this room and system is the result of 10 years in High End audio. my
system has been stable for a couple of years (except for transport and
amplifier upgrades within the same brand). the room has been in the
planning stage for about 18 months and i actually moved in a little over
a month ago.
my audio philosphy is to have the system get out
of the way of the event. i like as pure and simple a signal path as
possible and, at this point, prefer passive to active gain stages. i
love all the formats and enjoy having lot's of music.....vinyl is my
favorite but i listen to at least 60% digital. the new room really
reveals the benefits of SACD over redbook.
the system and room
truely allow the event to be recreated before me. i love the way the
speakers disappear and i am transported to another place/time.
i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.
recently, i upgraded my digtial transport from the modified Philips
SACD 1000 to the new emmlabs CDSD.....this was a significant step upward
in performance.
i have written an article in Positive Feedback regarding my room building experience.....here is a link;
new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
WADAX SA Reference DAC
Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.
Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.
https://www.arya-audio.com/revopod
CS Port LFT1 turntable w/arm
air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.
world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
Esoteric T1 Turntable
magnetic drive/rim drive idler turntable with torque adjustment.
with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation.
https://www.esoteric.jp/en/product/t1/top
Esoteric G1X Master Clock
Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.
https://www.esoteric.jp/en/product/g1x/top
Durand --Tosca tonearm.
gimbal bearing design. Tosca is on the Esoteric T1 turntable
Primary Control 12" FCL tone arm
Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.
12 inch tonearm, stainless steel. used for the Sumile mono cartridge.
https://glanz.tech/e/collection/mh1200s1000s900s/
Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.
https://myemia.com/LR.html
LFD -3- Phono Cables DIN to RCA
3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.
one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.
two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.
one is mounted on the CS Port linear tracker.
one is mounted on the Primary Control FCL arm.
finest cartridge i have heard by a significant margin. WOW!
Audio Technica MC-2022 60th Anniversary cartridge
uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.
https://www.audio-technica.com/en-us/at-mc2022
Murasakino Sumile Mono phono cartridge
MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges.
Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.
active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
Taiko Audio Daiza isolation platform--22 used in the system
Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.
22 Daiza platforms in the system of various sizes under every piece of the signal path.
Evolution Acoustics 'system' power cables
a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
Sablon Audio King power cord
used on the Wadax Reference Server power supply.
https://www.sablonaudio.com/power
Absolute Fidelity power interfaces
power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
Tripoint Audio Troy Signature
Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
Tripoint Audio Elite
Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
Equi=tech 10WQ
10kva balanced Isoltion transformer and distribution panel.
Furutech GTX-D NCF Rhodium duplex outlets
10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
Wave Kinetics A10 U8 decoupling footers
8 sets-of-4 in the system for individual tuning of each piece of gear.
Auralex T-Fusor diffusers
i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
Klaudio Record Cleaning System
automatic record cleaner
Acoustic Revive RL-30 mKIII CD-LP demagnatizer
for demaging any disc.
Furutech DF-2 LP disc flattner
will remove warps from Lps
Audiodharma Cable Cooker, Anniversary Ed.
will cook any cables
Winds ALM-01 Stylus Force Gauge
easy accurate, repeatable, measurments.
i-Tower by Koncept LED floor lamp
(3) are used. best audio light ever. 2 'warm', 1 'cool'.
Quietrock THX 545 drywall
specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
Mike, thanks for the info re Oyaide. I have wondered how much better they might be, considering how enthusiastic some folks have been about FIM and Furutech outlets - not to mention the Oyaides. Still another facet of the chain to consider - and I thought the PS Audio outlets were a step up...will this never end?
Chico, Mike's response is, essentially, true. But, as we all know, theory and practicability don't always jive, so the only real solution is to experiment with as many devices as you can afford to assemble. However, having said that, keeping the chain as simple as possible generally provides the greatest efficacy. I've been back east for a week and yesterday I had the opportunity to hear Pete Bizlewicz' latest iteration of his Roller Blocks. This prototype, all of which has been awarded a patent - including the metal amalgamation - is more than a step up from his previous RBs. While this iteration is still a ball in cup design, it employs a puck design with very strong neodymium magnets that not only center the ball (a series 2 ball - very dense, verrry expensive) but aids in the drain of energy from the mounted component.
We replaced Roller Blocks with the new prototype under Peter's Wavac 833s, as well as his Defy 7, and the response was truly ear opening. No hype here. We had a NY dealer as well as the sales manager for a well-known international wire mfr in the room and everyone was able to identify the same effects: Wider dispersion, greater articulation, sweeter midrange and exceptional LF/HF reproduction. These babies won't be inexpensive - probably about...well, I won't go there, let's just say they're cheaper than Halcyonics...LOL
Michael, yes, I'm still very interested in coming to visit. Right now I'm in NYC and will only be home for a day or two before heading back out, but I'll definitely contact you after April. In the meantime I'm looking forward to your inclusion of the VR-11s into your system!
