Jazz Lover's Vinyl System

by salectric on Done For Now

Description

I have been experimenting with hifi equipment for over 50 years trying to get my jazz LPs to sound their very best.  I started out making a lot of equipment myself, mostly out of economic necessity, but I returned to DIY simply to get the sound that I want. It's also more satisfying to design and build something than it is to be on the audio merry-go-round where nothing is ultimately satisfying. In general, I like a warm, detailed, dynamic sound with good rhythmic pacing. I also want my speakers to sound like a single driver, not a collection of several drivers all sounding a little different. 

One thing that has remained constant over the years is my love for straight-ahead jazz especially from the late '40s through the '80s. I particularly enjoy jazz guitarists such as George Barnes, Bucky Pizzarelli, Wes Montgomery, Kenny Burrell, Charlie Christian, Jim Hall, Barney Kessell, and Oscar Moore.  Jazz probably accounts for 70% of my listening, but I also listen to classical chamber music.  

I generally prefer the sound of the original issues of LPs or early reissues, in contrast to the reissues sold today by "audiophile" labels. For whatever reason, most modern reissues just don't have the natural sound that records pressed in the 1950's and 1960's have. I would rather put up with a few ticks and pops and even some occasional distortion when listening to a used record from that era than listen to a modern reissue which may sound clean and pristine but also processed and less natural.
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Room Details

Dimensions: 21’ × 15’  Medium
Ceiling: 9’

Components Toggle details

    • Western Electric and YL Acoustic open baffle
    Deja Vu Audio speaker with all vintage components--Jensen A15PM woofers in open baffle, Western Electric 32A horns with YL Acoustic 5500 compression drivers, and Electro-Voice T-350 tweeter.  700 Hz and 9K crossovers.  Internal wiring is Audio Note Lexus and Audio Note SPx..
    • Galibier Gavia
    with Gavia platter (32 lbs). Dynamic, detailed and musical.  The table has the updated Galibier high-torque motor and new controller circuitry.  It is powered by a Teddy Pardo power supply.
    • Fidelity Research FR-64S
    • Analog Instruments Siggwan 12
    A 12" unipivot arm made by James Grant in New Zealand from a single piece of cocobolo.
    • Triplanar VII.2 Ultimate
    • Benz LP
    • Koetsu Black
    • Denon 103R
    • Audio Innovations T2
    Step-up transformer
    • EMIA Intact Audio MC Stepup Transformers
    • DIY D3a/5687 Phono
    My main phono preamp is a 2-stage tube phono circuit with passive RIAA equalization. The first stage is a Siemens D3a (in triode) and the second is one-half of a 5687. Each tube is biased with LEDs. The outboard power supply uses a 5R4GY rectifier, a vintage Chicago choke, and Blackgate WKZ filter caps.  The audio circuit uses a number of Audio Note Silver tantalum resistors. Interstage coupling caps are .1uf CuTF V-Caps.  Intact Audio output transformers.  

    I experimented with a number of audio circuit topologies and power supply designs, as well as component types, before settling on this particular setup, so it's no surprise that I like its sound very much.  Aside from sound quality, it is also very quiet, more so than any of the 4 or 5 solid-state phono preamps I've tried.     
    • Emotive Audio Epifania Custom
    • Slagle Autoformer passive attenuator
    • Western Electric WE 124 amplifiers
    DIY version of the WE 124 amplifier with Acrosound TO-330 output transformers and vintage Collins chokes.  RCA 6L6-G output tubes.
    • Emotive Audio Vita monoblocks
    • DIY 6L6GC Monoblocks
    • DIY 46 SE Monoblocks
    Single-ended 2-stage amps with Electra-Print output transformers.  A Western Electric 417a driver feeds a RCA 46 output tube via an interstage transformer made by Dave Slagle of Intact Audio.  The driver stage has voltage and current regulation with a CCS feeding an OD3 gas tube.  Choke-input power supply with 5R4GY rectifier and BlackGate WKZ filter caps.
    • Audio Note Sogon and Vx
    • Audio Note Lexus interconnects
    • Audio Note SPx speaker cables
    • Audio Note Lexus speaker cables
    • Ocellia Reference power cord
    • Cardas Clear Beyond XL power cords
    • Audio Note ISIS power cords
    • Massif Audio Design Equipment rack and amp stands
    • Sound Anchors Turntable Stand
    • ASC Tube Traps
    one trap in each corner behind speakers
    • Loricraft PRC-3 record cleaner
    • DIY Tube DAC Non-Oversampling
    Digital board has AD1865N chip and vintage caps and resistors.  Audio portion uses Western Electric 407a with tube rectifier and BlackGate WKZ filter cap.
    • Cambridge CXC Transport

Comments 96

Showing all comments by grannyring.

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Strange stuff this audio business. I use the WE16ga wire now because I found it full bodied and smooth. It bested cables both copper and silver cables I have that cost thousands. Very interesting comments on your experience. Wonder what about the combination of your gear gave a different result?

It is very natural and organic sounding in my system as others have experienced. This is why it is impossible to say something is this or that in this hobby. Fact is wire or gear seems to not perform the same system to system.

I dislike thin sounding gear do we are on the same page on that attribute.

grannyring

I noticed your input on a WE16ga thread. Did you like the wire? I see you are not using it in your system as your speaker cable. Great stuff at $1.39 per foot! Silly good for this price really.

grannyring

Did you ever put the TC caps in the power supply of your amp? Love to hear your findings. Also curious what you thought of the Western Electric WE16ga NOS wire as speaker cable? I think you tried some in the past?

grannyring

Guess I never looked at your turntable before and oh my....so nice! I am not an LP guy, always interests me, but I bet your analog rig sounds fantastic!

grannyring

Thanks for the tip!

grannyring

I am thinking of using these GE97F caps as bypass caps with a large 2000uf computer grade can capacitor. Perhaps a 50uf value as a bypass.

grannyring

Meant to say the gear I use and their design. I don't design, just play and mod. Ya, that is lots of capacitance.

grannyring

The GE and ASC don't seem to go over 60 uf or so. Not enough for the gear I use and design. Need a couple of thousand uf on the B+ and bias supply. At least that is what I like. That is why the Clarity TC is interesting.
They offer up to 600 uf at 450 to 600 vdc.

The GE sound interesting as I had read that the ASC are fantastic. I would have to run dozens in parallel....ha!

grannyring

Hope you don't mind me asking this question on your system thread. Have you ever tried the newer Clarity TC high voltage caps in a power supply before? They strike me as the best option for replacing electrolytics when both high uf and vdc values are needed.

grannyring

Thanks for all the info and nice job on your design. Very impressive work to design your own crossover.....no small endeavor for sure. Folks like you really inspire me to continue learning and building. Thanks again.

grannyring

Yes, looking forward to your pictures!

grannyring

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