I have been involved into high end audio for about 7 years now .
My long time favorite preamps have been Audio research /Marklevinson i also owned a ML 431 and a graaf GM 200 power amp.
I am not very much a digital fan and i like the set up that i have now, although it might be a bit on the dry side of neutral, it is very dynamic and clean .
The thiel diamond tweeters are very nice especially with strings and voices , the attack of those high frequency units is phenomenal.
At the moment i just buy more records i enjoy especially flamengo music ,Manitas de plata being my favorite LP to spin
very nice and dynamic sound , makes me wonder why i should spent more.
Nagra PL-P
very dynamic/clean sound and very precise tends to be a bit on the dry side of neutral
Krell EVO 400 mono
Very clean and dynamic sound , has to be under power a day to get the warmth in.
Koetsu urushi wajima
very good cartidge, very dynamic great tracker not a dust collector. beatiful with voices
van den Hul the condor
Open body so you have to be careful with it , great detail and dynamics light tracker
andromeda audio illusion diamond
My own designs . They will stay within plus /minus 1,5 dB bandwith measured from 250 hz till 19 khz , measurements under 250 hz are very roomdependent
van den Hul Vde hul condor
My repaired condor with the coilwires now shortened and behind the red cloth
Koetsu Urushi
Urushi wajima again just before switchig to the Condor , Tracking weight 1,80 gram and all the settings are written down
SME 20/3 A
its finally playing my favorite record ,Flairck :de eerste dag na je vertrek . meaning the first day after you left.
sme 20/3A
Assembling the sme together with the importer takes me back to my youth ,assembling kit aeroplanes just kidding , man o man a whole lot of parts and the build quality is very good a lot of pride of ownership . maybe not at first glance but surely after you have assembled the whole thing
sme 20 / 3a
screws and bolts , but a beautiful piece of construction
sme nice
in between
sme 20
A lot of parts
sme sme
turntable
sme new
this record clamp is heavy
vd hul condor
sounds much better than the vpi arm /table combination , but at a price difference of course ,
SME Series V
A light and a bit fragile feeling in comparison to the heavy jmw arm , but is a breeze to adjust and produces a precise sound
koetsu wajima
Now mounted in the sme arm and playing its first tunes , i ll make a comparison after a while and write my expiriences down
koetsu and sme 5 wajima
Japanese laquer
unknown , i ll ask! acoustic absorber
acoustic panels , filled with ??? 120 cm , 60 cm 17 cm thick
absorbers ?
room wih absorbers and measuring microphone (not in use). good stuff
koetsu vd hul modified koetsu urushi
A koetsu wajima with a vd hul 1 stylus
london(decca) super gold
My new reference cartidge moving iron(i think) with a comlete different technique of turning movements into electrical signals , output 5 mV so no transformer needed i think i plug it into the mm of the pre
london super gold
MY new reference cartridge taken after a couple lps , and it doesnt sound dissapointing , first of all the transformer of the nagra is taken out of the signalpath , and it actually sounds very good but different fom normal mc s , but its to early for fianl comments
ayon audio spirit
look im an audiofile , check out the cables
ayon audio spirit
tubes
Convergent Audio Sl 1 ultimate mk 2
my new toy , first impression heavy , it has the legend front panel
System edited: The MM cart ,london decca super gold is my new reference cartridge . I m astoundid by the level of resolution on (some) good recordings . A new level of dynamics ,detail, musical drive/speed . Youre talking " live sounding" . A real surprise
System edited: Thanks ,I ve uploaded a picture as it looks now , ive put some dampening material on the walls ,ceiling and behind the speakers , it definetely needed some more dampening. I live about 8 months in the new place and im also looking for some cool diffusors , and bass traps to ad . I dont like it overly damped though.
Hello peter , No i did not hear a sme table before i bought the sme 20/3 , i did hear a sme 10 very briefly at a show but that system was situated in a great big hall so i couldnt get a opinion. I based my buying merely on M fremers review of the sme 30 and indeed the 20/12 not so long ago . I thought a upgrade of a model that was succesfull and existed for so long must be good. But i personally cant tell of any difference between the 2 , i dont think you can go wrong with either of them.
I got good news for analogue junkies like myself , i kind of developed an opinion about the london decca super gold .
Here it is : -Its cheap . -Its got history. -There is no need for transformers and i certainly dont like transformers with a core in the signalpath (i dont know what kind is in the nagra) , i use only air core for that matter in loudspeakerfilters. - the sound is dynamic and in your face ,it gives body to the sound , kind of like the "reassurance" cd gives . -it makes the koetsu(vdh mod) sound slick and smooth and the same goes to the condor although to a lesser extant. - yesterday i went back to the koetsu but i changed later that day again , that certainly should say something. -It makes me longing for the london reference , i think it should work well with the kondo (with phono ) as it has a built in phono mm amp with tubes and a lot are raving about that one although the plp is a very nice tubeamp to .
