Description

Rives Audio Designed dedicated 2 channel room for 2 channel audio performance and aesthetics.

The room was commissioned in early 2009, designed by Richard Bird at Rives with construction beginning in late April. Richard is the ultimate professional and was great to work with. I highly recommend him to anyone.

I was fortunate to work once again assemble a team of craftsman trade people. CLD Construction, Dolphin Custom Cabinetry, Spiegelhalter Electric, B&U Wood Floorers, Kendall Painting, Miner plumbing . My wife did all of the interior design, coordinating paint colors, fabrics, wood choices, rugs and window treatments (still coming).

The team was not only able to build a room that sounds outstanding but one that has great aesthetic appeal. It is a true pleasure to be in this room.

I've been in the room for 7 months fine tuning and tweaking its performance.

Special thanks to MikeLavigne, Cincy-Bob, Carl Zapp, Slipnot for their support and encouragement before and during the planning and construction process.

My system has been stable for the past 10 years or so. I am a Merlin devote and have built a system around the speakers. I've owned several version of the speakers as Bobby has continued to refine the design.

I have however turned to the dark side and totally diggitized my CD collection on a music server. Wavelength Audio Cosecant V3 asynchronous DAC has the digitial honors and is sounding outstanding.

Next upgrade will be to my front end of my VPI table and a new record cleaner. I also have 500+ albums in storage that need to be delivered and put in the new record storage/rear diffusor.
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Components Toggle details

    • Merlin Music Systems VSM Master
    Master Bam/Master RC Networks
    • Grand Prix Audio Monaco
    SS, Carbon Fiber equip rack.
    • Cardas Clear Speaker Cables
    Cardas Clear Speaker Cables
    • Critical Mass Systems Grand Master Isolation Platforms
    Isolation stands for VZN amps, Variac Power Supply and Merlin Master BAM
    • Joule Electra VZN Grand Marquis Mk 4 Monos
    Music Wood Chasis, JPS Labs Aluminata Power Cord
    • Music Reference RM9 Special Edition
    RM9SE Roger's hand built cost no object master piece. NOS Siemen EL34 Outputs.
    • Joule Electra LA 300 ME Memorial Line Stage
    Joule Electra all out assault at State of the Art Line Stage.
    • Cardas Audio Clear
    RCA to RCA.
    • Apple MacBook Pro Quad-Core 2.4 Ghz
    PC Audio Server SATA 3 SSD/16 Gig Ram Running Pure Music and Audirvana engines inside iTunes.
    • Promise Pegasus HD Array Thunderbolt HD Storage
    Raid 5 Disk array to hold the ever growing digital library including large Hi-Rez files.
    • Wavelength Audio Cosecant v3
    Asyn tube DAC
    • JPS Labs Superconductor 3 USB Cable
    JPS Labs shielded USB cable.
    • B-P-T BP-1 Ultra
    Heavily tweaked Piltron based Balanced power conditioning for front end components. Cardas Clear Beyond Power Cord.
    • 100 Amp Sub-Panel Square D
    separate meter tap and grounded to my Lenco Rods & and copper water service. Cryo 10/3 Gauge RSAD wire to five 20 amp circuits with cryo breakers ensures clean power to the room. Oyaide R1 outlets.
    • Oyaide R1 R1 Outlets Carbon Fiber faceplates
    Highly (twice) polished Beryllium Copper base metal, plated with platinum, and then the R1 is finished with palladium plating. Best sounding outlet in my set up for sure.
    • Rives Audio Level 1 Consult Service
    Level 1 design. Best money I have ever spent on audio. transformed my dedicated listening room to a beautiful and great sounding room with very high WAF rating :-)
    • Indian Agra Rug Tweak 9X12 100% wool Antique Rug w/thick Pad
    Floor reflection/diffusion per Rives blueprint Damn good looking as well.
    • Merlin Master BAM Clear
    Upgraded to Cardas Clear geometry cable for the Master BAM in my rig for 100 hours and it is truly the icing on the VSM Master speaker's cake! Mids are ever so slightly recessed relaxing the entire presentation This allows for seeing/hearing deeper into the stage with increased midrange textures and stage layering. The highs are even silkier and extended and the bass has more presence, whomp and weight. System is so focused without any artificial etching to the sound. Female vocals take on even more of that reach out and touch me quality. All in all, very impressive upgrade for not a lot of money.