Just continues to impress me (and, yeah, that green tinge around my edges is envy...LOL)
I would agree that the Halcyonics platforms - per their documentation - as active devices made for scientific instruments sensitive to low frequency vibration, are expressly designed to compensate for low frequency vibration, and I would consider it doubtful that higher frequency damping is included in the engineering specification for these devices. If that is the case, I expect components would benefit from additional HF vibration damping as you suggest as, for example, Michael Fremer discovered was true with a Symposium platform on top of the low-frequency isolating Vibraplane. The optimum combination here would also most likely be to combine a true damping platform which can damp both the top plate of the Halcyonics devices as well as the component itself, and what comes to my mind as an excellent choice here would be a Symposium Ultra Platform or even a Svelte Shelf, since they are rigid (essentially "DC" coupled) and because of a symmetrical energy absorbing design, are able to damp both the support surface and the component at the same time (thereby effectively isolating the two without creating or incurring resonances).
In response to Loxodrome: my lifelong friend (50 years) is an architect - one of Frank Geary's boys out of USC - whose personal audio system is fairly simple: a Dual tt, Plinius integrated and 30 year old AR speakers. He keeps this system in his office space and there is only one seat in the room. He doesn't invite people into that space. It's where he looks for inspiration, or escape. He does love sharing music, however, always finding time to sit down at his well-worn baby grand to play show tunes or Beatles songs for anyone willing to listen. (If I hear Obla-di-obla-da one more time...)
There is no 'right' way to build a system, nor is there any 'right' way to enjoy it. Moreover, I find that many of my guests don't particularly care for the music that I love; so having the opportunity to sit alone and lose myself in Rahsaan Roland Kirk or Katie Webster or Irakere is the ticket.
I do, however, have a sofa, so anyone who loves music and has an open mind are welcome to join me.
Mike has more than one chair in his space so obviously he enjoys sharing his music with other very lucky folks.
Mike, elk and bears are good, moose are even better! Let me know when Rocky and Bullwinkle show up.
You know, I've been following the development of your room/system for some time, and while you've written enthusiastic reports of the changes that have been made I don't believe you've ever sounded so happy or satisfied. I have never heard the Edge battery-powered pre, have you? Just wondering if AC is a beast to be removed rather than tamed.
Nrchy, it's amazing what a bit of space can do for one's perspective. After 10 years on island I realize that the entire world is mad...whoa, now I'm starting to sound like the Peter Finch character in 'Network'.
Arkprof, I empathize with you. Nearly twenty years ago I put in a stint as an administrator in the largest public university system in the US. Talk about layers of bureaucracy! At the end of the day (long days as I recall) I inevitably needed my music and some other salve to purge all the toxins. Despite moving 1500 miles north and relocating in a garden spot I still need my music and accompanying salve...I just enjoy them more!
Arkprof comments are interesting. I assume we all aspire to find our spot in the world - what Castaneda called 'enabling' places - and that once we find these spots we are loathe to leave them. Mike clearly illustrates his need to retire from the daily grind and I am in sync with him. I'm a city boy from LA/SoCal and I have always aspired to escape the noise and claustrophobic rush of the megalopolis. My work takes me, on a very regular basis, to LA, SF, NYC and other large burgs; and while I enjoy these places for their culture, entertainment and restaurants I am always happy to get on a plane to return to my island in the NW. I can sit in my listening room, watch the shipping traffic on the Eastern Passage, and not be disturbed by anything louder than birds or an occasional chainsaw. I'm pleased that so many people prefer the city, it means less are trying to find a way to live where I do. And, for the record, I expect it's rather easy to lose oneself in a room like Mike's.
Mike, the best laid plans of mice and men... Sorry we missed each other at RMAF, I will endeavor to trek up to your place as soon as my travel schedule permits (and, assuming your invite still stands).
Yes, that is a very impressive system and I'm sure it sounds MUCH better in a dedicated, treated room. While the Marriott is better than the AP in LV there were really only a few rooms that lent themselves to the sophisticated gear on hand. Mike Verretto hung what looked like quilts on the side walls of his room and the damping did help.
Also enjoyed meeting Jonathan face to face...fun guy. Anyway, still look forward to hearing your rig/room.
Mike, frankly, you guys are starting to scare the crap out of me. I've watched the last couple of changes in your room - hold it, I'm drooling again - and every time I think that you're gonna hit the wall you find another key to sonic bliss. I'm not sure I want to hear your system cuz I think it will ruin me. But, being a manly man, I will take my chances and check out the set up in Denver. I just hope I don't find it as compelling as you have...hah.
Mike, I've enjoyed seeing the evolution of your room and reading the attendant commentary. Your room is wonderfully fantastic and I would love to have the opportunity to sit and listen to your system someday. I have had the pleasure to sit in and listen to another reviewer's room here in the Puget Sound area (who shall remain anonymous) and really appreciated the work he had put into room construction/attenuation. Both of you have provided a lot of useful information that will be implemented - finances allowing - into my music room/office. I appreciate that you have shared this experience with us.