Room Details

Dimensions: 40’ × 25’  X large
Ceiling: 25’


Components Toggle details

    • SME Model 10 x2
    Two SME 10 turntables, both modified to hold a second tonearm.
    • SME Series V
    Hosts the Soundsmith Hyperion
    • SME Series IV x2
    One hosts the Ruby 3 mono and the other hosts the London Decca Reference.
    • SME 309 tonearm
    Holds the Nagaoka MP-500.
    • Soundsmith Hyperion MkII ES
    In use on the SME V arm.
    • Decca London Reference
    In use on an IV arm.
    • Benz Micro Ruby 3
    Converted to mono by Steve Leung of VAS. In use on an SME IV.
    • Nagaoka MP-500
    In use on the SME 309 arm.
    • Ayre Acoustics C5-xe
    • Musical Fidelity NuVista Vinyl
    Phono stage for up to five arms
    • Wyetech Labs Ruby STD
    Tube pre-amp
    • Quad II/forty monoblocks
    • Quad ESL-2905
    So good I replaced all the panels when they started to fail after 12 years.
    • Soundsmith Sussurro Mk. 2 ES
    Backup
    • Grado Statement 3
    Backup.
    • Benz Micro LP-S
    Backup
    • Ortofon Kontrapunkt C
    Backup.
    • Ortofon Cadenza Bronze
    Backup.
    • London Decca Jubilee
    Backup.
    • Benz Micro Wood H2
    Backup.
    • Ortofon MC Cadenza Mono
    Backup.
    • Loricraft Audio PRC-4 Deluxe
    • Degritter mkI
    • Sennheiser HD-650
    Used through MF X-Can V3.
    • Musical Fidelity X-Can v3
    Used for Sennheiser HD650 headphones.
    • Atlas Cables Navigator ac interconnects
    • Monster M2Sigma speaker cables

Comments 10

Showing all comments by lynnot.

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I realy like this set-up with 4 tonearms in parallel. How is the Quad QC-24, is it up to par with the Musical Fidelity phono amp?

Are you also into vintage mono records and belonging record equalizers?

lynnot