Description

I think I'm about 80% of the way to achieving my dream system. I've been a music & hi-fi system lover since the late 1970s.

Living in England, I spent far too much money that I couldn't afford on my first system before I had even found a decent place to live.

My passion for music and audio has never gone away although in the 1980's marriage initially severely curtailed my system upgrading plans.

These days I try to listen to my system every day (not always possible as my wife is not remotely interested in audio).

I listen to digital and vinyl in equal proportions in my 25 x 15 x 8 (l x w x h in feet) room - it depends on my mood which I play.

The main thrust of my more recent upgrades has been the eradication of mid range hardness and glare at higher volume levels, particularly with digital. I think my hearing must be very sensitive in this region.

Up until the mid 1990's all my amplification was solid state.

However, a friend of mine had been urging me to investigate valve (tube) amps, in an effort to tame the mid range glare in my system.

Things took a turn for the better with the penultimate series of upgrades to my system. I changed my Nakamichi CA-7 preamp for a Cary SLP 2002 and I bought a pair of pre-owned ProAC Response 3's.

I was very pleased with both components. The ProAcs had good bass control and precision in the mid range and treble. The Cary was very good tonally giving a nice weight to the music. The downside was that I felt the trebled was rolled off and lacking space and air.

I lived with the system as it now was for a year. Then out of the blue opportunities arose to purchase a preowned pair of Sonus Faber Amati Homage speakers and also a Conrad Johnson Premier 16LS tube preamp.

Well both components are amazing. The CJ Premier 16 is so natural and has so much space and air between instruments all the way up to the highest frequencies and the Amatis are beautifully detailed right through the frequency spectrum.

I now feel the whole system is moving in the right direction and my next purchase is going to be a Conrad Johnson Premier 350 power amp.

Spare a thought for us poor English. While you guys agonize about shelling out $8,000 for a Premier 350 in the states, it will cost me $15,000 here in England. C'est la vie! as they say.

I would be interested in anybody's comments and once I've got the Premier 350 into the system, I will lookk at cabling and supports.
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Components Toggle details

    • Koetsu Urushi
    Tsugaru (Black)
    • Rega RB-900
    Rewired with van den Hul.
    • Rega Planar 9
    Black plinth surround.
    • EAR USA 834P
    MC & MM, black and with volume control
    • Pioneer DV 656
    Universal player modified by Audio Synthesis. Now has dual glass optical leads outputting to DAC.
    • Audio Synthesis DAX Discrete
    This DAC can handle any signal a universal player can throw at it including DVD-A and SACD.
    • Conrad Johnson Premier 16LS
    Special Order with black face plate.
    • Conrad Johnson Premier 350
    350 watts per channel into 8 ohms and a high current capability. A quite beautifully voiced and very agile solid state amp.
    • Sonus Faber Amati Homage
    As soon as I saw them,I had to have 'em.
    • Marantz CDR 610
    Actually a professional CD recorder that bypasses SCMS etc.
    • Z-Systems RDP-1
    Black
    • Kef PSW 4000
    A big lump in a nice cherry finish
    • van den Hul The First
    Smooth but detailed sound. No part of sound spectrum exaggerated.
    • van den Hul The Wind
    Similar sound quality to The First interconnects.
    • Isotek Mini Sub Mk 1
    Six outlet A/C conditioner. I run everything through it

Comments 10

Showing all comments by amperidian.

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Sounds like you have put a great system together, any chance of posting some pictures soon? .... would love to see those.

I love Sonus Faber, they really make some nice sounding gear ... heard the Stradivari's this year in Montreal ... WOW! unbelievable sound coming through them (all run via complete Ayre electronics and Shunyata powerconditioning/interconnects and speakercables ... no-compromise from both companies, their top models only) ... it was like walking into the recording venue on XRCD recordings ... just blew away the competition in that particular area ... could have been more musical though but just like Porter said, nobody's ever completely happy (the shunyata interconnects and speaker cables are not among my favorite as I find they place too much emphasis on vocals and unaturally separate them from the rest of the performance ... could have been the weak link in the system for me ... but their powercords and powerconditioners are first class and easily among the top 5 best out there)

I can share your admiration of the Whest Audio DAP.10u, mine sits between an Audio Aero Capitole MKII SE and a YBA passion integre (using its amp stage only and the pre from the Capitole). I have tried cardas golden reference/audioquest nrg-5/revelation audiolabs precept and precept II powercords on it. The golden reference and the precept were my favorites. Cardas has musicality but over-refined top end while the Precept has better transients, dynamics and pace, is very open in the highs but not refined here ... sibilance inherent to the sonic qualities of 5 N silver I believe ... however it still sounds mighty impressive and even more so on the YBA.

If you like the DAP.10u I hear from James that his PS.20 does the same for vinyl. I think the only one that people preferred to it here on audiogon was the manley steelhead at almost double the price and it should be given the cost difference ... but I do wonder if most users experimented with different powercords and mechanical isolation devices on it like I have on the DAP ... the results speak for themselves.

Anyways ... I wanted to recommend symposium rollerblocks for your DAP. I use them under every component in my system with results that can parallel those of introducing the DAP itself ... I'm not kidding, these things really work and I highly recommend them if you can find some used on audiogon (try out the symposium series 2 or 2+ rollerblocks instead of the juniors , they are worth the extra money in my opinion).

As regards the CJ gear, I'm really sorry to hear that you have to pay so much for it ... have you considered YBA or Nagra, you could probably find them on the used market for much less and shipping would also be less if you can find them in Europe ... just a thought ... I understand system matching and most systems sound best when pre's and amp's come from the same manufacturer ... and dac's too.

Again, congratulations on this system ... experience in this field is invaluable and learning never stops ... wouldn't it be nice if we could have gone to "audiophile" school when we were young? ... wouldn't have skipped so many classes .... :) and would have been more happy completing "homework" ...

amperidian