Speakers are Focal Grande Utopia EM in black finish
Analog music sources,
Technics SP10 MK3 with two Kuzma 4 Point 14" arms. Koetsu Blue Lace on one and Air Tight Opus One in the other. Studer A820 half track tape machine with three sets of cards, each rebuilt by Studer electronics experts so I can compare upgrade performance.
Digital
music source is Aurender W20 Special Edition into Soulution 760 LEEDH. THe best input for music so far is Purist new USB cable and AES/EBU close second place.
Soulution 725 preamp, Soulution 755 phono stage Soulution 760 LEEDH and Soulution 701 mono block amps for electronics. See image posted Nov 18, 2022 to see how it looks.
Cable is 100% top tier Purist Audio design. All latest 35th Anniversary, all ten AC cords are the new Purist 35th Anniversary AC.
My space is 18 X 31 and
acoustically treated with RPG panels, tube traps and fiberglass acoustic treatment
over triple reinforced walls and ceiling. The floor is lamination beams
over steel plates to concrete pier and beam. Two sheets of 5/8 epoxy
lamination sheets make up the floor with two inches of
concrete topped with India multi color slate.
Whisper Wall
rail system and fine textured acoustic cloth covers the work, making everything appear as a normal room of
painted sheet rock or decorative cloth covering.
The room acoustics were conceived by RBDG
and the entire space was torn out to bare dirt under the foundation and
bare studs in the walls. The combo of all new electrical and acoustical treatment resulting in best sound I’ve ever had.
The best offering from Focal, shown with Stillpoints Ultra 5. Ultra 5 was an amazing upgrade for the speakers !
RPG Acoustics QRD 734 (variation)
On front wall, now obscured by acoustically transparent cloth, is floor to ceiling RPG (similar to QRD® 734) in foam, so it's partially absorptive.
Studer Studer A820
Found a near mint A820 at a production studio in Illinois. I was so excited about it's condition I had it driven here in the back of an SUV, covered with moving blankets.
Head block sent to John French and all cards at Soren Wittrup who worked for Studer. This is the machine I spent more than a decade searching for.
Technics SP10 MK3 Rosewood with Stillpoints Ultra 5
Technics SP10 MK3 Panzerholz with African Ebony lumber (no Veneer). This is the original design by John Semrad and myself, copied to death now.
TTM Stainless Mat and Oil Damp Weight
Japan, TTM Stainless mat (6.61 pounds) plus TTM oil filled record weight.
TTM record stabilizer TTM three piece set
Very hard to find, grateful I was able to purchase this last week. Three piece TTM record stabilizer replaces my previous single piece unit.
Air Tight Opus
Air Tight top of the line phono cartridge
Mutech Hayabusa
Excellent MC cartridge, retail about $4500.00
Koetsu Blue Lace Platinum
Top tier stone body Koetsu, perfect alternate to Air Tight Opus One
Soulution 725 preamp
725, Soulution best preamp, shown in system
Soulution 755 phono
Soulution best phono stage, unbelievable amount of adjustment for cartridge including channel balance to 1 DB
Soulution Soulution 760 LEEDH
Soulution top tier DAC, really pleased with performance of this DAC.
I still prefer analog but many recordings that were digital to begin with (and vinyl cut from CD master) are better on Soulution than on turntable.
Soulution 701 Mono Block Amplifiers
Soulution top tier 2KW solid state amps from Switzerland
ORB-DF03 USA version DF03
Excellent LP flattener, simple to use and so far perfect result
Aurender W20 Special Edition
Aurender music server, model W20 SE with 16TB solid state storage on board.
Vibraplane 2212-01
Under my Technics MK3, powered by Silentaire DR-150
Degritter MK2 Ultrasonic LP cleaning machine
From Estonia, very powerful ultrasonic LP cleaning machine. The MK2 version is better than the original which was already the best I’ve heard
Degritter and ORB LP flattner Degritter and ORB LP flattner
View of two important pieces to maintain LP collection
Milbank Transocket three phase 750 amp
750 amp meter base. Pass through design, three phase power is a huge benefit in conjunction with our dedicated transformer.
Porter Port Cryo outlets 20 Amp
14 of these in my system, each to a dedicated breaker in copper based electrical box
Furutech NCF Booster
New NCF Booster added to majority of AC cords in system. Easy to see against light colored wall, arrow points to NCF Booster to my (previous) owned Allnic M-5000 amp.