Comments 52

Owner
I am located on the Iowa, Illinois, Wisconsin border on the mighty Mississippi river in Dubuque, Iowa. And you??

joneill

Realism, energy, musical nuance, inner detail, outstanding musicality, etc...are all part of what I have been hearing. Each layer of Elrod cables in the system has brought more and more of the desired end result I am seeking. I am very happy with the system as a whole and greater than the sum of its parts; music listening has become what I always wanted it to be. You do have one outstanding system with the Merlin, JE and Wavelength equipment together with everything else. Where are you based?

zephyr24069

Owner
Zepyr,

Thanks for your kind words. Indeed, realism and energy are definite positives of the Elrod PC.

Looking at your system, seems you have put together quite an array of Elrods in the system and I'm sure all that attention to details has large pay-offs.

I will be auditioning the new cards Clear PC in the near future and will report my results here.

Thanks.

joneill

That is one beautiful room and system; many of us without the ability to convert a room to that degree of audiophile nirvana are jealous :-) ! I have found energy and realism come into my system with the various Elrod PC, interconnect and speaker cable offerings that I'd never heard through any of my forays into high-end SOTA cables of many types. Has this been your experience as well?

zephyr24069

Owner
Tzh21y,

Sorry for the delayed response. Been "off the reservation" on business projects last 6 months.

The EAR 834P is a heavily modded version by Norther Audio. The board is stripped and all parts are replaced with the high quality "no cost" constraints parts and NOS tubes. While the stock 834P is no slouch, The Northern Audio Mod takes it to another level.

YMMV.

Jim

joneill

Owner
System edited: USB cable wars. Demo on recommendation from a friend/dealer. Sound much improved over the RSA cable.

joneill

How do you like the ear834?

tzh21y

Owner
Keeping the Elrod Silver Statement and awaiting the Elrod Gold Statement(s) for audition on amps and PLC.

The cord was a "lock" on the JE Pre. Elrod provides Joule Electra with a proprietary wire of same design that Jud uses in his point to point wiring in the LA 300 ME.

Will keep you posted.

Thanks,

Jim

joneill

Any updates on the Elrod power cables?

elescher

Owner
Slipnot1,

Thanks for all of your kinds words and many thanks for all of the encouragement during the process. The room has been complete know for 6 months and the final room tweaks are pretty much completed.

You were correct in your assessment; "Best money you can spend" in stereo for sure. The Rives folks were a dream to work with and delivered the goods.

Off to listen.

Regards,

Jim

joneill

Jim-

The room looks outstanding!! Congratulations. Now make all the hard work and planning pay off by spending time listening.

slipknot1

Owner
Nmanuel,

Thanks for your kind comments. Indeed, we are in very similar equipment arenas. I had a Capitole II SE for several years before I went the PC Audio route.

The CM platforms are excellent isolation platforms. Under the Joule amps as well as the Bam, expect to hear a much more focused, relaxed sound with better bass and definition.

Rives consults can be as invasive as one desires. Mine was a level 1 and I did my own sonic measurments. I was remodeling an office and my adjacent dedicated room that was treated with a variety of purchased/home made products. I was unwilling to move walls. I made that clear in my first interview and the project moved forward. I did agree to remove a large portion of the ceiling to build a diffusion array treatment. The rest of my solutions were stick built by my carpenter, cabinet maker or purchased from vendors.

I had read here and other places that a Rives solution would be the best money I would ever spend in audio. I would have to give that an emphatic two thumbs up as well. The room sounds fantastic and is a pleasure to be in as well.

