The Magnepan Altar represents hundreds of hours of research and work.
The Realization of the Altar is a permanent and uncompromising modification to the Magnepan 3.6R.
Triamplification is simply three channels of amplification per speaker, or in the case of the Magnepan 3.6R, one per driver. The lack of passive components (i.e. capacitors and inductors) between the amplifier and the driver results in a true, uncolored sound that few have experienced.
Thank you for looking! I'd be happy to answer any questions about this system or the modifications.
Rewired for triamplification. Each driver is connected to Vampire BPHEX binding posts using Goertz MI1 (custom integrated terminations treated with progold and silclear to prevent oxidization)
Audio Concepts Titan II LE
Very musical sealed enclosure subwoofer. Class AB amp. A perfect match for Magnepan speakers. Connected via direct input (active crossover employs a 45hz fourth-order LP).
Quicksilver V4
I use four of these to drive my midrange panels and ribbons. Two have been upgraded by Response Audio; two are stock.
Bryston 7B-SST
900wpc into 4. In the fashion of obscene overkill, these drive only my bass panels. Probably the best amps for this job.
Marchand XM44 4-way crossover
Highly flexible active crossover used to triamp my speakers and filter the frequencies for the subwoofer (better than the crap xover built into most subs). Currently enjoying 35hz LP, 240hz LR4, 1700hz LR4 filters.
Bent Audio TAP-X
Autoformer-based preamplifier. Probably the last preamp I will ever buy.
Marantz SA-11s2
One of the best SACD players out there!
Analysis Plus Crystal Oval
1m RCA CD player to preamp 1m XLR preamp to amp
These cables are highly resolving and neutral. Wonderful match for my system.
Analysis Plus Solo Crystal
4' runs from each monoblock to the speaker. Oh, and locking banana plugs rock. :)
VH Audio Flavor 2, 3, 4
Flavor 4 power cords for the amplifiers and Equitech 2Q; Flavor 3 for the SACD player; Flavor 2 for the active crossover.
Mapleshade Samson V1
I chose Mapleshade primarily for the stunning aesthetics. * Samson V1 stand with extra shelf and riser nuts. * (2) 15" x 18" Amp Stands * (2) 12" x 15" Amp Stands * (1) 18" x 24" x 4" Amp Stand * (2) 15" x 18" Platforms
GIK Acoustics Various treatments
If you have a nice system, you're doing yourself an INCREDIBLY injustice to put it in an untreated room. * 4' x 8' array of D1 diffusion panels (painted to match my apt!) * 4 Tri-Traps stacked floor to ceiling * 244 panels at the sidewall and rear wall first reflection points.
Mye Sound MG3.6 aftermarket stands
These are leagues better than the silly 'T' brackets that Magnepan supplies.
RealTraps MicroTraps, MiniTrap HFs
Used to treat the side wall and rear wall reflections, respectively
ASC StudioTrap, SoundPanel
Additional acoustic treatment for voiced diffusion and absorption
Oyaide R1
Purchased with cryo and burn-in treatment from VH Audio. Outlet cover is Furutech 103
Equitech 2Q
I use two of these: one for the tube amps hooked up to a dedicated 20A circuit, the other for the front-end + Bryston amps. I modified one with 3 x Oyaide R1, 2 x Furutech FP-15a (cu), VH Audio wiring, and no GFCI.
Herbie's Audio Lab Iso-Cup / Lampblack footers
These work wonderfully under my tube amps.
Herbie's Audio Lab SuperSonic tube dampers
I can't live without 'em!
Herbie's Audio Lab Grungebuster CD Mat
I didn't expect too much from this tweak, but I was oh so (happily) wrong.
Audio Points 1.5APD
Used under my power conditioner with Herbie's decoupling grounding base.
Marcus, I eventually settled on a fourth order Linkwitz-Riley network, with 240hz for the low-mid and 1700hz for the mid-high. There were tradeoffs with every set of filters I tried, but I enjoy the clarity of the LR4 network immensely.
I would love to borrow a DEQX to see what a linear phase digital crossover would sound like!
Pete, I really like my Marchand XM44, which I think is a great value and very transparent active crossover. IMO, the end-all of crossovers would be a DEQX, which is a digital crossover + eq that can implement a linear-phase crossover (impossible to do with an analog network).
Bbro, thank you for the kind words! I think the Marchand XM44 is hard to beat in terms of price/performance. If you're already using tubes, a tube-based analog crossover might be too much of a good thing, if you know what I mean. The DEQX is another very flexible option, and is especially awesome if you can feed it a digital signal.l
Definitely start with the biamping. If you like what you hear, you can take your system the extra mile with triamping. Good luck!
Mye Stands can be tilted upward and downward using the leveling spikes. They're great stands and can easily be filled with sand or lead/steel shot. As for treatment of asymmetrical rooms: The RealTraps portable stands work great for rooms like mine. I can easily move the trap into place for listening. Best of luck to your friend! This hobby is a continual journey.
Jallen (fellow asylum inmate), The only alternative to the XM44 I've considered is going with a DEQX pre+xover unit. If I'm going to spend that much more for a crossover, I think it makes sense to go with something that can implement a linear phase crossover.
I assume you want to actually remove the inner sock. The outer sock is attached to the wood trim and preserves the stock appearance of the Maggies.