Purist Audio Design Focal EM Supply cable
New four conductor cord, replaces stock Focal supply cord from EM drive box to back of speaker. Amazing upgrade
(1) Soulution 725 preamp to Soulution 701 mono blocks
(1) Soulution 760 LEEDH DAC to Soulution 725 preamp
(1) Studer A820 to Soulution 725 preamp
Purist Audio Design 35th Anniversary Bi-Wire
1.5 meter Bi-Wire, Soulution 701 mono blocks to Focal Grande EM
Purist Audio Design 35th Anniversary AC Cables
New STUNNING cable from Purist Audio, silver and seven stage network box. This cable brought so much dynamics, resolution and transparency to my system it qualifies as a main component.
Leica Disto D2
Super laser measuring tool. Indispensable for setting distance and alignment of your speakers
Maybe Barb and I can come too. Is this the real deal Nate with Tom? I'll check with my wife to see if we can pull it off and hopefully coordinate with you guys.
Even though I'm a little behind the curve with Albert's system because I haven't had the benefit of listening with the tube crossovers my impressions are exactly as described by Mobileholmes. One needs to experience it.
Albert, I hope that once you get Louis' system dialed in you take the time to photograph it so it can be shared by all here. That room is one jaw dropping piece of art in itself. It's simply amazing.
Albert, I know it's unfair to ask you to do so but when you mount your new cartridge would you be kind enough to post initial thoughts on it out of the box? I'm very curious. Cartridge break in takes a fairly long time but I'm familiar with what to expect later on if you just give me a hint as to its performance when new. I think I can wrap my mind around it having heard your system myself previously although my audio memory doesn't enjoy the benefit of hearing your new tube crossovers.
I'd like to share a thought here but don't expect any type of response from you. While you and I have invested differently in our systems we strive for similar goals. Both of us seem to just like music and view our systems with pride but see them as the tools they truly are, a means to an end. We both have been avid record collectors from the sixties with you doing it a little longer due to the seven year age difference. Between the two of us we have nearly 80 years of fairly intense analog experience and have shared our findings generously. Myself with new initiates and somewhat unseasoned enthusiasts. You, with your vast knowledge have given help to everyone. I'm going to ramble a bit in this un-paragraph, so I ask the reader to just bare with me. I've heard Alberts system and it is sometimes impossible to tell if the stylus is in the groove. Honestly, that is the bulk of the time. With or without the benefit of audiophile pressings. The dynamic range *seems* to surpass digital and certainly simply destroys digital in detail, realism and soundstage. My much more humble front end with its pivot arm enjoys most of the advantages of yours but on a smaller scale. Records are so silent in the groove that seasoned digifiles are amazed and a few have stepped up to owning turntables themselves as result. Both of us are hands on guys. I'm more mechanical I think while you are more electronic but we both think a lot alike. I'm pretty sure if we compared notes of how many record cleaning products we have tried in our lifetimes and the different methods we have employed along the way we would have shared most of the same experiences. Okay, I'm getting to the point here and I think this is the perfect place to post it. There's no question in my mind at all that there are distractors to analog constantly lurking in these forums that enjoy a sick attempt at popping the bubbles of budding/seasoned vinyl lovers in regard to surface noise. It's scary but they seem to actually believe what it is they write although the most grievous of offenders admits to never having cleaned a record. Funny but when I read his posts he invested a ton of money in electronics to remove noise but never invested in a cleaning machine. Admits to not hearing anything that approaches SOTA analog. His list of turntables/tonearms and cartridges he's owned are of the kind that always seemed to enhance the negatives. All of this is a shame. My take on the audiophile community represented here is that most are professional people, buy their gear and follow the directions. Cleaning vinyl is one of the best places to make your own directions for greatest benefit and the beauty is the hard work has been done for you. Let me state up front that to become a professional takes so much time that also becoming a mechanical/electrical wizard seems impossible. I have great respect for doctors, lawyers and other highly educated folks. The only point I'm trying to make here is that those struggling with surface noise need to listen to seasoned pros like yourself and ignore the naysayers. Your thread is so popular approaching 400 posts it seems appropriate to assume you have around 10,000 hits. I'm trying to insert some hard earned help to the 9,600 folks that read this thread rather than get into the tired old fights with the naysayers. Forgive me if this post is over the top and maybe similar comments have been made elsewhere before. My intentions are good in that I'd just like to see folks enjoy analog if they are moved to try it. It need not break the bank.
I'm thrilled! Have the dynamics you previously experienced with your tape machine been equaled by the Walker now? If so, then the tapes should really be incredible. This is exciting stuff. Congrats.
