I consider this the beginning of my playback system; clean power. While not required for the Ikemi (due to switching power supply) it is vital for the preamp. Multiwave free zone :-)
Linn Ikemi
Horrible chassis design. Amazing transport and decoding mechanism. Solution? Isolate and manage vibrations. Result? I'd stack it up against a CD12 (and I have -- there is *very* little difference).
Audience Au 24
Half a meter of smooth, detailed bliss. Amazing stuff.
Audio Electronic Supply AE-3 DJH
A neat little tubed preamp from the Cary guys. Have CBS-Hytron 6SN7 tubes. Clean, quick, and a lot of bass. Highly recommend this unit!
VH Audio Pulsar
12' run from pre to amp. Price/performance is off the map. Could not recommend this stuff more highly.
Forte Model 4a
Great sound, cheap price. I love this unit.
Goertz MI2 Biwire
Apparently, a controversial cable. I did have some problems with this cable initially, but after removing the Zobels (which some consider mandatory) the sound break-up at high volume problem was solved. Apparently, the Zobel's introduced a destructive feedback to my amp (strange, for they are designed to *avoid* that problem). Anyway, I consider this a very neutral cable and I'm quite happy with them. Especially considering the price.
Jea: yes, still using the midnight, but not for long. I share your observation: my cables are the weak link in the system. Candidly, I've wanted to avoid this whole cable thing, for it is the most mysterious aspect of playback to me.
You're correct, cables are more than a tweak. Then again I feel like I'm in the right quadrant for what I was aiming to do two years ago. Now I'm in endgame; that feels rather nice.
Updating and catching up. Problem loading pictures. Hopefully will get them in soon. System seems a little wonky.
Dizzy: the gold think is a weight to manage vibrations. As for the Neuance, I would consider it mandatory for the Ikemi. As good as the player is, it *must* be properly isolated against vibrations. The chassis is *way* underdesigned.
Rob: made my bass traps by taking 3 file boxes and loosly stuffing with eggcrate foam. Covered the boxes with a fine paper.
Nick: yes, that is an Ikea chopping block, resting on four vibrapods. The Ikemi shelf (picture soon to follow) is also an Ikea chopping block. Cheap and does the job for the CD player, however, I'll be getting a proper amp stand one of these days.
There is a different signature depending on where I sit. Closer, the sound becomes flatter/thinner, but with some recordings, the imaging is greater. Farther back the sound rounds out but imaging suffers. So there's a trade. I find an equlateral triangle to yield the best results. Hence, that leaves me pushing the speakers closer to the side walls :-( if I want to sit back further.
Viggen, I guess my biggest question is: what would I gain from it? A larger soundstage?
Keep in mind the room is small. The speakers ar 5' apart and I sit 5' from each. I only have 2.5' feet from each speaker to a wall. Also, the speakers are already transparent, images are outside of their physical boundaries but within the room. Would increasing my triangle allow the images to appear larger than the room?
Should say things have changed. The table's gone. The CD player's now on a wall shelf, around the corner in another room. Still waiting on the Nueance shelf.
The integrated is on the floor, between the two speakers. I does look a bit silly, that small Majik, where the table once was. Put an orchid behind it. Didn't help :-)
The room is being tuned further. Put another 2 4" foam tiles on the wall. Also adding diffusing surfaces to the rear wall. About 50% towards a good solution. Will also be adding some room corner devices. Ouch, they're expensive for what they are. Will post pictures when all is done.
But for now, all I can say is - God what a difference getting the room right and vibration management can make. Even now, my system has no right sounding as good as it does. So, major thanks to Newbee, Golden Ears, Whkoop, Bluefin, and many others who've shared their knowledge which has led to further enjoyment.
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Rhum_runner: the seat forms an equalateral triangle with the speakers. I have found the approach, in my small room, to yield the best performance. Specifically, the speakers dissapear in the near-field where this is not the case further back. Also, the imaging is much better. From doing an archive search, there are other B&W owners who use a different approch and feel strongly the speakers need time to come together. Hence, they sit much further back. Suggest you experiment.