. Fillable frame. These shelves were a special design by furniture maker Tom McKenzie and feature curly maple with walnut trim. Unique feathering and inlay work on each shelf. Originally designed by Rick Cox and Tom McKenzie for CES as a showpiece.
    • Rix Rax Parthenon Amp Stand
    Amp stands that match the Hoodoo. One per monoblock.
    • Magnum Dynalab MD-108
    Tube hybrid tuner from Magnum Dynalab.
    • Studer A810
    Two track, three speed R2R deck with digital tape counter, autolocate, memory, etc.
    • Chang Lightspeed CLS-9600 ISO
    Passive AC filter.
    • Chang Lightspeed CLS-9900 AMP
    Passive AC filter designed for high current amplifiers.
    • Manley Laboratories All Tube Tape Head Preamplifiers
    Mono tape head preamplifiers - one per channel. Full EQ adjustment with vernier knobs, phase switch, and variable output stage. Power supply is housed in one chassis but is actually two separate power supplies, two separate AC cords, each with switchable polarity. This is run directly off the heads of the Studer A810 (i.e. the headstack bypasses all the onboard squalid state inside the Studer and goes right to the Manley for playback)
    • Nordost BlueHeaven
    All Nordost BlueHeaven wire throughout (except for phono interconnects which are QuattroFill)
    • Wilson Benesch Torus
    Infrasonic generator (subwoofer)
    • Dynavector PHA-200
    Phono head amp
    • McIntosh C2300
    Tube preamp
    • Weiss Engineering Minerva
    Firewire DAC
    • Apple Mac Mini
    Music server - plugged in to Weiss Medea
    • Border Patrol S-20
    Parallel SET 300B tube amp
    • Western Electric 300B
    Western Electric 300B tubes (x4) in the Border Patrol amp
    • Panasonic AE-2000u
    Projector
    • Audionet AMP II
    Solid state monoblocks, 200 wpc, used primarily for projector playback

Comments 5

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Perhaps one of the best put together, beautiful systems that I have seen on this site. I see that you have two open reel tape decks that you dub one upon the other. I am curious on your source material. I have only one R2R and it is one of my most used components. I listen to factory pre-recorded tapes at 3.75 and 7.5 IPS. Do you dub these factory made tapes from deck to deck ? I read somewhere that when you do this you lose 3 dB of dynamic range. How is the sound of these dubed tapes compare to the original ?
Also I was thinking upon purchasing an Alesis MD 9600 to copy R2R tapes along with vinyl. How is the sound quality of redbook CDs' Again I am envious of your system. Enjoy it.

surfgod