One of the finest Preamps out that does room correction,
phase, impulse, and control of as many subs as you like. The technology is used
in recording studios around the world to correct the sound in the listening
rooms; the results in 2 channels are stunning, which made this fantastic purchase
above all else. What it does for my HT is jaw-dropping, every speaker is so
precisely placed in TIME and space, and my system easily beats most commercial
cinemas; we’d rather watch it at home than hope we get good seats there. Only purpose-built
HT rooms can compete. I was initially told that my Classe CT-SSP was on par
though it was a fully manual setup, and I would hear a little difference, how
wrong they were. You can toggle off the room correction to listen to the room
Un-adjusted; it’s excellent; turn it back on, and it simply transforms to a
much bigger space, both depth and width\height and tightness of bass; no mud. The setup is
intimidating but relatively simple. If you get one and need advice, ping me. I
am sure I can help.
Wilson Audio Sophia
Wilson Audio Watch Center 3
JL Audio F112 v1
Three of them.
Wilson Audio WATCH Surround 2
Response Audio Response Audio Reference
Dual mono power supply external power supply, 12AU7, output, Khozmo 48 step volume, transformer balanced in and outs.
Micro Seiki RX-1500
Plinth weight, platter weight, motor base.
ZYX Premium
SN
Morch DP8
12" arm, blue dot (heavy)
Kaleidescape Strato S 6TB
6TB movie player
Trinnov Audio Amplitude 16
16 channel of bridgeable class D. I replaced my giant Classe Omega's with this amp, its dynamics and clarity are to be heard. Even the wife mentioned how good it sounds. No regrets.
Am impressed and inspired by your dedication to the hobby over the past 6 months. Your built to order preamp and massive power supply with purist signal path, upgraded phono amp, re-built speaker crossovers, two turntables, and three (or is it going to be four?) cartridge evolution - what's next?