Description

This system brings lots of enjoyment. My room is 20 feet by 30 feet with 12 to 18 foot ceiling. This is a very open and live sound not much damping to the system.
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Components Toggle details

    • Modright Oppo 105
    Modright tube modded Oppo 105 with separate tube regulated power supply sitting on top of sound anchor mount in wall stud
    • Basis Audio Debut Gold mkV
    Basis Debut Mark V with Vector Arm Vacuum hold down platter with ZYX Ultimate 2 Cartridge sitting on Sound Anchors Wall Mount in Stud
    • Valve Amplification Company Signature 2A
    VAC Preamp with Separate Power Supply
    • Aesthetix Io Eclipse
    Io Eclipse with Dual Mono Power supplies
    • Valve Amplification Company Phi 300.1a
    VAC Phi Monoblocks
    • ESP Loudspeakers Harp
    ESP Harp Loudspeakers with two 10 dual voice coil woofers, two 6.5 inch Kevlar Scan Speak Mid's, two 1 inch Seas Tweeters (One in front and second on side out of phase and 6db lower than front) Drivers in front D'Appolito Array
    • ORB ORB Destat
    Battery Operated Destat Device
    • Audio Desk Vinyl Cleaner
    Ultrasonic Record Cleaner
    • Richard Gray 1200C
    Pair of power conditioners
    • Basis Synchro Power Supply
    Electronic Speed Control
    • Siltech 770
    Speaker Wire and Interconnects
    • Coincident Extreme CST PC
    Power Cords
    • Victor Model 1
    Original Wind Up Phono made in 1903
    • Rockport Technologies Altair
    Four Way Full Range Speaker

Comments 114

Showing all comments by salectric.

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I did a little searching on the archives and there are a number of comments on Audiogon regarding the superiority of original pressings. One of the threads I ran across is this one from 2006:

http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1165873512&openusid&zzSalectric&4&5#Salectric

I do have to admit that a number of vinyl lovers do not agree. I think it comes down to what you are listening for---somebody who values clean, low-distortion tracking above all else may prefer reissues. Somebody who values natural tonality, lively dynamics and emotional involvement will prefer the originals.

salectric

It brings to mind the story of "The Emperor's New Clothes." I haven't bought audiophile reissue LPs for 4 or 5 years for just this reason. No matter what degree of "care" in the mastering of the reissue, or which big name engineer is in charge of the remastering, or what price or whether it is 45 or 33, I find I almost always prefer to play my older copies.

I have to add a caveat. While this definitely applies to jazz and the occasional folk/rock LP that I've bought, I don't have enough experience with classical LPs to be sure this applies to them.

salectric

Jeff, I know what you mean about the sound of original issue LPs as compared to modern reissues. It seems counter-intuitive given all the attention paid to reissues these days, but I consistently prefer originals and early reissues to the "audiophile" reissues available today. Sometimes I wonder if the reviewers who, just as consistently, go bananas over each new audiophile reissue have ever listened to an original. If they did, surely they would hear the same thing we do. Fortunately, original issue LPs (and early reissues) are still available for the music I listen to courtesy of Ebay. I have had the occasional over-rated lemon LP but the vast majority of my Ebay purchases have worked out just fine.

salectric

Jeff, After the Absolares are broken in, I would be interested in hearing your comments on the sonic differences between them and the VAC gear. Some photos would be nice too!

Did you get the Absolare stands for the electronics? I saw some photos of them a while back and they were beautiful.

salectric

Wow, you have an amazing system! I have no doubt that it sounds great especially with the new Absolare components. I look forward to reading further comments on them after they are fully broken in. Did your Absolares include Duelund CAST caps?

Dave

salectric