Room Details

Dimensions: 16’ × 14’  Medium
Ceiling: 8’


Components Toggle details

    • Pro-Ject 2-Xperience Classic Acryl
    turntable and arm
    • Denon DL-110 HOMC
    cartridge
    • Audio Sensibility Impact SE
    phono cable
    • Bryston BCD-3
    CD player
    • JPS Labs Digital AC-X
    power cord
    • Acrotec 8N-A2080 Mk 1
    RCA interconnects
    • Belles Aria preamplifier
    preamp
    • Cardas Audio Quadlink 5C Power Cord
    power cord
    • Belles Aria monoblock amplifiers
    amps
    • Cullen Cable Gold
    power cords
    • Isotek Sigmas EVO3
    power conditioner
    • Isotek Synchro EVO3
    power cord with DC blocking, etc.
    • Furutech GTX-D(G)
    wall receptacle
    • PMC Twenty.24
    loudspeakers
    • Wireworld Equinox 7
    speaker cables
    • Wireworld Equinox 7
    bi-wire jumpers
    • Audio Sensibility Testament Grounding Devices
    • Soundocity outriggers
    • Herbie's Cone/Spike Decoupling Glider
    speaker footers
    • Sanus Systems Component Foundations
    5 shelf rack.
    • GIK Acoustics 244 Bass Traps
    • GIK Acoustics 242 Traps
    • GIK Acoustics FreeStand Acoustic Panels

Comments 23

everything is good but the turntable lol

made in china is the best quality

digitalviper

A beautiful room and system.
Happy Listening!

jafant

Thank you for your post with a link to the LKV Research Veros PWR+ Class A+D amp.Your system is sweet.You may enjoy http://lkvresearch.substack.com

orangemath

Nice set-up!  I have a Belles Aria Integrated that looks identical to your pre. Great amp!  I also use Cullen Cables lower cords and gik panels 👍

b_limo

Beautiful system! Happy New Year.

jafant

Could you go into more detail why you liked the Spendor Classic 100 over the Spendor D7?  The two speakers use different tweeters.  The one in the D7 is supposedly more detailed, and as one reviewer thought, it sounded brighter to him.  The Classic 100 is probably more laid back (musical?).  I would guess it sounds more like a Harbeth speaker which I am familiar with.
Your thoughts will be appreciated.

mushka

Owner
Embarked on a brief run-through of the Beethoven piano concertos, with a different soloist/orchestra/conductor/venue for each.
Struck by how much more clearly the system as it now stands lets me differentiate not only the different acoustics of the different halls, but also the different recording techniques/philosophies adopted by the sound engineers.

twoleftears

Owner
After only a few hours, it's sounding more solid, fuller, more body, and there's also a greater sense of ease to the music.

twoleftears

Owner
Isotek power conditioner arrived and installed.

twoleftears

Owner
Added some new components, and have finally got around to adding the corresponding photos.  One more new component pending...

twoleftears

Did you get a chance to hear the Spendor D9 or ProAc D48R?

milpai

Owner

Rogue is the newest component here, which brought about the switch back to Acrolink from Wireworld XCRs.  For their age they sound great.

Next up: currently seeking a better power conditioner.  Stay tuned.

Later: Bryston BCD-3 (or possibly that Mohican...).

Later still: who knows?  Rogue separates, perhaps.  Certainly, eventually, get-off-the-merry-go-round speakers.  The current shortlist (VA Liszt, ProAc D48R, Spendor D9) will surely evolve.

twoleftears

Twoleftears, a note to say I found your discussion thread ("forward vs. laid back" speakers) very interesting indeed. I too have listened to many speakers in the past (including a number on your list) and I read your impressions with great interest. I think we have similar preferences and I agree with your comments on reviews. I take them with a large grain of salt. I just had to come & see which way you jumped! I have not heard the 24's but I am sure I would like them. I picked up a second hand pair of Proac D38's which I am running with tubes. I am yet to hear anything else that moves me to spend cash and buy them (including the Proac D40's). Thanks for your great posts!  Enjoy.

rothwea

Thanks much for the details. Much appreciated. Yes, in this hobby, better to focus on the musicality than the accuracy. I am sure your system sounds excellent with the PMCs in place. I have always wondered about the PMCs, ProAcs and ATCs. Spendors is another brand I am researching. But I am in no rush to buy, since last night I was able to dial in my speakers and coax out some of the best music out of them, till date. Of course, all thanks to my new room.
Enjoy your music!!

milpai

Owner
Had the ProAc Response 2.5s for many years; in fact I still have them, moved over to my "secondary" system. When I got them they were paired with Cary SET. The ProAcs are now perhaps 17 years old. I wanted a similar sound signature with a bit more bass, and definitely considered newer ProAcs, but even here on A'gon a used D40 was expensive compared to what I got the 24s for. I auditioned the 24s extensively and really liked what I heard. I wrote about my search in the thread on "forward vs. laid back" speakers that I started a while ago. I also really like the VA Beethoven Baby Grands, but again they are just a little lacking in bass extension. Of the PMCs, I heard 23s and 24s and Fact 6s, but the Facts sounded a bit clinical to me compared to the twenty series, which were a tad warmer and more welcoming (perhaps they're slightly less "accurate" but that doesn't worry me). Combined with the Ayre and the Wireworld cables, I'm getting just the amount of warmth that I was looking for. Fine tuning of the treble can be managed by aiming them straight ahead or toeing in very slightly.

twoleftears

Twoleftears,
Can you please let me know a bit of your journey from ProAcs to PMC? What Proacs's did you have before? Why did you move to PMCs? What do you like about the 24s? Did you consider the FACT series?
I am considering these speakers as an upgrade path. Sorry about too many questions.

milpai

Owner
System edited: Multiple changes--pretty much everything save the source components. Close to done for now. Still breaking in, but sounding good.

twoleftears

Owner
Many thanks!

The Cary is actually a power amp. I think it's pretty rare. Years ago I found one other person on 'gon that had one. If you search Google Images, the photo from this thread is the only one that shows up!

It's built on a large chassis (that Had used for his 845-based models), unlike the small-chassis 300B Cary monoblocks (and integrated) that a lot more people had. The 301 squeezes out a couple more watts than the monoblocks. This was before Cary went over to the new-fangled 300B's.

twoleftears

That's a great system that you have assembled. I've great things about the proac. Love the Cary integrated- I've never seen one before. IMO, My AR turntable beat the pants off of my $1200 MMF-7. Hope you are enjoying your es-1.

skateman

Nice system. I think it's time for you to get a flat screem TV and cover it with a tapastry when listening to music. It will make a large difference. Before I covered my screen I had issues with center imaging, it seemed to move a little in both directions, but covering took care of the problem. I also agree with Shadorne, try to get the TT out of the corner. Too much low bass in the corners of a room.

hevac1

Owner
System edited: Small but significant change. The Proacs are now another 3" (4' 3" total, measured from front center of speaker) out from the front wall, and hence 2' 3" out from plane of TV screen. While moving them I also took the opportunity of rerouting the speaker cable. Overall a definite improvement.

twoleftears

Hi, go to Home Depot and buy a bamboo window blind to cover the TV when your not viewing. If you don't like it you can return it, but I think it is worth a try.

elescher

Great gear - I realize you are just beginning to get setup - just a thought but it might not be an improvement to move your tubes and TT away from the corner (avoid microphonics)

shadorne

Showing all 23 posts