Description

This is my newly finished room as of 5/28/14. It is an expansion of my previous dedicated room built around 18 years ago. Had I known more about acoustics back then I would have built the room a bit differently. However, my new remodeling and expansion project has allowed me to improve greatly upon that first design, with what I have learned over the years. I do not have infinite funds and need to weigh my decisions with everything carefully. You will not see the best of the best here in either design or gear, but I feel wise decisions and a bit of restraint have allowed me to reach some pretty lofty goals so far.

I believe that the room is one of if not the most important components to a system. Considering that and the cost of so much in this hobby, the price to create this room was a real bargain. The room is approximately 21 x 25 x 11 (at the cathedral peak) and is treated with mostly broadband absorption. The cathedral ceiling was part of the original design and I have been able to make that work for me quite well. I often read that they are a bad idea and possibly they are if left reflective. However, mine allows a nice illusion of space to be created, both visually and aurally that I would miss if taken away.

My goal has always been to create a virtual soundstage of realistic scale, both large and small. Many larger systems can do big quite well, but have trouble with small creating images of solo voices and instruments much larger than reality. This system does not do that. For me the best sound means to get the best from prerecorded material. I want the illusion of either being transported to the event, or having it brought to me.

Lately I have been able to make my own high resolution recordings and enjoy them on my system. The ability to be in the same space that recordings are made is a great help in determining how ones system is performing.

The artwork around the room is all of a similar theme. It is one of Science Fiction mixed with Fantasy and Magic. I feel this suits me, because I see the creation of that virtual soundstage as indeed something truly magical when done right.


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Components Toggle details

    • Proceed CDD
    An oldie, but a goodie.
    • Bryston BDP
    This digital player is outstanding and I find it better than my server with Amarra.
    • MAC Mini / Amarra
    My main server.
    • Benchmark Pre
    No complaints, but I do plan to move up to the new model 2
    • Southerland 20/20
    My phono preamp.
    • VPI Industries Scout Master II
    A long time in coming, but well worth my wait.
    • VPI Industries JMW Memorial
    It is just right for me at this time.
    • Lyra Delos
    It brings the whole package together.
    • Xilica 4080
    A wonderful crossover and room correction tool.
    • Spread Spectrum Technologies Ampzilla 2000 mono's
    Wonderful tube sounding SS mono amps
    • Odyssey Audio Stratos Mono extreme SE
    An outstanding bass amp. I have it working from 100Hz up to 280Hz.
    • Primaluna Prologue 7 mono's
    A very fine and versatile amp that can run just about any tube in the 6550/KT-88 class. I have a new set of TL-120 on the way.
    • Dayton SA1000 mono's
    Very good at what it is designed for, low bass duty. I have mine currently set for 100Hz and below.
    • VMPS RM V60
    A very fine dipole ribbon design by Brian Chaney. The base of the wings carries the bass from 280Hz down to a natural roll off around 68Hz.
    • VMPS VLA
    This stand for Very Large Array, which it certainly is. It is a match for the RM V60.
    • Sola Automation Isolation Transformer
    This is a 240/120 isolation transformer that I have feeding my isolated audio circuit within the room. That circuit is composed of four sets of quad receptacles, two for the amps between the speakers and two for the equipment on the side wall.
    • Monarchy AC Regenerator
    I use this to isolate my digital front end from the analog.
    • Generic Desk Chair
    A lowly and simple swivel chair with the rollers removed. I pulled the rollers to get the chair to the proper elevation. The important thing about chairs is for them to be comfortable and have a low back so your ears are above the back of the chair. If not, you could have the best acoustical space behind your seat going and your ears would never hear it.

Comments 7

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Housteau, thanks for the details on the tri-amping arrangement. Sounds like you have it well under control.

I noticed the AC intake vent in one of the pics (in the ceiling) and was wondering if it was noisy. But it looks like you have paid attention to detail and it's not an issue.

Very nice!
Frank

plato

Housteau, that's a very nice system and I love the room. I like the analog too. It's very, very nice.

I had my systems up here for a long time but just deleted them.

But I am familiar with the VMPS. I currently have a pair of the RM40 BC Signature speakers. I was using a Rogue Audio Medusa tube hybrid amp until recently. Now I am trying a pair of Dodd Audio 120 monoblock tube amps and so far I am impressed with their performance.

I run both analog and digital sources and use the Lyngdorf DPA-l analog/digital preamp with RoomPerfect room correction. It has been working quite well for me over the past couple of years.

It looks like you are bi-amping your speakers. Do you use and active electronic crossover or the speakers' internal passive crossovers

Cheers!
Frank A

plato