Description

Nothing's the best.. but this is good.

I've been through a *lot* of gear in my learning process of the last four years. This system is excellent for acoustic jazz - my mainstay - but very, very good for rock too. And classical.

What I've learned about turntables: Less than other components. I haven't owned a ton of them. I did learn that I prefer the solidity of non-suspended designs. After reading so much about how good restored, vintage idler-wheel tables sound, and realizing their purported strengths lined up with my musical priorities, I took the plunge. My DIY project soon became a total cop-out buy buying a "turnkey" OMA (Oswald's Mill Audio)-restored Lenco 75, with PTP, in their slate plinth, but I could not be happier.

What I've learned about digital: I first learned that I like the sound of NOS DACs. Then I learned that the Audio Note philosophy of NOS coupled with NO filters, transformers for I/V, and valve output with transformer-coupling, produces a digital much better and must closer to analog (YES, analog IS the reference!) than I thought possible for anywhere, anywhere near the asking price. (IOW, dCS and EMM might be better, but maybe not, and at 5-20x the price.)

What I've learned about amps: I like DHSETs! Single-ended amps sound better to me than push-pull, at least in my experience, direct-heated triodes sound the best, and the 45 is about the king of them all. 2A3 is very close... but for me the rest are a ways behind. Unless you spend a great deal of money anyway. (I.E., I believe that 211s can be great - but that's a $20K amp done right.)

What I've learned about speakers: that's the toughest one. I've had & heard so many. After being into low-mid efficiency boxes like most, I got my first taste of hi-eff with single-driver horns. Some of them - like the Lamhorn and the Beauhorn, both of which I owned, are amazing. However, on some material at least, the frequency response anomalies that all wideband drivers possess do rear their heads. After trying the AN/Es, I knew I preferred them. They are perhaps slightly less transparent and slightly less dynamic but what they bring outweighs those weaknesses IMO.

I also have a pair of Tonian Labs TL-D1s - simply an amazing speaker.
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Components Toggle details

    • Anti-Cables Anti-ICs
    Why spend more?
    • Lenco/Oswald's Mill Audio 75
    Restored by Oswald's Mill Audio in OWA slate plinth. SME 3012, Denon 103R. Amazing table - these idlers have some drive.
    • Audio Note Kits DAC 2.1C Sig
    Stunning DAC - transformer I/V conversion, true valve analog out, transformer-coupled. Note the Gingko Audio acrylic cover on the DAC and L3 pre.
    • Wright Sound 200C
    Excellent phono-stage - yes, a
    • Audio Note L3
    Another Audio Note Kits product built by me (as with the DAC). Simple circuit, robust power supply, transformer-coupling for ultra-drive - I like it!
    • Korneff 45 - Integrated
    Tube-rectified, choke-filtered power supply, 6SN7 driver. The most powerful-sounding 45 SET I've heard.
    • Audio Note Kit 3 AN/E
    Jack of all trades and master of many! Superbly balanced, amazingly dynamic (on 2 watts), smooth, fluid, always musical.

Comments 11

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Thanks for the update
I have a Lenco in a wooden plinth and it sounds nice as well if you have the ptp plate adding damping rings around the round topplate helps a fair deal
Check out Lenco Heaven for more tweaks on these fabulous idlers

musicfile

Nice looking system
I'm sure the Lenco Idler sounds amazing with the AN Speakers
Bravo !!

musicfile