Description

My objective is to duplicate the sound of a good jazz venue as best I can. I'll never match it but getting close is fine. I've had various audio components through the years and tubes particularly DHT tubes/ASSET have gotten me the closest.  So this is where I will settle down and appreciate.
Read more...

Components Toggle details

    • BPT Signature 3.5 plus
    Balanced AC power is fantastic !! 1800va balanced isolation transformer/conditioner.  All aspects of music reproduction are improved for every single component.
    • Tripoint Tripoint Troy.
    A wonderful grounding box component. When added to my system it increased the sense of natural sound quality and emotional engagement. The Troy has a humanistic and “soulful “ quality to it.
    • Coincident Speaker Tech Total eclipse 2
    This wonderful speaker is transparent,open and involving. It`s large yet completely disappears as the source of sound within the room. Very easy to drive,94db and 14 0hm impedance (Minimum 10 ohm). I replaced the stock Solens capacitor with the Duelund CAST in the crossover.
    • Coincident Statement linestage
    Superb performance. In my opinion , a masterpiece by Israel Blume. As would be expected, a wonderful match with its sibling the Frankenstein MK II.
    • Coincident Speaker Tech Frankenstein mark 2
    A terrific 300b SET amplifier that is the foundation of my system. The EML XLS 300b tubes are a superb match with this amplifier.  

    Acquiring these 300b SET mono blocks changed the course of my music listening experience. They elevated the emotional engagement, tactility and “breath of life “ realism.
    • Yamamoto YDA-01
    Wonderful music lover's DAC that has a very natural/organic sound quality. Duelund CAST addition(output coupling capacitors) makes it sound even better. It has a very minimalist circuit/design that was implemented well.
    • Ocellia Silver Reference IC
    Very natural and pure sounding with excellent tone and timbre preservation.
    • Ocellia Silver Reference Speaker Cable
    Same qualities/ comments as the IC.
    • Star Sound Technologies Sistrum Apprentice component platforms..
    These Star Sound platforms are mandatory in my system. Effectively managing resonance and vibration leads to a very noticeable sound improvement with every component and especially the speakers. Excellent product.
    • High Fidelity CT1 Ultimate Digital cable
    A highly impressive digital cable that mates beautifully into my system. Contributes to the natural sound presentation.
    • Pro-Ject Audio Systems CD Box RS2T
    This is a superb Redbook CD playback transport. It’s both high resolution and impressively natural.

    . I’m  using the  excellent Fidelizer Nikola II LPS. Splendid pairing.  
    • Lavricables Grand and Master series Power Cables.
    Pure silver wire and unshielded power cables. These are used with all of my audio components. They are very open, transparent, high resolution with beautiful natural tone and timbre presentation.
    • Abbas Esoteric Audio 3.2SE
    Built by renown Ukrainian Abbas Zulfugarov. NOS DAC utilizing the classic Phillips TDA 1541 multi bit chip. Two 6080 tubes in the analog stage. 5 various rectifier tubes in the power supplies.

     3 separate toroidal transformers (And 2 chokes ) for the power supplies.A very serious and successful upper tier DAC implementation. Using with the Abbas SPDIF and power cable.
    • Frankenstein tubes.
    Tube complement 
    EML XLS 300b output.
    RCA 5U4G rectifier (1953)
    RCA 6EM7 driver (1960s).

Comments 1956

Showing all comments by germanboxers.

View all comments

Charles, perhaps "shove" should be replaced with "punch" or is this just semantics? There is a (very) slight laziness to how the GD's follow the musical line. On 95+% of music I listen to, this is a beguiling quality and enriches my connection to the music. On less than 5% of the music, I sometimes wonder if a little more impact, shove, or punch is truer to the source? This isn't a speed thing in case you are wondering. Transients are lighting fast and perfectly balanced between attack and decay.

On the DruidsV's, I don't remember having these thoughts. The balance between lazy and energetic was perfect as I recall. This is why I suspect the GD's are slightly happier with the DruidsV's 16 ohm load versus the Defs 8 ohm load.

The Franks were more energetic and punchier, but not as revealing of tone, texture, and ambient clues. I think Israel designed the Franks to be impervious to the differences between 8 ohm and 16ohm loads, as long as the limitations of ultimate output power are respected.

Honestly, they are all outstanding amps and I am quibbling over tiny nuances. I would be very happy with any of them. It is only within the distorted state of audiophile criticisms that these nuances get exaggerated. The differences described are real, sometimes meaningful, but on the whole, the Franks, BS's, and GD's are impeccable emotion-conveying amps!

germanboxers

Charles - to your question stated in the Elrog thread: the Golden Dreams reveal more texture and tonal colors; however, there is clearly less "shove" as Phil would say. Interestingly, I did not find this to be the case with the Franks versus the Black Shadows as I've said in the past.

When I first received the Golden Dreams I had already boxed up my Def4's in anticipation of moving back up to Fort Wayne, so I had a recent reference point with the BS's on the Druid V's only. On the DruidV's, the Golden Dreams were significantly better than the BS's in all but macro dynamics. On the Definitions the trade offs are in greater relief. I *sometimes* wish for the BS's, but overall, my connection to the music is greater through the Golden Dreams.

The GD's are marvelously beautiful sounding amps. If they had the Frankenstein's or BS's "shove" on the Defs, I'm confident they would be my lifelong amps. I may remain monogamous; they are gorgeous sounding...I would have to be absolutely sure before ever giving them up.

Take care,
Jordan

germanboxers