Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3397

Showing all comments by islandear.

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Mike, thanks for the info re Oyaide. I have wondered how much better they might be, considering how enthusiastic some folks have been about FIM and Furutech outlets - not to mention the Oyaides. Still another facet of the chain to consider - and I thought the PS Audio outlets were a step up...will this never end?

islandear

Chico, Mike's response is, essentially, true. But, as we all know, theory and practicability don't always jive, so the only real solution is to experiment with as many devices as you can afford to assemble. However, having said that, keeping the chain as simple as possible generally provides the greatest efficacy. I've been back east for a week and yesterday I had the opportunity to hear Pete Bizlewicz' latest iteration of his Roller Blocks. This prototype, all of which has been awarded a patent - including the metal amalgamation - is more than a step up from his previous RBs. While this iteration is still a ball in cup design, it employs a puck design with very strong neodymium magnets that not only center the ball (a series 2 ball - very dense, verrry expensive) but aids in the drain of energy from the mounted component.

We replaced Roller Blocks with the new prototype under Peter's Wavac 833s, as well as his Defy 7, and the response was truly ear opening. No hype here. We had a NY dealer as well as the sales manager for a well-known international wire mfr in the room and everyone was able to identify the same effects: Wider dispersion, greater articulation, sweeter midrange and exceptional LF/HF reproduction. These babies won't be inexpensive - probably about...well, I won't go there, let's just say they're cheaper than Halcyonics...LOL

islandear

Michael, yes, I'm still very interested in coming to visit. Right now I'm in NYC and will only be home for a day or two before heading back out, but I'll definitely contact you after April. In the meantime I'm looking forward to your inclusion of the VR-11s into your system!

Just continues to impress me (and, yeah, that green tinge around my edges is envy...LOL)

Blaine

islandear

I would agree that the Halcyonics platforms - per their documentation - as active devices made for scientific instruments sensitive to low frequency vibration, are expressly designed to compensate for low frequency vibration, and I would consider it doubtful that higher frequency damping is included in the engineering specification for these devices. If that is the case, I expect components would benefit from additional HF vibration damping as you suggest as, for example, Michael Fremer discovered was true with a Symposium platform on top of the low-frequency isolating Vibraplane. The optimum combination here would also most likely be to combine a true damping platform which can damp both the top plate of the Halcyonics devices as well as the component itself, and what comes to my mind as an excellent choice here would be a Symposium Ultra Platform or even a Svelte Shelf, since they are rigid (essentially "DC" coupled) and because of a symmetrical energy absorbing design, are able to damp both the support surface and the component at the same time (thereby effectively isolating the two without creating or incurring resonances).

islandear

In response to Loxodrome: my lifelong friend (50 years) is an architect - one of Frank Geary's boys out of USC - whose personal audio system is fairly simple: a Dual tt, Plinius integrated and 30 year old AR speakers. He keeps this system in his office space and there is only one seat in the room. He doesn't invite people into that space. It's where he looks for inspiration, or escape. He does love sharing music, however, always finding time to sit down at his well-worn baby grand to play show tunes or Beatles songs for anyone willing to listen. (If I hear Obla-di-obla-da one more time...)

There is no 'right' way to build a system, nor is there any 'right' way to enjoy it. Moreover, I find that many of my guests don't particularly care for the music that I love; so having the opportunity to sit alone and lose myself in Rahsaan Roland Kirk or Katie Webster or Irakere is the ticket.

I do, however, have a sofa, so anyone who loves music and has an open mind are welcome to join me.

Mike has more than one chair in his space so obviously he enjoys sharing his music with other very lucky folks.

islandear

Mike, elk and bears are good, moose are even better! Let me know when Rocky and Bullwinkle show up.

You know, I've been following the development of your room/system for some time, and while you've written enthusiastic reports of the changes that have been made I don't believe you've ever sounded so happy or satisfied. I have never heard the Edge battery-powered pre, have you? Just wondering if AC is a beast to be removed rather than tamed.

islandear

Mike, this is exactly why I'm hesitant to hear your system. Talk about seductive...[insert grin here]

islandear

Nrchy, it's amazing what a bit of space can do for one's perspective. After 10 years on island I realize that the entire world is mad...whoa, now I'm starting to sound like the Peter Finch character in 'Network'.

Arkprof, I empathize with you. Nearly twenty years ago I put in a stint as an administrator in the largest public university system in the US. Talk about layers of bureaucracy! At the end of the day (long days as I recall) I inevitably needed my music and some other salve to purge all the toxins. Despite moving 1500 miles north and relocating in a garden spot I still need my music and accompanying salve...I just enjoy them more!

islandear

Arkprof comments are interesting. I assume we all aspire to find our spot in the world - what Castaneda called 'enabling' places - and that once we find these spots we are loathe to leave them. Mike clearly illustrates his need to retire from the daily grind and I am in sync with him. I'm a city boy from LA/SoCal and I have always aspired to escape the noise and claustrophobic rush of the megalopolis. My work takes me, on a very regular basis, to LA, SF, NYC and other large burgs; and while I enjoy these places for their culture, entertainment and restaurants I am always happy to get on a plane to return to my island in the NW. I can sit in my listening room, watch the shipping traffic on the Eastern Passage, and not be disturbed by anything louder than birds or an occasional chainsaw. I'm pleased that so many people prefer the city, it means less are trying to find a way to live where I do. And, for the record, I expect it's rather easy to lose oneself in a room like Mike's.

islandear

Mike, the best laid plans of mice and men... Sorry we missed each other at RMAF, I will endeavor to trek up to your place as soon as my travel schedule permits (and, assuming your invite still stands).

Yes, that is a very impressive system and I'm sure it sounds MUCH better in a dedicated, treated room. While the Marriott is better than the AP in LV there were really only a few rooms that lent themselves to the sophisticated gear on hand. Mike Verretto hung what looked like quilts on the side walls of his room and the damping did help.

Also enjoyed meeting Jonathan face to face...fun guy. Anyway, still look forward to hearing your rig/room.

islandear

Thanks for the invitation, Mike. I'm currently in LA. But I will definitely try to connect in Denver.

islandear

Mike, frankly, you guys are starting to scare the crap out of me. I've watched the last couple of changes in your room - hold it, I'm drooling again - and every time I think that you're gonna hit the wall you find another key to sonic bliss. I'm not sure I want to hear your system cuz I think it will ruin me. But, being a manly man, I will take my chances and check out the set up in Denver. I just hope I don't find it as compelling as you have...hah.

islandear

Mike, I've enjoyed seeing the evolution of your room and reading the attendant commentary. Your room is wonderfully fantastic and I would love to have the opportunity to sit and listen to your system someday. I have had the pleasure to sit in and listen to another reviewer's room here in the Puget Sound area (who shall remain anonymous) and really appreciated the work he had put into room construction/attenuation. Both of you have provided a lot of useful information that will be implemented - finances allowing - into my music room/office. I appreciate that you have shared this experience with us.

islandear