For the enjoyment of music. Lot's of changes over the years. I typically won't buy something unless I can listen to it in my system. Spending a lot of time recently searching out well recorded and interesting music via hi res downloads. I have a really nice vinyl collection mostly Jazz and pop. Digital I'm filling out my classical titles and more modern recordings. Jan '16
A seriously great preamp...one of the best...if you're reading this...contact me...this is that good..
DCS Vivaldi DAC, Transport, Clock & Upsampler
dCS Vivaldi DAC, Trans and Clock
Transparent Opus Gen 5 & Magnum Opus
replaced mm2 version
Transparent Audio Opus Power and Opus Power Source Gen 5
Transparent Opus Gen 5 Speaker Cable
Speaker cable
Grand Prix Silverstone F1
stand
Spiral Groove Centroid
Uni Pivot arm
Grand Prix Audio Monaco
Direct Drive Turntable s/n 40
Nagra Classic Amp
Stereo amp
Nagra VPS/MPS and VFS
Just added the Nagra MPS power supply. Really more sublime now...the Nagra VPS/VFS combo was already great, however the MPS lowers the noise...sound stage opens up and transparency increases
Grand Prix Audio Apex - Threaded footer
very finely threaded very of Apex for minute level adjustments
Keith Monks Ruby
Killer record cleaner. I've always wanted a Monks.
Shunyata Hydra Triton v2/Typhon/DPC-6 v2
Sigma HC feeding Triton & Anaconda Zitron Feeding Typhon. All front end (dCS, Nagra, and TT motor controller...
Transparent Audio Reference XL Digital
Clock cables for dCS (2) bnc to bnc and Dual AES trans to dac
Musicmann1, I wrote a lengthy response only to loose it to the electrons. What I have is a prototype dac. Soon there will be a better version which will include two computers with one only doing audio. Based on what I've heard I'm buying one. Is it better than the Dcs gear? I don't know.
Jfrech, I know your ambivalence. I now have a pro server that plays everything in double DSD including some limited recordings done in double DSD and many SACDs converted to DSD and then played in double DSD. Most of the 1.5 terabytes of recordings are cds also converted from PCM to DSD. The key benefit is moving the digital filtering up well beyond audibility with the effect of greatly improving detail and sense of the soundstage. One can hear the decay of notes.
My consternation is that using the server is so easy and using my Nantais Lenco Reference tt with the Ikeda 407 arm and 9TT cartridge to play vinyl is so labor intensive that I often don't listen to vinyl often.
I too find vinyl fulfilling and enjoyable, but digital is much closer to master tapes. I used to do master tapes but they are even more of a pain.
Jfrech, I'm sorry you were unable to come over on Saturday.
I thought I was buying a used Koda K 10, but wondered when it took so long to break in. I think that it is now ready to go. I have noticed two things about it that might be of interest to you. One is that Robert says there is no reason to leave it on all the time, but I would say that it is beneficial to turn it off every night. On turn on, it is better each morning. It takes very little time to be back at its best.
Second it is very sensitive to how it is isolated. Until yesterday I had it on a StillPoints rack with their Grids and Ultra SSs. Then I put it on their rack but with an Accapella base on the Grids and a Star Sound Apprentice platform between the base and the Koda. Both the high and low ends were greatly improved by doing so. The decay of notes is now quite real.
Jfrech, this Saturday Ddraudt, David is driving over from Austin to hear my full HFC system and my Koda. I'm is College Station. You are welcome to come along. You can get to me at 979 plus 820 and 1314.
I know the K 15 has 9 db more gain and at least 40 volume positions versus the 22 on the K 10.
I suspect you are right, Jfrech, that Robert is unwilling to do more than to cut gain.
I'm doing a very thorough test between my Exemplar XP-2 fully balanced tube line stage and the Koda K 10. The Exemplar just blossumed with two of the HFC URR pcs on it. The Koda was benefitted also but its turn is Monday.
Jfrech, presently I'm using the BMC Arcadia speaker, a LSA Statement Plus amp, the Koda line stage, the Exemplar XP-2 balanced line stage,all HFC Ultra Reference cables and speaker wires, four HFC Ultimate Reference Rhodium pcs and their Magnetic Waveguide power filter, the BMC MCCI phono stage, the Nantais Lenco with the Ikeda 407 long tone arm and their 9TT cartridge, Star Sound Apprentic platforms, two StillPoints ESS Racks, the BMC PureDac, and the Exemplar eXpo T 105 (Oppo 105 moded) universal player. I also have a pro music server from Empirical Audio Legacy. And I have a set of Zilplex room treatments.
While I prefer the PureDac for digital output, it does not have the gain of the Exemplar. This causes me to use the third highest setting on the Koda. Every digital recording does cause me to vary from the third highest to three settings below that. Life is a lot easier with the Exemplar XP-2 which has 32 db of gain versus the seven or eight on the Koda. The Koda K 15 has 9 db more gain but is beyond my reach, especially after buying all the HFC cabling.
I also have BMC M2 monoblocks but one has been broken since early February. Hopefully I will get it back from repair some time in May.
Jfrech, there is another Koda K 10 in Texas. I've had one for nearly a month. I dearly wish it had more volume positions, a bit more gain, and of course a remote, but it sure is a real sound. I've never heard anything like it. You should get Rick Schultz to bring over some of his cables and pcs to hear on the K 10. He's in Plano.