Description

My objective is to duplicate the sound of a good jazz venue as best I can. I'll never match it but getting close is fine. I've had various audio components through the years and tubes particularly DHT tubes/ASSET have gotten me the closest.  So this is where I will settle down and appreciate.
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Components Toggle details

    • BPT Signature 3.5 plus
    Balanced AC power is fantastic !! 1800va balanced isolation transformer/conditioner.  All aspects of music reproduction are improved for every single component.
    • Tripoint Tripoint Troy.
    A wonderful grounding box component. When added to my system it increased the sense of natural sound quality and emotional engagement. The Troy has a humanistic and “soulful “ quality to it.
    • Coincident Speaker Tech Total eclipse 2
    This wonderful speaker is transparent,open and involving. It`s large yet completely disappears as the source of sound within the room. Very easy to drive,94db and 14 0hm impedance (Minimum 10 ohm). I replaced the stock Solens capacitor with the Duelund CAST in the crossover.
    • Coincident Statement linestage
    Superb performance. In my opinion , a masterpiece by Israel Blume. As would be expected, a wonderful match with its sibling the Frankenstein MK II.
    • Coincident Speaker Tech Frankenstein mark 2
    A terrific 300b SET amplifier that is the foundation of my system. The EML XLS 300b tubes are a superb match with this amplifier.  

    Acquiring these 300b SET mono blocks changed the course of my music listening experience. They elevated the emotional engagement, tactility and “breath of life “ realism.
    • Yamamoto YDA-01
    Wonderful music lover's DAC that has a very natural/organic sound quality. Duelund CAST addition(output coupling capacitors) makes it sound even better. It has a very minimalist circuit/design that was implemented well.
    • Ocellia Silver Reference IC
    Very natural and pure sounding with excellent tone and timbre preservation.
    • Ocellia Silver Reference Speaker Cable
    Same qualities/ comments as the IC.
    • Star Sound Technologies Sistrum Apprentice component platforms..
    These Star Sound platforms are mandatory in my system. Effectively managing resonance and vibration leads to a very noticeable sound improvement with every component and especially the speakers. Excellent product.
    • High Fidelity CT1 Ultimate Digital cable
    A highly impressive digital cable that mates beautifully into my system. Contributes to the natural sound presentation.
    • Pro-Ject Audio Systems CD Box RS2T
    This is a superb Redbook CD playback transport. It’s both high resolution and impressively natural.

    . I’m  using the  excellent Fidelizer Nikola II LPS. Splendid pairing.  
    • Lavricables Grand and Master series Power Cables.
    Pure silver wire and unshielded power cables. These are used with all of my audio components. They are very open, transparent, high resolution with beautiful natural tone and timbre presentation.
    • Abbas Esoteric Audio 3.2SE
    Built by renown Ukrainian Abbas Zulfugarov. NOS DAC utilizing the classic Phillips TDA 1541 multi bit chip. Two 6080 tubes in the analog stage. 5 various rectifier tubes in the power supplies.

     3 separate toroidal transformers (And 2 chokes ) for the power supplies.A very serious and successful upper tier DAC implementation. Using with the Abbas SPDIF and power cable.
    • Frankenstein tubes.
    Tube complement 
    EML XLS 300b output.
    RCA 5U4G rectifier (1953)
    RCA 6EM7 driver (1960s).

Comments 1956

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"When one makes a system change it can throw off the fine tonal balance and require a cable change"

It can also affect sound stage and imaging and might require some tweaking with speaker placement to get right again.

mapman

I've had some interest in trying a passive pre-amp in my second system.

I did an experiment the other day running my mhdt paradisea tube dac directly to the tad hibachi monoblocks. Each monoblock has an input level adjustment pot that can be used to control volume. This bypassed the NAD unit I use normally as a (active) pre-amp. So this was source running directly to amp and using pots on teh amps to control volume.

The sound was much warmer this way. Much different from all the other A/V analog sources I use in this system (tuner, VCR tape, phono, DVD player).

I think this helped me realized that that a passive may be best for letting the sound of specific source devices come through, whereas with teh active pre-amp, all sources have more of a common sound, provided by teh pre-amp, although each still exhibits unique attributes of each source.

The tube DAC sounds unique and changes with different tubes and is distinct from teh others still but all share an inherent touch of warmth with moderate detail imparted by teh NAD (pre-amp section of an 80's vintage 7020 receiver).

mapman

Charles have you tried or heard any good class d amp setups in recent years?

I'd be interested in your observations regarding how a good class d amp setup might compare to a good set based one.

Class d has really won me over. It's a totally different beast than any comparable class a/b ss amp. Class a is a different story as well tube or otherwise. I'd be much quicker to jump on the tube amp bandwagon I think if not for class d. I think it has hit its stride recently for "high end" home audio and still has huge upside down the road as well.