Please keep me posted on the MXr break-in and send me some diggie pics of the set up.

regards,

Jim

joneill

joneill, absolutely great room design. we have very similar systems--i'm breaking in the VSM-MXR's as i type. i'm using the filarmonia intergrated, the AA capitole classic SE as my digital front end, and the TNT-6 hotrod for my analog front end.

i'm curious your impressions on the critical mass isolation platforms. in what what ways have they improved your sound? have you AB compared your master BAM on and off the critical mass platforms? i'm considering the CM decoupling system for my filarmona and capitole.

also, a dedicated listening room like your's is my ultimate goal, but not feasible in my current house. would a rives audio consult be helpful in your opinion in an open living room setting? do they advise for renovations?

nmanuel

Owner
System edited: Added an Elrod Power System Silver Statement Power Cord. Ribbon power cord similar in design to the point to point signal wiring designed specifically for Joule Electra by well known cable designer David Elrod of Elrod Power Systems, Inc. Hopefully will be a match made in heaven with the Joule Electra LA 300 ME Line-Stage. We shall find out!

joneill

Owner
Hi Jim,

Thanks for your comments.

In my discussions with Richard, I pretty much gave him carte blanche as long as we did not move walls. With measurements in hand and his CAD design, he produced an outstanding space both in its sonics and aesthetics.

The deciding factor was its 8' 1" height. Building a soffit was not in the cards due to this height. The cloth-covered panels (no insulation, just 2'x4' covered panels in white acoustic cloth material) on the maple grid ceiling is hiding an elaborate patent-pending array of alternating diagonal slats and insulation with the joist bays build up with ply, 5/8 dry-wall screwed and green glued.

We use slanted boards and absorptive material between the ceiling joists to create effective diffusion down to 200-250Hz. It's extraordinarily effective for rooms like this where you have limited ceiling height but relatively tall speakers that would otherwise turn the ceiling into the predominant room boundary. We couldn't really put anything on the ceiling since that would lower it only further. Richard thought it would be a mistake to not treat this large surface at all. The ideal solution then was to work "in the ceiling," the ceiling joist bays, then trim it out with the kind of fabric that matched my decor. This allows the ceiling to be taken out of the boundary equation. This room sounds much, much larger than it has any right too!

With saws-all in hand, CLD cut out the plaster ceiling leaving a small area of plaster to frame the new grid. The panels are simply velcro'd to the grid with a 1/4 reveal for shadow line.

Rives CAD design specified quite a lot of diffusion in this room because, relative to the speakers being used, it was on the small side (approximately 14' x 19' x 8' 1"). The Helmholtz resonators, 5 foot bank on each wall are used to broaden the soundstage. They absorb energy and then release it at an attenuated level to create a sense of ambience that fools the ear/brain mechanism into hearing this space as being much broader and wider than it is. In most rooms, they would not have this many resonators. They assist in smoothing out the frequency response, providing both diffusion and absorption. These here are fashioned from hardwood slats (Select grade Maple) with a 1/4 inch gap. The width and depth of the gap relative to the depth of the device determines the frequency it resonates at. Because these are convex the depth of the gaps isn't constant but varying to become effective over a broader frequency band. Most people think of Helmholtz resonators as high-Q devices and you can design them accordingly to attenuate specific bass modes. But these are not that. These are broad-band devices designed to improve the ambiance of the room.

While it looks great and sounds great, after working with Richard, it was obvious that between the CAD and his experience, I was in good hands.

See here for construction pics: http://gallery.me.com/joneill1155

Hope this helps. I highly recommend Richard @Rives. Rives/Richard were great.

joneill

Owner
Devilboy,

Thanks. Your room also is a great looker. I love those Marten's. Have a brother-in-law with a pair making some great sound in San Diego with the Martens.

My wife in-deed has quite a flair for the deco thing for sure. Excellent with colors, textures, fabrics and wood. I'll pass your props on to her.

Thanks.

joneill

Owner
Hi Jim,

Thanks for your comments.

In my discussions with Richard, I pretty much gave him carte blanche as long as we did not move walls. With measurements in hand and his CAD design, he produced an outstanding space both in its sonics and aesthetics.

The deciding factor was its 8' 1" height. Building a soffit was not in the cards due to this height. The cloth-covered panels (no insulation, just 2'x4' covered panels in white acoustic cloth material) on the maple grid ceiling is hiding an elaborate patent-pending array of alternating diagonal slats and insulation with the joist bays build up with ply, 5/8 dry-wall screwed and green glued.