To be frank, removing the socks is quite a pain. You'll want a few workhorses to lay your speaker (sans stands) upon. To remove the trim and outer sock, you remove the screws that attach the trim to the speaker frame. Be careful lifting the trim off -- the sock is loosely connected, and the entire assembly is rather unwieldy.
The inner sock is even more fun. You'll want a flathead screwdriver and lots of perseverance. The inner socks are attached with hundreds of staples (literally) found at the bottom of the speaker and underneath the ribbon chassis. Yes, you need to remove the ribbon to pull off the inner sock.
Once you're done removing the staples, the inner sock will slide right off. Now you can replace the ribbon chassis and re-attach the outer sock + trim.
I experimented with several crossover points and slopes for the Magnepans and found 24dB/oct to work best for both crossover networks. It is critical, however, to use matching amps with the midrange and ribbon with such a steep slope.
I suspect that Magnepan's recommendation stems from their use of Bryston 10B-SUB crossovers. Seeing as Magnepan uses Bryston electronics in-house, I'm almost positive this is the crossover they use, and it doesn't have the option to use fourth-order slopes.
The ribbons are directly connected to Monarchy SM-70 Pro amplifiers -- no fuse, no capacitors, etc. So far, I've had no problems. 120 watts dedicated solely to the ribbon element is far more than enough, and I doubt I could clip it before going deaf. :)
I'm currently using and loving my Zero Autoformers. I purchased them used here on A'gon -- no need for break-in. I'm using the 2x taps and my tube amps sound noticeably smoother and less dynamically constrained. I did have to increase the relative gain for them to match their previous levels.
System edited: I've just completed the speaker and power conditioner modifications and am amazed with the results. The difference is more than I could have ever hoped for!
System edited: Got myself a Marantz SA-11s2 as a bonus check present. :) A significant upgrade over my Tjoeb in terms of detail and bass presence. Took a few hundred hours to really break in, but I love this SACD player.
System edited: Pictures coming soon... I now have four monoblocks driving the 3.6s, and it's such a transformation on every facet of the sound. Pictures coming soon!
I run my Magnepan 3.6Rs full range and have my Titan crossed over at ~40hz. It's key to make sure that the sub is matched level-wise with the speakers for it to truly disappear.
Play with placement and phase. A lot. It takes time to get a subwoofer to blend in with your mains, but it's time well-spent.
I noticed better transient attack and decay when I set up the Mye Stands. I also enjoy their build quality vs. the stock stands. I am in the process of active biamplification, which will do amazing things to the system. :)
I need to adopt a cheaper hobby, like cocaine or burning twenty-dollar bills. :P
Wow, thank you for all the comments! Someday I might replace the internal wiring and build my own 3-way outboard passive crossover. I'd probably also bypass the fuses entirely--I really don't ever listen at levels that high, and my monoblocks can deliver more than adequate power (900wpc) for my needs. If I chicken out, I'll definitely use the isoclean fuses.
The Cardas pins are tempting, but they'd be not too useful if I performed the aforementioned mod.
Persve -- as far as I know, ASC products are available overseas, and I'm almost positive hifi-tuning is based in Germany, so you should have no problems acquiring them.
Rootmann -- glad to hear you got a ported subwoofer to blend with Maggies! I had no luck with a 20-39PC I bought and tried out years ago.
Libertasdon, thank you for the compliments! The acoustic treatment affects every aspect of the sound--timbre, imaging, soundstage... I could go on forever. the many bass traps also cleaned up the bass significantly. I'm glad to hear you enjoy the bass from your 1.6QRs... I found that having a sub even with 3.6Rs is beneficial--just to handle the 20-40hz information (my sub has its 4th-order low-pass filter set at 40hz.
Since my last pictures, I've positioned an ASC StudioTrap (the round tubes) against each GIK tri-trap to absorb some of the high-frequency information and diffuse the rest, which led to a true "disappearing act"--that is, you don't perceive the music as coming from speakers.
Thanks for all the compliments! I am currently enjoying my favorite Christmas CD, Cantante Domino, which is a great recording... :) Happy holidays to everyone.
Steve: The treatments you see in the front of the room are GIK tri-traps in the corners, GIK D1 diffusion panels, and ASC StudioTraps in the middle. On the rear wall, there are ASC SoundPanels and RealTraps HF MiniTraps.
Xagwell: Your system sounds very well-assembled. I do not biwire my speakers, but I do plan to replace those steel jumpers eventually (I'll probably bypass them internally, along with the tweeter attenuators).
Thanks for the comments so far! I ordered a pair of Mye Stands that should be coming any day now, and at some point I might rewire the internals and build a new crossover, but I hesitate to do so at this moment :)
I will look up the Stereo Unlimited folks to see what they can do for me; thank you for the advice.
Thank you for your kind words! Because the subwoofer is crossed over so low, it's really only there when it needs to be. I took a lot of care setting up the phase adjustment and placement when I first got it, but dropped the crossover from ~60hz with my MMGs to ~40hz with the 3.6Rs. I've listened to music both without and with, and having extension to 20hz really adds a sense of ambience and weight. And when I say seamless blending, I really mean it. My audiophile friend had to ask whether or not the subwoofer was on. :)