this room and system is the result of 10 years in High End audio. my
system has been stable for a couple of years (except for transport and
amplifier upgrades within the same brand). the room has been in the
planning stage for about 18 months and i actually moved in a little over
a month ago.
my audio philosphy is to have the system get out
of the way of the event. i like as pure and simple a signal path as
possible and, at this point, prefer passive to active gain stages. i
love all the formats and enjoy having lot's of music.....vinyl is my
favorite but i listen to at least 60% digital. the new room really
reveals the benefits of SACD over redbook.
the system and room
truely allow the event to be recreated before me. i love the way the
speakers disappear and i am transported to another place/time.
i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.
recently, i upgraded my digtial transport from the modified Philips
SACD 1000 to the new emmlabs CDSD.....this was a significant step upward
in performance.
i have written an article in Positive Feedback regarding my room building experience.....here is a link;
new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
WADAX SA Reference DAC
Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.
Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.
https://www.arya-audio.com/revopod
CS Port LFT1 turntable w/arm
air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.
world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
Esoteric T1 Turntable
magnetic drive/rim drive idler turntable with torque adjustment.
with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation.
https://www.esoteric.jp/en/product/t1/top
Esoteric G1X Master Clock
Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.
https://www.esoteric.jp/en/product/g1x/top
Durand --Tosca tonearm.
gimbal bearing design. Tosca is on the Esoteric T1 turntable
Primary Control 12" FCL tone arm
Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.
12 inch tonearm, stainless steel. used for the Sumile mono cartridge.
https://glanz.tech/e/collection/mh1200s1000s900s/
Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.
https://myemia.com/LR.html
LFD -3- Phono Cables DIN to RCA
3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.
one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.
two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.
one is mounted on the CS Port linear tracker.
one is mounted on the Primary Control FCL arm.
finest cartridge i have heard by a significant margin. WOW!
Audio Technica MC-2022 60th Anniversary cartridge
uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.
https://www.audio-technica.com/en-us/at-mc2022
Murasakino Sumile Mono phono cartridge
MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges.
Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.
active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
Taiko Audio Daiza isolation platform--22 used in the system
Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.
22 Daiza platforms in the system of various sizes under every piece of the signal path.
Evolution Acoustics 'system' power cables
a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
Sablon Audio King power cord
used on the Wadax Reference Server power supply.
https://www.sablonaudio.com/power
Absolute Fidelity power interfaces
power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
Tripoint Audio Troy Signature
Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
Tripoint Audio Elite
Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
Equi=tech 10WQ
10kva balanced Isoltion transformer and distribution panel.
Furutech GTX-D NCF Rhodium duplex outlets
10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
Wave Kinetics A10 U8 decoupling footers
8 sets-of-4 in the system for individual tuning of each piece of gear.
Auralex T-Fusor diffusers
i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
Klaudio Record Cleaning System
automatic record cleaner
Acoustic Revive RL-30 mKIII CD-LP demagnatizer
for demaging any disc.
Furutech DF-2 LP disc flattner
will remove warps from Lps
Audiodharma Cable Cooker, Anniversary Ed.
will cook any cables
Winds ALM-01 Stylus Force Gauge
easy accurate, repeatable, measurments.
i-Tower by Koncept LED floor lamp
(3) are used. best audio light ever. 2 'warm', 1 'cool'.
Quietrock THX 545 drywall
specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
Mike, I will talk to you soon. Ya know, the more I look at that gorgeous room, the more I can't help but think that if I had that room, I'd probably be more likely to try and pick fights with my wife (who is so damn wonderful she's hard to pick with) so she'd make me "go to my room!"
Mike, I think you have unfortunately misunderstood me. Let's face it, many of us are in this hobby becasue we love music. Some because they love the gear. Me, I must be totally honest and forthright here - I have a love of music that is paramount to every other "hobby" Ive had and it is a true passion. As you may know, I was a professional musician until my career was abruptly ended by an accident.
