Description

For some unfathomable reason beyond me, I am unable to edit or upload pics in my existing(circa 2007)system. Hence, I am adding pics/brief description of the recent changes to my vinyl chain including some new pics of my enlarged and refurbished,dedicated basement listening room.Apart from the vinyl set up, the rest of the system is unchanged from 2006.

In the past 8 yrs I have upgraded/changed my TT four times, gone through 5 cartridges.I am almost embarrased by the naivety of my early enthusiasm for vinyl. This prompted the purchase/cartage of a VPI 16.5 from Chicago to New Delhi. The decapitation of my Transfiguration Orpheus L was a wake up call. The system and sound have evolved in a manner that is consistently pleasing.

Jan 2013

After 7 years the upgraditis flu strikes hard. New speakers, Rockport Aviors, a new pre bought on Agon but yet to arrive, the CJ GAT and drooling over the prospects of large SET monos driving the Aviors.

Baby steps in computer audio with a Macair and Mytek DSD. Initial results...this could be good and I am beginning to understand what all the hype is about despite my initial cynicism.

June 2013

All things vinyl. On that plea decided to do all the vinyl fun things I always wanted to. A restored Garrard 401, a 12" arm, a Ortofon SPU and a Miyajima BE mono cart. This required coordination between Hong Kong(Mint LP),Singapore(source of the 309D,SPU,Miyajima cart and a Ortofon 80 SE SUT),Switzerland(MM card for the Nagra phono stage) and two locations in Delhi for the woodwork and Garrard 401.

Jan 2014

The Final Frontier or Sunnyboy goes bananas or My All Out Assault on Being Done For Now.

The Rockport Aviors arrived in Jan 2013, followed by the CJ GAT in April and after a 11 month wait and several hiccups the Wavac HE 833 V2 mono blocs arrived in Dec 2013.

I guess I am at the pinnacle of a 40 year audio journey. I have achieved all that I could dream of

and much more besides. The best part of the journey are the friends and fellow audiophiles across the globe that I have got to know.

Thanks for looking
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Room Details

Dimensions: 23’ × 14’  Medium
Ceiling: 10’


Components Toggle details

    • TW Acustic AC with Black Knight PSU +3 motors
    Considerably more than half the performance of the Black Knight at less than half the price
    • Durand Talea 2
    A unipivot arm that provides an excellent platform for the best cartridges available today
    • Lyra Atlas
    Top of the line and state of the art
    • Rockport Avior
    3 way speaker with berrilyum tweeter and proprietor carbon based drivers
    • Mytek DAC 192 DAC
    32 Bit handles DSD plus a useful headphone amp
    • REL Acoustics REL GI
    700 Watt sub that goes down to 16hz according to REL
    • Conrad Johnson GAT
    CJ'S current top of the line
    • Garrard 401
    circa 1965 and restored by a friend. All original parts
    • Ortofon 309D
    12" tone arm
    • Wavac HE 833 V2
    DHT SET monobloc 150 wpc with the RCA 833 tube
    • KLAudio RCM
    A superb ulta sonic cleaner
    • Lyra Etna cartridge
    A superb cart that does everything the Atlas does but more muscle and energy
    • Audiomica,Poland Speaker cable,interconnects
    Amazing performance at a sensible price. Way superior to what it replaced
    • Ortofon A95 cartridge in an Ortofon LH 1000 headshell
    An all Ortofon line up : tone arm, cart and headshell
    • Nagra BPS phono
    The battery powered BPS is linked to the Nagra MPS power supply in a all mono set up based on a Garrard 401 and a Lyra Kleos mono cart
    • Lyrita 35wpc GM70 mono blocs
    Superb local made SET mono blocs
    • Miyajima Madake cartridge
    The bamboo cantilever has been mounted on the Garrard 401.

Comments 215

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Hi Sunnyboy
I know it's early days to comment on the Garrard 401 but on first listen my wife preferred it to the main rig which has a Atlas,Talea 2 on a TW AC et al. The wife plays the piano !

Very interesting comment.

I have been listening to my daughter play a 1958 Heintzman upright in our house for the last 12 years. What I have noticed is that it sounds different from every angle in the room which is a long living / dining combination; as well as every other room in the house. What imo makes as big a difference, is the kind of mood she is in when playing. It affects her rhythm and the actual degree of pushing on the piano keys and pedals that she does. The music is louder or quieter as well as going from one to the other differs.

So her mood greatly affects how the piano sounds. Her playing is also an indicator to her dad of how approachable my teenage girl is on any given day based on here playing. :^)

The piano sound in our house is much more resonant and the harmonics on a much grander scale when the piano is on hardwood floors as opposed to a carpeted room which dampens it. The TT being a total resonance, vibration, electro, mechanical process I find this needs to be taken into account. So for me when I was comparing TT’s it was important to consider especially for piano what type of room was used to do the taping or capturing of the event. Studio or Live ? Just an observation.

Very nice system – cheers. Chris

(or she's hoping you'll sell the Black Night rig and spend the cash on her ;-)

lol - They always spend the cash regardless ?

ct0517