A very musical (what an overused term!) system which leans to the warm side of neutral. The Ovations are great imagers and have very satisfying bass. My main goals continue to be neutral timbres and the illusion of real instruments playing in my acoustic space. Imaging is important but secondary to dynamics and creating this illusion. The living room is 14 x 20 feet.
SACD player and CD transport with superclock 2 and transport mod.
Levinson No-360s
Wonderful DA converter.
VPI Industries TNT-5
All mk.5 upgrades but with original mk.1 platter.
Graham Engineering 1.5t/c
with both aluminum and ceramic armwands, and 2.2 bearing cap upgrade.
Lyra Helikon
Helikon mono for mono records!
Benz Micro LP Ebony
Black as night, still breaking in...
Audio Research Reference 1
with Great Northern Sound reference mod.
Klyne Audio Arts 7PX-3.5
Wonderful phono preamp with lots of gain.
Audio Research Classic-120
Recently upgraded by GNS with Reference level mods (including balanced inputs, Cardas connectors, new caps, and assorted other changes to the passive components).
Verity Audio Parsifal Ovation
In beautiful Makore wood!
Straightwire Crescendo and Virtuoso
Great interconnects with a warm, ballsy sound.
Discovery Essence
A very tuneful phono cable.
Purist Audio Venustas
12 feet speaker cable. Also use Venustas jumpers on the Verities.
Wireworld Gold Starlight 5
Really great cable.
Balanced Power Technologies BPT 3.5 Signature Plus
Great balanced power conditioner.
BPT Pure Power Center
power strip with Wattagate outlets
Shunyata Python, Copperhead, and Taipan
power cords.
PS Audio Lab cables
From the wall to the UO's, and from the UO's to the amps.
Magnum Dynalab FT-101a
FM tuner.
Alesis Masterlink 9600
CD burner (and a spare transport).
Argent Room Lenses
Really good for focusing the soundstage.
ASC Tube traps
The Circe's like a more lively room so I had to remove some of the traps.
Stax Lamba Pro Headphones
Electrostatic headphones with solid state headphone amp.
Yanagisawa A-991
Great jazz maker with wonderful tonality. Can adjust timbre by moving mouthpiece in and out. Can play up to high F#.
System edited: I added a BPT Pure Power Center in place of the PS Audio Ultimate Outlet and am now running the ARC monoblocks through the BPT power conditioner.
I like it quite a bit. I have no thoughts about upgrading right now, except maybe my equipment rack. BTW, the Ref.1 is prone to microphonics so benefits from tubes that are very stable. I got mine from Upscale Audio.
Reading your post regarding the Verity loudspeaker being a bit to revealing (Upgrading from Kharma 3.2 to Verity Parsifal,04-01-08 Norfish.) Can you provide a short explanation of what you mean in turn of what the speakers presented.
My main focus is midrange and highs for percussion with better separation of instruments.
System edited: Replaced Discovery Essential Speaker cables with Purist Audio Venustas. I also replaced the jumpers on the Verities with Venustas jumpers. To be honest, I think that replacing the jumpers made more of an improvement. Mostly in bringing out the midrange and a bit more articulation in the bass.
System edited: Added Yani A-991. My wife gave it to me for my birtday. Costs about the same as a speaker cable upgrade. The best birthday present I ever received!
I compared the Wireworld with Ensemble and Nirvana, both single-ended, and liked the Wireworld AES/EBU better. But these were not night and day differences.
I was searching for speakers for about 2 years before hearing the Parsifals. Since there was only one high-end dealer here in Knoxville, I visited stores whenever I was travelling. Speakers that I listened to during that period were: Vandersteen 5A's (too slow), Kharma 3.2's (too anemic), Watt Puppy 7's (nice but the bass seemed bloated and they never had the magic that I was looking for), B&W802D's (very nice and almost electrostatic like in the mids), and probably a couple of others that I forget. I was so convinced by reviews that the Vandersteen's or the WP's were for me, that I went out of my way to hear each of them on two occassions. But it only took one listen to the Parsifal Ovations to realize that these speakers had the magic that I was looking for. They don't plumb as deep into the bass as the WP's or even my previous speakers (Alon Circe's), but their bass is tuneful and quite full (after the mandatory 5-6 hundred hour breakin!). And the midrange draws me into the music every time. They also image marvelously.
I have the VA Parsifal Ovations on my short list, in fact I am down to the shortests of lists right now. I may take the plunge soon. I have the Peak Consults Incognto X and SF Amati on the list too..
What other speakers were on your list? What were the key charactoristics that compelled you to pull the trigger on the VA's over any others?
Hi Randy, I'm an audiophile from The Netherlands. Recently I replaced my Pure Note Paragon Enhanced AES/EBU digital interlink with the Wireworld Gold Starlight II S/PDIF, which was residing in the closet. I must say the Wireworld is more pleasant to listen at, because the midrange presentation is more full and there seems to be more PRaT, although the Pure Note has better detail rendetion. Do you still have the Gold Starlight? What is your opinion: do AES/EBU digital cables in general sound a bit laid back in comparison with S/PDIF? I have owned a Purist Audio Dominus AES/EBU digital once, but it had also this laid back sound quality. Thanks.
System edited: I replaced my beloved Alon Circes with Verity Audio Parsifal Ovations following a two year search! After a 500 hour breakin (so far), the Ovations retain the musicality of the Circes but have an even wider and deeper soundstage, and bring a certain level of refinement that was previously missing. It's still early days in my setup of the Ovations, however, and I do not believe that I have gotten the most out of them. Even the 700 hour breakin period for the woofers has not yet been completed.
Thanks Labombarda, When I started collecting records in the 80's, I did not put my records in plastic sleeves and got the dreaded LP imprint on my jackets. With plastic sleeves, the jackets stay pristine.
Thanks Gregg. I have quite a few mono records from 30's swing up through small bebop groups of the mid 50's and really enjoy them with the mono Helikon. Fortunately, the loading is close to that of the Benz Ruby, so it only takes a few minutes to change armwands and carts.
System edited: Just upgraded the amps with Great Northern sound Reference level mods, including balanced inputs, Cardas connectors, new caps, and assorted other changes to the passive components. First impressions are that the sound is much cleaner. But the power cords and the amps still need to burn in.
Hi Randy - Did you post more pics? Your LP collection is huge - I'm envious! Looks like the result of many, many years of collecting vinyl. What type of music do you listen to?
Thanks James, it was fun listening to the Koetsu Rosewood you brought over. I'm thinking about the RSP. But the Benz is sounding very nice with my new Discovery Essence phono cable. You'll have to come over again soon. Randy
Randy, The pics look great! Hope to get to listen to your system again. As for Ron's comment, I initially thought you listening position seemed to close, but it sounded great, and sound is all that matters (to me anyway). I'm still trying to find that perfect spot for my Vandersteens in my new listening room. Hopefully, it won't take me a year. I'm also in the process of building a equipment stand. It will be like the Arcici suspense, only made from Walnut. Happy Listening! James
Hi Ron, My listening spot forms an equilateral triangle (same on all sides) with about 7 feet to each speaker. I'm sitting about 2 and a half feet from the back wall. This spot works best for both imaging and bass response. This is called listening in the nearfield.