However, very soon after I fell in love with music, I became enthralled with the equipment that conveyed it. I still remember the first time I saw a Dual turntable, Mac amps and Walsh speakers - I was totally infatuated! I also must admit, unfortunately, at times my two loves have been paradoxically at odds. For example, in chasing that Audio Holy Grail of better sound, when I have bought more and more expensive and, hopefully, but not all the time, better and better gear, my level of expectation also goes up because I am expecting that extra cost to justify itself (taking into consideration, the diminishing returns inherent in this hobby, and most others). The problem is that I then listen more critically - listening more to the "system" or the "gear" or for "audiophile tricks" than for the emotional content of the music - and THAT is not a good thing for me - at least not when I listen that way for too long.
Why the long dissertation? Because when all the dust settles at the end of the day, the only thing that REALLY counts in this hobby, is ARE YOU HAPPY? Was the money you spent worth it and did you acheive your goal? I saw a post on AA where someone listed a website where a bunch of small-minded people are taking cheap pot shots at you, your system and your room. Fools!! If they don't like what you spent your money on, what harm is it to them? Most of those childish comments are likely based in envy, some just negative people who are narrow minded because THEY think they can build a better mouse trap. But in the end, YOU earned the money and YOU choose how and where to spend it to increase YOUR enjoyment based on YOUR priorities.
Hell, if you use their childish and critical approach, ask them why they bought a Seiko or Rolex when a Timex tells time or why buy a Honda or Lexus or Mercedes when a Yugo or Ford Escort gets you from point A to B. We all prioritize our spending based on our own experiences, values and preferences.
So Mike, no need to ever apologize to me. My only disappointment was that you didn't seem to want to respond. You have the most visible system on the Net and a logical by-product of that visibility is that people will ask questions.
The bottom line? If YOU are happy with the VR-9s, THAT is all that matters! During my short time in the Von Schweikert room at CES (while you were there), I didn't like the VR-11s at all. However, I am not sure it wasn't the demo that was the problem. To me when I heard the Pink Panther theme, I honestly felt like I was listening to music at an IMAX theater. I, personally, did not like hearing a sax that sounded 28 feet high - to me it didn't sound like real music but a testosterone competition. BUT, that was the VR-11s driven at loud volumes so the VR-9s in your room may be a totally different story. Just because I prefer the Kharmas doesn't make either of us right or wrong, just 2 people with different tastes. And it certainly doesn't upset me that you have changed speakers as I have no loyalty to any manufacturer, just loyalty to music. That is why I always tell people who compliment my system: "Don't compliment me, compliment the designers, all I did was buy it!"
Gee Mike, if I didn't know you better, I'd think I was being treated like the proverbial "red headed step-child!" LOL! If you are somehow offended that I asked about what speaker you are considering, then I apologize. I asked because the last time we spoke you were asking me about a sub-woofer and then a short time later I saw your speakers listed on A-Gon so I assumed you found a suitable alternative and I was curious what a guy with the best room on the planet would be using - simple as that.
Mike, since you were the one responsible for turning us onto the Kharma/Tenor combo, I may be biased when I say that, with that room, those amps, that digital front end and that turntable if you get the diamond tweeters, you may NEVER leave the room!! Maybe, on second thought, you shouldn't get them, your wife may hate both of us!
I really loved Seattle and Portland last year when we came out so it would be a pleasure to come back out and hear that incredible system in your room! Maybe I can get JT to take us to Mother's again for some good food (then again, he may take me to Taco Bell). I promise not to drag you out to Woodinville and blow out your eardrums again! LOL!
PS - congrats on the Positive Feedback gig - long overdue!
Mike, I hope you don't consider it bad Kharma for me to tell you that the Tenor of my response to your upgraded system will be very Sirius indeed - but it appears that your system is not only very Transparent but will take you to the Valley of Valhalla (especially now that your Io is on the Lamm)! Congrats on the Sirius III buddy - so you had Jonathan carry it in eh? Smart man!