I had a class g amp as well a bit back. That one never quite seemed to fire on all burners properly in my experience.

mapman

Rebbi, I think your audio dilemmas will be trending on the internet shortly, soon to replace Kim Kardasian and her unique assets for the better. :^)

mapman

Hmm, as I recall, the Decapos made a similar difference as well at first, right Reb?

Like I said its fun to try new things. Its relatively easy to do in audio. I sometimes wish I did not like my setup as much as I do so that I could have some fun with new toys, but I keep choosing to just enjoy the music, for now.

mapman

On the other hand, they are only speakers. There are many nice sounding speakers in the sea. You just gotta find teh right one (to fit in with your needs). Its fun trying new things. If it doesn't work out just sell again and move on. The worse thing that can happen at each stage is that it likely sounds very good but not perfect. Oh well. That should be the worse thing that happens to us. :^)

mapman

"When two credible perspectives are so polar it makes me wonder what accounts for the wide gap."

No two cases are exactly the same. It is always interesting to learn about how different people react to similar experiences and try to figure out why.

mapman

I have to admit I am very ambivalent when it comes to technology. I am always interested to see how new innovations like Class D amps fare up against the older competition with more of a proven track record. I am interested in all technology old and new. I would love to own a modern Victrola in good working order for example. There is an old fashioned general store nearby whose owner refurbishes and sells Victrolas. They sound lovely playing in there! I will own one someday. Maybe a SET as well. :^)

mapman

Dan, thanks for that. I am interested to hear how it works out.

mapman

"There always seem to be differences when it comes to comparing audio components."

You can bank on that! Just like taxes and the other thing. :^)

The other thing one can bank on is it always pays to do the homework up front which includes sampling a lot of information and individual viewpoints.

mapman

Brf,

That's interesting and perhaps a bit surprising but one has to keep in mind that technical specs and matches alone do not dictate how good something will sound, only that the things involved are able to do their own thing together technically to the best degree possible. Each thing is different and personal tastes and preferences will vary. So technical considerations can be used to steer one in a good direction with a better chance of success perhaps but alone cannot guarantee the desired results.

I;'ve never heard either Decapo or Coincident so I have no clue how they actually sound. On paper though, Coincident would seem to be better suited for tube amps in general. Of course SET amps up the ante for teh speakers to be able to deliver on just a few tube watts, so not all tube amp friendly speakers are necessarily the best match for a SET.

It all depends, like usual, on an individual's own personal goals and perhaps to a lesser but still important extent their budget.

mapman

Charles

No doubt. Two radically different approaches. The amp is just one ingredient in the recipe. I find with the amp I'm using at least that it allows the other ingredients to shine through including the clean just a touch warm but detailed sound of the audio ref tube preamp. My speakers dictate the approach with the amp.

In my other system. I have smaller versions of the same speaker run of tuba audio design hibachi amps and I use a tube dac to achieve a similar sound. Lots of ways to make good soup. Building around a set is one I might try sometime but I would expect similar results as well in that I am always shooting for the same target in terms of how things sound but perhaps to different scales in different cases depending on the room

mapman

BTW,

I hope Charles does not mind us hijacking his thread to talk about these things.

mapman

Reb, yes I thought you did something like that at some point but was not sure.

That BC is OK for the price but not the best match based on input impedance for a tube pre-amp, so more might have been possible there. Of course all combos will sound somewhat different.

FWIW I leave the power on with my Class D amps all the time in that they draw virtually no power when idle but mostly to avoid having to turn them on. I also keep my SS DAC on most of the time. I do not play CDs, but to play music, I just turn on the ARC tube pre-amp and touch my SB touch and that's it. Just saying.... There are many ways to skin the cats.

mapman

Also I wonder if anyone has achieved optimal SET like performance using a tube pre-amp with SS amp, maybe Class D, to add the tube magic but also be able to drive most any speaker of choice?

I do that in my system and think it works pretty well but my SET listening experience is limited to just a few auditions at shows, etc.

mapman

Another possible solution is the Zeros impedance matching transformer but these would add some cost that might just as well be applied towards a better match in speakers.

mapman

Don't turn back. Forge ahead. Offloading the bass to a powered sub or two with the existing Decapos would likely solve your problem with the best of both worlds and leave little to want. Martykl is the champ of integrating tube amps with subs around here. Maybe see what he has to say.

mapman

Open baffle 4 ohm speakers with a SET does not sound like a great idea on paper at least but every combo will have its unique charms. Heck even old 78 rpm recordings with very limited frequency response have some very distinctive transients and will catch my ear, even if played on a Victrola. SO you just never know for sure what might "sound good". Sounding good and good performance are two different but related things.

mapman

Is it just me that has difficulty equating the name "Frankenstein" with beautiful music? In an ironic manner perhaps.

Nice amps. I'd change the name myself though it might have some appeal to classic horror fans. Are many of those Audiophiles?

Dynamo is much better! That can stay. :-)

Names probably should not matter, but often do.

mapman