We use slanted boards and absorptive material between the ceiling joists to create effective diffusion down to 200-250Hz. It's extraordinarily effective for rooms like this where you have limited ceiling height but relatively tall speakers that would otherwise turn the ceiling into the predominant room boundary. We couldn't really put anything on the ceiling since that would lower it only further. Richard thought it would be a mistake to not treat this large surface at all. The ideal solution then was to work "in the ceiling," the ceiling joist bays, then trim it out with the kind of fabric that matched my decor. This allows the ceiling to be taken out of the boundary equation. This room sounds much, much larger than it has any right too!

With saws-all in hand, CLD cut out the plaster ceiling leaving a small area of plaster to frame the new grid. The panels are simply velcro'd to the grid with a 1/4 reveal for shadow line.

Rives CAD design specified quite a lot of diffusion in this room because, relative to the speakers being used, it was on the small side (approximately 14' x 19' x 8' 1"). The Helmholtz resonators, 5 foot bank on each wall are used to broaden the soundstage. They absorb energy and then release it at an attenuated level to create a sense of ambience that fools the ear/brain mechanism into hearing this space as being much broader and wider than it is. In most rooms, they would not have this many resonators. They assist in smoothing out the frequency response, providing both diffusion and absorption. These here are fashioned from hardwood slats (Select grade Maple) with a 1/4 inch gap. The width and depth of the gap relative to the depth of the device determines the frequency it resonates at. Because these are convex the depth of the gaps isn't constant but varying to become effective over a broader frequency band. Most people think of Helmholtz resonators as high-Q devices and you can design them accordingly to attenuate specific bass modes. But these are not that. These are broad-band devices designed to improve the ambiance of the room.

While it looks great and sounds great, after working with Richard, it was obvious that between the CAD and his experience, I was in good hands.

See here for construction pics: http://gallery.me.com/joneill1155

Hope this helps. I highly recommend Richard @Rives. Rives/Richard were great.

joneill

Wow! Gorgeous dedicated room. Your wife did a good job.

devilboy

Beautiful room!(I bet it sounds great too!!)
I am curious about your ceiling design. Could you describe the ceiling better? What is behind the absorbers? It seems different from most of the Rives designed rooms I have seen on A.Gon(Bass trap soffit design). What led you to pick your design over the soffit?
Thanks, Jim

jim94025

Owner
Srwooten,

Thanks for the info and the link. Much appreciated.

joneill

"How do the motor risers work with the new feet? Are they part of the footer upgrade?"

They are 3 brass machined to order feet securely attach to a (acrylic?) platform. On top of that there is a carbom fiber disc for additional dampening. Tell Larry what your TT is and the shape of your motor (round or rectangular) and he'll make you everything to order. The riser is extra $. Here is a link to a couple pics of the feet:

FEET

Note-
My TT motor riser is NOT in these photos.

srwooten

Owner
David,

Thanks for your kind words. The room was a blast to do and the results have been spectacular to say the least.

Your system looks to be right up my alley as well. Nothing like tubes and Merlin's for a match made in heaven.

joneill

Joneill,

Congratulations on a beautiful room, and might I say, excellent choices on the Merlins and associated gears! I did hear a similar combo here in NY, back in 2005 during the Stereophile show. Enticing, to say the least.
I like the Critical Mass isolation/Bam combo, nice touch. I'm using the Reference for my Fila, and very pleased with the results.
Once again, bravo, and thank you for sharing the pics!!!!

David

toudou

Owner
Srwooten,

New feet are on the upgrade list. How do the motor risers work with the new feet? Are they part of the footer upgrade?

I already have a center weight I purchased with the outer ring.

Thanks.

joneill

What a great and beautiful room! Congratulations!

When you get your upgrades for your TT I highly recommend TTWeights. I purchased new feet/motor riser and a center weight for my Scoutmaster and a record clamp for my VPI record cleaning machine. I am thrilled with them all. No affiliation BTW.

srwooten

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