Description

Eurythmie speakers and various electroniques
-  STUDER A 730
-  STUDER D 730
- TEAC VRDS 10
- TASCAM dv-ra1000hd
- Phillips cd 723 (4)
- APOGEE rosetta 800
- Magnum dynalab FT101
- PLANAR 3 / RB300 / DL103R
- BRINKMANN  AUDIO PHONO
- BRINKMANN  AUDIO PRE (1st gen.)
- ML ml1
- COUNTERPOINT SA 5000 E
- CONRAD JOHNSON PV7
- analogique mixer STUDER 961
- MARCHANDELEC XM9 (2)
- BSS fds 360
- BSS fds 388
- KANEDA actif/passif (custom)
- KANEDA actif (custom)
- ML lnc2
- Jadis Defy 30  6CA7/ 6550 / KT88 / KT90 (one of the first series)
- Audion 300b silvernight
- Yves cochet 40W EL34 P.P (custom)
- CONRAD JOHNSON MV45 P.P EL34
- WESTERN ELECTRIQUE 300B mono bloc (custom MILLERIOUX TRANSF.) (2)
- REVOX B780
- ML3
-  20W Hiraga Le classe A
- AMCRON DC300 (5)
- AMCRON D 75
- BGW 750C (3)
- BRYSTON 3b (old school)
- DENON mono bloc POA QS10 (2)
- ROTEL rb1090
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Components Toggle details

    • Eurythmie speakers ORIGINAL Eurythmie 11 - Eurythmie 33 - Eurythmie 08 / ANY REQUEST ARE WELCOM
    These unreal speakers was originally from A2 INGENIERIE. Chatou FRANCE
    Designed by Jean-Philippe MARTIN before the JADIS experience.

    Eurythmie 33 is a unique prototype built at this time (actually built a year and half before the EURYTHMIE 11).

     Eurythmie 08 speakers was design during the 1 year JADIS collaboration. 23 pairs were builts but only 14 was completly achieved, 

    After the divorce, JADIS tryed to build themself those speakers (the 11 & the 08) in changing the the proportions and few details of the original Jean Philippe MARTIN's design.

    Have a look to the original design of the EURYTHMIE 11, we 'll let you judged about it.

    Concerning the EURYTHMIE 08, the JADIS ones looks very similar except for the tissu covers  that is covering the mid drivers & the tweeter, it goes up to the top and is applied directly on the cabinet.

    The original EURYTHMIE 08 has the mid drivers and the tweeters insered in the joinery, the tissu covers are insert in the joinery too, the top of the speakers are not covered and let see the wood plating.

    All the audio speakers works directly came out from  Jean Philippe MARTIN's auditorium development, that has been built almost on his own, a REALLY IMPRESSIVE GENIOUS.

    This massive 36 TONS CONCRET 4 WAYS HORN SYSTEM is located in Chatou near Paris.
    As soon as he finished that huge project, he built a splendid designed 180 square meters housse around it.

    Jonathan Scull himself came around with his wife and look at it in the middle of the 90th.

    Let's go back to the Eurythmie 11
    Marie's Eurythmie 11 speakers got some differences compare to the "Jadis 2".
    - tweeter: FOSTEX FT90H INSTEAD of the FT50H
    - mid: BEYMA CP350TI (remain the same).
    - low mid: AUDAX PR17MO (remain the same).
    - low : BEYMA SM115/K INSTEAD of 15K200 (discontinued).
    - 3 WAY passive X OVER components (frequency cuts remain the same).
    - The stainless steel piece placed on the ground that secures the subwoofer cabinet with the feet of the low-medium horn was replaced by a wooden piece much thicker to raise the whole.
     otherwise the bigger magnet of SM115 / K (2 drivers were used on push pull mode per cabinet) touches the ground and makes the speaker completely unstable
    . The push pull baffles as to be renew as well.
    We did read somewhere that JBL 15"drivers was mounted in those cabinet.
     None of the 52 originals pairs of speakers that came out of the workshop had JBL drivers, never.
    Concerning the tweeter the only one available at this time was ft50h only.
    - of course the non 3M nextel painting on the low-medium horn does not make any sound differences, it's just a matter of a look and cost too.

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