My reference jazz drum record : "Explosive drums" from the black and blue label ,with jo jones , cozy cole and others sounds more in your face /more body/dynamic and also very detailed .
System edited: Check out my added systempics , the urushi is now vd hul modded(vd hul 1 stylus ) My London(decca) super gold has arrived with recordbrushes also london.
Thanks , i am trying to establish my own brand but thats not so easy. I have my first review coming up shortly in a mag here in holland , and a good one also . I strive for full range and very accurate frequency resoponse and as dynamic as i can make them. Yeah building your own is a very much an adventure.
System edited: added systempics of acoustic absorbers , made a couple myself and i bought 2 big ones as shown. The change is very well worth it , an appartment like mine suffers from ringing a lot . Now the higher freq seem to be much more damped and under control. I have to(can) increase the volume a bit more than before , and the bass seems to be stronger , more pronounced and much better defined. It sounds very good at the moment.
{http://hometheaterreview.com/london-super-gold-cartridge-reviewed/} Ive ordered such a cartridge , its a moving iron with a complete different technique of putting movements into electrical signals , you also dont need a phono pre it can go straight in the nagra line input( 5 mV). My koetsu is getting a vd hul needle this weekend if he(mr vd hul ) is not abroad .
Yeah lucky for you, i doubt the +- 30 mm bigger platter will make much difference sound wise any way. But hey the koetsu might be even better to my ears sound wise than with the koetsu tip. I informed about the vdh 1 tip today , its the same tip for all the models . Everything can be renewed for a price , coils ,rubber suspension , boron cantilever , tip, output (amount of coilwindings . I learned something today as well , one can check both channels for resistance to see if there are any faults.
Dissaster happened , i dropped the urushi to the side of the record and the diamond seperated from the cantilever . Shit happens , i informed about koetsu repairs and oh boy they take long and cost a shit load of money. The problem is the sort of foam platter surface of the sme , the sme platter is considerable larger than a record and if the neeedle drops in the foam the diamond sort of hooks and then you know what happens . I think im gonna have a top vd hul diamondtip(v d hul microline ) installed on the koetsucantilever it wont be a koetsu anymore , but its a much cheaper solution and oh boy how i like my vd hul condor back on the sme , it sounds just more exiting/ livelike. Although ive said at one time the other way around , but the condor is a stayer, and who knows what a custom koetsu /vd hul sounds like , it keeps the hobby a live .
vinyl still rules and its still cheaper than changing to a different " the best" 10000 $ digital player every year
So i checked the speed tonight after i saw the lockspeedlight on the motorcontroller blinking, meaning it was not holding a correct speed . I put on the stroboscoopdisc suplied by sme and adjusted the speed while pressing some buttons i did need to adjust it a bit . Its nice that adjustable feature it feels secure you can check and adjust the speed at all times . Further i ve now come to a certain point that i want to rearrange my new appartment acoustically , ive looked around at all kind of absorbers diffusors and basstraps . I need to do a lot of work to control and damp reflections , i dont have roomacoustic measuring tools so im just gonna play around with it and listen.
{http://forum.zelfbouwaudio.nl/viewtopic.php?f=7&t=12736} If you scroll down there are more pics ,they weigh over 500 kg incl 90 kg copper for the transformers
And there is more , i stumbled today on this site a couple of guys here in holland are making monstrous tube amps built around gigantic triodes , much bigger than the 833. Im gonna pay them a visit in the near future
The tube boxes in the top can be clicked upon to get different menus http://home.tiscali.nl/fishbowl.amping/inleiding.html
System edited: Some more pics and yes the sound is more structured , a bit unexpected actually a more upclass turntable can make a considerable difference , Fleetwood mac live sounds "almost" like the concert although i hadnt given that record much attention the vpi made it sound blurred in comparison
NO i dont build them myself , i have them build woodwork is a craftmanship by itself , i use "waterproof" MDF which has more glue in it than normal and its heavier. I design them myself , i will in the future use other materials , aluminium , polymeer stuctures and others maybe, but i still think you can built a good speaker with mdf and keep cost low with good internal bracing . The fineer is gewaterd esdoorn i dont know the english word. The thing i do want to tell you is you need good measuring equipment to built a good speaker. The accuton diamond is something , very smooth/detailed/natural and snappy , it can really '" hit" you in the ear . I might use scanspeak tweeters also in the future , i wish scanspeak made a nice midfrequency unit with a higher efficiency than they have today
Being a speaker builder myself, I'm really intrigued by yours. Can you talk a little about the cabinets? Did you build them, if so what materials do you like to use and what type of finish do you use? You're the only one I know of that has used the accuton diamond.