A company called "Butterfly" makes it. You can fold the table with one hand(Both sides close at the same time). The Nationals are held in Vegas in December and tables can be purchased at a discount after the end of the Tournament. Let me know if you're interested.
I wrote to a friend who might answer that, but have not heard back from him. If I do, I'll let you know. I'll be out of town, with intermittent internet access, so I'll get back to you when I can if I have more information. In the meantime, I would just call or write DH Labs and see if they might be of some help. Sorry I don't know more about how this wiring was acquired.
The wiring on my La Scala's had been replaced when I bought them. He used DH Labs silver wiring. Looks pretty simple to do. You might check on the www.klipsch.com forums for more information/alternatives.
That is a good point about the perspiration. I am more concerned about an stray ball hitting a tube. However, the room is about 800 sq ft and their is plenty of room between the table and the components.
The crossovers take about five minutes to 'install'. The new crossovers are labeled just as the originals are, so it's simply a matter of connecting the wires to the proper post.
Rob You should be ashamed for mixing audio and TABLE TENNIS. Are'nt you afraid that perspiration might get on your equipment? I'm converting 1/3 of the garage into a listening room and my new Ping Pong table($1100) will go in a seperate area with my training robot($1900). Two great endeavors that deserve their own space.
Sure thing. I am really happy with the crossovers, other than the fact that the more expansive projection of the music makes us need a bigger room for this system even that much more than we already did. In your gameroom, I'm sure that you would greatly benefit from crossovers. And at $250, they are absolutely worth the price. Howard
Thanks for the response and comments. I had seen those crossovers but was not sure about if they would make any difference (I hope my grammer is correct).
Beautiful system. To answer your question, I moved from the Wright Sound Mono 3.5 (2A3) amps to an Audion Silver Night MKII (300B). Just recently got a set of Western Electric 300B's, and I am in heaven. I use Klipsch La Scala's, circa 1977. I also replaced the crossovers with ones made by a gentleman selling on eBAY (under Klipsch crossovers). They are replicas of the originals, and were a wonderful 'addition.' They did nothing to change the sound, just delivered more of it, as the originals would if they were still relatively new.
As you mention, the thing I noticed most from changing amps was a BIG increase in the bottom end. This system will now play everything well except hard rock. The range of the amp is much greater than with the 2A3's. I will say that for pure midrange bliss, the Wright's are fantastic. However, once I went with the NOS tubes in my 300B amp, I struck gold as far as I'm concerned. It sounds amazing, and the Klipsch/SET combination is stellar IMO. The Western Electric's were the trick. VERY expensive, but their good for 40,000 hours and come with a 5-year warranty. And they sound soooooooooo good!
If you have any other questions, please ask. By your comment, it sounds like you already have a good idea of what the change in amps would produce.
