Description

***System Upgraded***

I have been slowly transforming my DJ setup into an audiofile system.

I started in January (09).

First upgrade was to replace an old amp with a new Marantz PM-5003. Next speakers were switched to the RS6's. Then I upgraded from Ortofon OM with night club stylus to the Ortofon 2M Blue.

At that point I posted my system here and asked the A-goners the question:

...(next big upgrade will be to get rid of the Marantz and replace it with tubes)... My intention is to upgrade in steps. Thus, my big question is how should I step it up? My options are:

1- Buy a new integrated tube amp with an MM phone stage. This option, does not provide much opportunity for further upgrades.

2- Use my Mackie mixer as the phono/line pre-amp and purchase power-amp. Then at a later date purchase a suitable pre-amp.

3- Invest in a tube phono-stage (such as Pro-Ject Tube Box II). This will provide the some tube coloration at a relatively low cost, but it doesn t advance the system as a whole...

Finally, after much research on Audigon, experimentation and plenty auditions at local retailers I decided to switch out the Marantz for Quicksilver Mid-monos (option 2). Wow what a difference!

My next upgrade will be to re-wire the tone-arm wires with the cardas wires. I have the materials I just need to find the time to do the job right.

One final note, I enjoy listening to mostly jazz and funk but I also enjoy classical music and some opera. More now than ever before.

Your input was (and still is) greatly appreciated.
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Components Toggle details

    • Ortofon 2M Blue
    Ortofon 2M Blue
    • Technics SL-1200 mkII
    Stock sl-1200 MkII
    • Mackie D.2
    Two channel Mixer
    • Quicksilver Mid-Mono
    50W monoblocks, with black chasis, black transformer covers. 2 x Tesla EL 34 output tubes.
    • Monitor Audio RS6
    RS6 with rosewood finish
    • Denon TU-450
    Tuner
    • Samsung DVD-HD870
    DVD used as CD Player
    • DIY 6ft Interconnects
    (Preamp to Amp)DIY interconnects made with Canare L-2T2S micro-phone cable (2 x 23ga ofc copper conductor & shield). The RCA connectors are gold plated, high quality no-name brand (most likely Chinese), steel barrel with set screw to secure the cable
    • DIY 3ft Speaker Cables
    DIY Speaker cables, made of Canare GS-6 microphone cable (single conductor 18ga multi stranded ofc copper with a copper shield). Currently the cable are not terminated. I am looking for a suitable and affordable set of spades.
    • DIY Cork TT mat
    Cork TT platter mat made of cork board from Home-Depot
    • Hammond Power Strip 1584
    Hospital grade Power strip with 8 outlets and 12 foot 14ga. power cord.
    • DIY Tone-Arm Rewire
    Replaced stock tone-arm wires with cardas litz wires. The standard cartridge mount was drilled out to allow litz wires to be connected directly to the cartridge. On the other end the litz wire are soldered directly to the ICs. ICs are made with Canare L-2T2S microphone wire. The wires are shielded at the tone-arm.
    • Electro Harmonix KT88
    Upgraded the MidMonos from EL-34s to KT88s

Comments 16

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Thanks for the info on the 2M blue. I have a friend who is a Tech and will be setting up the cartridge using a Oscillscope for all the adjustments. He does a great job.

tune_man

Nice system. I hear the Ortofon 2M Blue is a great value and sounds great on the SL -1200 which is what I have and am thinking of getting a 2M Blue. How do you like it? Are the Monitor Audio RS6 good on all types of music. I would probably want to go with a Tube Phono stage. I bet that would be a great match for your system.

tune_man