Description

How I play my 5000 odd LP's.
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Room Details

Dimensions: 18’ × 23’  Large
Ceiling: 7’


Components Toggle details

    • TW Raven AC-3 with BN platter
    3 motor German turntable
    • Thales Audio Simplicity II
    tangential tracking tonearm - just superb
    • Technics TECHNICS SL-1000MK3D SP10-MK3 SH-10B5 Plinth.
    Classic Technics table
    • Graham Engineering Phantom B 44
    tonearm
    • Exclusive P3
    Wonderful sounding turntable from 1979
    • Exclusive P10
    Great sounding vintage 1979 DD table, 2nd to the P3.
    • Lyra ATLAS SL
    phono cartridge
    • Lyra Etna SL
    phono cartridge
    • Dynavector DRT XV-1s
    top of the line dynavector cartridge
    • Ortofon MC A90 anniversary
    absolutely reference grade cartridge that sounds like your system.
    • Linn LP-12 Lingo
    LP12 TT with Naim ARO arm
    • Lyra Delos
    overachieving entry level lyra cart - plays higher than its price
    • Denon ESC 103R
    cartridge
    • Ortofon SPU Classic GM E MKII
    enough said
    • Ortofon SPU Royal GM
    .
    • Nordost Valhalla
    between turntable and phono stage
    • Accuphase C-37
    3 input phono stage
    • TW Acustik Phono
    3 input pure tube phono section with 6 impedance settings. Very quiet for a full tube gain phono stage
    • Esoteric E-03
    two input phono stage
    • Ortofon Verto Set-Up Transformer
    excellent SUT for the SPU's
    • Conrad Johnson GAT
    very nice preamp
    • Deqx HDP-4
    DSP speaker and room correction. especially good at correcting and eq of bass
    • Nordost Tyr 6m
    ic between pre and power
    • D'Agostino Momentum Stereo
    SS amp
    • Conrad Johnson premier 8A with cj teflon upgrades
    275 watt monoblocks brought up to date with cj factory teflon cap upgrade
    • Wilson Audio Maxx 3
    Gentle Giant
    • Nordost Tyr
    Excellent
    • Kimber KS-3033
    8ft speaker cable
    • Transparent MM Reference XL-V
    speaker cable
    • Orb DF-02
    Japan's Orb make the Air Tight LP flattener. This is the new Japan model for flattening those warped and dished LP's
    • TW Acustik / Hannl Ultra
    rebadged Hannl - same as Acustech Ultra - excellent and quiet but takes longer than nitty gritty
    • Yamaha CDR-HD1300
    yamaha hard disc recorder with 80 gb disc drive and cd player. great for dubbing vinyl to CD

Comments 259

Showing all comments by samhar.

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Shane

The XOno is a fantastic tool for experiencing fine differences in cartridge loading and/or small VTA adjustments, next week I'll add different VTF's into the mix!! I started with low gain and loading at 100ohms changed to 89.19ohms but still had some energy at 450-500Hz Hz. The XOno let me hear a vowel coloration in vocals and saxes, the Sophia's mid range driver x-over it turns out is in this range so I was hearing a frequency response peak !!! Lowered the loading to 82.61ohms then lowered the VTA which solved that problem, improved timbre without loosing to much energy or focus. The Urushi was a hugh contributor with it's resolution, extension and dynamics. It's the same old story really good gear lets you hear other gear through it and points directly at your next "needed" upgrade!!
It's seems that loading is more about energy and VTA is more about emphasis (my rough generalizations thanks to the Xono).

When I first heard the Urushi I was shocked!!! Is this from the same maker of the Rosewood? I enjoyed the Rosewood's lush sound it was just beautiful but always left me wanting more dynamics and information especially in the mid-low bass and the low highs. When the first sounds of the Urushi came out of the speakers I was aware that I was experiencing another great component, you know those times, when you find yourself with a big smile that comes from awareness,appreciation and satisfaction.
It's not warm it's smooth with great dynamics and when coupled with the XOno's low end speed and power the bass is fast, precise and powerful. The highs through 2.7K are full and clean, I never felt I was missing information. In the upper midrange, xylophone keys had a tangible thickness when struck and the sound could float then dissolve with a delicate decay. It's ability to convey delicate innuendo from Koto strings to the powerful attack of xylophone strikes and the skin sounds of tom tom heads strikes make it a great cartridge and big league player how far down the bench I don't have enough experience to know but at least I'm in the dugout with it!!!!!!

samhar

Well I did a 180* and bought a Pass XOno!!!!! I was having a tough time with noisy tubes and just pulled the trigger!! Reading all the AA posts since 2003 I think you were correct, one hears their own system through the XOno!
What are your thoughts on SUT's and the XOno, running the Urushi through the MM section specifically? I'm guessing 24db or 26db SUT.

samhar

Thank you for the response and thanks!
I'm thinking I need to have tubes in the PS for that last bit of '"warmth" that I think is necessary for a "lovely" timbre that I'm not sure any SS phono can provide, close but still just a little something missing that final.......oh hell you know with the gear you have!!!!! I'll let you know how it goes, thanks again

samhar

Thank you for the response and thanks!
I'm thinking I need to have tubes in the PS for that last bit of '"warmth" that I think is necessary for a "lovely" timbre that I'm not sure any SS phono can provide, close but still just a little something missing that final.......oh hell you know with the gear you have!!!!! I'll let you know how it goes, thanks again

samhar

Wonderful system!!!
I read you tried the Ear 88PB and liked it, I'm looking for one but still wonder how much inner detail and hi and low end extension it has. Your list of phono pre's was very interesting/informative especially the comments on the Manley and Einstein two others I'd been considering thanks for posting that and for any feed back.
Sam

samhar