Description

After 11+ years in this hobby (6 of which were fun, while the other 5 were completely obsessive)I have finally settled down. It has taken me 8 integrated amps, 8 amps, 4 pre-amps, 6 CD players, 3 analog rigs, and 8 pairs of speakers to settle on what I have now.

Am I happy? Yes.

I think everybody in this hobby should be a music lover first and a gear fanatic second. I think that is mostly the case, but I've run into a few exceptions and it still baffles me whenever I encounter it. My goal now is to listen to the music first, and the system second.

In order to hear the music though I require that a system have little to no noise. That is my first requirement. I had a bad experience with Joule Electra OTL gear being noisy (a problem that never was resolved by the manufacturer) and it has forever soured me on any sort of noise in a system.

The second thing that a system must do for me is be accurate in how the controls work. I am a stickler for volume controls being transparent and attenuating the signal evenly in both channels across the volume spectrum. I had a high end Musical Fidelity Nu-Vista integrated amp sour me on the proliferation of inferior volume pots. It had a slight channel imbalance at low volumes, but the deviation was within the manufacturer's "spec", so they would not fix it.

Kudos to Ayre, Tom Evans, and other manufacturers that do not act like cheapskates when it comes to volume controls. Companies like yours will always have my business (when I buy solid-state gear).

The next thing I like to have is coherant sounding speakers from top to bottom. I choose electrostats and planars over dynamic drivers because even though I love the kick and presence of dynamic drivers, planars and electrostats sound more "real" to me. If I listen long and hard enough to a dynamic driver speaker (especially to speakers that are not monitors), I start to easily pick up on the integration points or defeciencies in the drivers themselves. However, to be fair, I love monitor speakers. Its just that my room is a bit too big for them.

Finally, my source has to play with rhythm and pace above all else. I hate CD players that have technical issues (or sound too clinical, veiled, or mechanical). As far as analog rigs go, after switching to the Garrard, I am in no hurry to go back to a belt-driven turntable.

I have not owned enough cartridges to comment on what my requirements are yet. I suppose the first requirement be that they match well with my phono-preamp, so I'll just leave it at that.

So thats about it.....oh wait, what about the music? I listen mainly to rock (classic rock, metal, glam, punk, new wave, etc) but I also listen to folk, jazz, country, bluegrass, and blues too. My new love is classical and I have been listening to it for the last few years, but I am still a n00b. There is so much to learn in that genre.

Happy listening and if you have comments about my system, I would love to hear them.
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Components Toggle details

    • Garrard 301 (w/ Dobbins plinth)
    The single best source component I have ever owned. Devilishly clever British engineering from the old days, mated with a plinth from one of the best.
    • Tri-Planar Mk. VII (Ultimate II)
    You just gotta love how adjustable this thing is and how it was invented by a guy from the US Naval Measurements Division (RIP Herb Papier). After 7 years of building to Herb's sanctioned specs, this is Tri Mai's latest version, incorporating his own ideas. Incidentally, this arm in particular has also been cryo'd.
    • Dynaco ST-70
    This is in my top 3 best amps for the original Quad ESL (Quad 57's). It is also the cheapest. I've bought, sold, and re-bought an ST-70 a few times. They're like that loyal old dog that wont leave you alone. You just gotta love 'em. :)
    • Quad ESL
    The best speaker ever designed? Yes, I think so. Are they a speaker for all things? No. However, they do rock and they are perfect for my room.
    • EAR 834P
    I love this phono pre-amp. There are probably better ones out there, but this one is mine, and we treat each other quite nicely. I even had its power knob chromed (I dont think there is another one like it).
    • Lyra Helikon SL
    Lower output version of this classic cartridge. Designed as a regular Helikon with a single layer (SL) of windings. The single layer winding spec means lower internal impedance and lower output.
    • Naim NAC A5
    This is the latest iterations of the long-standing NACA series of Naim speaker cable. On Naim's website they call it 'NAC A5'. Most people just call it either NACA5 or NACA 5. The best speaker cable for the money, IMHO.

Comments 45

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Rotten: I'm moving too, from NY to Austin. I get it. But in my case, I'm gonna have a dealer friend break-down the system and store it for me (I will probably work out a different arrangement for the vinyl, which is pretty substantial somewhere north of 10 thousand discs). Where ya movin' to?
And, yes, I saw your ad. My plan is to send mine to Wayne when I move and have him ship the restored units to my Texas location. (I'm also thinking about going 'blonde', i.e. getting him to fit the bronze grills, rather than the black ones. I think it's probably OK to change that after so many years. My pair has travelled with me while I was a student, then to various apartments in NYC, then to houses outside the city, where they now languish in boxes in my basement). You are welcome to ping me to chat anytime at [email protected]

Best,
bill hart

whart

Rotten: like the joke about the guy strumming a guitar, drinking rum, and lounging on an island dock who is approached by a tourist who suggests to him that he 'go professional,' so that after years of beating his head against the proverbial wall, he can enjoy enough success to sit around on an island dock, strum a guitar and drink rum, you already have all you need. The Quads are a joy to listen to, and despite all the advances in materials, science and acoustics/design, their midrange- where the life of the music is- remains uncanny. I too used a Dynaco ST-70 (built as a kit when i bought the ESL). My pair now languishes, awaiting restoration. Did Wayne restore yours? Robin Wyatt has a clever way of getting some height under his while retaining the original style feet- they are essentially mounted on tall spikes. I love the simplicity of the system, and have a very good idea of what that system would sound like.
It takes a wise man to know when to go backwards!
Best,
Bill Hart

whart

Love it. I bought my ESLs in 1973 and still have them

whart