Okay guys, here's the deal. Vetterone and I just returned from Dallas last night. What a hoot! I don't think I can adequately convey in words how much fun we had with Albert. You simply could not ask for a better host. From the get go it felt like we were all old friends. To my great surprise Albert had two other Audiogon members, Nrchy and Cello, come as well. Great systems, good food, old cognac, several record stores, introduction to wonderful, "new to me" music and male bonding of the best kind was the outcome of this trip.
While this thread does a very accurate job of explaining the extent Albert has gone to in regard to system set up and tweaking I wasn't prepared for taking it all in at once. Sure, I could mentally process all of this information but within minutes it became clear to me that each of the tweaks he's done were not subtle. We're talking about pushing the envelope of product development like an audiophile equipment manufacturer would do but within the confines of a consumers home. As much as I tried to prepare myself for what I knew would be a black background, my preparations fell short. With the huge number of tubes in use I figured there would be some artifact of circuit noise but there wasn't. It was uncanny how the music just emerged from space.
A few things that are really important to me were evident. First, the comfort level of the room could be felt when we first stepped into the house. This is a room that makes you feel at home; an extension of Albert's personality. The software quality and abundance is as good as it gets, period. Most importantly it IS about the music. The system is simply a vehicle for enjoying what it's all about. Also, no matter the quality of the software thrown at this system it delivers an enjoyable presentation. This may be the biggest virtue I experienced.
I've had the pleasure to know other folks like Albert involved in different passions apart from audio. If one wants to accelerate to 300 mph in 1320 feet then by necessity you must build a car that will do so. If you desire to catch the grandmother of all trout you not only need to match the hatch but be able to cast into a place few can hit with pinpoint accuracy. Albert is the Tiger Woods of audio. John Force and Tiger Woods might be great with what they do but Albert devoted four days of his life to his guests and did it with passion. Thanks for being my friend Albert. These are memories I'll cherish.
My Kenner pocket DNA test kit wasn't put to use on the stains Nate was worried about. I dunno how this was cleared up between the two of them and I didn't want to ask.
Thanks to everyone that came too as well as the local Dallas guys that invited us into their homes. Louis and Dennis were wonderful hosts that put the icing on the cake.
I'm looking forward to going there more than I can convey with words. I've been burning both ends of the candle all month and really feel it. I may have to keep a blowtorch in my back pocket to prevent a flame out at Alberts but it's what I want to do. According to my hero IT IS better to burn out than to fade away.
I'll be bringing my Kenner pocket DNA test kit along to check out those stains you're accused of leaving behind. This might result with you getting a return invite to the Magical Kingdom of Analog for a spell.
Albert, I read your cryptic email at about 2:30 am through an audio-evening, analog-induced, red eye haze. It took me about five minutes to get it. This gave a small taste of the killer sense of humor you're notorious for. Can't wait to see you in person!
Eat your hearts out guys! Albert has been kind enough to entertain Steve Dobbins (Vetterone) and myself for a couple of days. This should happen sometime in June. Man, I can't wait. If I wore panties and had the right equipment, they would be wet.
Albert, I love the new images. Very comfortable environment indeed and especially considering the size of scope of your equipment it blends in very well with the decore. An incredible amount of thought went into everything. It makes me tired just thinking about it.
We're really looking forward to our visit and thank you in advance for such a treat.
I've intentionally not followed this thread for awhile knowing that I would experience several emotions at once and not being prepared to go through that for personal reasons. Albert, it's absolutely thrilling to see and read about the changes you've made. Audiophiles are an interesting lot ranging from gear heads to music lovers. The regular posters to THIS thread are some of my very favorite people at Audiogon. Albert, you exhibit more of the finest attributes involved in this hobby than any other poster I'm aware of. I'm so very happy for you kicking it up a notch but I'm also sure it is about about the music!
I really, really wanted to go to CES this year, more to meet the many online friends I've made than to enjoy the gear. Newer, better gear can make ones system sing but friends make your heart sing which is sweeter than any music I can think of. Look for me next year but watch out. I'll be easy to spot. Too much enthusiasm and not nearly enough knowledge.
Tom, can you arrange a side trip through Boise on your way back from the show? I promise a place for Magnum to chew on my camera gear. But, I'd really enjoy it if he chewed on my two cats. Is your arm twistable?
This thread is technically way over my head but I'm sure my ears are perfectly capable. Congrats Albert. You're still the man!
If I ever needed to go under the scapel again I'd prefer you do the job. Speaking of doctors, my oncologist, who I had a 16 year relationship with died a couple of years ago. He was the single finest human being I've ever known. The world is a lesser place without him but reading your post renews my hope. Bless you for your attitude. And, yeah, Albert is one quality guy.
What I really like about you (and it comes through in your posts) is that you are a real music lover. I said everything meaningful about your system in my first post to this thread.